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Number of items at this level: 292.


Ainscough, SL, Windsor, WL and Tahmassebi, JF (2019) A review of the effect of music on dental anxiety in children. European Archives of Paediatric Dentistry, 20 (1). pp. 23-26. ISSN 1818-6300

Allis, M (2019) From Musicology to Novel: Reassessing Robertson Davies’s Literary Representation of Peter Warlock. University of Toronto Quarterly, 88 (1). pp. 64-88. ISSN 0042-0247

Allis, M (2017) Reading Music through Literary Scholarship: Granville Bantock, Shelley, and The Witch of Atlas. Journal of Musicological Research, 36 (1). pp. 6-28. ISSN 0141-1896

Allis, MJ (2014) Bantock and Southey: Musical Otherness and Fatalism in Thalaba the Destroyer. Music and Letters, 95 (1). pp. 39-69. ISSN 0027-4224

Allis, MJ (2015) Contemporary music in Aldous Huxley's music criticisms. Aldous Huxley Annual: A Journal of Twentieth-Century Thought and Beyond, 14. pp. 137-162.

Allis, MJ (2014) The Diva and the Beast: Susan Strong and the Wagnerism of Aleister Crowley. Forum for Modern Language Studies. ISSN 1471-6860

Allis, MJ (2017) Reading Music Through Literature: Introduction. Journal of Musicological Research, 36 (1). pp. 1-5. ISSN 0141-1896

Allis, MJ (2008) Richter's Wagner: a new source for tempi in Das Rheingold. Cambridge Opera Journal, 20 (2). 117 - 147. ISSN 0954-5867

Allis, MJ (2013) Temporaries and Eternals: the music criticism of Aldous Huxley, 1922-23. Cambridge Scholars Publishing . ISBN 1-4438-4217-6

Allis, MJ (2014) 'Wagner and Literature: New Directions' (special issue of Forum for Modern Language Studies volume 50 issue 4). Forum for Modern Language Studies, 50 (4). 371 - 510 (139). ISSN 0015-8518

Allis, MJ (2014) 'Wagner and Literature: New Directions: Introduction'. Forum for Modern Language Studies. ISSN 0015-8518

Allis, MJ (2016) "A canvas of endless extent": Granville Bantock, Robert Southey and The Curse of Kehama project. European Romantic Review, 27 (2). pp. 143-174. ISSN 1050-9585

Allis, M (2022) Reshaping the ballad: William Wallace's musical re-figuring of Rossetti's 'Sister Helen'. Journal of Victorian Culture, 27 (2). pp. 252-275. ISSN 1355-5502

Allis, M (2022) Roundtable: Dante Gabriel Rossetti and Music, Introduction. Journal of Victorian Culture, 27 (2). pp. 183-186. ISSN 1355-5502

Allis, MJ (2022) Refiguring the Poetic Elegy in Music: The Rhetoric of Mourning in Parry’s Elegy For Brahms. Music and Letters, 103 (3). gcab101. pp. 430-463. ISSN 0027-4224

Anderson, L (2015) Musique concrète, French New Wave cinema, and Jean Cocteau's 'Le Testament d'Orphée' (1960). Twentieth-Century Music, 12 (2). 197 - 224. ISSN 1478-5722

Arthurs, Y, Beeston, AV and Timmers, R (2018) Perception of isolated chords: Examining frequency of occurrence, instrumental timbre, acoustic descriptors and musical training. Psychology of Music, 46 (5). pp. 662-681. ISSN 0305-7356


Bailes, F, Dean, RT and Broughton, MC (2015) How Different Are Our Perceptions of Equal-Tempered and Microtonal Intervals? A Behavioural and EEG Survey. PLoS ONE, 10 (8). e0135082. ISSN 1932-6203

Bailes, F, Dean, RT and Pearce, MT (2013) Music cognition as mental time travel. Scientific Reports, 3. 2690. ISSN 2045-2322

Bailey, N. and Cooper, D. (2000) Perceptually smooth timbral guides by state-space analysis of phase-vocoder parameters. Computer Music Journal, 24 (1). pp. 32-42. ISSN 0148-9267

Bisesi, E and Windsor, WL (2016) Expression and Communication of Structure in Music Performance: Measurements and Models. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology. Oxford University Press , Oxford, UK , pp. 615-631. ISBN 9780198722946

Bishop, L, Bailes, F and Dean, RT (2013) Musical Expertise and the Ability to Imagine Loudness. PLoS ONE, 8 (2). e56052. ISSN 1932-6203

Boon, T and Venn, E (2021) Music 625: Music on Television in the ‘Long 1960s’. Journal of Popular Television, 9 (1). pp. 3-13. ISSN 2046-9861

Bretherton, B, Deuchars, J and Windsor, WL (2019) The Effects of Controlled Tempo Manipulations on Cardiovascular Autonomic Function. Music and Science. ISSN 2059-2043

Burland, K (2020) Music for all: Identifying, challenging and overcoming barriers. Music & Science, 3. pp. 1-6. ISSN 2059-2043

Burland, K and McLean, A (2016) Understanding live coding events. International Journal of Performance Arts and Digital Media, 12 (2). pp. 139-151. ISSN 1479-4713

Burland, K, Spencer, M and Windsor, L (2017) Exploring, enhancing and evaluating musical 'doctorateness': perspectives on performance and composition. In: Nilsson, F, Dunin-Woyseth, H and Janssens, N, (eds.) Perspectives on Research Assessment in Architecture and the Arts: Discussing Doctorateness. Routledge Research in Architecture . Routledge , Abingdon, Oxon, UK , pp. 114-128. ISBN 9781138695573

Burland, K and Windsor, WL (2014) Moving the gong: exploring the contexts of improvisation and composition. In: Burland, K and Pitts, S, (eds.) Coughing and Clapping: Investigating Audience Experience. Ashgate , 101 - 114. ISBN 978-1-4094-6981-0

Burland Clark, K (2020) Defining ourselves through music. In: Thompson, WF and Olsen, KN, (eds.) The Science and Psychology of Music: From Beethoven at the Office to Beyonce at the Gym. Greenwood Publishing Group Inc . ISBN 978-1440857713 (In Press)

Burland Clark, K and Bennett, D (2020) Creating sustainable performance careers. In: McPherson, GE, (ed.) Oxford Handbook of Music Performance. . (In Press)

Burland Clark, K and Payne, E Exploring performers’ perceptions of the audience-artist/artist-audience dynamic. In: Audience Research in the Arts Conference, 03-05 Jul 2019, University of Sheffield.

Burland, K, Mellor, L and Bates, C (2022) Employability ecosystems in music: (Re)navigating a life in music (in precarious times). Arts and Humanities in Higher Education. ISSN 1474-0222

Burland, K and Payne, E ‘It could be something as simple as somebody tapping their foot’: Exploring musicians’ perceptions of the audience-artist/artist-audience dynamic. In: Performance Studies Network 6th International Conference, 30 Jun - 03 Jul 2022, University of Surrey.


COLE, R (2014) ‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968. Twentieth-Century Music, 11 (2). pp. 217-244. ISSN 1478-5722

Cannon, JW and Greasley, AE (2021) Exploring Relationships Between Electronic Dance Music Event Participation and Well-being. Music & Science, 4. pp. 1-14. ISSN 2059-2043

Castle, CL, Burland, K and Greasley, A (2022) Attending live music events with a visual impairment: experiences, accessibility and recommendations for the future. Arts and the Market, 12 (2). pp. 164-179. ISSN 2056-4945

Castle, CL, Greasley, AE and Burland, K (2022) The Musical Experiences of Adults with Severe Sight Impairment: An Interpretative Phenomenological Analysis. Music & Science, 5. pp. 1-19. ISSN 2059-2043

Chung, Y-C, Greasley, AE and Hu, L-Y (2019) The relationship between musical preferences and Type D personality. Psychology of Music, 47 (1). pp. 3-17. ISSN 0305-7356

Cole, R (2022) The Cambridge Companion to Video Game Music. Ed. by Melanie Fritsch and Tim Summers. Music and Letters, 103 (2). pp. 389-391. ISSN 0027-4224

Cole, R (2022) Fluxus and the Democratic Mundane. Modernism/Modernity. ISSN 1080-6601 (In Press)

Cole, R (2017) Industrial Balladry, Mass Culture, and the Politics of Realism in Cold War Britain. Journal of Musicology, 34 (3). pp. 354-390. ISSN 0277-9269

Cole, R (2020) Mastery and Masquerade in the Transatlantic Blues Revival. Journal of the Royal Musical Association, 143 (1). pp. 173-210. ISSN 0269-0403

Cole, R (2018) Notes on troubling ‘the popular’. Popular Music, 37 (3). pp. 392-414. ISSN 0261-1430

Cole, R (2019) On the Politics of Folk Song Theory in Edwardian England. Ethnomusicology, 63 (1). pp. 19-42. ISSN 0014-1836

Cole, R (2021) Popular Song and the Poetics of Experience. Journal of the Royal Musical Association, 146 (1). pp. 81-116. ISSN 0269-0403

Cole, R (2020) Rethinking Reich. Ed. by Sumanth Gopinath and Pwyll ap Siôn. Music and Letters, 101 (2). pp. 383-385. ISSN 0027-4224

Cole, R (2020) Stravinsky, Modernism, and Mass Culture. In: Griffiths, G, (ed.) Stravinsky in Context. Cambridge University Press , pp. 230-237. ISBN 9781108422192

Cole, R (2020) Towards an Ecological History of Music. In: Aguilar, A, Cole, R, Pritchard, M and Clarke, E, (eds.) Remixing Music Studies: Essays in Honour of Nicholas Cook. Routledge . ISBN 9781138359925

Cole, R (2020) Vaporwave Aesthetics: Internet Nostalgia and the Utopian Impulse. ASAP/Journal, 5 (2). pp. 297-326. ISSN 2381-4705

Cole, R (2018) Vernacular Song and the Folkloric Imagination at the Fin de Siècle. 19th Century Music, 42 (2). pp. 73-95. ISSN 0148-2076

Cole, R (2020) The problem with AI music: song and cyborg creativity in the digital age. Popular Music, 39 (2). pp. 332-338. ISSN 0261-1430

Cole, R and McKay, G (2021) Living Archives and Creative Engagement Online: An EIRA-funded Report on Digital Interactivity in the Performing Arts. Report. UEA/EIRA

Cooper, D, Sapiro, I, Anderson, L et al. (1 more author) (2016) Digitizing, Organizing and Managing an Audio-Visual Archive: The Trevor Jones Archive at the University of Leeds. Journal of Film Music, 6 (2). pp. 101-110. ISSN 1087-7142

Cooper, D (2021) Bartók, Biography, and the Violin. Studia Musicologica, 62 (1-2). pp. 5-23. ISSN 1788-6244

Cooper, E (2023) Bryn Harrison - Bryn Harrison, Three Descriptions of Place and Movement. Quatuor Bozzini. HCR, HCR27CD. Tempo, 77 (303). pp. 103-104. ISSN 0040-2982

Cooper, E (2021) THE STRONG SILENT TYPE: MASCULINITY AND WANDELWEISER MUSIC. Tempo, 75 (296). pp. 21-33. ISSN 0040-2982

Czajkowski, A and Greasley, A (2016) Correction to: Mindfulness for Singers: The effects of a targeted mindfulness course on learning vocal techniques. British Journal of Music Education, 33 (3). p. 347. ISSN 0265-0517

Czajkowski, A-ML and Greasley, AE (2015) Mindfulness for singers: The effects of a targeted mindfulness course on learning vocal technique. British Journal of Music Education, 32 (2). 211 - 233. ISSN 0265-0517

Czajkowski, A-ML, Greasley, AE and Allis, M (2021) Mindfulness for Singers: A Mixed Methods Replication Study. Music & Science, 4. pp. 1-12. ISSN 2059-2043

Czajkowski, A-ML, Greasley, AE and Allis, M (2022) Mindfulness for musicians: A mixed methods study investigating the effects of 8-week mindfulness courses on music students at a leading conservatoire. Musicae Scientiae, 26 (2). pp. 259-279. ISSN 1029-8649


D Amario, S, Daffern, H and Bailes, F (2019) A new method of onset and offset detection in ensemble singing. Logopedics Phoniatrics Vocology, 44 (4). pp. 143-158. ISSN 1401-5439

D'Amario, S, Daffern, H and Bailes, F (2020) A Longitudinal Study Investigating Synchronization in a Singing Quintet. Journal of Voice, 34 (1). 159.e1-159.e12. ISSN 0892-1997

D'Amario, S, Daffern, H and Bailes, F (2019) Perception of synchronization in singing ensembles. PLOS ONE, 14 (6). e0218162. ISSN 1932-6203

D'Amario, S, Daffern, H and Bailes, F (2018) Synchronization in Singing Duo Performances: The Roles of Visual Contact and Leadership Instruction. Frontiers in Psychology, 9. ARTN 1208. ISSN 1664-1078

Dean, RT and Bailes, F (2016) Modeling Perceptions of Valence in Diverse Music: Roles of Acoustic Features, Agency and Individual Variation. Music Perception, 34 (1). pp. 104-117. ISSN 0730-7829

Dean, RT and Bailes, F (2016) Relationships between generated musical structure, performers’ physiological arousal and listener perceptions in solo piano improvisation. Journal of New Music Research, 45 (4). pp. 361-374. ISSN 0929-8215

Dean, RT, Bailes, F and Schubert, E (2011) Acoustic Intensity Causes Perceived Changes in Arousal Levels in Music: An Experimental Investigation. PLoS ONE, 6 (4). e18591.

Dean, RT, Milne, AJ and Bailes, F (2019) Spectral Pitch Similarity is a Predictor of Perceived Change in Sound- as Well as Note-Based Music. Music & Science, 2. ISSN 2059-2043


Erraught, S (2018) On Music, Value and Utopia: Nostalgia for an Age Yet to Come? Rowman & Littlefield , London, United Kingdom . ISBN 9781786606044

Erraught, S (2019) Outsourcing Taste: Are Algorithms Doing All the Work? In: TBC. 5th Global Creative Industries Conference, 25-26 May 2019, Yonsei University, Seoul, South Korea. . (In Press)

Erraught, S (2019) The Value of Popular Music: An Approach from Post-Kantian Aesthetics. Popular Music and Society, 42 (4). pp. 501-503. ISSN 0300-7766

Erraught, S (2021) ‘I was listening … but did not succeed in hearing you’: Flann O’Brien, Ralph Cusack, and the Absurdities of Silent Musical Experience. Irish University Review, 51 (2). pp. 360-374. ISSN 0021-1427

Erraught, S (2023) On the Redundancy of Music. Journal of Comparative Literature and Aesthetics, 46 (1). pp. 28-36. ISSN 0252-8169

Erraught, S (2020) Outsourcing Taste: Are Algorithms Doing all the Work? In: Notmazgin, N and Ben-Ali, E, (eds.) Creative Context: Creativity and Innovation in Creative and Cultural Industries. Creative Economy . Springer , pp. 39-49. ISBN 9789811530555

Erraught, S (2020) Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism. Popular Music and Society, 43 (5). pp. 571-573. ISSN 0300-7766

Erraught, S (2021) The country and Irish problem. Popular Music, 39 (3-4). pp. 568-584. ISSN 0261-1430

Erwin, M (2020) Who Is Buried in Webern’s Tomb? Orientations in the Reception of Serial Music from Messiaen to Stockhausen. Perspectives of New Music, 58 (2). pp. 93-128. ISSN 0031-6016


Fulford, RJ, Greasley, AE and Crook, H (2016) Music amplification using hearing aids. Acoustics Bulletin, 41 (1). pp. 49-51. ISSN 0308-437X

Fulford, R, Greasley, A and Burland, K (2021) Responses to music. In: Creech, A, Hodges, DA and Hallam, S, (eds.) Routledge International Handbook of Music Psychology in Education and the Community. Routledge , pp. 101-115. ISBN 9780367271800


Greasley, A (2016) Music to our ears. The Psychologist, 29 (11). ISSN 0952-8229

Greasley, A, Crook, H and Fulford, R (2020) Music listening and hearing aids: perspectives from audiologists and their patients. International Journal of Audiology, 59 (9). pp. 694-706. ISSN 1499-2027

Greasley, AE, Fulford, RJ, Pickard, M et al. (1 more author) (2020) Help Musicians UK hearing survey: Musicians’ hearing and hearing protection. Psychology of Music, 48 (4). pp. 529-546. ISSN 0305-7356

Greasley, AE and Lamont, A (2016) Musical Preferences. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology (Second Edition). Oxford University Press , Oxford . ISBN 9780198722946


Harney, C, Havelka, J, Johnson, J et al. (1 more author) (2022) Lockdown music listening: A mixed methods, multinational study exploring social uses of music listening and anxiety during social distancing in the first wave of COVID-19. Journal of Music, Health, and Wellbeing (Summer, 2022). ISSN 2515-981X

Hill, AP, Burland, K, King, EC et al. (1 more author) (2020) Perfectionistic self-presentation and emotional experiences in music students: A three-wave longitudinal study. Psychology of Music, 48 (6). pp. 766-776. ISSN 0305-7356

Huelin, T (2022) ‘How the Music was Made’: Television, musicology and BBC Four. Critical Studies in Television: The International Journal of Television Studies, 17 (2). pp. 194-200. ISSN 1749-6020

Huelin, T (2022) Soundtracking the City Break: Library Music in Travel Television. Music and the Moving Image, 15 (2). pp. 3-24. ISSN 1940-7610

Huelin, T and Durand, J (2022) Sounds like money? Stock music, television and Donald Trump. European Journal of American Culture, 41 (2). pp. 147-162. ISSN 1466-0407


Iddon, M (2017) Bartók after Catastrophe: Reading Bartók through Adorno in the post-war era. International Journal of Musicology, New Series, 3. pp. 179-184. ISSN 0941-9535

Iddon, M (2014) Brian Hulse and Nick Nesbitt (eds.), Sounding the virtual: Gilles Deleuze and the theory and philosophy of music. Music Analysis, 33 (3). 417 - 428. ISSN 0262-5245

Iddon, M (2017) The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward. Ed. by M. J. Grant and Imke Misch. Music and Letters, 97 (4). pp. 667-669. ISSN 0027-4224

Iddon, M (2016) Outsourcing Progress: On Conceptual Music. Tempo, 70 (275). pp. 36-49. ISSN 0040-2982

Iddon, M, Payne, E and Thomas, P (2019) Disruption and Discipline: Approaches to Performing John Cage's Concert for Piano and Orchestra. Music & Practice, 5. ISSN 1893-9562

Iddon, M (2023) Prometeo: tragedia dell'ascolto by Luigi Nono (review). Notes, 79 (3). pp. 442-447. ISSN 0027-4380

Iddon, M (2020) Still Modern. Darmstädter Beiträge zur Neuen Musik, 25. ISSN 0418-3878 (In Press)

Iddon, M (2022) Things to Make and Do. Contemporary Music Review, 41 (2-3). pp. 254-265. ISSN 0749-4467

Iddon, M and McLaughlin, S (2022) Teaching Composition in a Flipped Classroom. Tempo, 76 (302). pp. 71-81. ISSN 0040-2982

Iddon, M, Payne, E and Thomas, P (2022) Performing Indeterminacy. Contemporary Music Review, 41. pp. 127-129. ISSN 0749-4467

Ireland, DI (2017) Great Expectations? The Changing Role of Audiovisual Incongruence in Contemporary Multimedia. Music and the Moving Image, 10 (3 (Fall 2017)). pp. 21-35. ISSN 2167-8464

Ireland, D (2021) Book review - 'Danijela Kulezic-Wilson, Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack (New York: Oxford University Press, 2020), ISBN: 9780190855314 (hb), 9780190855321 (pb)'. Twentieth-Century Music, 18 (1). pp. 153-158. ISSN 1478-5722

Ireland, DI (2015) Deconstructing Incongruence: A Psycho-Semiotic Approach toward Difference in the Film-Music Relationship. Music and the Moving Image, 8 (2). pp. 48-57. ISSN 1940-7610


Jago, M (2018) Towards a Spatial Reconsideration of “West Coast” and “East Coast” in Jazz: Hip Hop Parallels and Notions of the Local. Jazz Perspectives, 10 (2-3). pp. 123-140. ISSN 1749-4060

Jago, MS (2014) Dig-It: The Musical Life of Ted Brown. Journal of Jazz Studies, 10 (2). 95 - 118. ISSN 2158-1401

Jago, MS (2015) Jedi Mind Tricks: : Lennie Tristano & Mental Approaches for the Practice of Jazz Improvisation. Jazz Research Journal, 7 (2). pp. 183-202. ISSN 1753-8637

Jago, MS (2013) What is a Jazz Record Anyway? Lennie Tristano and the Use of Extended Studio Techniques in Jazz. Journal of the Art of Record Production (8). ISSN 1754-9892

Jones, E (2021) DIY Music and the Politics of Social Media. Bloomsbury Publishing , New York, NY, USA . ISBN 9781501359637

Jones, E (2021) DIY and Popular Music: Mapping an Ambivalent Relationship across Three Historical Case Studies. Popular Music and Society, 44 (1). pp. 60-78. ISSN 0300-7766

Jones, E and Morris, J (2022) Competing sounds? Podcasting and popular music. The Radio Journal: International Studies in Broadcast and Audio Media, 20 (1). pp. 3-15. ISSN 1476-4504


Kallasjoki, H, Gemmeke, JF, Palomäki, KJ et al. (2 more authors) (2014) Recognition of Reverberant Speech by Missing Data Imputation and NMF Feature Enhancement. In: Proceedings of the REVERB Workshop 2014. REVERB Workshop, 10 May 2014, Florence, Italy. REVERB Challenge .

Kelly, E, Mantere, M and Scott, DB (2018) Confronting the national in the musical past. Taylor & Francis . ISBN 9781351975582

Kirby, ML and Burland, K (2022) Exploring the functions of music in the lives of young people on the autism spectrum. Psychology of Music, 50 (2). pp. 562-578. ISSN 0305-7356


Lamont, A and Greasley, AE (2009) Musical preferences. In: Hallam, S, Cross, I and Thaut, M, (eds.) Oxford Handbook of Music Psychology. Oxford Handbooks . Oxford University Press , 160 - 168. ISBN 9780199298457

Lamont, A, Greasley, AE and Sloboda, JA (2016) Choosing to hear music: motivation, process, and effect. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology. Oxford University Press , Oxford . ISBN 9780198722946

Launay, J, Dean, RT and Bailes, F (2016) Rapid learning of associations between sound and action through observed movement: A TMS study. Psychomusicology: Music, Mind, and Brain, 26 (1). pp. 35-42. ISSN 0275-3987

Le Quan, N, Payne, E and Thomas, P John Cage’s Concert for Piano and Orchestra [Invited paper]. In: Improvisation et composition musicales: par-delà l’opposition entre notation et action, 21 Mar 2018, Ecole des Hautes Etudes en Sciences Sociales, Paris.

López-Íñiguez, G, Burland, K and Bennett, D (2022) Understanding the musical identity and career thinking of postgraduate classical music performance students. Musicae Scientiae, 26 (4). ARTN 10298649221089869. pp. 746-760. ISSN 1029-8649


MacCuthcheon, D, Greasley, AE and Elliott, MT (2016) Investigating the Value of DJ Performance for Contemporary Music Education and Sensorimotor Synchronisation (SMS) Abilities. Dancecult : Journal of Electronic Dance Music Culture, 8 (1). pp. 46-72. ISSN 1947-5403

Mc Laughlin, S (2011) Dynamical Systems, Mimesis, and Analogy in Experimental Music. Chaotic Modeling and Simulation, 1. 127 - 137. ISSN 2241-0503

Mc Laughlin, S (2018) In the unknown there is already a script for transcendence. UNSPECIFIED.

Mc Laughlin, S (2017) Resonant Paths. UNSPECIFIED.

Mc Laughlin, S (2020) a particular constellation of openings and closures. UNSPECIFIED.

Mc Laughlin, S (2020) The whole is encountered by going further into the parts. UNSPECIFIED.

Mc Laughlin, SG (2016) Abrash. UNSPECIFIED.

Mc Laughlin, SG (2016) Blues for Horatiu. UNSPECIFIED.

Mc Laughlin, SG (2017) The Careful Plaiting of Weak Ties. UNSPECIFIED.

Mc Laughlin, SG (2016) The Endless Mobility of Listening. UNSPECIFIED.

Mc Laughlin, SG (2014) Intra-Agencies. CeReNeM Journal (4). pp. 76-88.

Mc Laughlin, SG (2014) Objects exceed our access to them. UNSPECIFIED.

Mc Laughlin, SG (2017) Threads of the Social. UNSPECIFIED.

McClelland, C (2017) Of Gods and Monsters: Signification in Franz Waxman’s film score Bride of Frankenstein. Journal of Film Music, 7 (1). pp. 5-19. ISSN 1087-7142

McClelland, C (2017) Tempesta: Stormy Music in the Eighteenth Century. Lexington Books , Lanham, Maryland, USA . ISBN 978-1-4985-1992-2

McLaughlin, S (2020) Error as Music Composition: Human and Material Agencies. In: Popat, S and Whatley, S, (eds.) Error, Ambiguity, Creativity: Multidisciplinary Perspectives. Springer Nature , pp. 187-210. ISBN 9783030397555

McLaughlin, S (2022) Feedback and materiality on the spatial and energetic planes. ECHO, a journal of music, thought and technology (3). ISSN 2736-5824

McLaughlin, S (2021) The Impossibility of Material Foundations. In: Impett, J, (ed.) Sound Work: Critical Technical Practice. Leuven University Press . ISBN 978-9462702585

McLaughlin, S (2022) On Material Indeterminacy. Contemporary Music Review. ISSN 0749-4467

McLaughlin, S (2021) Strata. UNSPECIFIED.

McLaughlin, S A guided walk through a garden of forking paths: Practice Research Workshop. In: Royal Musical Association Conference, 08-10 Sep 2020, Goldsmiths College, London.

McLaughlin, S, Benjamin, M and Payne, E Indeterminacy and control. In: Performance Studies Network 6th International Conference, 30 Jun - 03 Jul 2022, University of Surrey.

Messina, M (2012) I supikkjarìi. University of York Music Press .

Messina, M (2014) Music in the Western Mediterranean: Thoughts on the opening day of the first AVAMUS congress. Síneris. Revista de Musicología, 19 (18). ISSN 2254-3643

Messina, M (2013) U mpastu. M.A.P Editions.

Messina, M and Casale, E (2014) Interview with Emanuele Casale. Síneris. Revista de Musicología (16). ISSN 2254-3643

Mooney, J (2017) The Hugh Davies Collection: live electronic music and self-built electro-acoustic musical instruments, 1967–75. Science Museum Group Journal (7). p. 170705. ISSN 2054-5770

Mooney, J, Schampaert, D and Boon, T (2017) Editorial: Alternative histories of electroacoustic music. Organised Sound, 22 (02). pp. 143-149. ISSN 1355-7718

Mooney, JR (2013) Beyond auditive unpleasantness: an exploration of noise in the work of Filthy Turd. In: Goddard, M, Halligan, B and Spelman, N, (eds.) Resonances: Noise and Contemporary Music. Bloomsbury , 312 - 325 (14). ISBN 9781441159373

Mooney, JR (2010) Frameworks & affordances: understanding the tools of music-making. Journal of Music, Technology and Education, 3 (2-3). 141 - 154 (13). ISSN 1752-7066

Mooney, JR (2014) Hugh Davies's Electronic Music Documentation 1961–8. In: EMS14 - Electroacoustic Music Beyond Concert Performance - Berlin. Electroacoustic Music Studies (EMS) Network conference 2014, 10-14 Jun 2014, Berlin. Electroacoustic Music Studies Network (EMS) .

Mooney, JR (2015) Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live Coding Practice: Some Historic Precedents and Similarities. In: McLean, A, Magnusson, T, Ng, K, Knotts, S and Armitage, J, (eds.) Proceedings of the First International Conference on Live Coding. International Conference on Live Coding, 13-15 Jul 2015, Leeds, UK. ICSRiM , 53 - 62. ISBN 9780853163404

Mooney, JR (2015) Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live-Coding Practice : Four Suggestions. In: Proceedings of the Electroacoustic Music Studies Network Conference. Electroacoustic Music Studies Network, 23-26 Jun 2015, Sheffield. . (In Press)

Mooney, JR (2014) Hugh Davies’s International Electronic Music Catalog: a preliminary exploration of its classification system and subsequent influence. In: The Royal Musical Association 50th Annual Conference. Royal Musical Association 50th Annual Conference, 04-06 Sep 2014, Leeds University, UK. . (Unpublished)

Mooney, JR (2015) Hugh Davies’s Self-Built Instruments and their relation to Present-Day Electronic and Digital Instrument-Building Practices: Towards Common Themes. In: UNSPECIFIED International Festival for Innovations in Music Production and Composition (IFIMPAC), 12-13 Mar 2015, Leeds College of Music. .

Mooney, JR (2013) International Electronic Music Catalog: Hugh Davies and the (ethno)musicology of electronic music. In: Electronic Music Symposium at Anglia Ruskin (EMSAR), 11 May 2013, Cambridge, UK. (Unpublished)

Mooney, JR (2013) Internationalisation and historicisation in Hugh Davies’s international electronic music catalog: a position paper -OR- Hugh Davies: international electronic music champion. In: The Eighth Biennial International Conference on Music Since 1900. Eighth Biennial International Conference on Music Since 1900, 12-15 Sep 2013, Liverpool, UK. . (Unpublished)

Mooney, JR (2014) Les Musiques Electroacoustiques: Construction of a Discipline. In: Kucinskas, D and Kennaway, G, (eds.) Music and Technologies 2. Cambridge Scholars Publishing , 1 - 9 (9). ISBN 1-4438-7074-9

Mooney, JR (2014) Les Musiques Électroacoustiques: construction of a discipline. In: Kučinskas, D and Kennaway, G, (eds.) Music and Technologies 2. 3rd International Conference ‘Music and Technologies’, 15 Nov 2013, Kaunas, Lithuania. Cambridge Scholars Publishing , 1 - 9. ISBN 1-4438-7074-9

Mooney, JR Process in Gentle Fire's group compositions. In: Music and/as Process, 8th Dec 2012, Huddersfield, UK. (Unpublished)

Mooney, JR Stockhausen’s Klavierstücke in Leeds. In: Exploring Theatre and Music ‘Ephemera’ - Centre for the Comparative History of Print (CHOP), 17 May 2013, Leeds, UK. (Unpublished)

Mooney, JR (2016) Technology, Process and Musical Personality in the Music of Stockhausen, Hugh Davies and Gentle Fire. In: Misch, I and Grant, M, (eds.) The Musical Legacy of Karlheinz Stockhausen. Wolke Verlag , Hofheim, Germany , pp. 102-115. ISBN 978-3955930684

Mooney, JR, Moore, A and Moore, D (2004) M2 Diffusion: The Live Diffusion of Sound in Space. In: Proceedings of the International Computer Music Conference 2004. International Computer Music Conference 2004, 01-06 Nov 2004, Miami, Florida, USA. International Computer Music Association .

Mooney, JR and Moore, D Resound: a design-led approach to the problem of live multi-loudspeaker sound spatialisation. In: The Royal Musical Association Conference 2008. Royal Musical Association Conference 2008, 15-18 Jul 2008, Aberdeen, UK. . (Unpublished)

Mooney, JR and Moore, D (2008) Resound: open source sound spatialisation. In: International Computer Music Conference 2008, Belfast, UK, 01 Aug 2008.

Mooney, JR and Moore, D (2008) Resound: open-source live sound spatialisation. In: Proceedings of the International Computer Music Conference 2008. International Computer Music Conference 2008, 01 Aug 2008, Belfast, UK. International Computer Music Association .

Mooney, JR and Moore, D A concept-based system for the live diffusion of sound via multiple loudspeakers. In: Proceedings of the Digital Music Research Network. Digital Music Research Network Conference 2008, 07-08 Jul 2008, Leeds, UK. . (Unpublished)

Mooney, JR, Parkinson, A and Bell, P (2008) Sound spatialisation, free improvisation and ambiguity. In: Proceedings of the SMC Conference 2008. Sound and Music Computing Conference 2008, 01 Jun 2008, Berlin, Germany. Sound and Music Computing .

Mooney, J (2023) Jonathan Impett (ed.), Sound Work: Composition as Critical Technical Practice. Leuven: Leuven University Press, 2021. ISBN: 9789462702585. Organised Sound. ISSN 1355-7718 (In Press)

Mooney, J (2021) Mid-Century Electronic Music: Where are the Instrument Collections? American Musical Instrument Society Newsletter, 49 (2). pp. 4-9. ISSN 2374-362X

Mooney, J (2021) Tape Recorder, Digital Computer, Studio: Reimagining Musical Instrumentality in the Mid-Twentieth Century. In: American Musical Instrument Society Conference (AMIS) 2021, 04-06 Jun 2021, Online.

Mooney, J (2022) What constitutes a valid musical instrument? Historic approaches to instruments and instrumentality in studio-based music creation. In: Proceedings of the Electroacoustic Music Studies Network Conference, Leicester, November 2021. EMS21: Future Directions of Electroacoustic Music Studies, 10-13 Nov 2021, Leicester, UK. Electroacoustic Music Studies Network . ISBN 978-2-9572144-2-6

Mooney, J, Green, O and Williams, S (2022) Instrumental, Hermeneutic, and Ontological Indeterminacy in Hugh Davies’s Live Electronic Music. Contemporary Music Review, 41 (2-3). pp. 193-215. ISSN 0749-4467

Mooney, J and Pinch, TJ (2021) Sonic Imaginaries: How Hugh Davies and David Van Koevering Performed Electronic Music’s Future. In: Hennion, A and Levaux, C, (eds.) Rethinking Music Through Science and Technology Studies. Routledge , London . ISBN 9780367200541

Mooney, JR (2015) Hugh Davies’s Electronic Music Documentation 1961–1968. Organised Sound, 20 (1). pp. 111-121. ISSN 1355-7718

Mooney, JR (2022) "Made as they are from unconventional materials and found objects": How Hugh Davies Instrumentalised Electronic Sound. In: Doğantan-Dack, M, (ed.) Rethinking the Musical Instrument. Cambridge Scholars Publishing . ISBN 978-1-5275-7789-3

Morgan, F and Mooney, J (2021) ‘The Same Trade as Mozart’: Convincing the sceptics of electronic music’s value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

Muir, S (2014) Review of 'Jews, Race and Popular Music' by Jon Stratton. Journal of the Musical Arts in Africa, 11 (1). pp. 136-139. ISSN 2070-626X

Muir, S (2013) Hasidism and Mitnagdism in the Russian Empire: the (mis)use of Jewish music in Polish-Lithuanian Russia. Journal of Synagogue Music, 38. pp. 193-212. ISSN 0449-5128

Muir, S (2020) Journeys in Jewish Choral Music: Performing the South African archives of Synagogue Composers from the Soviet Union. University of Leeds,

Muir, SPK (2013) From the Shtetl to the Gardens and Beyond: Identity and Symbolic Geography in Cape Town’s Synagogue Choirs. In: Krüger, S and Trandafoiu, R, (eds.) The Globalization of Musics in Transit: Musical Migration and Tourism. Routledge Research in Ethnomusicology . Routledge , New York , pp. 209-229. ISBN 9780415640077


Ng, K. (2002) Sensing and mapping for interactive performance. Organised Sound, 7 (2). pp. 191-200. ISSN 1355-7718

Ng, KC, Padilla, V, Marsden, A et al. (1 more author) (2014) Improving OMR for digital music libraries with multiple recognisers and multiple sources. In: Proceedings of DLfM 2014. DLfM 2014: 1st International Workshop on Digital Libraries for Musicology, 12 Sep 2014, London, UK. ACM International Conference Proceedings Series, ACM Press , 49 - 56.

Norton, N, Ginsborg, J and Greasley, A (2019) Instrumental and vocal teachers in the United Kingdom: demographic characteristics, educational pathways, and beliefs about qualification requirements. Music Education Research, 21 (5). pp. 560-581. ISSN 1461-3808


Payne, E (2014) Creativity and the social in performance: collaboration, interaction and distribution. In: Royal Musical Association Annual Research Students Conference, 06-08 Jan 2014, Birmingham, UK.

Payne, E (2014) Creativity within constraint? Perspectives on notated performance. In: AHRC Centre for Musical Performance as Creative Practice Performance Studies Network 3rd International Conference, 17-20 Jul 2014, University of Cambridge.

Payne, E (2016) Developing (and disrupting?) skilled practice: the historical basset clarinet in creative collaboration. In: N/A. Performance Studies Network 4th International Conference, 14-17 Jul 2016, Bath Spa University. .

Payne, E (2014) Identity and creative ownership in collaboration: reassessing the composer-performer relationship. In: Identities - An Interdisciplinary Approach, International Graduate Student Conference, 23-25 Oct 2014, Istanbul, Turkey.

Payne, E (2019) Musicians in the Making: Pathways to Creative Performance edited by John Rink, Helena Gaunt, and Aaron Williamon, 2017. New York: Oxford University Press. 408 pp, Hbk, £53.00, ISBN: 9780199346677. British Journal of Music Education, 36 (1). pp. 103-105. ISSN 0265-0517

Payne, E (2016) Negotiating the borders of performance practice: An ecological approach to instrumental interaction in creative collaboration. In: N/A. Performing Knowledge Conference, 25 Apr 2016, Emmanuel College, Cambridge. .

Payne, E (2016) Performing Cage’s Concert for Piano and Orchestra: A creative conundrum? In: N/A. Royal Musical Association Annual Conference, 03-05 Sep 2016, Guildhall School of Music and Drama. .

Payne, E (2017) Recording Paraphrase: a 'social occasion'? In: Clarke, EF and Doffman, M, (eds.) Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Studies in Musical Performance as Creative Practice, 2 . Oxford University Press , New York, NY, USA , pp. 181-183. ISBN 9780199355914

Payne, E (2017) Repurposing the past? The historical basset clarinet in creative collaboration. Contemporary Music Review, 35 (6). pp. 648-669. ISSN 0749-4467

Payne, E (2018) ‘Time management’ in indeterminacy: The conductor as ‘chronometer’ in John Cage’s Concert for Piano and Orchestra. In: N/A. Oxford Conducting Institute International Conducting Studies Conference, 22-24 Jun 2018, University of Oxford. .

Payne, E ‘Time management’ in indeterminacy: The conductor as ‘chronometer’ in John Cage’s Concert for Piano and Orchestra [Invited paper]. In: Utrecht University Colloquia in the Musicologies, 09 May 2019, Utrecht University.

Payne, E (2014) The craft of musical performance: Creativity as skilled practice. In: Royal Geographical Society Annual International Conference, 26-29 Aug 2014, London, UK.

Payne, E (2018) The craft of musical performance: Skilled practice in collaboration. cultural geographies, 25 (1). pp. 107-122. ISSN 1474-4740

Payne, E, Iddon, M, Thomas, P et al. (1 more author) (2016) Performing at the limits: John Cage’s Solo for Piano. In: N/A. Performance Studies Network 4th International Conference, 14-17 Jul 2016, Bath Spa University. .

Payne, E, Iddon, M, Thomas, P et al. (1 more author) (2017) ‘… a solo or a part in an ensemble, symphony, or concerto’: documenting performer perspectives on John Cage’s Concert for Piano and Orchestra (1957–58). In: N/A. Tracking the Creative Process in Music International conference, 4th edition, 14-16 Sep 2017, University of Huddersfield. .

Payne, E and Schuiling, F (2017) The textility of marking: performers’ annotations as indicators of the creative process in performance. Music and Letters, 98 (3). pp. 438-464. ISSN 0027-4224

Payne, E and Thomas, P (2018) Ensemble interaction and group dynamics in indeterminate music: A case study of Christian Wolff’s Exercises. In: N/A. Together in Music Conference, 12-14 Apr 2018, National Centre for Early Music, York. .

Payne, EL Creative freedom within constraint? Perspectives on musical performance from the rehearsal room. In: Freedom and Creativity Multidisciplinary Symposium, 28 Nov 2015, Royal Academy of Arts, London. (Unpublished)

Payne, EL (2016) Creativity beyond innovation: Musical performance and craft. Musicae Scientiae, 20 (3). pp. 325-344. ISSN 1029-8649

Payne, EL (2013) 'Engineering' performance: Musicians’ (de)constructions of creativity. In: AHRC Centre for Musical Performance as Creative Practice Performance Studies Network 2nd International Conference, 04-07 Apr 2013, University of Cambridge.

Payne, EL (2015) Historically informed? The creative consequences of period instruments in contemporary compositions. In: Tracking the Creative Process in Music International Conference, 08-10 Oct 2015, Institut de Recherche et de Coordination Acoustique/Musique (IRCAM). (Unpublished)

Payne, EL (2013) Performance as craft: towards a broader understanding of musical creativity. In: Tracking the Creative Process in Music International Conference, 10-13 Oct 2013, Université de Montréal.

Payne, EL (2013) Uncovering the social in the solo: recording Alexander Goehr’s ‘Paraphrase on “Il Combattimento di Tancredi e Clorinda” by Claudio Monteverdi’ for solo clarinet Op. 28. In: Performance in the Studio online conference, 29 Apr - 05 May 2013,

Payne, EL (2015) Whose role is it anyway? Reassessing the composer-performer relationship in creative collaboration. In: Royal Musical Association Annual Research Students Conference, 08-10 Jan 2015, University of Bristol. (Unpublished)

Payne, EL and Schuiling, F (2015) Notational intimacies: score annotation as creative practice. In: DOES IT MATTER? Composite Bodies and Posthuman Prototypes in Contemporary Performing Arts International Conference, 17-19 Mar 2015, Ghent University. (Unpublished)

Payne, E Ensemble dynamics in indeterminate music: A case study of John Cage’s Concert for Piano and Orchestra [invited paper]. In: The Newland Lecture Series, 29 Nov 2022, Hull.

Payne, E (2022) Grounding the Analysis of Cognitive Processes in Music Performance: Distributed Cognition in Musical Activity by Linda T. Kaastra. Music & Science, 5. pp. 1-5. ISSN 2059-2043

Payne, E (2022) Instrumental Interaction and Subversion in John Cage’s Concert for Piano and Orchestra. Contemporary Music Review. pp. 1-21. ISSN 0749-4467

Payne, E (2021) Time and ensemble dynamics in indeterminacy: John Cage’s Concert for Piano and Orchestra. In: Doffman, M, Payne, E and Young, T, (eds.) The Oxford Handbook of Time in Music. Oxford University Press . ISBN 9780190947279 (In Press)

Payne, E and Burland, K Exploring the processes of the performer-audience dynamic. In: SEMPRE 50th Anniversary Conference, 02-03 Sep 2022, London, UK.

Payne, E and Iddon, M Towards a taxonomy of musical inaction. In: Music beyond fixity and fluidity; preservation and performance as instauration, 12-16 Sep 2022, Leiden, Netherlands.

Payne, E and Thomas, P (2020) Ensemble interaction in indeterminate music: A case study of Christian Wolff’s Exercises. In: Timmers, R, Bailes, F and Daffern, H, (eds.) Together in Music: Coordination, Expression, Participation. Oxford University Press . ISBN 9780198860761 (In Press)

Payne, E and Thomas, P (2020) Getting exercised: ensemble relations in Christian Wolff’s Exercises. In: Adlington, R and Buch, E, (eds.) Finding Democracy in Music. Musical Cultures of the Twentieth Century . Routledge . ISBN 9780367486921

Phillips-Hutton, A (2022) Destroying the Imagined City. Twentieth-Century Music, 19 (2). pp. 227-234. ISSN 1478-5722

Phillips-Hutton, A (2020) Repertoires of remembrance: violence, commemoration and the performing arts. Journal of the British Academy, 8 (s3). pp. 51-71. ISSN 2052-7217

Phillips-Hutton, A (2021) Sonic witnesses: music, testimony, and truth. Ethnomusicology Forum, 30 (2). pp. 266-282. ISSN 1741-1912

Phillips-Hutton, A (2022) Transubstantiating Miserere: James MacMillan’s Compositional Theology. Journal of the Royal Musical Association, 147 (1). pp. 51-76. ISSN 0269-0403

Presicce, G and Bailes, F (2019) Engagement and Visual Imagery in Music Listening: An Exploratory Study. Psychomusicology: Music, Mind and Brain, 29 (2-3). pp. 136-155. ISSN 0275-3987

Pritchard, M (2018) Cultural Autonomy and the Indian Exception: Debating the Aesthetics of Indian Classical Music in Early 20th-Century Calcutta. In: Strohm, R, (ed.) Studies on a global history of music : a Balzan musicology project. SOAS Musicology Series . Routledge , Abingdon, Oxon . ISBN 9781138058835

Pritchard, M (2019) Music in Balance: The Aesthetics of Music after Kant, 1790-1810. Journal of Musicology, 36 (1). pp. 39-67. ISSN 0277-9269

Pritchard, M (2020) The Cambridge History of Music Criticism. Ed. by Christopher Dingle. Music and Letters, 101 (4). pp. 785-788. ISSN 0027-4224

Pritchard, M (2020) Re-Reading Hanslick’s Aesthetics: Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen. British Journal of Aesthetics, 60 (4). pp. 495-501. ISSN 0007-0904


Sapiro, IP (2016) Do You Hear the People Sing? (Ab)Using Music and Technology in 'Les Miserables' (2012). In: Music and the Moving Image XI, 27-29 May 2016, New York.

Schuiling, F and Payne, E (2022) Introduction: Notation and/as material culture. In: Schuiling, F and Payne, E, (eds.) Material Cultures of Music Notation: New Perspectives on Musical Inscription. Routledge , London, UK , pp. 1-11.

Scott, DB (2014) Comic Style and Character Psychology in the Music of Arthur Sullivan. In: Heikkinen, O, Kilpiö, K, Mantere, M, Rantanen, S, Leena, S, Tolvanen, H and Uimonen, H, (eds.) Valistus on viritetty: Esseitä musiikista, huvittelusta ja historiasta. Sibelius-Akatemian julkaisuja . Taideyliopiston Sibelius-Akatemia , Helsinki , pp. 203-217. ISBN 978-952-5959-85-7

Scott, DB (2018) Cosmopolitan musicology. In: Kelly, E, Mantere, M and Scott, D, (eds.) Confronting the National in the Musical Past. Taylor & Francis , pp. 17-30. ISBN 978-1-138-28742-6

Scott, DB (2016) Early 20th-Century Operetta from the German Stage: A Cosmopolitan Genre. The Musical Quarterly, 99 (2). pp. 254-279. ISSN 0027-4631

Scott, DB (2019) German Operetta on Broadway and in the West End, 1900–1940. Cambridge University Press . ISBN 9781108614306

Scott, DB (2014) German operetta in the West End and on Broadway. In: Platt, L, Becker, T and Linton, D, (eds.) Popular Musical Theatre in London and Berlin 1890 to 1939. Cambridge University Press , Cambridge , pp. 62-80. ISBN 9781107051003

Scott, DB (2015) 'I changed my Olga for the Britney': Occidentalism, Auto-Orientalism, and Global Fusion in Music. In: Kurkela,, V and Mantere,, M, (eds.) Critical Music Historiography: Probing Canons, Ideologies and Institutions. Ashgate , Farnham , pp. 141-158. ISBN 978-1-4724-1419-9

Scott, DB (2013) Imagining the Balkans, Imagining Europe: Balkan Entries in the Eurovision Song Contest. In: Pennanen, RP, Poulos, PC and Theodosiou, A, (eds.) Ottoman Intimacies, Balkan Musical Realities. Papers and Monographs of the Finnish Institute at Athens . Finnish Institute at Athens , Helsinki , pp. 125-135. ISBN 978-952-67211-5-6

Scott, DB (2013) Irish Nationalism, British Imperialism, and Popular Song. In: Fairclough, P, (ed.) Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Routledge , Abingdon, Oxon , pp. 231-248. ISBN 978-1-4094-0026-4

Scott, DB (2019) Music Hall: Regulations and Behaviour in a British Cultural Institution. Музикологија/Musicology (26). pp. 61-74. ISSN 1450-9814

Scott, DB (2014) Musical Theatre(s). In: Greenwald, HM, (ed.) The Oxford Handbook of Opera. Oxford Handbooks in Music . Oxford University Press , New York , pp. 53-72. ISBN 9780195335538

Scott, DB (2016) Policing the Boundaries of Art and Entertainment. In: Hörner, F, (ed.) Kulturkritik und das Populäre in der Musik. Populäre Kultur und Musik, 18 . Waxmann-Verlag , Münster , pp. 53-63. ISBN 9783830933618

Scott, DB (2013) Review of Daniel M. Grimley, ed., Jean Sibelius and His World. Music and Letters, 94 (2). pp. 352-354.

Scott, DB (2013) Review of The Life and Music of Eric Coates, by M. Payne (Ashgate, 2012). NABMSA Newsletter (Spring). pp. 6-7.

Scott, DB (2017) The US Presidential Campaign Songster, 1840–1900. In: Watt, P, Scott, DB and Spedding, P, (eds.) Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster. Cambridge University Press , Cambridge, UK , pp. 73-90. ISBN 9781107159914

Scott, DB, Kelly, E and Mantere, M (2018) Introduction. In: Kelly, E, Mantere, M and Scott, D, (eds.) Confronting the National in the Musical Past. Taylor & Francis , pp. 1-14. ISBN 9781351975582

Scott McLaughlin, Zubin Kanga and Mira Benjamin (2021) Composing Technique, Performing Technique. Journal for Artistic Research (23). ISSN 2235-0225

Scott, DB (2020) The British Dandy on the Popular Musical Stage (1867–1915). In: Hansen, KA, Askerøi, E and Jarmen, F, (eds.) Popular Musicology and Identity: Essays in Honour of Stan Hawkins. Routledge , London, UK . ISBN 9781138322882

Scott, DB (2021) The production, reception and cultural transfer of operetta on early sound film. In: Santi, M and Berner, E, (eds.) Music - Media - History: Re-Thinking Musicology in an Age of Digital Media. Transcript Verlag , pp. 169-182. ISBN 9783837651454

Spencer, M (2014) James Dillon: string quartets as a complex causal network. Contemporary Music Review, 33 (3). 244 - 265. ISSN 0749-4467

Stefani, E and Mooney, J (2009) Spatial composition in the multi-channel domain: aesthetics and techniques. In: Proceedings of the International Computer Music Conference 2009. International Computer Music Conference, 16-19 Aug 2009, Montreal, Canada. International Computer Music Association .

Stefani, EJ (2018) The Court of Miracles. In: Le Ballet de la Nuit - First Watch - The Courst of Miracles (3).

Swithinbank, C (2018) Who vibrates? CR: The New Centennial Review, 18 (2). pp. 141-164. ISSN 1532-687X


Thomas, P, Iddon, M, Melen, C et al. (1 more author) Documentary and digital approaches to performing John Cage’s Concert for Piano and Orchestra. In: Performance Studies Network 5th International Conference, 05-08 Jul 2018, Norwegian Academy of Music, Oslo.

Thomas, P and Payne, E (2017) Getting exercised: Ensemble relations in Christian Wolff’s Exercises. In: Finding Democracy in Music Conference, 04-05 Sep 2017, University of Huddersfield.

Thomas, P and Payne, E (2020) “We also like to be surprised”: Disruption, provocation and surprise in the music of Christian Wolff. Circuit: Musiques contemporaines, 30 (2). pp. 27-45. ISSN 1183-1693

Thurley, O (2015) Disappearing Sounds: Fragility in the music of Jakob Ullmann. Tempo, 69 (274). pp. 5-21. ISSN 0040-2982

Thurley, O (2017) Rebuilding Babel: On Fragility and The Palimpsest in Jakob Ullmann’s voice, books and FIRE. Tempo, 71 (282). pp. 54-78. ISSN 0040-2982

Thurley, O (2019) Éliane Radigue - Éliane Radigue, Oeuvres Électroniques. INA-GRM: INA 6060/74. Tempo, 73 (289). pp. 74-77. ISSN 0040-2982

Thurley, OWM (2018) Apartment House: Wolff, Cage, ‘Performing Indeterminacy’, University of Leeds, 1 July 2017. Tempo, 72 (283). pp. 90-92. ISSN 0040-2982


Ulor, M, Bailes, F and O'Connor, DB (2022) An investigation into the relationship between musical imagery and anxiety. Imagination, Cognition and Personality, 42 (1). pp. 5-23. ISSN 0276-2366


Venn, E (2013) Maw, (John) Nicholas (1935–2009). In: Oxford Dictionary of National Biography. Oxford University Press . ISBN 9780198614111

Venn, E (2013) Review: Robert Saxton: Caritas by Wyndham Thomas (Aldershot: Ashgate, 2012). CHOMBEC News, 15. pp. 12-14. ISSN 1751-3308

Venn, E (2013) Thomas Adès and the pianto. In: Panos, N, Lympouridis, V, Athanasopoulos, G and Nelson, P, (eds.) Proceedings. International Conference on Music Semiotics: In Memory of Raymond Monelle, 26-28 Oct 2012, University of Edinburgh. International Project on Music and Dance Semiotics (IPMDS) , pp. 309-317. ISBN 978-0-9576548-0-8

Venn, EJ (2014) BBC Proms 2013: David Matthews and Thomas Adès. Tempo, 68 (267). 59 - 61. ISSN 0040-2982

Venn, EJ (2015) Bedford, David Vickerman (1937-2011). In: Oxford Dictionary of National Biography. Oxford Dictionary of National Biography . Oxford University Press .

Venn, EJ (2014) Book Review: The legacy of Cornelius Cardew. Tempo, 68 (267). 88 - 90. ISSN 0040-2982

Venn, EJ (2010) Music Performance Tuition in Higher Education - Student Expectations. Research Report.

Venn, EJ (2017) Myth and Narrative in '3 for Icarus'. In: Charlton, D, (ed.) The Music of Simon Holt. Boydell Press , Woodbridge , pp. 80-103. ISBN 9781783272235

Venn, EJ (2013) Review: 'Harrison Birtwistle's Operas and Music Theatre', by David Beard. Tempo, 67 (266). 93 - 94. ISSN 0040-2982

Venn, EJ (2006) Review: [Adès, ‘Court Studies’ and others] ‘London, Royal College of Music’. Tempo, 60 (235). pp. 80-81. ISSN 0040-2982

Venn, EJ (2006) Review: ‘Maxwell Davies compilation CDs and ‘Naxos’ Quartets’. Tempo, 60 (237). pp. 70-71. ISSN 0040-2982

Venn, EJ (2014) Robert Fokkens. Tempo, 68 (269). 82 - 83. ISSN 0040-2982

Venn, EJ (2017) Thomas Ades's 'The Exterminating Angel'. Tempo, 71 (280). pp. 21-46. ISSN 0040-2982

Venn, EJ (2015) Thomas Adès and the Spectres of Brahms. Journal of the Royal Musical Association, 140 (1). pp. 163-212. ISSN 0269-0403

Venn, EJ (2014) Thomas Adès's 'Freaky, Funky Rave'. Music Analysis, 33 (1). 65 - 98. ISSN 0262-5245

Venn, EJ (2017) Thomas Adès, The Exterminating Angel, Haus für Mozart, Salzburg. Tempo, 71 (280). pp. 82-83. ISSN 0040-2982

Venn, E (2021) Adès and Sonata Forms. Tempo, 75 (298). pp. 20-40. ISSN 0040-2982

Venn, E (2019) Evaluating Student Engagement with Digital Resources. In: Exploring New Fields through the Scholarship of Teaching and Learning. EuroSoTL 2019, 13-14 Jun 2019, Bibao, Spain. Universidad Del Pais Vasco , pp. 989-993. ISBN 978-84-1319-033-4

Venn, E (2021) Music, Metaphor and Modernism: Barrie Gavin’s Composer Portraits. Journal of Popular Television, 9 (1). pp. 29-54. ISSN 2046-9861

Venn, E (2019) Review of Online Learning in Music: Foundations, Frameworks and Practices by Judith Bowman (OUP). British Journal of Music Education, 36 (2). p. 213. ISSN 0265-0517

Venn, E (2022) Review of The Music of Peter Maxwell Davies by Nicholas Jones and Richard McGregor. Music and Letters, 102 (1). pp. 179-182. ISSN 0027-4224

Venn, E (2022) Review: Thomas Adès in Five Essays by Drew Massey. Music and Letters, 103 (2). pp. 386-389. ISSN 0027-4224

Venn, E (2021) Thomas Adès at Fifty: Representations on the Stage and on the Page. Tempo, 75 (298). pp. 6-9. ISSN 0040-2982

Venn, E and McAuley, A (2022) Narrating the Uncanny: The Music of Les Revenants. Music and the Moving Image, 15 (2). pp. 25-43. ISSN 1940-7610

Venn, E, Park, J, Andersen, LP et al. (1 more author) (2020) How do learning technologies impact on undergraduates’ emotional and cognitive engagement with their learning? Teaching in Higher Education. pp. 1-18. ISSN 1356-2517


White, B (2007) Music for a brave livlylike boy: the Duke of Gloucester, Purcell and The 'Noise of Foreign Wars'. The Musical Times, 148 (1901). 75 - 83. ISSN 0027-4666

White, B (2010) ‘“Studying a little of the French Air”: Louis Grabu’s Albion and Albanius and the dramatic operas of Henry Purcell’. In: Brown, C, Cooper, D and Cowgill, R, (eds.) Art and ideology in European opera: essays in honour of Julian Rushton. Boydell Press , 12 - 39 (28). ISBN 1843835673

White, B (2021) Anthems and Politics in the Restoration Chapel Royal. Music and Letters. gcab025. ISSN 0027-4224

White, B (2022) Dr Cooke's Protest: Benjamin Cooke, Samuel Arnold and the Directorship of the Academy of Ancient Music. Journal of the Royal Musical Association. ISSN 0269-0403 (In Press)

White, B (2021) John Blow: Two Anthems from 1688: O Lord, thou art my God and Blessed be the Lord my strength (WLSCM no. 38). UNSPECIFIED. Society for Seventeenth-Century Music

White, B (2022) John Eccles. Incidental Music. Part 2 Plays H–P. Edited by Estelle Murphy. Middleton, WI: A-R Editions. 2021. xxiii + 449 pp. $430 (pb). ISBN 978-1-9872-0626-5. Journal for Eighteenth-Century Studies. ISSN 1754-0194

White, B (2021) St Cecilia: More than all the Muses Skill'd. Royal School of Church Music.

Windsor, WL (2011) Gestures in music making: action, information and perception. In: Gritten, A and King, E, (eds.) New Perspectives on Music and Gesture. SEMPRE Studies in The Psychology of Music . Ashgate , Farnham, Surrey , 45 - 66 (21). ISBN 0754664627

Windsor, WL (2017) Instruments, voices, bodies and spaces: towards an ecology of performance. In: Wöllner, C, (ed.) Body, Sound and Space in Music and Beyond: Multimodal Explorations. SEMPRE Studies in The Psychology of Music . Routledge , Oxford . ISBN 978-1-4724-8540-3

Windsor, WL (2015) Nature and Culture, Noise and Music: Perception and Action. In: Allen, AS and Dawe, K, (eds.) Current Directions in Ecomusicology: Music, Culture, Nature. Routledge Research in Music . Routledge , London , pp. 165-175. ISBN 978-1-138-80458-6

Windsor, WL and de Bézenac, C (2012) Music and affordances. Musicae Scientiae, 16 (1). 102 - 120 . ISSN 1029-8649

Windsor, WL (2019) Music in Detention and Interrogation: The Musical Ecology of Fear. In: Grimshaw-Aagaard, M, Walther-Hansen, M and Knakkergaard, M, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford handbooks . Oxford University Press , New York, USA , pp. 281-300. ISBN 9780190460242

Woodward, S and Greasley, A (2017) Personal collections as material assemblages: a comparison of wardrobes and music collections. Journal of Consumer Culture, 17 (3). pp. 659-676. ISSN 1469-5405

This list was generated on Fri Jun 9 03:55:50 2023 BST.