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Article

Ainscough, SL, Windsor, WL orcid.org/0000-0001-6291-3057 and Tahmassebi, JF (2019) A review of the effect of music on dental anxiety in children. European Archives of Paediatric Dentistry, 20 (1). pp. 23-26. ISSN 1818-6300

Allis, M (2019) From Musicology to Novel: Reassessing Robertson Davies’s Literary Representation of Peter Warlock. University of Toronto Quarterly, 88 (1). pp. 64-88. ISSN 0042-0247

Allis, M (2017) Reading Music through Literary Scholarship: Granville Bantock, Shelley, and The Witch of Atlas. Journal of Musicological Research, 36 (1). pp. 6-28. ISSN 0141-1896

Allis, MJ (2014) Bantock and Southey: Musical Otherness and Fatalism in Thalaba the Destroyer. Music and Letters, 95 (1). pp. 39-69. ISSN 0027-4224

Allis, MJ (2015) Contemporary music in Aldous Huxley's music criticisms. Aldous Huxley Annual: A Journal of Twentieth-Century Thought and Beyond, 14. pp. 137-162.

Allis, MJ (2014) The Diva and the Beast: Susan Strong and the Wagnerism of Aleister Crowley. Forum for Modern Language Studies. ISSN 1471-6860

Allis, MJ (2017) Reading Music Through Literature: Introduction. Journal of Musicological Research, 36 (1). pp. 1-5. ISSN 0141-1896

Allis, MJ (2008) Richter's Wagner: a new source for tempi in Das Rheingold. Cambridge Opera Journal, 20 (2). 117 - 147. ISSN 0954-5867

Allis, MJ (2014) 'Wagner and Literature: New Directions' (special issue of Forum for Modern Language Studies volume 50 issue 4). Forum for Modern Language Studies, 50 (4). 371 - 510 (139). ISSN 0015-8518

Allis, MJ (2014) 'Wagner and Literature: New Directions: Introduction'. Forum for Modern Language Studies. ISSN 0015-8518

Allis, MJ (2016) "A canvas of endless extent": Granville Bantock, Robert Southey and The Curse of Kehama project. European Romantic Review, 27 (2). pp. 143-174. ISSN 1050-9585

Allis, MJ orcid.org/0000-0002-1314-6418 (2021) Refiguring the poetic elegy in music: the rhetoric of mourning in Parry's Elegy for Brahms. Music and Letters. ISSN 0027-4224 (In Press)

Anderson, L (2015) Musique concrète, French New Wave cinema, and Jean Cocteau's 'Le Testament d'Orphée' (1960). Twentieth-Century Music, 12 (2). 197 - 224. ISSN 1478-5722

Arthurs, Y, Beeston, AV orcid.org/0000-0003-2796-1947 and Timmers, R (2018) Perception of isolated chords: Examining frequency of occurrence, instrumental timbre, acoustic descriptors and musical training. Psychology of Music, 46 (5). pp. 662-681. ISSN 0305-7356

Bailes, F orcid.org/0000-0003-2723-3579, Dean, RT and Broughton, MC (2015) How Different Are Our Perceptions of Equal-Tempered and Microtonal Intervals? A Behavioural and EEG Survey. PLoS ONE, 10 (8). e0135082. ISSN 1932-6203

Bailes, F orcid.org/0000-0003-2723-3579, Dean, RT and Pearce, MT (2013) Music cognition as mental time travel. Scientific Reports, 3. 2690. ISSN 2045-2322

Bailey, N. and Cooper, D. (2000) Perceptually smooth timbral guides by state-space analysis of phase-vocoder parameters. Computer Music Journal, 24 (1). pp. 32-42. ISSN 0148-9267

Bishop, L, Bailes, F orcid.org/0000-0003-2723-3579 and Dean, RT (2013) Musical Expertise and the Ability to Imagine Loudness. PLoS ONE, 8 (2). e56052. ISSN 1932-6203

Bretherton, B, Deuchars, J orcid.org/0000-0002-4445-654X and Windsor, WL orcid.org/0000-0001-6291-3057 (2019) The Effects of Controlled Tempo Manipulations on Cardiovascular Autonomic Function. Music and Science. ISSN 2059-2043

Burland, K orcid.org/0000-0003-0066-0132 (2020) Music for all: Identifying, challenging and overcoming barriers. Music & Science, 3. pp. 1-6. ISSN 2059-2043

Burland, K orcid.org/0000-0003-0066-0132 and McLean, A (2016) Understanding live coding events. International Journal of Performance Arts and Digital Media, 12 (2). pp. 139-151. ISSN 1479-4713

Chung, Y-C, Greasley, AE orcid.org/0000-0001-6262-2655 and Hu, L-Y (2019) The relationship between musical preferences and Type D personality. Psychology of Music, 47 (1). pp. 3-17. ISSN 0305-7356

Cooper, D, Sapiro, I orcid.org/0000-0001-9854-8178, Anderson, L et al. (1 more author) (2016) Digitizing, Organizing and Managing an Audio-Visual Archive: The Trevor Jones Archive at the University of Leeds. Journal of Film Music, 6 (2). pp. 101-110. ISSN 1087-7142

Cooper, E orcid.org/0000-0002-5289-4590 (2021) THE STRONG SILENT TYPE: MASCULINITY AND WANDELWEISER MUSIC. Tempo, 75 (296). pp. 21-33. ISSN 0040-2982

Czajkowski, A and Greasley, A orcid.org/0000-0001-6262-2655 (2016) Correction to: Mindfulness for Singers: The effects of a targeted mindfulness course on learning vocal techniques. British Journal of Music Education, 33 (3). p. 347. ISSN 0265-0517

Czajkowski, A-ML and Greasley, AE (2015) Mindfulness for singers: The effects of a targeted mindfulness course on learning vocal technique. British Journal of Music Education, 32 (2). 211 - 233. ISSN 0265-0517

Czajkowski, A-ML, Greasley, AE orcid.org/0000-0001-6262-2655 and Allis, M (2020) Mindfulness for musicians: A mixed methods study investigating the effects of 8-week mindfulness courses on music students at a leading conservatoire. Musicae Scientiae. ISSN 1029-8649

D Amario, S, Daffern, H and Bailes, F orcid.org/0000-0003-2723-3579 (2019) A new method of onset and offset detection in ensemble singing. Logopedics Phoniatrics Vocology, 44 (4). pp. 143-158. ISSN 1401-5439

D'Amario, S, Daffern, H and Bailes, F orcid.org/0000-0003-2723-3579 (2020) A Longitudinal Study Investigating Synchronization in a Singing Quintet. Journal of Voice, 34 (1). 159.e1-159.e12. ISSN 0892-1997

D'Amario, S, Daffern, H and Bailes, F orcid.org/0000-0003-2723-3579 (2019) Perception of synchronization in singing ensembles. PLOS ONE, 14 (6). e0218162. ISSN 1932-6203

D'Amario, S, Daffern, H and Bailes, F orcid.org/0000-0003-2723-3579 (2018) Synchronization in Singing Duo Performances: The Roles of Visual Contact and Leadership Instruction. Frontiers in Psychology, 9. ARTN 1208. ISSN 1664-1078

Dean, RT and Bailes, F orcid.org/0000-0003-2723-3579 (2016) Modeling Perceptions of Valence in Diverse Music: Roles of Acoustic Features, Agency and Individual Variation. Music Perception, 34 (1). pp. 104-117. ISSN 0730-7829

Dean, RT and Bailes, F orcid.org/0000-0003-2723-3579 (2016) Relationships between generated musical structure, performers’ physiological arousal and listener perceptions in solo piano improvisation. Journal of New Music Research, 45 (4). pp. 361-374. ISSN 0929-8215

Dean, RT, Bailes, F orcid.org/0000-0003-2723-3579 and Schubert, E (2011) Acoustic Intensity Causes Perceived Changes in Arousal Levels in Music: An Experimental Investigation. PLoS ONE, 6 (4). e18591.

Dean, RT, Milne, AJ and Bailes, F orcid.org/0000-0003-2723-3579 (2019) Spectral Pitch Similarity is a Predictor of Perceived Change in Sound- as Well as Note-Based Music. Music & Science, 2. ISSN 2059-2043

Erraught, S orcid.org/0000-0003-1569-5063 (2020) Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism by Stephen R. Millar, Ann Arbor, U of Michigan P, 2020, 264 pp., $80.00 (hardback), ISBN: 978-0-472-13194-5. Popular Music and Society. ISSN 0300-7766

Erraught, S orcid.org/0000-0003-1569-5063 (2019) The Value of Popular Music: An Approach from Post-Kantian Aesthetics. Popular Music and Society, 42 (4). pp. 501-503. ISSN 0300-7766

Erraught, S orcid.org/0000-0003-1569-5063 (2021) I Was Listening...but Did not Succeed in Hearing You: Flann O’Brien, Ralph Cusack and the Absurdities of Silent Musical Experience. Irish University Review. ISSN 2047-2153 (In Press)

Erraught, S orcid.org/0000-0003-1569-5063 (2021) The country and Irish problem. Popular Music, 39 (3-4). pp. 568-584. ISSN 0261-1430

Erwin, M orcid.org/0000-0002-3690-6942 (2019) Who Is Buried in Webern’s Tomb? Orientations in the Reception of Serial Music from Messiaen to Stockhausen. Perspectives of New Music. ISSN 0031-6016 (In Press)

Fulford, RJ, Greasley, AE and Crook, H (2016) Music amplification using hearing aids. Acoustics Bulletin, 41 (1). pp. 49-51. ISSN 0308-437X

Greasley, A orcid.org/0000-0001-6262-2655 (2016) Music to our ears. The Psychologist, 29 (11). ISSN 0952-8229

Greasley, A orcid.org/0000-0001-6262-2655, Crook, H and Fulford, R (2020) Music listening and hearing aids: perspectives from audiologists and their patients. International Journal of Audiology, 59 (9). pp. 694-706. ISSN 1499-2027

Greasley, AE orcid.org/0000-0001-6262-2655, Fulford, RJ, Pickard, M et al. (1 more author) (2020) Help Musicians UK hearing survey: Musicians’ hearing and hearing protection. Psychology of Music, 48 (4). pp. 529-546. ISSN 0305-7356

Hill, AP, Burland, K orcid.org/0000-0003-0066-0132, King, EC et al. (1 more author) (2020) Perfectionistic self-presentation and emotional experiences in music students: A three-wave longitudinal study. Psychology of Music, 48 (6). pp. 766-776. ISSN 0305-7356

Iddon, M (2017) Bartók after Catastrophe: Reading Bartók through Adorno in the post-war era. International Journal of Musicology, New Series, 3. pp. 179-184. ISSN 0941-9535

Iddon, M (2014) Brian Hulse and Nick Nesbitt (eds.), Sounding the virtual: Gilles Deleuze and the theory and philosophy of music. Music Analysis, 33 (3). 417 - 428. ISSN 0262-5245

Iddon, M (2017) The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward. Ed. by M. J. Grant and Imke Misch. Music and Letters, 97 (4). pp. 667-669. ISSN 0027-4224

Iddon, M (2016) Outsourcing Progress: On Conceptual Music. Tempo, 70 (275). pp. 36-49. ISSN 0040-2982

Iddon, M (2020) Still Modern. Darmstädter Beiträge zur Neuen Musik, 25. ISSN 0418-3878 (In Press)

Iddon, M, Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2019) Disruption and Discipline: Approaches to Performing John Cage's Concert for Piano and Orchestra. Music & Practice, 5. ISSN 1893-9562

Ireland, DI (2017) Great Expectations? The Changing Role of Audiovisual Incongruence in Contemporary Multimedia. Music and the Moving Image, 10 (3 (Fall 2017)). pp. 21-35. ISSN 2167-8464

Ireland, D orcid.org/0000-0002-9603-2538 (2021) Book review - 'Danijela Kulezic-Wilson, Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack (New York: Oxford University Press, 2020), ISBN: 9780190855314 (hb), 9780190855321 (pb)'. Twentieth-Century Music, 18 (1). pp. 153-158. ISSN 1478-5722

Ireland, DI (2015) Deconstructing Incongruence: A Psycho-Semiotic Approach toward Difference in the Film-Music Relationship. Music and the Moving Image, 8 (2). pp. 48-57. ISSN 1940-7610

Jago, M (2018) Towards a Spatial Reconsideration of “West Coast” and “East Coast” in Jazz: Hip Hop Parallels and Notions of the Local. Jazz Perspectives, 10 (2-3). pp. 123-140. ISSN 1749-4060

Jago, MS (2014) Dig-It: The Musical Life of Ted Brown. Journal of Jazz Studies, 10 (2). 95 - 118. ISSN 2158-1401

Jago, MS (2015) Jedi Mind Tricks: : Lennie Tristano & Mental Approaches for the Practice of Jazz Improvisation. Jazz Research Journal, 7 (2). pp. 183-202. ISSN 1753-8637

Jago, MS (2013) What is a Jazz Record Anyway? Lennie Tristano and the Use of Extended Studio Techniques in Jazz. Journal of the Art of Record Production (8). ISSN 1754-9892

Kirby, ML and Burland, K orcid.org/0000-0003-0066-0132 (2021) Exploring the functions of music in the lives of young people on the autism spectrum. Psychology of Music. ISSN 0305-7356

Launay, J, Dean, RT and Bailes, F (2016) Rapid learning of associations between sound and action through observed movement: A TMS study. Psychomusicology: Music, Mind, and Brain, 26 (1). pp. 35-42. ISSN 0275-3987

MacCuthcheon, D, Greasley, AE and Elliott, MT (2016) Investigating the Value of DJ Performance for Contemporary Music Education and Sensorimotor Synchronisation (SMS) Abilities. Dancecult : Journal of Electronic Dance Music Culture, 8 (1). pp. 46-72. ISSN 1947-5403

Mc Laughlin, S (2011) Dynamical Systems, Mimesis, and Analogy in Experimental Music. Chaotic Modeling and Simulation, 1. 127 - 137. ISSN 2241-0503

Mc Laughlin, SG (2014) Intra-Agencies. CeReNeM Journal (4). pp. 76-88.

McClelland, C (2017) Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein. Journal of Film Music, 7 (1). pp. 5-19. ISSN 1087-7142

Messina, M (2014) Music in the Western Mediterranean: Thoughts on the opening day of the first AVAMUS congress. Síneris. Revista de Musicología, 19 (18). ISSN 2254-3643

Messina, M and Casale, E (2014) Interview with Emanuele Casale. Síneris. Revista de Musicología (16). ISSN 2254-3643

Mooney, J orcid.org/0000-0002-7925-9634 (2017) The Hugh Davies Collection: live electronic music and self-built electro-acoustic musical instruments, 1967–75. Science Museum Group Journal (7). p. 170705. ISSN 2054-5770

Mooney, J orcid.org/0000-0002-7925-9634, Schampaert, D and Boon, T (2017) Editorial: Alternative histories of electroacoustic music. Organised Sound, 22 (02). pp. 143-149. ISSN 1355-7718

Mooney, JR (2010) Frameworks & affordances: understanding the tools of music-making. Journal of Music, Technology and Education, 3 (2-3). 141 - 154 (13). ISSN 1752-7066

Mooney, J orcid.org/0000-0002-7925-9634 (2021) Mid-Century Electronic Music: Where are the Instrument Collections? American Musical Instrument Society Newsletter, 49 (2). pp. 4-9. ISSN 2374-362X

Mooney, JR orcid.org/0000-0002-7925-9634 (2015) Hugh Davies’s Electronic Music Documentation 1961–1968. Organised Sound, 20 (1). pp. 111-121. ISSN 1355-7718

Morgan, F and Mooney, J orcid.org/0000-0002-7925-9634 (2021) ‘The Same Trade as Mozart’: Convincing the sceptics of electronic music’s value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

Muir, S (2014) Review of 'Jews, Race and Popular Music' by Jon Stratton. Journal of the Musical Arts in Africa, 11 (1). pp. 136-139. ISSN 2070-626X

Muir, S orcid.org/0000-0002-1622-651X (2013) Hasidism and Mitnagdism in the Russian Empire: the (mis)use of Jewish music in Polish-Lithuanian Russia. Journal of Synagogue Music, 38. pp. 193-212. ISSN 0449-5128

Ng, K. (2002) Sensing and mapping for interactive performance. Organised Sound, 7 (2). pp. 191-200. ISSN 1355-7718

Norton, N, Ginsborg, J and Greasley, A orcid.org/0000-0001-6262-2655 (2019) Instrumental and vocal teachers in the United Kingdom: demographic characteristics, educational pathways, and beliefs about qualification requirements. Music Education Research, 21 (5). pp. 560-581. ISSN 1461-3808

Payne, E orcid.org/0000-0003-2109-8126 (2019) Musicians in the Making: Pathways to Creative Performance edited by John Rink, Helena Gaunt, and Aaron Williamon, 2017. New York: Oxford University Press. 408 pp, Hbk, £53.00, ISBN: 9780199346677. British Journal of Music Education, 36 (1). pp. 103-105. ISSN 0265-0517

Payne, E orcid.org/0000-0003-2109-8126 (2017) Repurposing the past? The historical basset clarinet in creative collaboration. Contemporary Music Review, 35 (6). pp. 648-669. ISSN 0749-4467

Payne, E orcid.org/0000-0003-2109-8126 (2018) The craft of musical performance: Skilled practice in collaboration. cultural geographies, 25 (1). pp. 107-122. ISSN 1474-4740

Payne, E orcid.org/0000-0003-2109-8126 and Schuiling, F (2017) The textility of marking: performers’ annotations as indicators of the creative process in performance. Music and Letters, 98 (3). pp. 438-464. ISSN 0027-4224

Payne, EL orcid.org/0000-0003-2109-8126 (2016) Creativity beyond innovation: Musical performance and craft. Musicae Scientiae, 20 (3). pp. 325-344. ISSN 1029-8649

Presicce, G and Bailes, F orcid.org/0000-0003-2723-3579 (2019) Engagement and Visual Imagery in Music Listening: An Exploratory Study. Psychomusicology: Music, Mind and Brain. ISSN 0275-3987 (In Press)

Pritchard, M orcid.org/0000-0003-3534-0956 (2019) Music in Balance: The Aesthetics of Music after Kant, 1790-1810. Journal of Musicology, 36 (1). pp. 39-67. ISSN 0277-9269

Pritchard, M orcid.org/0000-0003-3534-0956 (2020) Re-Reading Hanslick’s Aesthetics: Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen. British Journal of Aesthetics, 60 (4). pp. 495-501. ISSN 0007-0904

Scott, DB orcid.org/0000-0002-5367-6579 (2016) Early 20th-Century Operetta from the German Stage: A Cosmopolitan Genre. The Musical Quarterly, 99 (2). pp. 254-279. ISSN 0027-4631

Scott, DB orcid.org/0000-0002-5367-6579 (2019) Music Hall: Regulations and Behaviour in a British Cultural Institution. Музикологија/Musicology (26). pp. 61-74. ISSN 1450-9814

Scott, DB orcid.org/0000-0002-5367-6579 (2013) Review of Daniel M. Grimley, ed., Jean Sibelius and His World. Music and Letters, 94 (2). pp. 352-354.

Scott, DB orcid.org/0000-0002-5367-6579 (2013) Review of The Life and Music of Eric Coates, by M. Payne (Ashgate, 2012). NABMSA Newsletter (Spring). pp. 6-7.

Scott McLaughlin, Zubin Kanga and Mira Benjamin (2021) Composing Technique, Performing Technique. Journal for Artistic Research (23). ISSN 2235-0225

Spencer, M (2014) James Dillon: string quartets as a complex causal network. Contemporary Music Review, 33 (3). 244 - 265. ISSN 0749-4467

Thomas, P and Payne, E orcid.org/0000-0003-2109-8126 (2020) “We also like to be surprised”: Disruption, provocation and surprise in the music of Christian Wolff. Circuit: Musiques contemporaines, 30 (2). pp. 27-45. ISSN 1183-1693

Thurley, O orcid.org/0000-0001-8510-8800 (2015) Disappearing Sounds: Fragility in the music of Jakob Ullmann. Tempo, 69 (274). pp. 5-21. ISSN 0040-2982

Thurley, O orcid.org/0000-0001-8510-8800 (2017) Rebuilding Babel: On Fragility and The Palimpsest in Jakob Ullmann’s voice, books and FIRE. Tempo, 71 (282). pp. 54-78. ISSN 0040-2982

Thurley, O orcid.org/0000-0001-8510-8800 (2019) Éliane Radigue - Éliane Radigue, Oeuvres Électroniques. INA-GRM: INA 6060/74. Tempo, 73 (289). pp. 74-77. ISSN 0040-2982

Thurley, OWM orcid.org/0000-0001-8510-8800 (2018) Apartment House: Wolff, Cage, ‘Performing Indeterminacy’, University of Leeds, 1 July 2017. Tempo, 72 (283). pp. 90-92. ISSN 0040-2982

Venn, E (2013) Review: Robert Saxton: Caritas by Wyndham Thomas (Aldershot: Ashgate, 2012). CHOMBEC News, 15. pp. 12-14. ISSN 1751-3308

Venn, EJ (2014) BBC Proms 2013: David Matthews and Thomas Adès. Tempo, 68 (267). 59 - 61. ISSN 0040-2982

Venn, EJ (2014) Book Review: The legacy of Cornelius Cardew. Tempo, 68 (267). 88 - 90. ISSN 0040-2982

Venn, EJ (2013) Review: 'Harrison Birtwistle's Operas and Music Theatre', by David Beard. Tempo, 67 (266). 93 - 94. ISSN 0040-2982

Venn, EJ (2006) Review: [Adès, ‘Court Studies’ and others] ‘London, Royal College of Music’. Tempo, 60 (235). pp. 80-81. ISSN 0040-2982

Venn, EJ (2006) Review: ‘Maxwell Davies compilation CDs and ‘Naxos’ Quartets’. Tempo, 60 (237). pp. 70-71. ISSN 0040-2982

Venn, EJ (2014) Robert Fokkens. Tempo, 68 (269). 82 - 83. ISSN 0040-2982

Venn, EJ orcid.org/0000-0002-5146-9568 (2017) Thomas Ades's 'The Exterminating Angel'. Tempo, 71 (280). pp. 21-46. ISSN 0040-2982

Venn, EJ orcid.org/0000-0002-5146-9568 (2015) Thomas Adès and the Spectres of Brahms. Journal of the Royal Musical Association, 140 (1). pp. 163-212. ISSN 0269-0403

Venn, EJ (2014) Thomas Adès's 'Freaky, Funky Rave'. Music Analysis, 33 (1). 65 - 98. ISSN 0262-5245

Venn, EJ orcid.org/0000-0002-5146-9568 (2017) Thomas Adès, The Exterminating Angel, Haus für Mozart, Salzburg. Tempo, 71 (280). pp. 82-83. ISSN 0040-2982

Venn, E orcid.org/0000-0002-5146-9568 (2021) Music, Metaphor and Modernism: Barrie Gavin’s Composer Portraits. Journal of Popular Television, 9 (1). pp. 29-54. ISSN 2046-9861

Venn, E orcid.org/0000-0002-5146-9568 (2019) Review of Online Learning in Music: Foundations, Frameworks and Practices by Judith Bowman (OUP). British Journal of Music Education, 36 (2). p. 213. ISSN 0265-0517

Venn, E orcid.org/0000-0002-5146-9568, Park, J orcid.org/0000-0002-6957-3208, Andersen, LP et al. (1 more author) (2020) How do learning technologies impact on undergraduates’ emotional and cognitive engagement with their learning? Teaching in Higher Education. pp. 1-18. ISSN 1356-2517

White, B orcid.org/0000-0002-9011-5578 (2020) Anthems and Politics in the Restoration Chapel Royal. Music and Letters. ISSN 0027-4224 (In Press)

White, B (2007) Music for a brave livlylike boy: the Duke of Gloucester, Purcell and The 'Noise of Foreign Wars'. The Musical Times, 148 (1901). 75 - 83. ISSN 0027-4666

Windsor, WL and de Bézenac, C (2012) Music and affordances. Musicae Scientiae, 16 (1). 102 - 120 . ISSN 1029-8649

Woodward, S and Greasley, A (2017) Personal collections as material assemblages: a comparison of wardrobes and music collections. Journal of Consumer Culture, 17 (3). pp. 659-676. ISSN 1469-5405

Book Section

Bisesi, E and Windsor, WL orcid.org/0000-0001-6291-3057 (2016) Expression and Communication of Structure in Music Performance: Measurements and Models. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology. Oxford University Press , Oxford, UK , pp. 615-631. ISBN 9780198722946

Burland, K, Spencer, M and Windsor, L orcid.org/0000-0001-6291-3057 (2017) Exploring, enhancing and evaluating musical 'doctorateness': perspectives on performance and composition. In: Nilsson, F, Dunin-Woyseth, H and Janssens, N, (eds.) Perspectives on Research Assessment in Architecture and the Arts: Discussing Doctorateness. Routledge Research in Architecture . Routledge , Abingdon, Oxon, UK , pp. 114-128. ISBN 9781138695573

Burland, K and Windsor, WL (2014) Moving the gong: exploring the contexts of improvisation and composition. In: Burland, K and Pitts, S, (eds.) Coughing and Clapping: Investigating Audience Experience. Ashgate , 101 - 114. ISBN 978-1-4094-6981-0

Burland Clark, K orcid.org/0000-0003-0066-0132 (2020) Defining ourselves through music. In: Thompson, WF and Olsen, KN, (eds.) The Science and Psychology of Music: From Beethoven at the Office to Beyonce at the Gym. Greenwood Publishing Group Inc . ISBN 978-1440857713 (In Press)

Burland Clark, K orcid.org/0000-0003-0066-0132 and Bennett, D (2020) Creating sustainable performance careers. In: McPherson, GE, (ed.) Oxford Handbook of Music Performance. . (In Press)

Erraught, S orcid.org/0000-0003-1569-5063 (2020) Outsourcing Taste: Are Algorithms Doing all the Work? In: Notmazgin, N and Ben-Ali, E, (eds.) Creative Context: Creativity and Innovation in Creative and Cultural Industries. Creative Economy . Springer , pp. 39-49. ISBN 9789811530555

Greasley, AE and Lamont, A (2016) Musical Preferences. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology (Second Edition). Oxford University Press , Oxford . ISBN 9780198722946

Lamont, A and Greasley, AE (2009) Musical preferences. In: Hallam, S, Cross, I and Thaut, M, (eds.) Oxford Handbook of Music Psychology. Oxford Handbooks . Oxford University Press , 160 - 168. ISBN 9780199298457

Lamont, A, Greasley, AE and Sloboda, JA (2016) Choosing to hear music: motivation, process, and effect. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology. Oxford University Press , Oxford . ISBN 9780198722946

Mc Laughlin, S orcid.org/0000-0001-5869-1869 (2019) Error as music composition: human and material agencies. In: Popat, S and Whatley, S, (eds.) Error, Ambiguity, Creativity: Multidisciplinary Perspectives. . (In Press)

Mooney, JR (2013) Beyond auditive unpleasantness: an exploration of noise in the work of Filthy Turd. In: Goddard, M, Halligan, B and Spelman, N, (eds.) Resonances: Noise and Contemporary Music. Bloomsbury , 312 - 325 (14). ISBN 9781441159373

Mooney, JR (2014) Les Musiques Electroacoustiques: Construction of a Discipline. In: Kucinskas, D and Kennaway, G, (eds.) Music and Technologies 2. Cambridge Scholars Publishing , 1 - 9 (9). ISBN 1-4438-7074-9

Mooney, JR orcid.org/0000-0002-7925-9634 (2016) Technology, Process and Musical Personality in the Music of Stockhausen, Hugh Davies and Gentle Fire. In: Misch, I and Grant, M, (eds.) The Musical Legacy of Karlheinz Stockhausen. Wolke Verlag , Hofheim, Germany , pp. 102-115. ISBN 978-3955930684

Muir, SPK orcid.org/0000-0002-1622-651X (2013) From the Shtetl to the Gardens and Beyond: Identity and Symbolic Geography in Cape Town’s Synagogue Choirs. In: Krüger, S and Trandafoiu, R, (eds.) The Globalization of Musics in Transit: Musical Migration and Tourism. Routledge Research in Ethnomusicology . Routledge , New York , pp. 209-229. ISBN 9780415640077

Payne, E orcid.org/0000-0003-2109-8126 (2017) Recording Paraphrase: a 'social occasion'? In: Clarke, EF and Doffman, M, (eds.) Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Studies in Musical Performance as Creative Practice, 2 . Oxford University Press , New York, NY, USA , pp. 181-183. ISBN 9780199355914

Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2020) Getting exercised: ensemble relations in Christian Wolff’s Exercises. In: Adlington, R and Buch, E, (eds.) Finding Democracy in Music. Musical Cultures of the Twentieth Century . Routledge . ISBN 9780367486921

Pritchard, M (2018) Cultural Autonomy and the Indian Exception: Debating the Aesthetics of Indian Classical Music in Early 20th-Century Calcutta. In: Strohm, R, (ed.) Studies on a global history of music : a Balzan musicology project. SOAS Musicology Series . Routledge , Abingdon, Oxon . ISBN 9781138058835

Scott, DB orcid.org/0000-0002-5367-6579 (2020) The British Dandy on the Popular Musical Stage (1867–1915). In: Hansen, KA, Askerøi, E and Jarmen, F, (eds.) Popular Musicology and Identity: Essays in Honour of Stan Hawkins. Routledge , London, UK . ISBN 9781138322882

Scott, DB orcid.org/0000-0002-5367-6579 (2014) Comic Style and Character Psychology in the Music of Arthur Sullivan. In: Heikkinen, O, Kilpiö, K, Mantere, M, Rantanen, S, Leena, S, Tolvanen, H and Uimonen, H, (eds.) Valistus on viritetty: Esseitä musiikista, huvittelusta ja historiasta. Sibelius-Akatemian julkaisuja . Taideyliopiston Sibelius-Akatemia , Helsinki , pp. 203-217. ISBN 978-952-5959-85-7

Scott, DB orcid.org/0000-0002-5367-6579 (2018) Cosmopolitan musicology. In: Kelly, E, Mantere, M and Scott, D, (eds.) Confronting the National in the Musical Past. Taylor & Francis , pp. 17-30. ISBN 978-1-138-28742-6

Scott, DB orcid.org/0000-0002-5367-6579 (2014) German operetta in the West End and on Broadway. In: Platt, L, Becker, T and Linton, D, (eds.) Popular Musical Theatre in London and Berlin 1890 to 1939. Cambridge University Press , Cambridge , pp. 62-80. ISBN 9781107051003

Scott, DB (2015) 'I changed my Olga for the Britney': Occidentalism, Auto-Orientalism, and Global Fusion in Music. In: Kurkela,, V and Mantere,, M, (eds.) Critical Music Historiography: Probing Canons, Ideologies and Institutions. Ashgate , Farnham , pp. 141-158. ISBN 978-1-4724-1419-9

Scott, DB (2013) Imagining the Balkans, Imagining Europe: Balkan Entries in the Eurovision Song Contest. In: Pennanen, RP, Poulos, PC and Theodosiou, A, (eds.) Ottoman Intimacies, Balkan Musical Realities. Papers and Monographs of the Finnish Institute at Athens . Finnish Institute at Athens , Helsinki , pp. 125-135. ISBN 978-952-67211-5-6

Scott, DB orcid.org/0000-0002-5367-6579 (2013) Irish Nationalism, British Imperialism, and Popular Song. In: Fairclough, P, (ed.) Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Routledge , Abingdon, Oxon , pp. 231-248. ISBN 978-1-4094-0026-4

Scott, DB (2014) Musical Theatre(s). In: Greenwald, HM, (ed.) The Oxford Handbook of Opera. Oxford Handbooks in Music . Oxford University Press , New York , pp. 53-72. ISBN 9780195335538

Scott, DB orcid.org/0000-0002-5367-6579 (2016) Policing the Boundaries of Art and Entertainment. In: Hörner, F, (ed.) Kulturkritik und das Populäre in der Musik. Populäre Kultur und Musik, 18 . Waxmann-Verlag , Münster , pp. 53-63. ISBN 9783830933618

Scott, DB orcid.org/0000-0002-5367-6579 (2017) The US Presidential Campaign Songster, 1840–1900. In: Watt, P, Scott, DB and Spedding, P, (eds.) Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster. Cambridge University Press , Cambridge, UK , pp. 73-90. ISBN 9781107159914

Scott, DB orcid.org/0000-0002-5367-6579, Kelly, E and Mantere, M (2018) Introduction. In: Kelly, E, Mantere, M and Scott, D, (eds.) Confronting the National in the Musical Past. Taylor & Francis , pp. 1-14. ISBN 9781351975582

Venn, E (2013) Maw, (John) Nicholas (1935–2009). In: Oxford Dictionary of National Biography. Oxford University Press . ISBN 9780198614111

Venn, EJ (2015) Bedford, David Vickerman (1937-2011). In: Oxford Dictionary of National Biography. Oxford Dictionary of National Biography . Oxford University Press .

Venn, EJ orcid.org/0000-0002-5146-9568 (2017) Myth and Narrative in '3 for Icarus'. In: Charlton, D, (ed.) The Music of Simon Holt. Boydell Press , Woodbridge , pp. 80-103. ISBN 9781783272235

White, B (2010) ‘“Studying a little of the French Air”: Louis Grabu’s Albion and Albanius and the dramatic operas of Henry Purcell’. In: Brown, C, Cooper, D and Cowgill, R, (eds.) Art and ideology in European opera: essays in honour of Julian Rushton. Boydell Press , 12 - 39 (28). ISBN 1843835673

Windsor, WL (2011) Gestures in music making: action, information and perception. In: Gritten, A and King, E, (eds.) New Perspectives on Music and Gesture. SEMPRE Studies in The Psychology of Music . Ashgate , Farnham, Surrey , 45 - 66 (21). ISBN 0754664627

Windsor, WL orcid.org/0000-0001-6291-3057 (2017) Instruments, voices, bodies and spaces: towards an ecology of performance. In: Wöllner, C, (ed.) Body, Sound and Space in Music and Beyond: Multimodal Explorations. SEMPRE Studies in The Psychology of Music . Routledge , Oxford . ISBN 978-1-4724-8540-3

Windsor, WL orcid.org/0000-0001-6291-3057 (2019) Music in Detention and Interrogation: The Musical Ecology of Fear. In: Grimshaw-Aagaard, M, Walther-Hansen, M and Knakkergaard, M, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford handbooks . Oxford University Press , New York, USA , pp. 281-300. ISBN 9780190460242

Windsor, WL orcid.org/0000-0001-6291-3057 (2015) Nature and Culture, Noise and Music: Perception and Action. In: Allen, AS and Dawe, K, (eds.) Current Directions in Ecomusicology: Music, Culture, Nature. Routledge Research in Music . Routledge , London , pp. 165-175. ISBN 978-1-138-80458-6

Monograph

Venn, EJ (2010) Music Performance Tuition in Higher Education - Student Expectations. Research Report.

Conference or Workshop Item

Burland Clark, K orcid.org/0000-0003-0066-0132 and Payne, E orcid.org/0000-0003-2109-8126 Exploring performers’ perceptions of the audience-artist/artist-audience dynamic. In: Audience Research in the Arts Conference, 03-05 Jul 2019, University of Sheffield.

Le Quan, N, Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P John Cage’s Concert for Piano and Orchestra [Invited paper]. In: Improvisation et composition musicales: par-delà l’opposition entre notation et action, 21 Mar 2018, Ecole des Hautes Etudes en Sciences Sociales, Paris.

McLaughlin, S orcid.org/0000-0001-5869-1869 A guided walk through a garden of forking paths: Practice Research Workshop. In: Royal Musical Association Conference, 08-10 Sep 2020, Goldsmiths College, London.

Mooney, JR (2013) International Electronic Music Catalog: Hugh Davies and the (ethno)musicology of electronic music. In: Electronic Music Symposium at Anglia Ruskin (EMSAR), 11 May 2013, Cambridge, UK. (Unpublished)

Mooney, JR Process in Gentle Fire's group compositions. In: Music and/as Process, 8th Dec 2012, Huddersfield, UK. (Unpublished)

Mooney, JR Stockhausen’s Klavierstücke in Leeds. In: Exploring Theatre and Music ‘Ephemera’ - Centre for the Comparative History of Print (CHOP), 17 May 2013, Leeds, UK. (Unpublished)

Mooney, JR and Moore, D (2008) Resound: open source sound spatialisation. In: International Computer Music Conference 2008, Belfast, UK, 01 Aug 2008.

Payne, E (2014) Creativity and the social in performance: collaboration, interaction and distribution. In: Royal Musical Association Annual Research Students Conference, 06-08 Jan 2014, Birmingham, UK.

Payne, E (2014) Creativity within constraint? Perspectives on notated performance. In: AHRC Centre for Musical Performance as Creative Practice Performance Studies Network 3rd International Conference, 17-20 Jul 2014, University of Cambridge.

Payne, E (2014) Identity and creative ownership in collaboration: reassessing the composer-performer relationship. In: Identities - An Interdisciplinary Approach, International Graduate Student Conference, 23-25 Oct 2014, Istanbul, Turkey.

Payne, E orcid.org/0000-0003-2109-8126 ‘Time management’ in indeterminacy: The conductor as ‘chronometer’ in John Cage’s Concert for Piano and Orchestra [Invited paper]. In: Utrecht University Colloquia in the Musicologies, 09 May 2019, Utrecht University.

Payne, E (2014) The craft of musical performance: Creativity as skilled practice. In: Royal Geographical Society Annual International Conference, 26-29 Aug 2014, London, UK.

Payne, EL Creative freedom within constraint? Perspectives on musical performance from the rehearsal room. In: Freedom and Creativity Multidisciplinary Symposium, 28 Nov 2015, Royal Academy of Arts, London. (Unpublished)

Payne, EL (2013) 'Engineering' performance: Musicians’ (de)constructions of creativity. In: AHRC Centre for Musical Performance as Creative Practice Performance Studies Network 2nd International Conference, 04-07 Apr 2013, University of Cambridge.

Payne, EL (2015) Historically informed? The creative consequences of period instruments in contemporary compositions. In: Tracking the Creative Process in Music International Conference, 08-10 Oct 2015, Institut de Recherche et de Coordination Acoustique/Musique (IRCAM). (Unpublished)

Payne, EL (2013) Performance as craft: towards a broader understanding of musical creativity. In: Tracking the Creative Process in Music International Conference, 10-13 Oct 2013, Université de Montréal.

Payne, EL (2013) Uncovering the social in the solo: recording Alexander Goehr’s ‘Paraphrase on “Il Combattimento di Tancredi e Clorinda” by Claudio Monteverdi’ for solo clarinet Op. 28. In: Performance in the Studio online conference, 29 Apr - 05 May 2013, http://artofrecordproduction.com.

Payne, EL (2015) Whose role is it anyway? Reassessing the composer-performer relationship in creative collaboration. In: Royal Musical Association Annual Research Students Conference, 08-10 Jan 2015, University of Bristol. (Unpublished)

Payne, EL and Schuiling, F (2015) Notational intimacies: score annotation as creative practice. In: DOES IT MATTER? Composite Bodies and Posthuman Prototypes in Contemporary Performing Arts International Conference, 17-19 Mar 2015, Ghent University. (Unpublished)

Sapiro, IP orcid.org/0000-0001-9854-8178 (2016) Do You Hear the People Sing? (Ab)Using Music and Technology in 'Les Miserables' (2012). In: Music and the Moving Image XI, 27-29 May 2016, New York.

Stefani, EJ orcid.org/0000-0003-0194-5463 (2018) The Court of Miracles. In: Le Ballet de la Nuit - First Watch - The Courst of Miracles (3).

Thomas, P, Iddon, M, Melen, C et al. (1 more author) Documentary and digital approaches to performing John Cage’s Concert for Piano and Orchestra. In: Performance Studies Network 5th International Conference, 05-08 Jul 2018, Norwegian Academy of Music, Oslo.

Thomas, P and Payne, E orcid.org/0000-0003-2109-8126 (2017) Getting exercised: Ensemble relations in Christian Wolff’s Exercises. In: Finding Democracy in Music Conference, 04-05 Sep 2017, University of Huddersfield.

Proceedings Paper

Erraught, S orcid.org/0000-0003-1569-5063 (2019) Outsourcing Taste: Are Algorithms Doing All the Work? In: TBC. 5th Global Creative Industries Conference, 25-26 May 2019, Yonsei University, Seoul, South Korea. . (In Press)

Kallasjoki, H, Gemmeke, JF, Palomäki, KJ et al. (2 more authors) (2014) Recognition of Reverberant Speech by Missing Data Imputation and NMF Feature Enhancement. In: Proceedings of the REVERB Workshop 2014. REVERB Workshop, 10 May 2014, Florence, Italy. REVERB Challenge .

Mooney, JR (2014) Hugh Davies's Electronic Music Documentation 1961–8. In: EMS14 - Electroacoustic Music Beyond Concert Performance - Berlin. Electroacoustic Music Studies (EMS) Network conference 2014, 10-14 June 2014, Berlin. Electroacoustic Music Studies Network (EMS) .

Mooney, JR (2015) Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live Coding Practice: Some Historic Precedents and Similarities. In: McLean, A, Magnusson, T, Ng, K, Knotts, S and Armitage, J, (eds.) Proceedings of the First International Conference on Live Coding. International Conference on Live Coding, 13-15 Jul 2015, Leeds, UK. ICSRiM , 53 - 62. ISBN 9780853163404

Mooney, JR (2015) Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live-Coding Practice : Four Suggestions. In: Proceedings of the Electroacoustic Music Studies Network Conference. Electroacoustic Music Studies Network, 23-26 Jun 2015, Sheffield. . (In Press)

Mooney, JR (2014) Hugh Davies’s International Electronic Music Catalog: a preliminary exploration of its classification system and subsequent influence. In: The Royal Musical Association 50th Annual Conference. Royal Musical Association 50th Annual Conference, 04 - 06 Sep 2014, Leeds University, UK. . (Unpublished)

Mooney, JR (2015) Hugh Davies’s Self-Built Instruments and their relation to Present-Day Electronic and Digital Instrument-Building Practices: Towards Common Themes. In: UNSPECIFIED International Festival for Innovations in Music Production and Composition (IFIMPAC), 12-13 March 2015, Leeds College of Music. .

Mooney, JR (2013) Internationalisation and historicisation in Hugh Davies’s international electronic music catalog: a position paper -OR- Hugh Davies: international electronic music champion. In: The Eighth Biennial International Conference on Music Since 1900. Eighth Biennial International Conference on Music Since 1900, 12 - 15 Sep 2013, Liverpool, UK. . (Unpublished)

Mooney, JR (2014) Les Musiques Électroacoustiques: construction of a discipline. In: Kučinskas, D and Kennaway, G, (eds.) Music and Technologies 2. 3rd International Conference ‘Music and Technologies’, 15 Nov 2013, Kaunas, Lithuania. Cambridge Scholars Publishing , 1 - 9. ISBN 1-4438-7074-9

Mooney, JR, Moore, A and Moore, D (2004) M2 Diffusion: The Live Diffusion of Sound in Space. In: Proceedings of the International Computer Music Conference 2004. International Computer Music Conference 2004, 01 - 06 Nov 2004, Miami, Florida, USA. International Computer Music Association .

Mooney, JR and Moore, D Resound: a design-led approach to the problem of live multi-loudspeaker sound spatialisation. In: The Royal Musical Association Conference 2008. Royal Musical Association Conference 2008, 15 - 18 July 2008, Aberdeen, UK. . (Unpublished)

Mooney, JR and Moore, D (2008) Resound: open-source live sound spatialisation. In: Proceedings of the International Computer Music Conference 2008. International Computer Music Conference 2008, 01 Aug 2008, Belfast, UK. International Computer Music Association .

Mooney, JR and Moore, D A concept-based system for the live diffusion of sound via multiple loudspeakers. In: Proceedings of the Digital Music Research Network. Digital Music Research Network Conference 2008, 07 - 08 Jul 2008, Leeds, UK. . (Unpublished)

Mooney, JR, Parkinson, A and Bell, P (2008) Sound spatialisation, free improvisation and ambiguity. In: Proceedings of the SMC Conference 2008. Sound and Music Computing Conference 2008, 01 Jun 2008, Berlin, Germany. Sound and Music Computing .

Ng, KC, Padilla, V, Marsden, A et al. (1 more author) (2014) Improving OMR for digital music libraries with multiple recognisers and multiple sources. In: Proceedings of DLfM 2014. DLfM 2014: 1st International Workshop on Digital Libraries for Musicology, 12 Sep 2014, London, UK. ACM International Conference Proceedings Series, ACM Press , 49 - 56.

Payne, E orcid.org/0000-0003-2109-8126 (2016) Developing (and disrupting?) skilled practice: the historical basset clarinet in creative collaboration. In: N/A. Performance Studies Network 4th International Conference, 14-17 Jul 2016, Bath Spa University. .

Payne, E orcid.org/0000-0003-2109-8126 (2016) Negotiating the borders of performance practice: An ecological approach to instrumental interaction in creative collaboration. In: N/A. Performing Knowledge Conference, 25 Apr 2016, Emmanuel College, Cambridge. .

Payne, E orcid.org/0000-0003-2109-8126 (2016) Performing Cage’s Concert for Piano and Orchestra: A creative conundrum? In: N/A. Royal Musical Association Annual Conference, 03-05 Sep 2016, Guildhall School of Music and Drama. .

Payne, E orcid.org/0000-0003-2109-8126 (2018) ‘Time management’ in indeterminacy: The conductor as ‘chronometer’ in John Cage’s Concert for Piano and Orchestra. In: N/A. Oxford Conducting Institute International Conducting Studies Conference, 22-24 Jun 2018, University of Oxford. .

Payne, E orcid.org/0000-0003-2109-8126, Iddon, M, Thomas, P et al. (1 more author) (2016) Performing at the limits: John Cage’s Solo for Piano. In: N/A. Performance Studies Network 4th International Conference, 14-17 Jul 2016, Bath Spa University. .

Payne, E orcid.org/0000-0003-2109-8126, Iddon, M, Thomas, P et al. (1 more author) (2017) ‘… a solo or a part in an ensemble, symphony, or concerto’: documenting performer perspectives on John Cage’s Concert for Piano and Orchestra (1957–58). In: N/A. Tracking the Creative Process in Music International conference, 4th edition, 14-16 Sep 2017, University of Huddersfield. .

Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2018) Ensemble interaction and group dynamics in indeterminate music: A case study of Christian Wolff’s Exercises. In: N/A. Together in Music Conference, 12-14 Apr 2018, National Centre for Early Music, York. .

Stefani, E and Mooney, J (2009) Spatial composition in the multi-channel domain: aesthetics and techniques. In: Proceedings of the International Computer Music Conference 2009. International Computer Music Conference, 16-19 Aug 2009, Montreal, Canada. International Computer Music Association .

Venn, E (2013) Thomas Adès and the pianto. In: Panos, N, Lympouridis, V, Athanasopoulos, G and Nelson, P, (eds.) Proceedings. International Conference on Music Semiotics: In Memory of Raymond Monelle, 26-28 Oct 2012, University of Edinburgh. International Project on Music and Dance Semiotics (IPMDS) , pp. 309-317. ISBN 978-0-9576548-0-8

Venn, E orcid.org/0000-0002-5146-9568 (2019) Evaluating Student Engagement with Digital Resources. In: Exploring New Fields through the Scholarship of Teaching and Learning. EuroSoTL 2019, 13-14 Jun 2019, Bibao, Spain. Universidad Del Pais Vasco , pp. 989-993. ISBN 978-84-1319-033-4

Book

Allis, MJ (2013) Temporaries and Eternals: the music criticism of Aldous Huxley, 1922-23. Cambridge Scholars Publishing . ISBN 1-4438-4217-6

Erraught, S orcid.org/0000-0003-1569-5063 (2018) On Music, Value and Utopia: Nostalgia for an Age Yet to Come? Rowman & Littlefield , London, United Kingdom . ISBN 9781786606044

Kelly, E, Mantere, M and Scott, DB orcid.org/0000-0002-5367-6579 (2018) Confronting the national in the musical past. Taylor & Francis . ISBN 9781351975582

McClelland, C (2017) Tempesta: Stormy Music in the Eighteenth Century. Lexington Books , Lanham, Maryland, USA . ISBN 978-1-4985-1992-2

Scott, DB orcid.org/0000-0002-5367-6579 (2019) German Operetta on Broadway and in the West End, 1900–1940. Cambridge University Press . ISBN 9781108614306

Other

Mc Laughlin, S orcid.org/0000-0001-5869-1869 (2018) In the unknown there is already a script for transcendence. UNSPECIFIED.

Mc Laughlin, S orcid.org/0000-0001-5869-1869 (2017) Resonant Paths. UNSPECIFIED.

Mc Laughlin, S orcid.org/0000-0001-5869-1869 (2020) a particular constellation of openings and closures. UNSPECIFIED.

Mc Laughlin, S orcid.org/0000-0001-5869-1869 (2020) The whole is encountered by going further into the parts. UNSPECIFIED.

Mc Laughlin, SG orcid.org/0000-0001-5869-1869 (2016) Abrash. UNSPECIFIED.

Mc Laughlin, SG orcid.org/0000-0001-5869-1869 (2016) Blues for Horatiu. UNSPECIFIED.

Mc Laughlin, SG orcid.org/0000-0001-5869-1869 (2017) The Careful Plaiting of Weak Ties. UNSPECIFIED.

Mc Laughlin, SG (2016) The Endless Mobility of Listening. UNSPECIFIED.

Mc Laughlin, SG orcid.org/0000-0001-5869-1869 (2014) Objects exceed our access to them. UNSPECIFIED.

Mc Laughlin, SG orcid.org/0000-0001-5869-1869 (2017) Threads of the Social. UNSPECIFIED.

Messina, M (2012) I supikkjarìi. University of York Music Press .

Messina, M (2013) U mpastu. M.A.P Editions.

Muir, S orcid.org/0000-0002-1622-651X (2020) Journeys in Jewish Choral Music: Performing the South African archives of Synagogue Composers from the Soviet Union. University of Leeds, https://journeys-in-jewish-choral-music.org.

This list was generated on Wed Jul 28 03:44:13 2021 BST.