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Abulhawa, D (2020) Karen Barbour, Victoria Hunter, and Melanie Kloetzel (Re)Positioning Site Dance Bristol, UK and Chicago, USA: Intellect, 2019. 323 p. £74.00. ISBN: 978-1-783-20998-9. New Theatre Quarterly, 36 (4). p. 385. ISSN 0266-464X

Abulhawa, D (2020) Skill-less Tricks: A score for moving through walls. Choreographic Practices, 11 (2). pp. 199-229. ISSN 2040-5669

Abulhawa, D and Whalley, JB (2021) Not pressure: A conversation between Dani Abulhawa and Joanne ‘Bob’ Whalley. Choreographic Practices, 12 (2). pp. 153-164. ISSN 2040-5669

Bailey, H, Buckingham Shum, S, LeBlanc, A et al. (3 more authors) (2009) Dancing on the Grid: Using e-Science tools to extend choreographic research. Philosophical Transactions of the Royal Society A, 367 (1898). 2793 - 2806. ISSN 1364-503X

Bannon, F and Kirk, C (2014) Deepening discipline: digital reflection and choreography. Research in Dance Education, 15 (3). 289 - 302. ISSN 1464-7893

Bartley, S (2019) Gendering Welfare: Acts of Reproductive Labour in Applied Performance Practice. Contemporary Theatre Review, 29 (3). pp. 305-319. ISSN 1048-6801

Bayliss, A, Palmer, S, Hales, D et al. (1 more author) (2009) (Re)searching through play: play as a framework and methodology for collaborative design processes. International Journal of Arts and Technology, 2 (1-2). 5 - 21. ISSN 1754-8853

Bell, C and Beswick, KA (2014) Authenticity and Representation: The Council Estate at The Royal Court Theatre. NTQ: New Theatre Quarterly, 30 (2). pp. 120-135. ISSN 0266-464X

Bennett, E (2019) Bird Talking? Finding speechfulness in the songs of birds. Performance Research, 24 (1). pp. 94-103. ISSN 1352-8165

Bennett, E and Linsley, J (2016) The present becomes us: embodying the archive. Cultural Geographies, 23 (3). pp. 525-530. ISSN 1474-4740

Beswick, KA (2014) Bola Agbaje’s Off the Endz Authentic Voices, Representing the Council Estate: Politics, Authorship and the Ethics of Representation. Journal of Drama in Contemporary English, 2 (1). 97 - 112. ISSN 2195-0164 (Submitted)

Beswick, KA (2011) The Council Estate: Representation, space and the potential for performance. Research in Drama Education, 16 (3). 421 - 435 (14). ISSN 1356-9783

Beswick, KA, Parmar, M and Sil, E Towards a Spatial Practice of the Postcolonial City: Introducing the Cultural Producer. Interventions: international journal of postcolonial studies. ISSN 1369-801X (Submitted)

Breslin, D, Dobson, S and Smith, N (2019) Improving the effectiveness of fire prevention using the “premonition” agent-based model of domestic fire risk behaviours. International Journal of Emergency Services, 8 (3). pp. 280-291. ISSN 2047-0894

Brown, A, Harmon, SHE, O'Connor, R et al. (2 more authors) (2018) Body Extension and the Law: Medical Devices, Intellectual Property, Prosthetics and Marginalisation (Again). Law, Innovation and Technology, 10 (2). ISSN 1757-9961

Burnett, S, Ahmed, N, Matthews, T-D et al. (2 more authors) (2022) A politics of reminding: Khoisan resurgence and environmental justice in South Africa’s Sarah Baartman district. Critical Discourse Studies. ISSN 1740-5904

Collins, RL (2017) Sound, Space and Bodies: Building Relations in the Work of Invisible Flock and Atelier Bildraum. M/C Journal, 20 (2). ISSN 1441-2616

Daly, R (2021) Disrupting Phallic Logic: (Re)thinking the Feminine with Hélène Cixous and Bracha Ettinger. Australian Feminist Studies, 36 (109). pp. 335-351. ISSN 0816-4649

Danek, C (2019) An Amateur Manifesto. Performance Research: a journal of the performing arts, 25 (1). ISSN 1352-8165 (In Press)

Daněk, C (2020) Revealing All: From novice to amateur in the community printmaking workshop. Performance Research, 25 (1). pp. 48-51. ISSN 1352-8165

Dobson, S and McKendrick, J (2018) Intrapreneurial spaces to entrepreneurial cities: Making sense of play and playfulness. The International Journal of Entrepreneurship and Innovation, 19 (2). pp. 75-80. ISSN 1465-7503

Dobson, S and McLuskie, P (2020) Performative entrepreneurship: identity, behaviour and place in adventure sports Enterprise. International Entrepreneurship and Management Journal, 16 (3). pp. 879-895. ISSN 1554-7191

Dobson, S and Walmsley, B (2021) Fail fast, fail often…but don’t fail this course! Business and enterprise education through the lens of theatre and the creative arts. Industry and Higher Education, 35 (4). pp. 336-346. ISSN 0950-4222

Dowlen, R, Keady, J, Milligan, C et al. (4 more authors) (2022) In the moment with music: an exploration of the embodied and sensory experiences of people living with dementia during improvised music-making. Ageing and Society, 42 (11). pp. 2642-2664. ISSN 0144-686X

Edinborough, AC (2021) Pilgrimage. New Writing, 20 (1). pp. 21-28. ISSN 1479-0726

Elliott, MD (2016) Exchanging Engagement: Alternative Arts Engagement in Latin America. Conjunctions, 3 (1). ISSN 2246-3755

Gilmore, A, Jancovich, L, Stevenson, D et al. (1 more author) (2019) Situating the local in global cultural policy. Cultural Trends, 28 (4). pp. 265-268. ISSN 0954-8963

Glen, P (2021) Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65. By Sam Manning. Twentieth Century British History, 33 (1). pp. 154-156. ISSN 0955-2359

Glen, P (2023) The Kinks: Songs of the Semi-Detached. Folk Life, 61 (1). pp. 117-119. ISSN 0430-8778

Glen, P (2022) NEU! Europe: Krautrock and British representations of West German countercultures during the 1970s. Contemporary British History, 35 (3). pp. 439-465. ISSN 1361-9462

Gorbuntsova, T, Dobson, S and Palmer, N (2018) Rural entrepreneurial space and identity; A study of local tour operators and ‘the Nenets’ indigenous reindeer herders. The International Journal of Entrepreneurship and Innovation, 19 (4). pp. 261-272. ISSN 1465-7503

Gorbuntsova, T, Dobson, S and Palmer, N (2019) Diverse geographies of power and spatial production: Tourism industry development in the Yamal Peninsula, Northern Siberia. Annals of Tourism Research, 76. pp. 67-79. ISSN 0160-7383

Harmon, S, Brown, A, Popat, SH et al. (2 more authors) (2017) Struggling to be Fit: Identity, Integrity, and the Law. SCRIPTed: Journal of Law, Technology and Society, 14 (2). pp. 326-344. ISSN 1744-2567

Hulton, D and Kapsali, M (2017) Yoga and Stanislavski: reflections on the past and applications for the present and future. Stanislavski Studies, 5 (1). pp. 37-47. ISSN 2056-7790

Jancovich, L (2016) Building local capacity in the arts. Journal of Policy Research in Tourism, Leisure and Events, 8 (3). pp. 289-306. ISSN 1940-7963

Jancovich, L (2019) Creative People and Places - an experiment in place-based funding. Journal of Arts & Communities, 9 (2). pp. 129-147. ISSN 1757-1936

Jancovich, L (2017) The participation myth. International Journal of Cultural Policy, 23 (1). pp. 107-121. ISSN 1028-6632

Jancovich, L and Hansen, LE (2018) Rethinking participation in the Aarhus as European Capital of Culture 2017 project. Cultural Trends, 27 (3). pp. 173-186. ISSN 0954-8963

Jancovich, L and Stevenson, D (2020) Cultural Participation: Stories of Success, Histories of Failure. Conjunctions, Transdisciplinary Journal of Cultural Participation, 7 (2). ISSN 2246-3755

Jancovich, L and Stevenson, D (2021) Failure seems to be the hardest word to say. The International Journal of Cultural Policy. ISSN 1028-6632

Jones, P, Maas, G, Dobson, S et al. (3 more authors) (2018) Entrepreneurship in Africa, part 1: entrepreneurial dynamics in Africa. Journal of Small Business and Enterprise Development, 25 (3). pp. 346-348. ISSN 1462-6004

Jorgensen, A, Dobson, S and Heatherington, C (2017) Parkwood Springs – A fringe in time: Temporality and heritage in an urban fringe landscape. Environment and Planning A, 49 (8). pp. 1867-1886. ISSN 0308-518X

Kapsali, M (2017) Making the body all ears: Sonolope and a somatic practice of really listening. International Journal of Performance Arts and Digital Media, 13 (1). pp. 39-54. ISSN 1479-4713

Kapsali, M (2020) Sonic Bodies: Sonification and the Hybridization of Aesthetic Experience. Performance Research: a journal of the performing arts, 25 (4). pp. 45-53. ISSN 1352-8165

Kapsali, M (2019) Training the homo cellularis: attention and the mobile phone. Theatre, Dance and Performance Training, 10 (2: Digital Training). pp. 228-244. ISSN 1944-3927

Kiszely, P (2019) First Left, Guv? Mapping the Class-encoded Agency of Commercial Television’s Spy-cop Archetype, 1967-1978. Journal of British Cinema and Television, 16 (4). pp. 462-483. ISSN 1743-4521

Kiszely, P (2021) ‘Englishmen could be proud then, George’: Echoes of Empire in Tinker Tailor Soldier Spy (BBC 1979). The New Review of Film and Television Studies, 19 (4). pp. 510-532. ISSN 1740-0309

Kiszely, P (2020) Joe Lampton’s north‐south divide: Remembering place and space in Man at the Top (1970‐72). Journal of Popular Television, 8 (2). pp. 159-176. ISSN 2046-9861

Kiszely, P. (2023) Hazell (1978–80) and the disappearing detective: 1970s British television, a genre literature and the end of an era. Journal of Popular Television, 11 (1). pp. 89-107. ISSN 2046-9861

Lawson, J (2018) The Gift of Cake: Baking together in performance. Performance Research, 23 (6). pp. 69-73. ISSN 1352-8165

Lawson, JA (2017) Transformative Taste-Encounters: Contemplations on life, death and relational bodies at the (culinary) artist’s table. Performance Research, 22 (7). 6. pp. 48-56. ISSN 1352-8165

Little, SL (2018) Women, ageing, and Hip Hop: discourses and imageries of ageing femininity. Feminist Media Studies, 18 (1). pp. 34-46. ISSN 1471-5902

Lyons, G and Wells, P (2014) Words & Images, The Fifth Screenwriting Research Network Conference Macquarie University and The University of Technology, Sydney, 14–16 September 2012. Journal of Screenwriting, 5 (1). pp. 157-161. ISSN 1759-7137

Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137

Lyons, GF (2013) The generation game: The rise of the large-scale family 'epic' and its role within publicly funded theatre in Britain. Studies in Theatre and Performance, 33 (3). pp. 347-363. ISSN 1468-2761

Ma, H (2018) Chinese Cultural and Creative Industries and the struggle for Rights in Chinese Opera. Journal of Law, Social Justice and Global Development, 22. pp. 61-72. ISSN 1467-0437

Ma, H (2019) Chinese Entertainment Industry, the case of folk Errenzhuan. Asian Theatre Journal, 36 (1). pp. 79-100. ISSN 0742-5457

Ma, H (2019) Construction of overseas illegal migrants’ identity through folk Fujian opera consumption. Cambridge Journal of China Studies, 14 (1). pp. 24-38. ISSN 2054-3719

Ma, H (2019) Cultural and Creative Industries in Modern Languages. Arts and Humanities in Higher Education, 18 (2-3). pp. 216-230. ISSN 1474-0222

Ma, H (2012) Development of training and performativity in Shanghai YueJu. Theatre, Dance and Performance Training, 3 (3). pp. 334-348. ISSN 1944-3927

Ma, H (2019) Traditional opera consumption as the new game of distinction for the Chinese middle class. International Journal of Cultural Studies, 22 (3). pp. 400-416. ISSN 1367-8779

Ma, H (2011) Yueju – The Formation of a Legitimate Culture in Contemporary Shanghai. Culture Unbound : Journal of Current Cultural Research, 4 (1). pp. 213-227. ISSN 2000-1525

Ma, H (2022) The Missing Intangible Cultural Heritage in Shanghai Cultural and Creative Industries. International Journal of Heritage Studies, 28 (5). pp. 597-608. ISSN 1352-7258

McKay, S and Bradley, J (2017) How does arts practice engage with narratives of migration from refugees and asylum seekers? Lessons from ‘utopia’. Journal of Arts and Communities, 8 (1-2). pp. 31-46. ISSN 1757-1936

McKechnie, K (2008) Detached signifiers, dead babies and demon dwarves: Bieito’s Dutchman. Studies in Musical Theatre, 2 (1). 101 - 108 (8). ISSN 1750-3159

McKendrick, J and Dobson, S (2018) Introduction to this collection. The International Journal of Entrepreneurship and Innovation, 19 (2). pp. 73-74. ISSN 1465-7503

McKinney, JE (2016) Interview with Liu Xinglin. Theatre and Performance Design, 2 (1-2). pp. 66-72. ISSN 2332-2551

McKinney, JE (2005) Projection and Transaction: the spatial operation of scenography. Performance Research, 10 (4). 128 - 137. ISSN 1352-8165

McKinney, JE (2015) Scenographic materialism, affordance and extended cognition in Kris Verdonck’s ACTOR #1. Theatre and Performance Design, 1 (1-2). 79 - 93. ISSN 2332-2551

McKinney, JE and McKechnie, K (2016) Interview with Katrin Brack. Theatre and Performance Design, 2 (1-2). pp. 127-135. ISSN 2332-2551

McKinney, JE (2013) Scenography, spectacle and the body of the spectator. Performance Research: a journal of the performing arts, 18 (3). pp. 63-74. ISSN 1352-8165

Nisbett, M and Walmsley, B (2016) The Romanticization of Charismatic Leadership in the Arts. Journal of Arts Management, Law, and Society, 46 (1). pp. 2-12. ISSN 1063-2921

O'Grady, KA (2013) Exploring radical openness: a porous model for relational festival performance. Studies in Theatre and Performance, 33 (2). 133 - 151 (19). ISSN 1468-2761

O'Grady, KA (2013) Interrupting flow: researching play, performance and immersion in festival scenes. Dancecult; Journal of Electronic Dance Music Culture, 5 (1). 18 - 38. ISSN 1947-5403

O'Grady, KA (2012) Spaces of play: the spatial dimensions of underground club culture and locating the subjunctive. Dancecult: Journal of Electronic Dance Music Culture, 4 (1). 86 - 106. ISSN 1947-5403

O'Grady, KA and Kill, R (2013) Exploring Festival Performance as a State of Encounter. Arts and Humanities in Higher Education: an international journal of theory, research and practice. ISSN 1474-0222

O'Grady, A, Gray-Burrows, K and Tahmassebi, J (2022) Inside the Waiting Room: process drama and dramatic distancing for involving children in research on dental anxiety. Arts and Health: an international journal for research, policy and practice, 14 (2). pp. 149-164. ISSN 1753-3015

O'Grady, A and Madill, A (2019) Being and Performing "Older" Woman in Electronic Dance Movement Culture. Dancecult: Journal of Electronic Dance Music Culture, 11 (1). pp. 7-29. ISSN 1947-5403

O'Grady, K, Tahmassebi, J, Berg, N et al. (3 more authors) (2021) Using process drama to explore the causes of dental anxiety in primary‑school children. European Archives of Paediatric Dentistry, 22 (5). pp. 869-877. ISSN 1818-6300

O'Grady, KA (2015) Dancing Outdoors: DiY Ethics and Democratised Practices of Well-being on the UK Alternative Festival Circuit. Dancecult, 7 (1). pp. 76-96. ISSN 1947-5403

Oakley, K and Ward, J (2018) Creative Economy, Critical Perspectives. Cultural Trends, 27 (5). pp. 311-312. ISSN 0954-8963

Oakley, K and Ward, J (2018) The art of the good life: culture and sustainable prosperity. Cultural Trends, 27 (1). pp. 4-17. ISSN 0954-8963

Oakley, K, Ward, J and Christie, I (2018) Engaging the imagination: ‘new nature writing’, collective politics and the environmental crisis. Environmental Values, 27 (6). pp. 687-705. ISSN 0963-2719

Olvera-Hernandez, S, Mesa-Jurad, A, Novo, P et al. (4 more authors) (2023) Forum Theatre as a mechanism to explore representation of local people’s values in environmental governance: a case of study from Chiapas, Mexico. People and Nature, 5 (1). pp. 119-133. ISSN 2575-8314

O’Grady, A (2022) Legitimate ways of knowing: reconsidering process drama as an effective methodology for promoting children’s active participation in health research. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (4). pp. 475-489. ISSN 1356-9783

Palmer, SD (2012) The beginning of modern stage lighting design: Edward Gordon Craig and the May 1900 production of Dido and Aeneas. Focus, Februa. ISSN 1364-9299

Palmer, SD and Popat, SH (2008) Dancing in the Streets - a design case study. Interactions (New York), XV (3). 55 - 59 . ISSN 1072-5520

Palmer, SD and Popat, SH (2007) Dancing in the Streets: The sensuous manifold as a concept for designing experience. International Journal of Performance Art and Digital Media, 2 (3). 297 - 314. ISSN 1479-4713

Palmer, S (2015) A ‘choréographie’ of light and space: Adolphe Appia and the first scenographic turn. Theatre and Performance Design, 1 (1-2). pp. 31-47. ISSN 2332-2551

Pells, K, Breed, A, Uwihoreye, C et al. (3 more authors) (2022) ‘No-One Can Tell a Story Better than the One Who Lived It’: Reworking Constructions of Childhood and Trauma Through the Arts in Rwanda. Culture, Medicine and Psychiatry, 46 (3). pp. 632-653. ISSN 0165-005X

Pham, D, Jones, P, Dobson, S et al. (2 more authors) (2021) Entrepreneurial implementation intention as a tool to moderate the stability of entrepreneurial goal intention: A sensemaking approach. Journal of Business Research, 123. pp. 97-105. ISSN 0148-2963

Pinder, JY (2018) A theatrical critique of humanitarian civility in the ICRC Museum. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (4). pp. 483-498. ISSN 1356-9783

Pitches, J (2020) High culture: presentations of the self in mountain environments. Performance Research, 25 (1). pp. 31-38. ISSN 1352-8165

Pitches, JD (2009) Spinal Snaps: tracing a backstory of European actor training. Performance Research, 14 (2). 85 - 95 . ISSN 1352-8165

Pitches, JD (2007) Tracing/training rebellion - object work in Meyerhold's biomechanics. Performance Research, 12 (4). pp. 97-103. ISSN 1352-8165

Pitches, JD (2013) The technique in Microcosm: Michael Chekhov’s work on the Fishing Scene. Theatre, Dance and Performance Training, 4 (2). 219 - 236 (17). ISSN 1944-3927

Pitches, JD and Li, R (2012) The end of the hour-glass: alternative conceptions of intercultural exchange between European and Chinese operatic forms. Studies in Theatre and Performance, 32 (2). 121 - 137. ISSN 1468-2761

Pitches, J (2019) Introduction: On Mountains. Performance Research, 24 (2). pp. 1-7. ISSN 1352-8165

Pitches, J (2007) Tracing/Training Rebellion: Object work in Meyerhold's biomechanics. Performance Research, 12 (4). pp. 97-103. ISSN 1352-8165

Pitches, J, Worth, L, Mitchell, R et al. (2 more authors) (2022) Editorial. Theatre, Dance and Performance Training, 13 (4). pp. 515-518. ISSN 1944-3927

Plastow, J and Elliott, M (2020) Translating ‘good’ Pregnancy in Rural Nyanza, Kenya. Moving Worlds: a journal for transcultural writings, 20 (1). pp. 83-96. ISSN 1474-4600

Popat, S. and Smith-Autard, J.M. (2002) Dance-making on the internet: can on-line choreographic projects foster creativity in the user-participant? Leonardo, 35 (1). pp. 31-36. ISSN 1530-9282

Popat, SH (2012) Keeping it Real: Encountering Mixed Reality in igloo’s SwanQuake: House. Convergence: The International Journal of Research into New Media Technologies, 18 (1). 11 - 26. ISSN 1354-8565

Popat, SH and Palmer, SD (2005) Creating common ground: dialogues between performance and digital technologies. International Journal of Performance Art and Digital Media, 1 (1). 47 - 65. ISSN 1479-4713

Popat, SH and Palmer, SD (2008) Embodied Interfaces: Dancing wih Digital Sprites. Digital Creativity, 19 (2). 1 - 13. ISSN 1462-6268

Popat, SH, Whatley, S, O'Connor, R et al. (2 more authors) (2017) Bodily Extensions and Performance. International Journal of Performance Arts and Digital Media, 13 (2). pp. 101-104. ISSN 1479-4713

Popat, S (2016) Missing in Action: Embodied Experience and Virtual Reality. Theatre Journal, 68 (3). pp. 357-378. ISSN 0192-2882

Price, J (2017) The construction of cultural leadership. ENCATC Journal of Cultural Management & Policy, 7 (1). pp. 5-16. ISSN 2224-2554

Prihodova, B, McKinney, JE and Lotker, S (2016) Editorial for the special issue on The Prague Quadrennial of Performance Design and Space 2015. Theatre and Performance Design, 2 (1-2). pp. 5-16. ISSN 2332-2551

Reynolds, S, Tonks, A and MacNeill, K (2017) Collaborative Leadership in the Arts as a Unique Form of Dual Leadership. Journal of Arts Management, Law and Society, 47 (2). pp. 89-104. ISSN 1063-2921

Rodosthenous, G. (2007) Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y. Studies in Musical Theatre , 1 (3). pp. 275-292. ISSN 1750-3167

Salazar Sutil, N (2010) Antonin Artaud's ‘decisive transfusion’: From theatre to mathematics. Performance Research: A Journal of the Performing Arts, 14 (4). pp. 119-124. ISSN 1352-8165

Salazar Sutil, N (2010) The Body Manifold: Mathematics (mis)performed by the Vitruvian and Acephalic Man. Performance Research, 15 (2). pp. 17-22. ISSN 1352-8165

Salazar Sutil, N (2007) Inmigración, Suplicancia y la Política de Asilo en la Antigua Grecia. Cyber Humanitatis, 41. ISSN 0717-2869

Salazar Sutil, N (2017) Jism for Schism: Turning the Animal On. Performance Research, 22 (2). pp. 1-7. ISSN 1352-8165

Salazar Sutil, N (2012) Laban's Choreosophical Model: Movement Visualisation Analysis and the Use of Graphic Media in Dance Studies. Dance Research, 30 (2). pp. 147-168. ISSN 0264-2875

Salazar Sutil, N (2008) Maradona Inc: Performance politics off the pitch. International Journal of Cultural Studies, 11 (4). pp. 441-458. ISSN 1367-8779

Salazar Sutil, N (2014) Mathematics in Motion: a Comparative Analysis of the Stage Works of Schlemmer and Kandinsky at the Bauhaus. Dance Research, 32 (1). pp. 23-42. ISSN 0264-2875

Salazar Sutil, N (2018) Never been human I am bird: on the Shape of Love. Performance Research, 23 (4-5). pp. 100-106. ISSN 1352-8165

Salazar Sutil, N (2014) Performance/mathematics: a dramatisation of mathematical methods. International Journal of Performance Arts and Digital Media, 10 (2). pp. 143-158. ISSN 1479-4713

Salazar Sutil, N (2013) Rudolf Laban and Topology: a Videographic Analysis. Space and Culture, 16 (2). pp. 173-193. ISSN 1206-3312

Salazar Sutil, N (2008) Subversive identities: ethno-techno and Gómez-Peña’s cross-cultural performance. Body, Space and Technology.

Salazar Sutil, N (2009) What's in Your Wardrobe, Mr. Morales? A Study in Political Dress. Popular Communication, 7 (2). pp. 63-78. ISSN 1540-5702

Salazar Sutil, N and Melo, S (2013) Digital Dance-theatre as a Multidimensional Romance Notes on the production of C8's Flatland. Performance Research, 18 (5). pp. 38-47. ISSN 1469-9990

Salazar Sutil, N (2018) Section Editorial: Human Movement as Critical Creativity: Basic Questions for Movement Computing. Computational Culture, 6 (6). ISSN 2047-2390

Shearing, D (2014) Scenographic landscapes. Studies in Theatre and Performance, 34 (1). 38 - 52. ISSN 1468-2761

Sheridan, JG, Bayliss, A and Bryan-Kinns, N (2007) The interior life of iPoi: objects that entice witting transitions in performative behaviour. International Journal of Performance Art and Digital Media, 3 (1). 17 - 36 (20). ISSN 1479-4713

Shyldkrot, Y (2023) (House) Lights Out: Encounters with Darkness and Compositions of Going Dark. Theatre and Performance Design, 8 (3-4). pp. 189-207. ISSN 2332-2551

Shyldkrot, Y (2019) Mist opportunities: haze and the composition of atmosphere. Studies in Theatre and Performance, 39 (2). pp. 147-164. ISSN 1468-2761

Taylor, CF (2013) Between Culture, Policy and Industry: The Ambiguities of Intermediation in the Creative Economy. Regional Studies. 1 - 12. ISSN 0034-3404

Taylor, CF (2006) Beyond advocacy: developing an evidence base for regional creative industry strategies. Cultural Trends, 15 (1). 3 - 18. ISSN 0954-8963

Taylor, CF, Comunian, R and Smith, DN (2013) The Role of Universities in the Regional Creative Economies of the UK: Hidden Protagonists and the Challenge of Knowledge Transfer. European Planning Studies. ISSN 0965-4313

Taylor, CF (2014) Performing for affect? Immaterial labour and performer training. Theatre, Dance and Performance Training, 5 (2). pp. 181-196. ISSN 1944-3927

Upchurch, AR (2011) Keynes’s Legacy: an intellectual's influence reflected in arts policy. International Journal of Cultural Policy, 17 (1). 69 - 80 (11). ISSN 1028-6632

Upchurch, AR (2012) 'Missing' from policy history: The Dartington Hall Arts Enquiry, 1941-1947. International Journal of Cultural Policy, 19 (5). 610 - 622 (13). ISSN 1028-6632

Wallis, M and McKinney, JE (2013) On value and necessity: The Green Book and its others. Performance Research: a journal of the performing arts, 18 (2). 67 - 79. ISSN 1352-8165

Wallis, M, Popat, SH, McKinney, J et al. (2 more authors) (2010) Embodied conversations: performance and the design of a robotic dancing partner. Design Studies, 31 (2). 99 - 117. ISSN 1872-6909

Walmsley, B (2019) The death of arts marketing: a paradigm shift from consumption to enrichment. Arts and the Market, 9 (1). pp. 32-49. ISSN 2056-4945

Walmsley, BA (2013) Co-creating theatre: Authentic engagement or inter-legitimation? Cultural Trends, 22 (2). 108 - 118. ISSN 0954-8963

Walmsley, BA (2018) Deep hanging out in the arts: an anthropological approach to capturing cultural value. International Journal of Cultural Policy, 24 (2). pp. 272-291. ISSN 1028-6632

Walmsley, BA (2016) From arts marketing to audience enrichment: how digital engagement can deepen and democratize artistic exchange with audiences. Poetics, 58. pp. 66-78. ISSN 0304-422X

Walmsley, BA (2010) National Theatre of Scotland and its sense of place. The Marketing Review, 10 (2). 109 - 117. ISSN 1469-347X

Walmsley, BA (2012) Re-defining rural marketing: Insights from touring theatre. International Journal of Rural Management, 8 (1-2). 49 - 62. ISSN 0973-0052

Walmsley, BA (2011) Why people go to the theatre: a qualitative study of audience motivation. Journal of Customer Behaviour, 10 (4). 335 - 351. ISSN 1475-3928

Walmsley, BA (2013) 'A big part of my life': a qualitative study of the impact of theatre. Arts Marketing: An International Journal, 3 (1). 73 - 87. ISSN 2044-2084

Walmsley, BA (2013) A reflective perspective on the challenges facing research-led teaching in the performing and creative arts. Arts and Humanities in Higher Education: an international journal of theory, research and practice, 12 (2-3). 222 - 233. ISSN 1474-0222

Walmsley, B (2021) Engagement: The new paradigm for audience research. Participations, 18 (1). pp. 299-316. ISSN 1749-8716

Walmsley, B (2012) Towards a balanced scorecard: A critical analysis of the Culture and Sport Evidence (CASE) programme. Cultural Trends, 21 (4). pp. 325-334. ISSN 0954-8963

Walmsley, B (2013) Whose value is it anyway? A neo-institutionalist approach to articulating and evaluating artistic value. Journal of Arts and Communities, 4 (3). pp. 199-215. ISSN 1757-1936

Walsh, A (2018) Fugitive Knowledge: Performance Pedagogies, Legibility and the Undercommons. Applied Theatre Research, 6 (2). pp. 121-137. ISSN 2049-3010

Walsh, A (2018) ‘I’ve stood at so many windows’: Women in Prison, Performativity and Survival. Liminalities : a Journal of Performance Studies, 14 (3). pp. 211-230. ISSN 1557-2935

Walsh, A (2018) Performing Punishment, Transporting Audiences: Clean Break Theatre Company’s Sweatbox. Prison Service Journal, 239. pp. 22-26. ISSN 0300-3558

Walsh, A (2020) Poethics of Queer Resurrection in Black South African Performance: I Stand Corrected and Somnyama Ngonyama. Performance Paradigm, 15. pp. 23-39. ISSN 1832-5580

Walsh, A (2019) S. E. Wilmer Performing Statelessness in Europe. London: Palgrave Macmillan, 2018. ix, 245 p. £79. ISBN: 978-3-319-69172-5. New Theatre Quarterly, 35 (1). pp. 92-93. ISSN 0266-464X

Walsh, A and Tsilimpounidi, M (2017) Dear TINA: Protesting Institutions in Times of Crisis. Qualitative Inquiry, 23 (2). pp. 137-148. ISSN 1077-8004

Walsh, A (2020) Manifesting desire and anarchy as method: The problem of Inside Pussy Riot. Punk & Post Punk. ISSN 2044-1983

Walsh, A.M. (2023) Towards redress: The ‘not-yet’ future between harm and repair in Cape Town. Futures, 153. 103225. ISSN 0016-3287

Walsh, A and Burnett, S (2021) Voicing ambiguities in the Ilizwi Lenyaniso Lomhlaba co-creator collective. Research in Drama Education: The Journal of Applied Theatre and Performance. ISSN 1356-9783

Walsh, A and Kotsopoulou, F (2020) Deviant women: embodied archives, living documents. MAI: Feminism & Visual Culture (6). 36. ISSN 2003-167X

Walsh, A, Olvera-Hernandez, S, Mesa-Jurado, MA et al. (4 more authors) (2022) Valuing trans-disciplinarity: Forum Theatre in Tabasco and Chiapas, Mexico. Research in Drama Education: The Journal of Applied Theatre and Performance. ISSN 1356-9783

Walsh, A, Routledge, P and Kelly, M (2021) Disobedient Theatre ‐ A Toolkit for Change facilitated by Aylwyn Walsh and Paul Routledge. Journal of Arts and Communities, 12 (1-2). pp. 131-133. ISSN 1757-1936

Walsh, A, Sutherland, A, Visagie, A et al. (1 more author) (2020) ImaginingOtherwise: A glossary of arts education practice on the Cape Flats. ArtsPraxis, 7 (2b). pp. 53-78. ISSN 1552-5236

Walsh, AM (2023) South Africa’s Student Activist Turn in the Decolonial Present. Performance Research, 27 (3-4). pp. 150-160. ISSN 1352-8165

Walsh, AM (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture, 12 (3). pp. 309-326. ISSN 1741-6590

Ward, J (2018) Down by the sea: visual arts, artists and coastal regeneration. International Journal of Cultural Policy, 24 (1). pp. 121-138. ISSN 1028-6632

Willson, J (2018) Porn, pantomime and protest: the politics of bawdiness as feminine style. Porn Studies, 5 (4). pp. 426-439. ISSN 2326-8743

Willson, JM and McCartney, N (2017) A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. Critical Studies in Fashion and Beauty, 8 (1). pp. 99-122. ISSN 2040-4417

Willson, J (2020) Tricity Vogue's 'Blueing Up' as Sedimented Resistance: Extravagant Costume and the Expanded Field of Dressing Up. Studies in Costume & Performance, 5 (2). pp. 175-190. ISSN 2052-4013

Wood, P and Taylor, CF (2004) Big ideas for a small town: the Huddersfield Creative Town Initiative. Local Economy, 19 (4). 380 - 395. ISSN 0269-0942

Wright, J (2021) ART SCHOOLS AND ARTIST-LED COLLECTIVES: HOW TO MAKE A HAPPENING (1968/2020) A WORKSHOP IN VIRTUAL SPACE. AMPS Proceedings Series (23.1). pp. 1-8. ISSN 2398-9467

Xu, Z and Dobson, S (2019) Challenges of building entrepreneurial ecosystems in peripheral places. Journal of Entrepreneurship and Public Policy, 8 (3). pp. 408-430. ISSN 2045-2101

Zachary, D and Dobson, S (2020) Urban Development and Complexity: Shannon Entropy as a Measure of Diversity. Planning Practice & Research. ISSN 0269-7459

Zezulka, K (2020) Examining the pedagogy of theatre lighting. Theatre, Dance and Performance Training, 11 (1). pp. 93-107. ISSN 1944-3927

Zezulka, K (2019) Performance lighting design: how to light for the stage, concerts and live events. Theatre and Performance Design, 5 (1-2). pp. 158-160. ISSN 2332-2551

Zezulka, K (2019) The lighting programmer as creative collaborator. Behind the Scenes: Journal of Theatre Production Practice. (In Press)

Book Section

Bannon, FC and Edward, M (2016) Being in Pieces: Integrating Dance, Identity and Mental Health. In: Karkou,, V, Oliver,, S and Lycouris, S, (eds.) The Oxford Handbook of Dance and Wellbeing. Oxford Handbook Series . Oxford University Press , New York .

Bannon, FC and Holt, D (2015) Attending to ethics and aesthetics in dance. In: Whatley, S, Garrett Brown, N and Alexander, K, (eds.) Attending to Movement: Somatic Perspectives on Living in this World. Triarchy Press. , 219 - 228. ISBN 978-1-909470-63-7

Bannon, FC (2019) Ethico-aesthetic practice of improvising: relations through motion. In: Midgelow, V and Hopf, C, (eds.) Handbook on Improvisation in Dance. Oxford Handbooks . Oxford University Press . ISBN 9780199396986

Bennett, E (2016) Relief from a Certain Kind of Personhood in ASMR Role-Play Videos. In: Callard, F, Staines, K and Wilkes, J, (eds.) The Restless Compendium: Interdisciplinary Investigations of Rest and Its Opposites. Palgrave Macmillan , Basingstoke , pp. 129-136. ISBN 978-3-319-45264-7

Bennett, E (2016) When Is a Joke not a Joke? Reading (and Re-reading) Stewart Lee’s ‘The Rap Singers’. In: Kartsaki, E, (ed.) On Repetition: Writing, Performance and Art. Intellect , Bristol , pp. 81-98. ISBN 9781783205776

Beswick, KA The Council Estate as Hood: Resisting the Crisis SPID Theatre Company and grass-roots discourse as cultural politics. In: Duggan, P and Peschel, L, (eds.) Performing for Survival. Palgrave MacMillian . (Submitted)

Dobson, S, Maas, G, Jones, P et al. (1 more author) (2018) Experiential Learning Through the Transformational Incubation Programme: A Case Study from Accra, Ghana. In: Experiential Learning for Entrepreneurship: Theoretical and Practical Perspectives on Enterprise Education. palgrave macmillan , pp. 225-244. ISBN 978-3-319-90004-9

Glen, P. (2023) I’m different; I’m tough; I fuck’: Attitudes Towards Young Men, Sex and Masculinity, 1956-1969, in Nik Cohn’s Awopbopaloobop Alopbamboom: Pop from the Beginning (1969). In: Subcultures Network, (ed.) Let's spend the night together: Sex, pop music and British youth culture. Manchester University Press . ISBN 9781526159984

Jancovich, L and Bechler, R (2019) The Politics of Culture: Leila Jancovich in conversation with Rosemary Bechler. In: Adler, D and Bechler, R, (eds.) A Vision for Europe. Eris Press , London, UK , pp. 278-287. ISBN 978-1912475-16-2

Jancovich, L and Stevenson, D (2019) The “problem” of participation in cultural policy. In: Eriksson, B, Stage, C and Valtysson, B, (eds.) Cultures of Participation: Arts, Digital Media and Cultural Institutions. Routledge Research in Cultural and Media Studies . Routledge , Abingdon, UK , pp. 167-184. ISBN 978-0-367-21838-6

Kiszely, P (2019) Pop Music: Capturing Live Performance. In: Barber, S and Peniston-Bird, C, (eds.) Historical Sources in Spatial Contexts: Environment, Performance and Artefact. Routledge Guides to Using Historical Sources . Routledge . ISBN 9780815364801 (In Press)

Ma, H (2010) The Character of Song and Yueju. In: Walling, M and Lane, R, (eds.) The Orientations Trilogy: Theatre and Gender: Asia and Europe. Border Crossings Ltd , Enfield, UK . ISBN 978-1904718086

Ma, H (2016) Survival through Laughter: A Fun Gongfu: The Story of the Deer and the Cauldron. In: Ruru, L, (ed.) Staging China: New Theatres in the Twenty-First Century. Chinese Literature and Culture in the World . Palgrave Macmillan , Basingstoke, Hampshire, UK , pp. 141-158. ISBN 978-1-137-56747-5

McKinney, J (2019) Scenographic materiality: Agency and Intra-Action in stage designs by Katrin Brack. In: Wiens, BE, (ed.) Contemporary Scenography: Practices and Aesthetics in German Theatre, Arts and Design. Performance and Design, Contemporary German . Bloomsbury Publishing PLC , pp. 57-73. ISBN 9781350064478

McKinney, J (2018) Seeing scenography: scopic regimes and the body of the spectator. In: Aronson, A, (ed.) The Routledge Companion to Scenography. Routledge Companions . Routledge , Abingdon, Oxon, UK , pp. 102-118. ISBN 9781138917804

McKinney, J and Palmer, S (2017) Introducing ‘Expanded’ Scenography. In: McKinney, J and Palmer, S, (eds.) Scenography Expanded: An Introduction to Contemporary Performance Design. Performance and Design . Bloomsbury Methuen Drama , London , pp. 1-19. ISBN 9781474244398

McKinney, JE (2016) Audiencing Scenography. In: Zupanc Lotker, S and Kuburović, B, (eds.) SharedSpace: Music Weather Politics. Theatre Institute , Prague . ISBN 978-80-7008-365-9

McKinney, JE (2012) ‘Empathy and exchange: audience experience of scenography’. In: Reynolds, D and Reason, M, (eds.) Kinesthetic Empathy in Creative and Cultural Practices. Intellect , 221 - 235. ISBN 9781841504919

McKinney, JE (2001) Stage Design as Acting Machine: Constructing theatrical reality. In: Wierzchowska, A, (ed.) Tradition and Innovation in Theatre Design. Jagellonian University, Krakow, Poland , 44 - 49. ISBN 83-916637-0-1

McKinney, JE (2015) Vibrant materials: the agency of things in the context of scenography. In: Bleeker, M, Sherman Foley, J and Nedelkopoulou, E, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge Advances in Theatre & Performance Studies . Routledge . ISBN 978-1-13-880551-4

McKinney, JE (2009) The scenographic exchange. In: Allegue, L, Jones, S, Kershaw, B and Piccini, A, (eds.) Practice-as-research: in performance and screen. Palgrave . ISBN 978-0230220010

McKinney, J (2019) Living things: material entanglements in Quarantine's Summer. In: Banham, S, Hunter, S, Brady, M and O'Shea, R, (eds.) Summer. Autumn. Winter. Spring. Staging Life and Death. Manchester University Press . ISBN 978-1-5261-4347-1

McKinney, JE and Iball, H (2011) Researching Scenography. In: Kershaw, B and Nicholson, H, (eds.) Research Methods in Theatre and Performance. Edinburgh University Press , Edinburgh , pp. 111-136. ISBN 9780748641581

O'Grady, A (2017) Dancing Outdoors: the DIY ethic of the campsite, the politics of outdoor space and the aesthetics of the UK alternative festival circuit. In: St John, G, (ed.) Weekend societies: electronic dance music festivals and event-cultures. Bloomsbury , London, UK , pp. 137-158. ISBN 978-1501309311

O'Grady, A (2017) Introduction: Risky Aesthetics, Critical Vulnerabilities, and Edgeplay: Tactical Performances of the Unknown. In: O'Grady, A, (ed.) Risk, Participation and Performance Practice: critical vulnerabilities in a precarious world. Palgrave Macmillan , Cham, Switzerland , pp. 1-29. ISBN 978-3-319-63241-4

O'Grady, KA (2015) Being there: encounters with space and the affective dimension of arena spectacle. In: Halligan, B, Fairclough-Isaacs, K, Edgar, R and Spelman, N, (eds.) The Arena Concert: music, media and mass entertainment. Bloomsbury , New York . ISBN 9781628925562

Palmer, DS (2021) A Staging Revolution through Light and Music: Adolphe Appia, Wagner and Hugo Bähr. In: Illiano, R, (ed.) Performing Arts and Technical Issues. Staging and Dramaturgy: Opera and The Performing Arts, 4 . Brepols , Turnhout , pp. 123-145. ISBN 978-2-503-59739-3

Pitches, JD (2016) Introduction to Meyerhold on Theatre. In: Braun, E, (ed.) Meyerhold on Theatre. Bloomsbury , London , pp. 1-18. ISBN 978-1-4742-3020-9

Pitches, JD (2007) Routes or Roots: the Technical Traditions of Contemporary Physical Theatres. In: Murray, S and Keefe, J, (eds.) Physical Theatres: a Reader. Routledge , Abingdon , 46 - 54 (8). ISBN 0-415-36251-2

Pitches, JD (2015) Technique: Training the Actor’s Voice and Body. In: Evans, M, (ed.) The Actor Training Reader. Routledge . ISBN 978-0-415-82402-6

Pitches, JD (2015) Contrasting Modernities: the Rural and the Urban in Michael Chekhov's Psychological Gesture and Meyerhold's Biomechanical Études. In: Meerzon, Y and Authant-Matthieu, M-C, (eds.) The Routledge Companion to Michael Chekhov. Routledge , Abingdon , pp. 219-234. ISBN 9780415710183

Popat, S (2015) Placing the body in mixed reality. In: Hunter, V, (ed.) Moving Sites: Investigating Site-Specific Dance Performance. Routledge , pp. 162-177. ISBN 978-0415710176

Popat, S and Preece, KL (2012) Pluralistic Presence: Practising embodiment with my avatar. In: Broadhurst, S and Machon, J, (eds.) Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Performance and Technology. Performance and Technology . Palgrave Macmillan , Basingstoke , 160 - 174 (15). ISBN 0230298885

Popat, SH (2017) Gesture and Movement: Indices of Presence. In: Banks, J, (ed.) Avatar, Assembled: The Social and Technical Anatomy of Digital Bodies. Digital Formations . Peter Lang , New York, USA . ISBN 9781433135606

Popat, SH (2016) Transcending dimensions: physical and virtual dancing bodies. In: Rosenberg, D, (ed.) The Oxford Handbook of Screendance Studies. Oxford University Press , pp. 657-676. ISBN 9780199981601

Popat, SH (2017) Virtually Touching: Embodied engagement in telematic and virtual reality performance. In: Butterworth, J and Wildschut, L, (eds.) Contemporary Choreography: A Critical Reader. Routledge .

Popat, SH and Palmer, SD (2009) Dancing with sprites and robots: new approaches to collaboration between dance and digital technologies. In: Butterworth, J and Wildschut, L, (eds.) Contemporary Choreography: A Critical Reader. Routledge , 416 - 430. ISBN 0415490871

Rodosthenous, George (2005) The dramatic imagery of "Howl": the [naked] bodies of madness. In: Howl for Now. Route Publishing , Pontefract, UK , pp. 53-72. ISBN 1 901927 25 3

Salazar Sutil, N (2014) 404, the Performativity of Error: with Insights into Cyber-errorism in Internacional Errorista and Electronic Disturbance Theatre. In: Blažević, M and Feldman, LC, (eds.) MISperformance: essays in shifting perspectives. Maska , Ljubljana, Slovenia , pp. 183-199.

Salazar Sutil, N (2015) Intelligence behind Movement: Laboratories of Biomechanics and the Making of Kinetic Utopia. In: Digital Movement: Essays in Motion Technology and Performance. Palgrave Series in Performance and Technology . Palgrave Macmillan , Houndsmills, Basingstoke , pp. 35-52. ISBN 978-1-137-43040-3

Salazar Sutil, N (2010) Variations on a Fugitive’s Song: The Performance of Disappearance and Forced Migration in Chile. In: Davis, RG, Fischer-Hornung, D and Kardux, JC, (eds.) Aesthetic Practices and Politics in Media, Music, and Art: Performing Migration. Routledge Research in Cultural and Media Studies, 26 . Routledge , New York, USA . ISBN 9780203844724

Salazar Sutil, N and Melo, S (2016) Exposed to Time: Cross-histories of Human Motion Visualization from Chrono- to Dynamophotography. In: The Oxford Handbook of Screendance Studies. Oxford University Press , Oxford, United Kingdom , pp. 143-167. ISBN 9780199981601

Salazar Sutil, N and Popat, S (2015) Introduction. In: Popat, S and Salazar Sutil, N, (eds.) Digital Movement: Essays in Motion Technology and Performance. Palgrave Studies in Performance and Technology . Palgrave Macmillan , Basingstoke, Hampshire , pp. 1-17. ISBN 978-1-137-43040-3

Salazar-Sutil, N (2013) "Set in Poland, that is to say Nowhere": Alfred Jarry and the Politics of Topological Space. In: Fischer-Lichte, E and Wihstutz, B, (eds.) Performance and the Politics of Space: Theatre and Topology. Routledge Advances in Theatre & Performance Studies (24). Routledge , New York , pp. 114-126. ISBN 9780415509688

Shyldkrot, Y (2022) The Unbearable Brightness of Beams: Light, Darkness and Obscure Images. In: Palmer, S, Graham, K and Zezulka, K, (eds.) Contemporary Performance Lighting: Experience, Creativity and Meaning. Bloomsbury . (In Press)

Shyldkrot, Y and Kendrick, L (2021) Voicing Identity: Theatre Sound and Precarious Subjectivities. In: Jarvis, L and Savage, K, (eds.) Avatars, Activism and Postdigital Performance Precarious Intermedial Identities. Bloomsbury Publishing , Bedford, UK . ISBN 9781350159310

Taylor, CF (2009) ‘The Creative Industries, Governance and Economic Development: A UK Perspective’. In: Kong, L and O'Connor, J, (eds.) Creative Economies, Creative Cities: Asian-European Perspectives. Springer , 153 - 166. ISBN 1402099487

Taylor, CF (2008) ‘Developing relationships between universities, the creative industries, enterprise and innovation’. In: Henry, C, (ed.) Entrepreneurship in the Creative Industries: International Perspectives. Edward Elgar Publishing Ltd . ISBN 184542610X

Taylor, CF (2011) Socialising Creativity: Entrepreneurship and Innovation in the Creative Industries. In: Henry, C and de Bruin, A, (eds.) Entrepreneurship and the Creative Economy: Process, Practice and Policy. Edward Elgar Publishing Limited , 30 - 49 (19). ISBN 1848447698

Walmsley, B and Franks, A (2011) The audience experience: changing roles and relationships. In: Walmsley, B, (ed.) Key Issues in the Arts and Entertainment Industry. Goodfellow . ISBN 978-1-906884-20-8

Walmsley, B and Oliver, J (2011) Assessing the value of the arts. In: Walmsley, B, (ed.) Key Issues in the Arts and Entertainment Industry. Goodfellow . ISBN 978-1-906884-20-8

Walmsley, BA (2011) The 21st century business model. In: Walmsley, BA, (ed.) Key Issues in the Arts and Entertainment Industry. Goodfellow . ISBN 978-1-906884-20-8

Walmsley, BA (2010) Staged story and variety. In: Moss, S, (ed.) The Entertainment Industry. CABI Publishing , 16 - 37. ISBN 1845935519

Walmsley, B (2019) Managing change and the implications for leadership. In: Byrnes, WJ and Brkić, A, (eds.) The Routledge Companion to Arts Management. Routledge Companions in Business, Management and Accounting . Routledge , Abingdon, Oxon, UK , pp. 121-137. ISBN 978-1-138-49222-6

Walsh, A (2017) A Critical Introduction to Arts Behind Bars. In: Oxford Research Encyclopedia of Criminology and Criminal Justice. Crime, Media, and Popular Culture . Oxford University Press .

Walsh, A (2016) The Paradox of Dis/appearance: Hunger Strike in Athens as a Performance of Survival. In: Duggan, P and Peschel, L, (eds.) Performing (for) Survival: Theatre, Crisis, Extremity. Palgrave Macmillan UK , pp. 203-221. ISBN 978-1-349-56857-4

Walsh, A (2017) Staging the Radical Potential of the Imagination: A Critical Introduction to A Machine they’re Secretly Building. In: Westerside, A and Proto-type Theater, (eds.) A Machine they’re Secretly Building. Oberon Books , pp. 6-10. ISBN 9781786821119

Walsh, A (2015) Staging the others: Appearance, visibility and radical border crossing in Athens. In: Zaroulia, M and Hager, P, (eds.) Performances of Capitalism, Crises and Resistance: Inside/Outside Europe. Palgrave Macmillan , pp. 134-149. ISBN 9781137379375

Walsh, A (2017) What Works: The Affective and Gendered Performance of Prison. In: McAvinchey, C, (ed.) Applied Theatre: Women and the Criminal Justice System. Applied Theatre Series . Bloomsbury . ISBN 978-1474262552 (In Press)

Ward, J and Hubbard, P (2019) Urban regeneration through culture. In: Schwanen, T and van Kempen, R, (eds.) Handbook of Urban Geography. Research Handbooks in Geography . Edward Elgar , Cheltenham, UK , pp. 195-209. ISBN 978-1785364594

Willson, J (2021) The Fashioned Female Body, Performativity and the Bare Flaneuse. In: Kollnitz, A and Pecorari, M, (eds.) Fashion, Performance, and Performativity The Complex Spaces of Fashion. Bloomsbury Publishing , London, United Kingdom . ISBN 9781350106192

Zezulka, K (2019) A linguistic ethnography of theatre production. In: Wright, C, Harvey, L and Simpson, J, (eds.) Voices and Practices in Applied Linguistics: diversifying a discipline. White Rose University Press . (In Press)


Ma, H and Hâf, E (2018) 1st Year (July 2016 - July 2017) China-Wales Cultural Exchange: Cultural Memorandum of Understanding Implementation Report. Report. Wales Arts International , Cardiff, UK.

Taylor, CF (2015) Cultural Value: A Perspective from Cultural Economy. Report. University of Leeds , Leeds.

Wright, J (2022) Research Digest: Everyday Creativity. Report.

Wright, J and Wright, JD Policy review: Cultural policy responses to COVID-19 in the UK. Report. The Centre for Cultural Value

Conference or Workshop Item

Bannon, FC (2015) Mindful motion: engagement with the messy vitality of research. In: Contemporising the Past: Envisaging the future, 06-11 Jul 2014, Angers, France. (Unpublished)

Bryden, John, Hogg, DC, Popat, Sita et al. (1 more author) (2008) Building artificial personalities: expressive communication channels based on an interlingua for a human-robot dance. In: International Conference on Artificial Life (ALIFE XI), 5-8 August, Winchester.

Palmer, S Light, Music and the Arts of the Theatre. In: Performing Arts and Technical Issues in the 19th Century, 18-19 Oct 2019, Lucca, Italy.

Palmer, DS Emerging from the darkness: light, temporality and audience experience. In: Tbilisi Stage Design Biennale: Temporality- Pandemic, War, Theater, 10-12 Oct 2022, Parliament Building, Tbilisi, Georgia.

Walmsley, BA and Gilmore, A The implications of England’s Northern Powerhouse for cultural democracy and regional cultural policymaking. In: International Conference on Cultural Policy Research (ICCPR), 05-09 Jul 2016, Seoul.

Proceedings Paper

Bryden, J, Hogg, DC, Popat, S et al. (1 more author) (2008) Building artificial personalities: expressive communication channels based on an interlingua for a human-robot dance. In: Bullock, S, Noble, J, Watson, R and Bedau, MA, (eds.) Artificial Life XI. International Conference on Artificial Life (ALIFE XI). MIT Press , Cambridge, Mass , 80 - 87 . ISBN 978-0-262-75017-2

Kapsali, M (2016) Switch On! Using Mobile Phones in Actor Training. In: Proceedings of: Bodies on Stage: Acting Confronted by Technologies. Bodies on Stage: Acting Confronted by Technologies, 03-05 Jun 2015, Sorbonne Nouvelle, Paris. . (In Press)

Mair, S, Jones, A, Ward, J et al. (3 more authors) (2018) A Critical Review of the Role of Indicators in Implementing the Sustainable Development Goals. In: Leal Filho, W, (ed.) Handbook of Sustainability Science and Research. World Symposium on Sustainability Science and Research: Implementing the UN Sustainable Development Goals, 05-07 Apr 2017, Manchester, UK. World Sustainability Series . Springer , pp. 41-56. ISBN 978-3-319-63006-9

McKinney, J, Wallis, M, Popat, SH et al. (2 more authors) (2008) Embodied conversations: performance and the design of a robotic dancing partner. In: Durling, D, Rust, C, Chen, LL, Ashton, P and Friedman, K, (eds.) yes. Design Research Society (DRS 2008), Sheffield Hallam University, Sheffield, UK. Sheffield Hallam University , 111/1 - 111/16. ISBN 978-1-84387-293-1

McKinney, JE (2005) The Nature of Scenographic Communication: artist, audience and the operation of scenography. In: International Federation of Theatre Research, Scenography Working Group, University of Amsterdam, 11th-15th May 2005. The Stage and the Visual Arts: Past, Present and Future, International Conference on Scenography, 11-15 May 2005, Amsterdam, The Netherlands. International Federation of Theatre Research, Scenography Working Group, University of Amsterdam, 11th-15th May 2005 . (Submitted)

Palmer, S (2017) Active shadows: Light, darkness and scenographic atmosphere. In: Staging Atmospheres – Theatre and the Atmospheric Turn Proceedings. Staging Atmospheres – Theatre and the Atmospheric Turn, 08-09 Dec 2017, QMU, University of London. .

Palmer, S (2016) Descending into night: Light, darkness and the theatrical experience. In: IFTR Presenting the Theatrical Past Interplays of Artefacts, Discourses and Practices. IFTR Presenting the Theatrical Past Interplays of Artefacts, Discourses and Practices, 13-17 Jun 2016, Stockholm University, Sweden. .

Palmer, S (2018) Designing Audience Experience for Mobile Performance: Atmospheres, Environment and Technological Agency. In: IFTR World Conference 2018 Book of Abstracts. IFTR World Conference 2018, 09-13 Jul 2018, Belgrade, Serbia. IFTR , p. 633.

Palmer, S (2016) Immersion through light and darkness: Appia, Wagner and the evolution of modern scenographic practice. In: TBC. OPERATIC IMMERSIONS: Inaugural conference of the Northern Opera Research Network, 22-23 Apr 2016, University of Huddersfield & University of Leeds. .

Palmer, S (2018) Scenographic Landscapes: Estate and Estate 360°. In: TaPRA Annual Conference 2018. TaPRA Annual Conference 2018, 05-07 Sep 2018, Aberystwyth University, Wales, UK. TaPRA .

Palmer, S (2018) ‘What Country, Friends, Is This?’ Using Immersive Theatre Practice to Inform the Design of Audience Experience in Estate 360°. In: Rouse, R, Koenitz, H and Haahr, M, (eds.) Interactive Storytelling, Lecture Notes in Computer Science, volume 11318. ICIDS 2018: 11th International Conference on Interactive Digital Storytelling, 05-08 Dec 2018, Dublin, Ireland. Springer , pp. 383-391. ISBN 978-3-030-04027-7

Weizsacker, R and Graan, M (2017) Ahead of the Curve. In: Ahead of the Curve. Ahead of the Curve, 18 May 2017. .


Popat, S and Salazar Sutil, N, eds. (2015) Digital Movement: Essays in Motion Technology and Performance. Palgrave Studies in Performance and Technology . Palgrave Macmillan . ISBN 978-1-137-43040-3

O'Grady, A, ed. (2017) Risk, Participation and Performance Practice: critical vulnerabilities in a precarious world. Palgrave Macmillan , Cham, Switzerland . ISBN 978-3-319-63241-4

McKinney, J and Palmer, S, eds. (2017) Scenography Expanded: An Introduction to Contemporary Performance Design. Performance and Design . Bloomsbury Methuen Drama , London . ISBN 9781474244398

Jancovich, L and Stevenson, D (2022) Failures in Cultural Participation. Palgrave Macmillan . ISBN 9783031161155

Ma, H (2015) Urban Politics and Cultural Capital: The Case of Chinese Opera. Routledge , Abingdon, Oxon, UK . ISBN 978-1-472-43228-5

Salazar Sutil, N (2018) Matter Transmission: Mediation in a Paleocyber Age. Bloomsbury , New York . ISBN 9781501339479

Salazar Sutil, N (2015) Motion and Representation: The Language of Human Movement. MIT Press . ISBN 9780262028882

Upchurch, AR (2016) The Origins of the Arts Council Movement: Philanthropy and Policy. New Directions in Cultural Policy Research . Palgrave Macmillan . ISBN 978-1-137-46162-9

Walsh, A (2019) Prison Cultures: Performance, Resistance, Desire. Intellect . ISBN 9781789381054


Jancovich, L (2014) Great art for everyone? An examination of arts policy on participation and participatory decision making in England from 1997-2013. PhD thesis, The University of Leeds.


Bennett, E (2016) WHAT MATTER. UNSPECIFIED, King's Place, London.

Edinborough, C, Billing, C and Walker-Brown, H (2022) Links in a Chain. University of Hull.

Ma, H Song of the Female Textile Workers (film version mixed reality performance 2021). UNSPECIFIED.

Ma, H Song of the Female Textile Workers (online exhibition 2020). UNSPECIFIED.

Ma, H Song of the Female Textile Workers (online exhibition 2020). UNSPECIFIED.

Ma, H (2021) Song of the Female Textile Workers (script 2021). UNSPECIFIED.

McKinney, JE (2000) The role of theatre design : towards a bibliographical and practical accommodation. Scenography International.

Salazar Sutil, N (2011) Binary Coded Performance. Body, Space and Technology.

This list was generated on Fri Dec 1 03:37:49 2023 GMT.