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Abulhawa, D orcid.org/0000-0001-7420-694X (2020) Karen Barbour, Victoria Hunter, and Melanie Kloetzel (Re)Positioning Site Dance Bristol, UK and Chicago, USA: Intellect, 2019. 323 p. £74.00. ISBN: 978-1-783-20998-9. New Theatre Quarterly, 36 (4). p. 385. ISSN 0266-464X

Abulhawa, D orcid.org/0000-0001-7420-694X (2020) Skill-less Tricks: A score for moving through walls. Choreographic Practices, 11 (2). pp. 199-229. ISSN 2040-5669

Abulhawa, D orcid.org/0000-0001-7420-694X and Whalley, JB (2021) Not pressure: A conversation between Dani Abulhawa and Joanne ‘Bob’ Whalley. Choreographic Practices, 12 (2). pp. 153-164. ISSN 2040-5669

Bailey, H, Buckingham Shum, S, LeBlanc, A et al. (3 more authors) (2009) Dancing on the Grid: Using e-Science tools to extend choreographic research. Philosophical Transactions of the Royal Society A, 367 (1898). 2793 - 2806. ISSN 1364-503X

Bannon, F and Kirk, C (2014) Deepening discipline: digital reflection and choreography. Research in Dance Education, 15 (3). 289 - 302. ISSN 1464-7893

Bartley, S (2019) Gendering Welfare: Acts of Reproductive Labour in Applied Performance Practice. Contemporary Theatre Review, 29 (3). pp. 305-319. ISSN 1048-6801

Bayliss, A, Palmer, S, Hales, D et al. (1 more author) (2009) (Re)searching through play: play as a framework and methodology for collaborative design processes. International Journal of Arts and Technology, 2 (1-2). 5 - 21. ISSN 1754-8853

Bell, C and Beswick, KA (2014) Authenticity and Representation: The Council Estate at The Royal Court Theatre. NTQ: New Theatre Quarterly, 30 (2). pp. 120-135. ISSN 0266-464X

Bennett, E orcid.org/0000-0002-1928-9794 (2019) Bird Talking? Finding speechfulness in the songs of birds. Performance Research, 24 (1). pp. 94-103. ISSN 1352-8165

Bennett, E orcid.org/0000-0002-1928-9794 and Linsley, J (2016) The present becomes us: embodying the archive. Cultural Geographies, 23 (3). pp. 525-530. ISSN 1474-4740

Beswick, KA (2014) Bola Agbaje’s Off the Endz Authentic Voices, Representing the Council Estate: Politics, Authorship and the Ethics of Representation. Journal of Drama in Contemporary English, 2 (1). 97 - 112. ISSN 2195-0164 (Submitted)

Beswick, KA (2011) The Council Estate: Representation, space and the potential for performance. Research in Drama Education, 16 (3). 421 - 435 (14). ISSN 1356-9783

Beswick, KA, Parmar, M and Sil, E Towards a Spatial Practice of the Postcolonial City: Introducing the Cultural Producer. Interventions: international journal of postcolonial studies. ISSN 1369-801X (Submitted)

Booth, C. orcid.org/0009-0001-2998-2947 (2019) In Defence of the Arts. Impact: Journal of the Chartered College of Teaching (7). ISSN 2514-6955

Bradley, C. orcid.org/0009-0001-2998-2947 (2022) Valuing the arts in the curriculum and beyond. Impact: Journal of the Chartered College of Teaching (14). ISSN 2514-6955

Breslin, D, Dobson, S and Smith, N (2019) Improving the effectiveness of fire prevention using the “premonition” agent-based model of domestic fire risk behaviours. International Journal of Emergency Services, 8 (3). pp. 280-291. ISSN 2047-0894

Brown, A, Harmon, SHE, O'Connor, R orcid.org/0000-0002-4643-9794 et al. (2 more authors) (2018) Body Extension and the Law: Medical Devices, Intellectual Property, Prosthetics and Marginalisation (Again). Law, Innovation and Technology, 10 (2). ISSN 1757-9961

Burnett, S., Ahmed, N., Matthews, T.-D. et al. (2 more authors) (2024) Indigenous resurgence, collective ‘reminding’, and insidious binaries: a response to Verbuyst’s ‘settler colonialism and therapeutic discourses on the past’. Critical Discourse Studies. ISSN 1740-5904

Burnett, S, Ahmed, N, Matthews, T-D et al. (2 more authors) (2023) A politics of reminding: Khoisan resurgence and environmental justice in South Africa’s Sarah Baartman district. Critical Discourse Studies, 20 (5). pp. 524-539. ISSN 1740-5904

Caspari, M. orcid.org/0000-0003-2763-2756 and Daly, R. orcid.org/0000-0003-3958-7702 (2023) Reading Otherwise: Decolonial Feminisms. Parallax, 29 (2). pp. 139-153. ISSN 1353-4645

Collins, RL orcid.org/0000-0002-3013-9666 (2017) Sound, Space and Bodies: Building Relations in the Work of Invisible Flock and Atelier Bildraum. M/C Journal, 20 (2). ISSN 1441-2616

Daly, R orcid.org/0000-0003-3958-7702 (2021) Disrupting Phallic Logic: (Re)thinking the Feminine with Hélène Cixous and Bracha Ettinger. Australian Feminist Studies, 36 (109). pp. 335-351. ISSN 0816-4649

Daněk, C (2020) Revealing All: From novice to amateur in the community printmaking workshop. Performance Research, 25 (1). pp. 48-51. ISSN 1352-8165

Daněk, C (2020) An Amateur Manifesto. Performance Research: a journal of the performing arts, 25 (1). p. 1. ISSN 1352-8165

Dobson, S and McKendrick, J (2018) Intrapreneurial spaces to entrepreneurial cities: Making sense of play and playfulness. The International Journal of Entrepreneurship and Innovation, 19 (2). pp. 75-80. ISSN 1465-7503

Dobson, S and McLuskie, P (2020) Performative entrepreneurship: identity, behaviour and place in adventure sports Enterprise. International Entrepreneurship and Management Journal, 16 (3). pp. 879-895. ISSN 1554-7191

Dobson, S and Walmsley, B orcid.org/0000-0002-4536-5180 (2021) Fail fast, fail often…but don’t fail this course! Business and enterprise education through the lens of theatre and the creative arts. Industry and Higher Education, 35 (4). pp. 336-346. ISSN 0950-4222

Dowlen, R orcid.org/0000-0003-2982-7039, Keady, J, Milligan, C et al. (4 more authors) (2022) In the moment with music: an exploration of the embodied and sensory experiences of people living with dementia during improvised music-making. Ageing and Society, 42 (11). pp. 2642-2664. ISSN 0144-686X

Eagle, R. orcid.org/0000-0001-8553-1713 (2020) Multisensory Ethnography Through Emplaced Augmented Reality. Anthrovision, 8 (2). ISSN 2198-6754

Eagle, R. orcid.org/0000-0001-8553-1713 (2025) Walk This Way: The role of the artist from creative placemaking to communitas. Performance Research: A Journal of the Performing Arts, 29 (2). pp. 106-111. ISSN 1352-8165

Eagle, R. orcid.org/0000-0001-8553-1713, Lander, R. and Hall, P.D. (2021) Questioning ‘what makes us human’: How audiences react to an artificial intelligence–driven show. Cognitive Computation and Systems, 3 (2). pp. 91-99. ISSN 2517-7567

Edinborough, A. (2024) Concrete Experience: Parkour as a culture of agential learning. Theatre, Dance and Performance Training. ISSN 1944-3927

Edinborough, AC (2021) Pilgrimage. New Writing, 20 (1). pp. 21-28. ISSN 1479-0726

Elliott, M. orcid.org/0000-0002-7092-2161 (2024) Arts-based methods as a critical and decolonising process in global mental health: Reflections on popular discourse, artistic rigour and limitations. Methods in Psychology, 10. 100137. ISSN 2590-2601

Elliott, MD orcid.org/0000-0002-7092-2161 (2016) Exchanging Engagement: Alternative Arts Engagement in Latin America. Conjunctions, 3 (1). ISSN 2246-3755

Gilmore, A, Jancovich, L orcid.org/0000-0003-0381-1557, Stevenson, D et al. (1 more author) (2019) Situating the local in global cultural policy. Cultural Trends, 28 (4). pp. 265-268. ISSN 0954-8963

Glen, P orcid.org/0000-0001-8771-1638 (2021) Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945–65. By Sam Manning. Twentieth Century British History, 33 (1). pp. 154-156. ISSN 0955-2359

Glen, P orcid.org/0000-0001-8771-1638 (2023) The Kinks: Songs of the Semi-Detached. Folk Life, 61 (1). pp. 117-119. ISSN 0430-8778

Glen, P orcid.org/0000-0001-8771-1638 (2022) NEU! Europe: Krautrock and British representations of West German countercultures during the 1970s. Contemporary British History, 35 (3). pp. 439-465. ISSN 1361-9462

Gorbuntsova, T, Dobson, S and Palmer, N (2018) Rural entrepreneurial space and identity; A study of local tour operators and ‘the Nenets’ indigenous reindeer herders. The International Journal of Entrepreneurship and Innovation, 19 (4). pp. 261-272. ISSN 1465-7503

Gorbuntsova, T, Dobson, S and Palmer, N (2019) Diverse geographies of power and spatial production: Tourism industry development in the Yamal Peninsula, Northern Siberia. Annals of Tourism Research, 76. pp. 67-79. ISSN 0160-7383

Haikali, J. and Dobson, S. (2023) Understanding Liminality and Intangible Difficult Heritage through Film. The Historic Environment: Policy & Practice, 14 (3). pp. 402-414. ISSN 1756-7505

Harmon, S, Brown, A, Popat, SH orcid.org/0000-0001-9864-5496 et al. (2 more authors) (2017) Struggling to be Fit: Identity, Integrity, and the Law. SCRIPTed: Journal of Law, Technology and Society, 14 (2). pp. 326-344. ISSN 1744-2567

Hulton, D and Kapsali, M (2017) Yoga and Stanislavski: reflections on the past and applications for the present and future. Stanislavski Studies, 5 (1). pp. 37-47. ISSN 2056-7790

Jancovich, L orcid.org/0000-0003-0381-1557 (2016) Building local capacity in the arts. Journal of Policy Research in Tourism, Leisure and Events, 8 (3). pp. 289-306. ISSN 1940-7963

Jancovich, L orcid.org/0000-0003-0381-1557 (2019) Creative People and Places - an experiment in place-based funding. Journal of Arts & Communities, 9 (2). pp. 129-147. ISSN 1757-1936

Jancovich, L orcid.org/0000-0003-0381-1557 (2017) The participation myth. International Journal of Cultural Policy, 23 (1). pp. 107-121. ISSN 1028-6632

Jancovich, L orcid.org/0000-0003-0381-1557 and Hansen, LE (2018) Rethinking participation in the Aarhus as European Capital of Culture 2017 project. Cultural Trends, 27 (3). pp. 173-186. ISSN 0954-8963

Jancovich, L. orcid.org/0000-0003-0381-1557 and Borchi, A. orcid.org/0000-0001-5683-458X (2024) Norms and storms in cultural participation: a conversation between Leila Jancovich and Alice Borchi. Conjunctions, 12 (1). ISSN 2246-3755

Jancovich, L orcid.org/0000-0003-0381-1557 and Stevenson, D (2020) Cultural Participation: Stories of Success, Histories of Failure. Conjunctions, Transdisciplinary Journal of Cultural Participation, 7 (2). ISSN 2246-3755

Jancovich, L orcid.org/0000-0003-0381-1557 and Stevenson, D orcid.org/0000-0002-8977-1818 (2021) Failure seems to be the hardest word to say. The International Journal of Cultural Policy. ISSN 1028-6632

Jones, P, Maas, G, Dobson, S et al. (3 more authors) (2018) Entrepreneurship in Africa, part 1: entrepreneurial dynamics in Africa. Journal of Small Business and Enterprise Development, 25 (3). pp. 346-348. ISSN 1462-6004

Jorgensen, A, Dobson, S and Heatherington, C (2017) Parkwood Springs – A fringe in time: Temporality and heritage in an urban fringe landscape. Environment and Planning A, 49 (8). pp. 1867-1886. ISSN 0308-518X

Kapsali, M (2017) Making the body all ears: Sonolope and a somatic practice of really listening. International Journal of Performance Arts and Digital Media, 13 (1). pp. 39-54. ISSN 1479-4713

Kapsali, M (2020) Sonic Bodies: Sonification and the Hybridization of Aesthetic Experience. Performance Research: a journal of the performing arts, 25 (4). pp. 45-53. ISSN 1352-8165

Kapsali, M (2019) Training the homo cellularis: attention and the mobile phone. Theatre, Dance and Performance Training, 10 (2: Digital Training). pp. 228-244. ISSN 1944-3927

Kiszely, P (2019) First Left, Guv? Mapping the Class-encoded Agency of Commercial Television’s Spy-cop Archetype, 1967-1978. Journal of British Cinema and Television, 16 (4). pp. 462-483. ISSN 1743-4521

Kiszely, P (2021) ‘Englishmen could be proud then, George’: Echoes of Empire in Tinker Tailor Soldier Spy (BBC 1979). The New Review of Film and Television Studies, 19 (4). pp. 510-532. ISSN 1740-0309

Kiszely, P (2020) Joe Lampton’s north‐south divide: Remembering place and space in Man at the Top (1970‐72). Journal of Popular Television, 8 (2). pp. 159-176. ISSN 2046-9861

Kiszely, P. orcid.org/0000-0001-6479-5250 (2023) Hazell (1978–80) and the disappearing detective: 1970s British television, a genre literature and the end of an era. Journal of Popular Television, 11 (1). pp. 89-107. ISSN 2046-9861

Lawson, J (2018) The Gift of Cake: Baking together in performance. Performance Research, 23 (6). pp. 69-73. ISSN 1352-8165

Lawson, JA (2017) Transformative Taste-Encounters: Contemplations on life, death and relational bodies at the (culinary) artist’s table. Performance Research, 22 (7). 6. pp. 48-56. ISSN 1352-8165

Little, SL (2018) Women, ageing, and Hip Hop: discourses and imageries of ageing femininity. Feminist Media Studies, 18 (1). pp. 34-46. ISSN 1471-5902

Lyons, G and Wells, P (2014) Words & Images, The Fifth Screenwriting Research Network Conference Macquarie University and The University of Technology, Sydney, 14–16 September 2012. Journal of Screenwriting, 5 (1). pp. 157-161. ISSN 1759-7137

Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137

Lyons, GF (2013) The generation game: The rise of the large-scale family 'epic' and its role within publicly funded theatre in Britain. Studies in Theatre and Performance, 33 (3). pp. 347-363. ISSN 1468-2761

Ma, H (2019) Chinese Entertainment Industry, the case of folk Errenzhuan. Asian Theatre Journal, 36 (1). pp. 79-100. ISSN 0742-5457

Ma, H (2019) Construction of overseas illegal migrants’ identity through folk Fujian opera consumption. Cambridge Journal of China Studies, 14 (1). pp. 24-38. ISSN 2054-3719

Ma, H (2019) Cultural and Creative Industries in Modern Languages. Arts and Humanities in Higher Education, 18 (2-3). pp. 216-230. ISSN 1474-0222

Ma, H (2012) Development of training and performativity in Shanghai YueJu. Theatre, Dance and Performance Training, 3 (3). pp. 334-348. ISSN 1944-3927

Ma, H (2019) Traditional opera consumption as the new game of distinction for the Chinese middle class. International Journal of Cultural Studies, 22 (3). pp. 400-416. ISSN 1367-8779

Ma, H (2011) Yueju – The Formation of a Legitimate Culture in Contemporary Shanghai. Culture Unbound : Journal of Current Cultural Research, 4 (1). pp. 213-227. ISSN 2000-1525

Ma, H (2018) Chinese Cultural and Creative Industries and the struggle for Rights in Chinese Opera. Journal of Law, Social Justice and Global Development, 22. pp. 61-72. ISSN 1467-0437

Ma, H (2022) The Missing Intangible Cultural Heritage in Shanghai Cultural and Creative Industries. International Journal of Heritage Studies, 28 (5). pp. 597-608. ISSN 1352-7258

McDowell, E. orcid.org/0000-0003-3775-1417 (2024) Review: Kate Craddock and Helen Freshwater, Theatre and its Audiences: Reimagining the Relationship in Times of Crisis, London: Bloomsbury Publishing, 2024. Participations: Journal of Audience and Reception Studies, 20 (2). pp. 182-185. ISSN 1749-8716

McKay, S orcid.org/0000-0002-4232-1983 and Bradley, J (2017) How does arts practice engage with narratives of migration from refugees and asylum seekers? Lessons from ‘utopia’. Journal of Arts and Communities, 8 (1-2). pp. 31-46. ISSN 1757-1936

McKechnie, K (2008) Detached signifiers, dead babies and demon dwarves: Bieito’s Dutchman. Studies in Musical Theatre, 2 (1). 101 - 108 (8). ISSN 1750-3159

McKendrick, J and Dobson, S (2018) Introduction to this collection. The International Journal of Entrepreneurship and Innovation, 19 (2). pp. 73-74. ISSN 1465-7503

McKinney, JE (2016) Interview with Liu Xinglin. Theatre and Performance Design, 2 (1-2). pp. 66-72. ISSN 2332-2551

McKinney, JE (2005) Projection and Transaction: the spatial operation of scenography. Performance Research, 10 (4). 128 - 137. ISSN 1352-8165

McKinney, JE (2015) Scenographic materialism, affordance and extended cognition in Kris Verdonck’s ACTOR #1. Theatre and Performance Design, 1 (1-2). 79 - 93. ISSN 2332-2551

McKinney, JE and McKechnie, K (2016) Interview with Katrin Brack. Theatre and Performance Design, 2 (1-2). pp. 127-135. ISSN 2332-2551

McKinney, JE orcid.org/0000-0001-6719-1970 (2013) Scenography, spectacle and the body of the spectator. Performance Research: a journal of the performing arts, 18 (3). pp. 63-74. ISSN 1352-8165

Nisbett, M and Walmsley, B (2016) The Romanticization of Charismatic Leadership in the Arts. Journal of Arts Management, Law, and Society, 46 (1). pp. 2-12. ISSN 1063-2921

O'Grady, KA (2013) Exploring radical openness: a porous model for relational festival performance. Studies in Theatre and Performance, 33 (2). 133 - 151 (19). ISSN 1468-2761

O'Grady, KA (2013) Interrupting flow: researching play, performance and immersion in festival scenes. Dancecult; Journal of Electronic Dance Music Culture, 5 (1). 18 - 38. ISSN 1947-5403

O'Grady, KA (2012) Spaces of play: the spatial dimensions of underground club culture and locating the subjunctive. Dancecult: Journal of Electronic Dance Music Culture, 4 (1). 86 - 106. ISSN 1947-5403

O'Grady, KA and Kill, R (2013) Exploring Festival Performance as a State of Encounter. Arts and Humanities in Higher Education: an international journal of theory, research and practice. ISSN 1474-0222

O'Grady, A, Gray-Burrows, K orcid.org/0000-0002-1550-5066 and Tahmassebi, J (2022) Inside the Waiting Room: process drama and dramatic distancing for involving children in research on dental anxiety. Arts and Health: an international journal for research, policy and practice, 14 (2). pp. 149-164. ISSN 1753-3015

O'Grady, A and Madill, A orcid.org/0000-0002-9406-507X (2019) Being and Performing "Older" Woman in Electronic Dance Movement Culture. Dancecult: Journal of Electronic Dance Music Culture, 11 (1). pp. 7-29. ISSN 1947-5403

O'Grady, K orcid.org/0000-0002-4810-7507, Tahmassebi, J, Berg, N et al. (3 more authors) (2021) Using process drama to explore the causes of dental anxiety in primary‑school children. European Archives of Paediatric Dentistry, 22 (5). pp. 869-877. ISSN 1818-6300

O'Grady, KA orcid.org/0000-0002-4810-7507 (2015) Dancing Outdoors: DiY Ethics and Democratised Practices of Well-being on the UK Alternative Festival Circuit. Dancecult, 7 (1). pp. 76-96. ISSN 1947-5403

Oakley, K and Ward, J orcid.org/0000-0003-3726-9217 (2018) Creative Economy, Critical Perspectives. Cultural Trends, 27 (5). pp. 311-312. ISSN 0954-8963

Oakley, K orcid.org/0000-0002-5225-0410 and Ward, J orcid.org/0000-0003-3726-9217 (2018) The art of the good life: culture and sustainable prosperity. Cultural Trends, 27 (1). pp. 4-17. ISSN 0954-8963

Oakley, K orcid.org/0000-0002-5225-0410, Ward, J orcid.org/0000-0003-3726-9217 and Christie, I (2018) Engaging the imagination: ‘new nature writing’, collective politics and the environmental crisis. Environmental Values, 27 (6). pp. 687-705. ISSN 0963-2719

Olvera-Hernandez, S, Mesa-Jurad, A, Novo, P et al. (4 more authors) (2023) Forum Theatre as a mechanism to explore representation of local people’s values in environmental governance: a case of study from Chiapas, Mexico. People and Nature, 5 (1). pp. 119-133. ISSN 2575-8314

O’Grady, A (2022) Legitimate ways of knowing: reconsidering process drama as an effective methodology for promoting children’s active participation in health research. Research in Drama Education: The Journal of Applied Theatre and Performance, 27 (4). pp. 475-489. ISSN 1356-9783

Palmer, SD (2012) The beginning of modern stage lighting design: Edward Gordon Craig and the May 1900 production of Dido and Aeneas. Focus, Februa. ISSN 1364-9299

Palmer, SD and Popat, SH (2008) Dancing in the Streets - a design case study. Interactions (New York), XV (3). 55 - 59 . ISSN 1072-5520

Palmer, SD and Popat, SH (2007) Dancing in the Streets: The sensuous manifold as a concept for designing experience. International Journal of Performance Art and Digital Media, 2 (3). 297 - 314. ISSN 1479-4713

Palmer, S orcid.org/0000-0001-9459-6113 (2015) A ‘choréographie’ of light and space: Adolphe Appia and the first scenographic turn. Theatre and Performance Design, 1 (1-2). pp. 31-47. ISSN 2332-2551

Pells, K, Breed, A, Uwihoreye, C et al. (3 more authors) (2022) ‘No-One Can Tell a Story Better than the One Who Lived It’: Reworking Constructions of Childhood and Trauma Through the Arts in Rwanda. Culture, Medicine and Psychiatry, 46 (3). pp. 632-653. ISSN 0165-005X

Pham, D, Jones, P, Dobson, S et al. (2 more authors) (2021) Entrepreneurial implementation intention as a tool to moderate the stability of entrepreneurial goal intention: A sensemaking approach. Journal of Business Research, 123. pp. 97-105. ISSN 0148-2963

Pinder, JY orcid.org/0000-0002-3421-9241 (2018) A theatrical critique of humanitarian civility in the ICRC Museum. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (4). pp. 483-498. ISSN 1356-9783

Pitches, JD (2009) Spinal Snaps: tracing a backstory of European actor training. Performance Research, 14 (2). 85 - 95 . ISSN 1352-8165

Pitches, JD (2007) Tracing/training rebellion - object work in Meyerhold's biomechanics. Performance Research, 12 (4). pp. 97-103. ISSN 1352-8165

Pitches, JD (2013) The technique in Microcosm: Michael Chekhov’s work on the Fishing Scene. Theatre, Dance and Performance Training, 4 (2). 219 - 236 (17). ISSN 1944-3927

Pitches, JD and Li, R (2012) The end of the hour-glass: alternative conceptions of intercultural exchange between European and Chinese operatic forms. Studies in Theatre and Performance, 32 (2). 121 - 137. ISSN 1468-2761

Pitches, J orcid.org/0000-0003-4754-9378 (2020) High culture: presentations of the self in mountain environments. Performance Research, 25 (1). pp. 31-38. ISSN 1352-8165

Pitches, J orcid.org/0000-0003-4754-9378 (2019) Introduction: On Mountains. Performance Research, 24 (2). pp. 1-7. ISSN 1352-8165

Pitches, J orcid.org/0000-0003-4754-9378 (2007) Tracing/Training Rebellion: Object work in Meyerhold's biomechanics. Performance Research, 12 (4). pp. 97-103. ISSN 1352-8165

Pitches, J orcid.org/0000-0003-4754-9378, Worth, L, Mitchell, R et al. (2 more authors) (2022) Editorial. Theatre, Dance and Performance Training, 13 (4). pp. 515-518. ISSN 1944-3927

Plastow, J orcid.org/0000-0002-7092-2161 and Elliott, M (2020) Translating ‘good’ Pregnancy in Rural Nyanza, Kenya. Moving Worlds: a journal for transcultural writings, 20 (1). pp. 83-96. ISSN 1474-4600

Popat, S. and Smith-Autard, J.M. (2002) Dance-making on the internet: can on-line choreographic projects foster creativity in the user-participant? Leonardo, 35 (1). pp. 31-36. ISSN 1530-9282

Popat, SH (2012) Keeping it Real: Encountering Mixed Reality in igloo’s SwanQuake: House. Convergence: The International Journal of Research into New Media Technologies, 18 (1). 11 - 26. ISSN 1354-8565

Popat, SH and Palmer, SD (2005) Creating common ground: dialogues between performance and digital technologies. International Journal of Performance Art and Digital Media, 1 (1). 47 - 65. ISSN 1479-4713

Popat, SH and Palmer, SD (2008) Embodied Interfaces: Dancing wih Digital Sprites. Digital Creativity, 19 (2). 1 - 13. ISSN 1462-6268

Popat, SH orcid.org/0000-0001-9864-5496, Whatley, S, O'Connor, R et al. (2 more authors) (2017) Bodily Extensions and Performance. International Journal of Performance Arts and Digital Media, 13 (2). pp. 101-104. ISSN 1479-4713

Popat, S orcid.org/0000-0001-9864-5496 (2016) Missing in Action: Embodied Experience and Virtual Reality. Theatre Journal, 68 (3). pp. 357-378. ISSN 0192-2882

Price, J orcid.org/0000-0003-4997-7560 (2017) The construction of cultural leadership. ENCATC Journal of Cultural Management & Policy, 7 (1). pp. 5-16. ISSN 2224-2554

Prihodova, B, McKinney, JE and Lotker, S (2016) Editorial for the special issue on The Prague Quadrennial of Performance Design and Space 2015. Theatre and Performance Design, 2 (1-2). pp. 5-16. ISSN 2332-2551

Reynolds, S, Tonks, A and MacNeill, K (2017) Collaborative Leadership in the Arts as a Unique Form of Dual Leadership. Journal of Arts Management, Law and Society, 47 (2). pp. 89-104. ISSN 1063-2921

Rodosthenous, G. (2007) Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y. Studies in Musical Theatre , 1 (3). pp. 275-292. ISSN 1750-3167

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2010) Antonin Artaud's ‘decisive transfusion’: From theatre to mathematics. Performance Research: A Journal of the Performing Arts, 14 (4). pp. 119-124. ISSN 1352-8165

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2010) The Body Manifold: Mathematics (mis)performed by the Vitruvian and Acephalic Man. Performance Research, 15 (2). pp. 17-22. ISSN 1352-8165

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2007) Inmigración, Suplicancia y la Política de Asilo en la Antigua Grecia. Cyber Humanitatis, 41. ISSN 0717-2869

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2017) Jism for Schism: Turning the Animal On. Performance Research, 22 (2). pp. 1-7. ISSN 1352-8165

Salazar Sutil, N (2012) Laban's Choreosophical Model: Movement Visualisation Analysis and the Use of Graphic Media in Dance Studies. Dance Research, 30 (2). pp. 147-168. ISSN 0264-2875

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2008) Maradona Inc: Performance politics off the pitch. International Journal of Cultural Studies, 11 (4). pp. 441-458. ISSN 1367-8779

Salazar Sutil, N (2014) Mathematics in Motion: a Comparative Analysis of the Stage Works of Schlemmer and Kandinsky at the Bauhaus. Dance Research, 32 (1). pp. 23-42. ISSN 0264-2875

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2018) Never been human I am bird: on the Shape of Love. Performance Research, 23 (4-5). pp. 100-106. ISSN 1352-8165

Salazar Sutil, N (2014) Performance/mathematics: a dramatisation of mathematical methods. International Journal of Performance Arts and Digital Media, 10 (2). pp. 143-158. ISSN 1479-4713

Salazar Sutil, N (2013) Rudolf Laban and Topology: a Videographic Analysis. Space and Culture, 16 (2). pp. 173-193. ISSN 1206-3312

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2008) Subversive identities: ethno-techno and Gómez-Peña’s cross-cultural performance. Body, Space and Technology.

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2009) What's in Your Wardrobe, Mr. Morales? A Study in Political Dress. Popular Communication, 7 (2). pp. 63-78. ISSN 1540-5702

Salazar Sutil, N and Melo, S (2013) Digital Dance-theatre as a Multidimensional Romance Notes on the production of C8's Flatland. Performance Research, 18 (5). pp. 38-47. ISSN 1469-9990

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2018) Section Editorial: Human Movement as Critical Creativity: Basic Questions for Movement Computing. Computational Culture, 6 (6). ISSN 2047-2390

Shearing, D (2014) Scenographic landscapes. Studies in Theatre and Performance, 34 (1). 38 - 52. ISSN 1468-2761

Sheridan, JG, Bayliss, A and Bryan-Kinns, N (2007) The interior life of iPoi: objects that entice witting transitions in performative behaviour. International Journal of Performance Art and Digital Media, 3 (1). 17 - 36 (20). ISSN 1479-4713

Shyldkrot, Y orcid.org/0000-0003-0800-7787 (2023) (House) Lights Out: Encounters with Darkness and Compositions of Going Dark. Theatre and Performance Design, 8 (3-4). pp. 189-207. ISSN 2332-2551

Shyldkrot, Y orcid.org/0000-0003-0800-7787 (2019) Mist opportunities: haze and the composition of atmosphere. Studies in Theatre and Performance, 39 (2). pp. 147-164. ISSN 1468-2761

Taylor, CF (2013) Between Culture, Policy and Industry: The Ambiguities of Intermediation in the Creative Economy. Regional Studies. 1 - 12. ISSN 0034-3404

Taylor, CF (2006) Beyond advocacy: developing an evidence base for regional creative industry strategies. Cultural Trends, 15 (1). 3 - 18. ISSN 0954-8963

Taylor, CF, Comunian, R and Smith, DN (2013) The Role of Universities in the Regional Creative Economies of the UK: Hidden Protagonists and the Challenge of Knowledge Transfer. European Planning Studies. ISSN 0965-4313

Taylor, CF (2014) Performing for affect? Immaterial labour and performer training. Theatre, Dance and Performance Training, 5 (2). pp. 181-196. ISSN 1944-3927

Upchurch, AR (2011) Keynes’s Legacy: an intellectual's influence reflected in arts policy. International Journal of Cultural Policy, 17 (1). 69 - 80 (11). ISSN 1028-6632

Upchurch, AR (2012) 'Missing' from policy history: The Dartington Hall Arts Enquiry, 1941-1947. International Journal of Cultural Policy, 19 (5). 610 - 622 (13). ISSN 1028-6632

Wallis, M and McKinney, JE (2013) On value and necessity: The Green Book and its others. Performance Research: a journal of the performing arts, 18 (2). 67 - 79. ISSN 1352-8165

Wallis, M, Popat, SH, McKinney, J et al. (2 more authors) (2010) Embodied conversations: performance and the design of a robotic dancing partner. Design Studies, 31 (2). 99 - 117. ISSN 1872-6909

Walmsley, B orcid.org/0000-0002-4536-5180 (2019) The death of arts marketing: a paradigm shift from consumption to enrichment. Arts and the Market, 9 (1). pp. 32-49. ISSN 2056-4945

Walmsley, BA (2013) Co-creating theatre: Authentic engagement or inter-legitimation? Cultural Trends, 22 (2). 108 - 118. ISSN 0954-8963

Walmsley, BA orcid.org/0000-0002-4536-5180 (2018) Deep hanging out in the arts: an anthropological approach to capturing cultural value. International Journal of Cultural Policy, 24 (2). pp. 272-291. ISSN 1028-6632

Walmsley, BA (2010) National Theatre of Scotland and its sense of place. The Marketing Review, 10 (2). 109 - 117. ISSN 1469-347X

Walmsley, BA (2012) Re-defining rural marketing: Insights from touring theatre. International Journal of Rural Management, 8 (1-2). 49 - 62. ISSN 0973-0052

Walmsley, BA (2011) Why people go to the theatre: a qualitative study of audience motivation. Journal of Customer Behaviour, 10 (4). 335 - 351. ISSN 1475-3928

Walmsley, BA (2013) 'A big part of my life': a qualitative study of the impact of theatre. Arts Marketing: An International Journal, 3 (1). 73 - 87. ISSN 2044-2084

Walmsley, BA (2013) A reflective perspective on the challenges facing research-led teaching in the performing and creative arts. Arts and Humanities in Higher Education: an international journal of theory, research and practice, 12 (2-3). 222 - 233. ISSN 1474-0222

Walmsley, B orcid.org/0000-0002-4536-5180 (2021) Engagement: The new paradigm for audience research. Participations, 18 (1). pp. 299-316. ISSN 1749-8716

Walmsley, B orcid.org/0000-0002-4536-5180 (2012) Towards a balanced scorecard: A critical analysis of the Culture and Sport Evidence (CASE) programme. Cultural Trends, 21 (4). pp. 325-334. ISSN 0954-8963

Walmsley, B orcid.org/0000-0002-4536-5180 (2013) Whose value is it anyway? A neo-institutionalist approach to articulating and evaluating artistic value. Journal of Arts and Communities, 4 (3). pp. 199-215. ISSN 1757-1936

Walmsley, BA orcid.org/0000-0002-4536-5180 (2016) From arts marketing to audience enrichment: how digital engagement can deepen and democratize artistic exchange with audiences. Poetics, 58. pp. 66-78. ISSN 0304-422X

Walsh, A orcid.org/0000-0003-1501-8804 (2018) Fugitive Knowledge: Performance Pedagogies, Legibility and the Undercommons. Applied Theatre Research, 6 (2). pp. 121-137. ISSN 2049-3010

Walsh, A orcid.org/0000-0003-1501-8804 (2019) S. E. Wilmer Performing Statelessness in Europe. London: Palgrave Macmillan, 2018. ix, 245 p. £79. ISBN: 978-3-319-69172-5. New Theatre Quarterly, 35 (1). pp. 92-93. ISSN 0266-464X

Walsh, A orcid.org/0000-0003-1501-8804 and Tsilimpounidi, M (2017) Dear TINA: Protesting Institutions in Times of Crisis. Qualitative Inquiry, 23 (2). pp. 137-148. ISSN 1077-8004

Walsh, A orcid.org/0000-0003-1501-8804 (2018) ‘I’ve stood at so many windows’: Women in Prison, Performativity and Survival. Liminalities : a Journal of Performance Studies, 14 (3). pp. 211-230. ISSN 1557-2935

Walsh, A orcid.org/0000-0003-1501-8804 (2020) Manifesting desire and anarchy as method: The problem of Inside Pussy Riot. Punk & Post Punk. ISSN 2044-1983

Walsh, A orcid.org/0000-0003-1501-8804 (2018) Performing Punishment, Transporting Audiences: Clean Break Theatre Company’s Sweatbox. Prison Service Journal, 239. pp. 22-26. ISSN 0300-3558

Walsh, A orcid.org/0000-0003-1501-8804 (2020) Poethics of Queer Resurrection in Black South African Performance: I Stand Corrected and Somnyama Ngonyama. Performance Paradigm, 15. pp. 23-39. ISSN 1832-5580

Walsh, A. orcid.org/0000-0003-1501-8804 and Borchi, A. (2024) Editorial: Participation’s Norms and Storms. Conjunctions, 12 (1). ISSN 2246-3755

Walsh, A. orcid.org/0000-0003-1501-8804 and Naidu, S. (2023) Reading Harm and Repair in Joanne Joseph’s Children of Sugarcane. Imbizo, 14 (2). ISSN 2078-9785

Walsh, A. orcid.org/0000-0003-1501-8804 and Sutherland, A. (2024) Critical hope (and hopelessness) in youth participatory arts praxis: #ImaginingOtherwise. Research in Drama Education: The Journal of Applied Theatre and Performance. ISSN 1356-9783

Walsh, A.M. orcid.org/0000-0003-1501-8804 (2023) Towards redress: The ‘not-yet’ future between harm and repair in Cape Town. Futures, 153. 103225. ISSN 0016-3287

Walsh, A orcid.org/0000-0003-1501-8804 and Burnett, S (2021) Voicing ambiguities in the Ilizwi Lenyaniso Lomhlaba co-creator collective. Research in Drama Education: The Journal of Applied Theatre and Performance. ISSN 1356-9783

Walsh, A orcid.org/0000-0003-1501-8804 and Kotsopoulou, F (2020) Deviant women: embodied archives, living documents. MAI: Feminism & Visual Culture (6). 36. ISSN 2003-167X

Walsh, A orcid.org/0000-0003-1501-8804, Olvera-Hernandez, S, Mesa-Jurado, MA et al. (4 more authors) (2022) Valuing trans-disciplinarity: Forum Theatre in Tabasco and Chiapas, Mexico. Research in Drama Education: The Journal of Applied Theatre and Performance. ISSN 1356-9783

Walsh, A orcid.org/0000-0003-1501-8804, Routledge, P orcid.org/0000-0003-3214-3842 and Kelly, M (2021) Disobedient Theatre ‐ A Toolkit for Change facilitated by Aylwyn Walsh and Paul Routledge. Journal of Arts and Communities, 12 (1-2). pp. 131-133. ISSN 1757-1936

Walsh, A orcid.org/0000-0003-1501-8804, Sutherland, A, Visagie, A et al. (1 more author) (2020) ImaginingOtherwise: A glossary of arts education practice on the Cape Flats. ArtsPraxis, 7 (2b). pp. 53-78. ISSN 1552-5236

Walsh, AM orcid.org/0000-0003-1501-8804 (2023) South Africa’s Student Activist Turn in the Decolonial Present. Performance Research, 27 (3-4). pp. 150-160. ISSN 1352-8165

Walsh, AM orcid.org/0000-0003-1501-8804 (2016) Staging women in prisons: Clean Break Theatre Company’s dramaturgy of the cage. Crime, Media, Culture, 12 (3). pp. 309-326. ISSN 1741-6590

Ward, J orcid.org/0000-0003-3726-9217 (2018) Down by the sea: visual arts, artists and coastal regeneration. International Journal of Cultural Policy, 24 (1). pp. 121-138. ISSN 1028-6632

White, N. orcid.org/0000-0003-4520-7913 (2021) “Propaganda for peace”: a Gramscian reading of Irish and Spanish Civil War photography. Estudios Irlandeses, 16. pp. 125-138. ISSN 1699-311X

Willson, J orcid.org/0000-0002-1988-1683 (2018) Porn, pantomime and protest: the politics of bawdiness as feminine style. Porn Studies, 5 (4). pp. 426-439. ISSN 2326-8743

Willson, JM orcid.org/0000-0002-1988-1683 and McCartney, N (2017) A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. Critical Studies in Fashion and Beauty, 8 (1). pp. 99-122. ISSN 2040-4417

Willson, J orcid.org/0000-0002-1988-1683 (2020) Tricity Vogue's 'Blueing Up' as Sedimented Resistance: Extravagant Costume and the Expanded Field of Dressing Up. Studies in Costume & Performance, 5 (2). pp. 175-190. ISSN 2052-4013

Wood, P and Taylor, CF (2004) Big ideas for a small town: the Huddersfield Creative Town Initiative. Local Economy, 19 (4). 380 - 395. ISSN 0269-0942

Wright, J orcid.org/0000-0003-0004-919X (2021) ART SCHOOLS AND ARTIST-LED COLLECTIVES: HOW TO MAKE A HAPPENING (1968/2020) A WORKSHOP IN VIRTUAL SPACE. AMPS Proceedings Series (23.1). pp. 1-8. ISSN 2398-9467

Wright, J. orcid.org/0000-0003-0004-919X (2022) A policy review of The Art of Recovery - Survive: Stabilise: Strengthen. The Report of the Culture, Arts and Heritage Recovery Taskforce, Northern Ireland Executive. August 2021. Irish Journal of Arts Management & Cultural Policy, 9 (2021-22). pp. 70-80. ISSN 2009-6208

Wright, J.D. orcid.org/0000-0003-0004-919X (2024) The Power of Convening: Towards an Understanding of Artist-Led Collective Practice as a Convener of Place. Arts, 13 (2). 67. ISSN 2076-0752

Xu, Z and Dobson, S (2019) Challenges of building entrepreneurial ecosystems in peripheral places. Journal of Entrepreneurship and Public Policy, 8 (3). pp. 408-430. ISSN 2045-2101

Zachary, D and Dobson, S (2020) Urban Development and Complexity: Shannon Entropy as a Measure of Diversity. Planning Practice & Research. ISSN 0269-7459

Zezulka, K orcid.org/0000-0003-2978-9204 (2020) Examining the pedagogy of theatre lighting. Theatre, Dance and Performance Training, 11 (1). pp. 93-107. ISSN 1944-3927

Zezulka, K orcid.org/0000-0003-2978-9204 (2019) Performance lighting design: how to light for the stage, concerts and live events. Theatre and Performance Design, 5 (1-2). pp. 158-160. ISSN 2332-2551

Zezulka, K orcid.org/0000-0003-2978-9204 (2019) The lighting programmer as creative collaborator. Behind the Scenes: Journal of Theatre Production Practice, 2 (1).

Book Section

Bannon, FC and Edward, M (2016) Being in Pieces: Integrating Dance, Identity and Mental Health. In: Karkou,, V, Oliver,, S and Lycouris, S, (eds.) The Oxford Handbook of Dance and Wellbeing. Oxford Handbook Series . Oxford University Press , New York .

Bannon, FC and Holt, D (2015) Attending to ethics and aesthetics in dance. In: Whatley, S, Garrett Brown, N and Alexander, K, (eds.) Attending to Movement: Somatic Perspectives on Living in this World. Triarchy Press. , 219 - 228. ISBN 978-1-909470-63-7

Bannon, FC orcid.org/0000-0001-6141-7334 (2019) Ethico-aesthetic practice of improvising: relations through motion. In: Midgelow, V and Hopf, C, (eds.) Handbook on Improvisation in Dance. Oxford Handbooks . Oxford University Press . ISBN 9780199396986

Bennett, E orcid.org/0000-0002-1928-9794 (2016) Relief from a Certain Kind of Personhood in ASMR Role-Play Videos. In: Callard, F, Staines, K and Wilkes, J, (eds.) The Restless Compendium: Interdisciplinary Investigations of Rest and Its Opposites. Palgrave Macmillan , Basingstoke , pp. 129-136. ISBN 978-3-319-45264-7

Bennett, E orcid.org/0000-0002-1928-9794 (2016) When Is a Joke not a Joke? Reading (and Re-reading) Stewart Lee’s ‘The Rap Singers’. In: Kartsaki, E, (ed.) On Repetition: Writing, Performance and Art. Intellect , Bristol , pp. 81-98. ISBN 9781783205776

Beswick, KA The Council Estate as Hood: Resisting the Crisis SPID Theatre Company and grass-roots discourse as cultural politics. In: Duggan, P and Peschel, L, (eds.) Performing for Survival. Palgrave MacMillian . (Submitted)

Brown, A. and McDowell, E. orcid.org/0000-0003-3775-1417 (2022) Alan Brown in conversation. In: Reason, M., Conner, L., Johanson, K. and Walmsley, B., (eds.) Routledge Companion to Audiences and the Performing Arts. Routledge , pp. 131-142. ISBN 9781003033226

Dobson, S, Maas, G, Jones, P et al. (1 more author) (2018) Experiential Learning Through the Transformational Incubation Programme: A Case Study from Accra, Ghana. In: Experiential Learning for Entrepreneurship: Theoretical and Practical Perspectives on Enterprise Education. palgrave macmillan , pp. 225-244. ISBN 978-3-319-90004-9

Glen, P. orcid.org/0000-0001-8771-1638 (2023) I’m different; I’m tough; I fuck’: Attitudes Towards Young Men, Sex and Masculinity, 1956-1969, in Nik Cohn’s Awopbopaloobop Alopbamboom: Pop from the Beginning (1969). In: Subcultures Network, (ed.) Let's spend the night together: Sex, pop music and British youth culture. Manchester University Press . ISBN 9781526159984

Jancovich, L orcid.org/0000-0003-0381-1557 and Bechler, R (2019) The Politics of Culture: Leila Jancovich in conversation with Rosemary Bechler. In: Adler, D and Bechler, R, (eds.) A Vision for Europe. Eris Press , London, UK , pp. 278-287. ISBN 978-1912475-16-2

Jancovich, L orcid.org/0000-0003-0381-1557 and Stevenson, D (2019) The “problem” of participation in cultural policy. In: Eriksson, B, Stage, C and Valtysson, B, (eds.) Cultures of Participation: Arts, Digital Media and Cultural Institutions. Routledge Research in Cultural and Media Studies . Routledge , Abingdon, UK , pp. 167-184. ISBN 978-0-367-21838-6

Kiszely, P (2020) Television: Capturing Performance. In: Barber, S and Peniston-Bird, CM, (eds.) Approaching Historical Sources in their Contexts: Space, Time and Performance. The Routledge Guides to Using Historical Sources . Routledge , London, UK , pp. 131-146. ISBN 9780815364801

Ma, H (2010) The Character of Song and Yueju. In: Walling, M and Lane, R, (eds.) The Orientations Trilogy: Theatre and Gender: Asia and Europe. Border Crossings Ltd , Enfield, UK . ISBN 978-1904718086

Ma, H (2016) Survival through Laughter: A Fun Gongfu: The Story of the Deer and the Cauldron. In: Ruru, L, (ed.) Staging China: New Theatres in the Twenty-First Century. Chinese Literature and Culture in the World . Palgrave Macmillan , Basingstoke, Hampshire, UK , pp. 141-158. ISBN 978-1-137-56747-5

McDowell, E. orcid.org/0000-0003-3775-1417 (2022) Mixing methods in audience research practice. In: Reason, M., Conner, L., Johanson, K. and Walmsley, B., (eds.) Routledge Companion to Audiences and the Performing Arts. Routledge , pp. 264-277. ISBN 9781003033226

McKinney, J orcid.org/0000-0001-6719-1970 (2019) Scenographic materiality: Agency and Intra-Action in stage designs by Katrin Brack. In: Wiens, BE, (ed.) Contemporary Scenography: Practices and Aesthetics in German Theatre, Arts and Design. Performance and Design, Contemporary German . Bloomsbury Publishing PLC , pp. 57-73. ISBN 9781350064478

McKinney, J orcid.org/0000-0001-6719-1970 (2018) Seeing scenography: scopic regimes and the body of the spectator. In: Aronson, A, (ed.) The Routledge Companion to Scenography. Routledge Companions . Routledge , Abingdon, Oxon, UK , pp. 102-118. ISBN 9781138917804

McKinney, J orcid.org/0000-0001-6719-1970 and Palmer, S orcid.org/0000-0001-9459-6113 (2017) Introducing ‘Expanded’ Scenography. In: McKinney, J and Palmer, S, (eds.) Scenography Expanded: An Introduction to Contemporary Performance Design. Performance and Design . Bloomsbury Methuen Drama , London , pp. 1-19. ISBN 9781474244398

McKinney, JE orcid.org/0000-0001-6719-1970 (2016) Audiencing Scenography. In: Zupanc Lotker, S and Kuburović, B, (eds.) SharedSpace: Music Weather Politics. Theatre Institute , Prague . ISBN 978-80-7008-365-9

McKinney, JE (2012) ‘Empathy and exchange: audience experience of scenography’. In: Reynolds, D and Reason, M, (eds.) Kinesthetic Empathy in Creative and Cultural Practices. Intellect , 221 - 235. ISBN 9781841504919

McKinney, JE (2001) Stage Design as Acting Machine: Constructing theatrical reality. In: Wierzchowska, A, (ed.) Tradition and Innovation in Theatre Design. Jagellonian University, Krakow, Poland , 44 - 49. ISBN 83-916637-0-1

McKinney, JE (2015) Vibrant materials: the agency of things in the context of scenography. In: Bleeker, M, Sherman Foley, J and Nedelkopoulou, E, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge Advances in Theatre & Performance Studies . Routledge . ISBN 978-1-13-880551-4

McKinney, JE (2009) The scenographic exchange. In: Allegue, L, Jones, S, Kershaw, B and Piccini, A, (eds.) Practice-as-research: in performance and screen. Palgrave . ISBN 978-0230220010

McKinney, J orcid.org/0000-0001-6719-1970 (2019) Living things: material entanglements in Quarantine's Summer. In: Banham, S, Hunter, S, Brady, M and O'Shea, R, (eds.) Summer. Autumn. Winter. Spring. Staging Life and Death. Manchester University Press . ISBN 978-1-5261-4347-1

McKinney, JE orcid.org/0000-0001-6719-1970 and Iball, H (2011) Researching Scenography. In: Kershaw, B and Nicholson, H, (eds.) Research Methods in Theatre and Performance. Edinburgh University Press , Edinburgh , pp. 111-136. ISBN 9780748641581

Nisbett, M., Walmsley, B. orcid.org/0000-0002-4536-5180 and McDowell, E. (2024) Abusive Leadership in the Arts and the Crisis of Accountability. In: Rentschler, R., Reid, W. and Donelli, C.C., (eds.) The Routledge Companion to Governance in the Arts World. Routledge . ISBN 9781032326689 (In Press)

O'Grady, A (2017) Dancing Outdoors: the DIY ethic of the campsite, the politics of outdoor space and the aesthetics of the UK alternative festival circuit. In: St John, G, (ed.) Weekend societies: electronic dance music festivals and event-cultures. Bloomsbury , London, UK , pp. 137-158. ISBN 978-1501309311

O'Grady, A (2017) Introduction: Risky Aesthetics, Critical Vulnerabilities, and Edgeplay: Tactical Performances of the Unknown. In: O'Grady, A, (ed.) Risk, Participation and Performance Practice: critical vulnerabilities in a precarious world. Palgrave Macmillan , Cham, Switzerland , pp. 1-29. ISBN 978-3-319-63241-4

O'Grady, KA orcid.org/0000-0002-4810-7507 (2015) Being there: encounters with space and the affective dimension of arena spectacle. In: Halligan, B, Fairclough-Isaacs, K, Edgar, R and Spelman, N, (eds.) The Arena Concert: music, media and mass entertainment. Bloomsbury , New York . ISBN 9781628925562

Palmer, DS orcid.org/0000-0001-9459-6113 (2021) A Staging Revolution through Light and Music: Adolphe Appia, Wagner and Hugo Bähr. In: Illiano, R, (ed.) Performing Arts and Technical Issues. Staging and Dramaturgy: Opera and The Performing Arts, 4 . Brepols , Turnhout , pp. 123-145. ISBN 978-2-503-59739-3

Pitches, JD (2016) Introduction to Meyerhold on Theatre. In: Braun, E, (ed.) Meyerhold on Theatre. Bloomsbury , London , pp. 1-18. ISBN 978-1-4742-3020-9

Pitches, JD (2007) Routes or Roots: the Technical Traditions of Contemporary Physical Theatres. In: Murray, S and Keefe, J, (eds.) Physical Theatres: a Reader. Routledge , Abingdon , 46 - 54 (8). ISBN 0-415-36251-2

Pitches, JD (2015) Technique: Training the Actor’s Voice and Body. In: Evans, M, (ed.) The Actor Training Reader. Routledge . ISBN 978-0-415-82402-6

Pitches, JD orcid.org/0000-0003-4754-9378 (2015) Contrasting Modernities: the Rural and the Urban in Michael Chekhov's Psychological Gesture and Meyerhold's Biomechanical Études. In: Meerzon, Y and Authant-Matthieu, M-C, (eds.) The Routledge Companion to Michael Chekhov. Routledge , Abingdon , pp. 219-234. ISBN 9780415710183

Popat, S orcid.org/0000-0001-9864-5496 (2015) Placing the body in mixed reality. In: Hunter, V, (ed.) Moving Sites: Investigating Site-Specific Dance Performance. Routledge , pp. 162-177. ISBN 978-0415710176

Popat, S and Preece, KL (2012) Pluralistic Presence: Practising embodiment with my avatar. In: Broadhurst, S and Machon, J, (eds.) Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Performance and Technology. Performance and Technology . Palgrave Macmillan , Basingstoke , 160 - 174 (15). ISBN 0230298885

Popat, SH orcid.org/0000-0001-9864-5496 (2017) Gesture and Movement: Indices of Presence. In: Banks, J, (ed.) Avatar, Assembled: The Social and Technical Anatomy of Digital Bodies. Digital Formations . Peter Lang , New York, USA . ISBN 9781433135606

Popat, SH orcid.org/0000-0001-9864-5496 (2016) Transcending dimensions: physical and virtual dancing bodies. In: Rosenberg, D, (ed.) The Oxford Handbook of Screendance Studies. Oxford University Press , pp. 657-676. ISBN 9780199981601

Popat, SH orcid.org/0000-0001-9864-5496 (2017) Virtually Touching: Embodied engagement in telematic and virtual reality performance. In: Butterworth, J and Wildschut, L, (eds.) Contemporary Choreography: A Critical Reader. Routledge .

Popat, SH and Palmer, SD (2009) Dancing with sprites and robots: new approaches to collaboration between dance and digital technologies. In: Butterworth, J and Wildschut, L, (eds.) Contemporary Choreography: A Critical Reader. Routledge , 416 - 430. ISBN 0415490871

Rodosthenous, George (2005) The dramatic imagery of "Howl": the [naked] bodies of madness. In: Howl for Now. Route Publishing , Pontefract, UK , pp. 53-72. ISBN 1 901927 25 3

Salazar Sutil, N (2014) 404, the Performativity of Error: with Insights into Cyber-errorism in Internacional Errorista and Electronic Disturbance Theatre. In: Blažević, M and Feldman, LC, (eds.) MISperformance: essays in shifting perspectives. Maska , Ljubljana, Slovenia , pp. 183-199.

Salazar Sutil, N (2015) Intelligence behind Movement: Laboratories of Biomechanics and the Making of Kinetic Utopia. In: Digital Movement: Essays in Motion Technology and Performance. Palgrave Series in Performance and Technology . Palgrave Macmillan , Houndsmills, Basingstoke , pp. 35-52. ISBN 978-1-137-43040-3

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2010) Variations on a Fugitive’s Song: The Performance of Disappearance and Forced Migration in Chile. In: Davis, RG, Fischer-Hornung, D and Kardux, JC, (eds.) Aesthetic Practices and Politics in Media, Music, and Art: Performing Migration. Routledge Research in Cultural and Media Studies, 26 . Routledge , New York, USA . ISBN 9780203844724

Salazar Sutil, N and Melo, S (2016) Exposed to Time: Cross-histories of Human Motion Visualization from Chrono- to Dynamophotography. In: The Oxford Handbook of Screendance Studies. Oxford University Press , Oxford, United Kingdom , pp. 143-167. ISBN 9780199981601

Salazar Sutil, N and Popat, S orcid.org/0000-0001-9864-5496 (2015) Introduction. In: Popat, S and Salazar Sutil, N, (eds.) Digital Movement: Essays in Motion Technology and Performance. Palgrave Studies in Performance and Technology . Palgrave Macmillan , Basingstoke, Hampshire , pp. 1-17. ISBN 978-1-137-43040-3

Salazar-Sutil, N (2013) "Set in Poland, that is to say Nowhere": Alfred Jarry and the Politics of Topological Space. In: Fischer-Lichte, E and Wihstutz, B, (eds.) Performance and the Politics of Space: Theatre and Topology. Routledge Advances in Theatre & Performance Studies (24). Routledge , New York , pp. 114-126. ISBN 9780415509688

Shyldkrot, Y orcid.org/0000-0003-0800-7787 (2023) The Unbearable Brightness of Beams: Light, Darkness and Obscure Images. In: Palmer, S, Graham, K and Zezulka, K, (eds.) Contemporary Performance: Lighting Experience, Creativity and Meaning. Performance and Design . Bloomsbury Publishing . ISBN 9781350195172

Shyldkrot, Y. orcid.org/0000-0003-0800-7787 (2025) I am Going to Turn into Peter: Glitching Human-Robot Interactions. In: Sone, Y. and Savery, R., (eds.) Cultural Technologies: Robots and Artificial Intelligence in the Performing Arts. Routledge . ISBN 9781032758619 (In Press)

Shyldkrot, Y orcid.org/0000-0003-0800-7787 and Kendrick, L (2021) Voicing Identity: Theatre Sound and Precarious Subjectivities. In: Jarvis, L and Savage, K, (eds.) Avatars, Activism and Postdigital Performance Precarious Intermedial Identities. Bloomsbury Publishing , Bedford, UK . ISBN 9781350159310

Taylor, CF (2009) ‘The Creative Industries, Governance and Economic Development: A UK Perspective’. In: Kong, L and O'Connor, J, (eds.) Creative Economies, Creative Cities: Asian-European Perspectives. Springer , 153 - 166. ISBN 1402099487

Taylor, CF (2008) ‘Developing relationships between universities, the creative industries, enterprise and innovation’. In: Henry, C, (ed.) Entrepreneurship in the Creative Industries: International Perspectives. Edward Elgar Publishing Ltd . ISBN 184542610X

Taylor, CF (2011) Socialising Creativity: Entrepreneurship and Innovation in the Creative Industries. In: Henry, C and de Bruin, A, (eds.) Entrepreneurship and the Creative Economy: Process, Practice and Policy. Edward Elgar Publishing Limited , 30 - 49 (19). ISBN 1848447698

Walmsley, B and Franks, A (2011) The audience experience: changing roles and relationships. In: Walmsley, B, (ed.) Key Issues in the Arts and Entertainment Industry. Goodfellow . ISBN 978-1-906884-20-8

Walmsley, B and Oliver, J (2011) Assessing the value of the arts. In: Walmsley, B, (ed.) Key Issues in the Arts and Entertainment Industry. Goodfellow . ISBN 978-1-906884-20-8

Walmsley, BA (2011) The 21st century business model. In: Walmsley, BA, (ed.) Key Issues in the Arts and Entertainment Industry. Goodfellow . ISBN 978-1-906884-20-8

Walmsley, BA (2010) Staged story and variety. In: Moss, S, (ed.) The Entertainment Industry. CABI Publishing , 16 - 37. ISBN 1845935519

Walmsley, B orcid.org/0000-0002-4536-5180 (2019) Managing change and the implications for leadership. In: Byrnes, WJ and Brkić, A, (eds.) The Routledge Companion to Arts Management. Routledge Companions in Business, Management and Accounting . Routledge , Abingdon, Oxon, UK , pp. 121-137. ISBN 978-1-138-49222-6

Walmsley, B. orcid.org/0000-0002-4536-5180 (2022) Evaluating cultural value: The quintessential wicked problem. In: Jung, Y., Vakharia, N. and Vecco, M., (eds.) The Oxford Handbook of Arts and Cultural Management. Oxford Handbooks . Oxford University Press , New York, NY , pp. 663-680. ISBN 9780197621615

Walsh, A orcid.org/0000-0003-1501-8804 (2017) A Critical Introduction to Arts Behind Bars. In: Oxford Research Encyclopedia of Criminology and Criminal Justice. Crime, Media, and Popular Culture . Oxford University Press .

Walsh, A (2016) The Paradox of Dis/appearance: Hunger Strike in Athens as a Performance of Survival. In: Duggan, P and Peschel, L, (eds.) Performing (for) Survival: Theatre, Crisis, Extremity. Palgrave Macmillan UK , pp. 203-221. ISBN 978-1-349-56857-4

Walsh, A orcid.org/0000-0003-1501-8804 (2017) Staging the Radical Potential of the Imagination: A Critical Introduction to A Machine they’re Secretly Building. In: Westerside, A and Proto-type Theater, (eds.) A Machine they’re Secretly Building. Oberon Books , pp. 6-10. ISBN 9781786821119

Walsh, A orcid.org/0000-0003-1501-8804 (2015) Staging the others: Appearance, visibility and radical border crossing in Athens. In: Zaroulia, M and Hager, P, (eds.) Performances of Capitalism, Crises and Resistance: Inside/Outside Europe. Palgrave Macmillan , pp. 134-149. ISBN 9781137379375

Walsh, A orcid.org/0000-0003-1501-8804 (2020) What Works: The Affective and Gendered Performance of Prison. In: McAvinchey, C, Balfour, M and Preston, S, (eds.) Applied Theatre: Women and the Criminal Justice System. Applied Theatre Series . Methuen Drama , London, UK , pp. 107-123. ISBN 978-1-4742-6255-2

Ward, J orcid.org/0000-0003-3726-9217 and Hubbard, P (2019) Urban regeneration through culture. In: Schwanen, T and van Kempen, R, (eds.) Handbook of Urban Geography. Research Handbooks in Geography . Edward Elgar , Cheltenham, UK , pp. 195-209. ISBN 978-1785364594

Willson, J orcid.org/0000-0002-1988-1683 (2021) The Fashioned Female Body, Performativity and the Bare Flaneuse. In: Kollnitz, A and Pecorari, M, (eds.) Fashion, Performance, and Performativity The Complex Spaces of Fashion. Bloomsbury Publishing , London, United Kingdom . ISBN 9781350106192

Zezulka, K. orcid.org/0000-0003-2978-9204 (2019) A Linguistic Ethnography of Theatre Production. In: Wright, C, Harvey, L and Simpson, J, (eds.) Voices and Practices in Applied Linguistics: Diversifying a Discipline. White Rose University Press , pp. 127-141. ISBN 978-1-912482-17-7

Monograph

Dobson, S. Guidance Document: Entrepreneurial Ecosystem Educational Framework (EEEF). Report. (Unpublished)

Dobson, S. (2020) Guide to Producing Regional Mappings of the Creative Industries (2nd Edition). Report. (Unpublished)

Ma, H and Hâf, E (2018) 1st Year (July 2016 - July 2017) China-Wales Cultural Exchange: Cultural Memorandum of Understanding Implementation Report. Report. Wales Arts International , Cardiff, UK.

Mirzoyants, A., Eagle, R. orcid.org/0000-0001-8553-1713 and Sewell, H. (2024) Impact Storytelling: the Ecosystem, the Evidence and Possible Futures. Report. University of the Arts London , London.

Taylor, CF (2015) Cultural Value: A Perspective from Cultural Economy. Report. University of Leeds , Leeds.

Wright, J orcid.org/0000-0003-0004-919X (2022) Research Digest: Everyday Creativity. Report.

Wright, J and Wright, JD orcid.org/0000-0003-0004-919X Policy review: Cultural policy responses to COVID-19 in the UK. Report. The Centre for Cultural Value

Conference or Workshop Item

Bannon, FC (2015) Mindful motion: engagement with the messy vitality of research. In: Contemporising the Past: Envisaging the future, 06-11 Jul 2014, Angers, France. (Unpublished)

Bryden, John, Hogg, DC orcid.org/0000-0002-6125-9564, Popat, Sita et al. (1 more author) (2008) Building artificial personalities: expressive communication channels based on an interlingua for a human-robot dance. In: International Conference on Artificial Life (ALIFE XI), 5-8 August, Winchester.

Palmer, S orcid.org/0000-0001-9459-6113 Light, Music and the Arts of the Theatre. In: Performing Arts and Technical Issues in the 19th Century, 18-19 Oct 2019, Lucca, Italy.

Palmer, D.S. orcid.org/0000-0001-9459-6113 "Creating emotional climate": light, temporality and audience experience. In: TaPRA Annual Conference 2023, 30 Aug - 01 Sep 2023, Leeds, UK.

Palmer, D.S. orcid.org/0000-0001-9459-6113 (2023) “Hanging about in the dark”: Materiality, transformation and the joy of light. In: IFTR Scenography Working Group Prague Quadrennial 2023 Interim Event: Symposium on Transformative Scenographic Discourses and Practices, 09-11 Jun 2023, Prague, Czechia. (Unpublished)

Palmer, DS orcid.org/0000-0001-9459-6113 Emerging from the darkness: light, temporality and audience experience. In: Tbilisi Stage Design Biennale: Temporality- Pandemic, War, Theater, 10-12 Oct 2022, Parliament Building, Tbilisi, Georgia.

Walmsley, BA orcid.org/0000-0002-4536-5180 and Gilmore, A The implications of England’s Northern Powerhouse for cultural democracy and regional cultural policymaking. In: International Conference on Cultural Policy Research (ICCPR), 05-09 Jul 2016, Seoul.

Proceedings Paper

Bryden, J, Hogg, DC, Popat, S et al. (1 more author) (2008) Building artificial personalities: expressive communication channels based on an interlingua for a human-robot dance. In: Bullock, S, Noble, J, Watson, R and Bedau, MA, (eds.) Artificial Life XI. International Conference on Artificial Life (ALIFE XI). MIT Press , Cambridge, Mass , 80 - 87 . ISBN 978-0-262-75017-2

Eagle, R. orcid.org/0000-0001-8553-1713 (2023) Augmented Reality as a Thirdspace: Simultaneous Experience of the Physical and Virtual. In: Proceedings of the 3rd International and Interdisciplinary Conference on Image and Imagination (IMG 2021). 3rd International and Interdisciplinary Conference on Image and Imagination (IMG 2021), 25-26 Nov 2021, Milan, Italy. Lecture Notes in Networks and Systems, 631 . Springer Nature , Cham, Switzerland , pp. 355-363. ISBN 9783031259050

Kapsali, M (2019) Switch On! Using Mobile Phones in Actor Training. In: ARCHÉE. Bodies on Stage: Acting Confronted by Technologies, 03-05 Jun 2015, Sorbonne Nouvelle, Paris. , Quebec .

Mair, S, Jones, A, Ward, J orcid.org/0000-0003-3726-9217 et al. (3 more authors) (2018) A Critical Review of the Role of Indicators in Implementing the Sustainable Development Goals. In: Leal Filho, W, (ed.) Handbook of Sustainability Science and Research. World Symposium on Sustainability Science and Research: Implementing the UN Sustainable Development Goals, 05-07 Apr 2017, Manchester, UK. World Sustainability Series . Springer , pp. 41-56. ISBN 978-3-319-63006-9

McKinney, J, Wallis, M, Popat, SH et al. (2 more authors) (2008) Embodied conversations: performance and the design of a robotic dancing partner. In: Durling, D, Rust, C, Chen, LL, Ashton, P and Friedman, K, (eds.) yes. Design Research Society (DRS 2008), Sheffield Hallam University, Sheffield, UK. Sheffield Hallam University , 111/1 - 111/16. ISBN 978-1-84387-293-1

McKinney, JE (2005) The Nature of Scenographic Communication: artist, audience and the operation of scenography. In: International Federation of Theatre Research, Scenography Working Group, University of Amsterdam, 11th-15th May 2005. The Stage and the Visual Arts: Past, Present and Future, International Conference on Scenography, 11-15 May 2005, Amsterdam, The Netherlands. International Federation of Theatre Research, Scenography Working Group, University of Amsterdam, 11th-15th May 2005 . (Submitted)

Palmer, S orcid.org/0000-0001-9459-6113 (2017) Active shadows: Light, darkness and scenographic atmosphere. In: Staging Atmospheres – Theatre and the Atmospheric Turn Proceedings. Staging Atmospheres – Theatre and the Atmospheric Turn, 08-09 Dec 2017, QMU, University of London. .

Palmer, S orcid.org/0000-0001-9459-6113 (2016) Descending into night: Light, darkness and the theatrical experience. In: IFTR Presenting the Theatrical Past Interplays of Artefacts, Discourses and Practices. IFTR Presenting the Theatrical Past Interplays of Artefacts, Discourses and Practices, 13-17 Jun 2016, Stockholm University, Sweden. .

Palmer, S orcid.org/0000-0001-9459-6113 (2018) Designing Audience Experience for Mobile Performance: Atmospheres, Environment and Technological Agency. In: IFTR World Conference 2018 Book of Abstracts. IFTR World Conference 2018, 09-13 Jul 2018, Belgrade, Serbia. IFTR , p. 633.

Palmer, S orcid.org/0000-0001-9459-6113 (2016) Immersion through light and darkness: Appia, Wagner and the evolution of modern scenographic practice. In: TBC. OPERATIC IMMERSIONS: Inaugural conference of the Northern Opera Research Network, 22-23 Apr 2016, University of Huddersfield & University of Leeds. .

Palmer, S orcid.org/0000-0001-9459-6113 (2018) Scenographic Landscapes: Estate and Estate 360°. In: TaPRA Annual Conference 2018. TaPRA Annual Conference 2018, 05-07 Sep 2018, Aberystwyth University, Wales, UK. TaPRA .

Palmer, S orcid.org/0000-0001-9459-6113 (2018) ‘What Country, Friends, Is This?’ Using Immersive Theatre Practice to Inform the Design of Audience Experience in Estate 360°. In: Rouse, R, Koenitz, H and Haahr, M, (eds.) Interactive Storytelling, Lecture Notes in Computer Science, volume 11318. ICIDS 2018: 11th International Conference on Interactive Digital Storytelling, 05-08 Dec 2018, Dublin, Ireland. Springer , pp. 383-391. ISBN 978-3-030-04027-7

Popat, S.H. orcid.org/0000-0001-9864-5496 and Palmer, S.D. orcid.org/0000-0001-9459-6113 (2007) Revealing the Wizard of Oz: Interrelationships between performer-dancer, performer-operator and digital sprite. In: Proceedings of the Thirtieth Annual Conference Co-sponsored with CORD ... Re-thinking practice and theory. International symposium on dance research. Re-Thinking Practice and Theory International Symposium on Dance Research, 21-24 Jun 2007, Paris, France. Society of Dance History Scholars .

Weizsacker, R and Graan, M (2017) Ahead of the Curve. In: Ahead of the Curve. Ahead of the Curve, 18 May 2017. .

Book

Durrer, V., Gilmore, A., Jancovich, L. and Stevenson, D., eds. (2023) Cultural Policy is Local: Understanding Cultural Policy as Situated Practice. New Directions in Cultural Policy Research . Palgrave Macmillan . ISBN 9783031323119

Popat, S and Salazar Sutil, N, eds. (2015) Digital Movement: Essays in Motion Technology and Performance. Palgrave Studies in Performance and Technology . Palgrave Macmillan . ISBN 978-1-137-43040-3

O'Grady, A, ed. (2017) Risk, Participation and Performance Practice: critical vulnerabilities in a precarious world. Palgrave Macmillan , Cham, Switzerland . ISBN 978-3-319-63241-4

McKinney, J and Palmer, S, eds. (2017) Scenography Expanded: An Introduction to Contemporary Performance Design. Performance and Design . Bloomsbury Methuen Drama , London . ISBN 9781474244398

Jancovich, L and Stevenson, D (2022) Failures in Cultural Participation. Palgrave Macmillan . ISBN 9783031161155

Ma, H (2015) Urban Politics and Cultural Capital: The Case of Chinese Opera. Routledge , Abingdon, Oxon, UK . ISBN 978-1-472-43228-5

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2018) Matter Transmission: Mediation in a Paleocyber Age. Bloomsbury , New York . ISBN 9781501339479

Salazar Sutil, N (2015) Motion and Representation: The Language of Human Movement. MIT Press . ISBN 9780262028882

Upchurch, AR orcid.org/0000-0002-1635-2954 (2016) The Origins of the Arts Council Movement: Philanthropy and Policy. New Directions in Cultural Policy Research . Palgrave Macmillan . ISBN 978-1-137-46162-9

Walmsley, B. orcid.org/0000-0002-4536-5180, Gilmore, A. and O'Brien, D. (2024) Pandemic culture: The impacts of COVID-19 on the UK cultural sector and implications for the future. Manchester University Press . ISBN 9781526168368

Walsh, A orcid.org/0000-0003-1501-8804 (2019) Prison Cultures: Performance, Resistance, Desire. Intellect . ISBN 9781789381054

Thesis

Jancovich, L orcid.org/0000-0003-0381-1557 (2014) Great art for everyone? An examination of arts policy on participation and participatory decision making in England from 1997-2013. PhD thesis, The University of Leeds.

Book review

McKinney, J. orcid.org/0000-0001-6719-1970 (2024) Arnold Aronson. Fifty Key Theatre Designers. Routledge Key Guides Series. [Book review] (In Press)

Other

Bennett, E orcid.org/0000-0002-1928-9794 (2016) WHAT MATTER. UNSPECIFIED, King's Place, London.

Eagle, R. orcid.org/0000-0001-8553-1713 Walk this Way. UNSPECIFIED. (Unpublished)

Edinborough, C, Billing, C and Walker-Brown, H (2022) Links in a Chain. University of Hull.

Ma, H Song of the Female Textile Workers (film version mixed reality performance 2021). UNSPECIFIED.

Ma, H Song of the Female Textile Workers (online exhibition 2020). UNSPECIFIED.

Ma, H Song of the Female Textile Workers (online exhibition 2020). UNSPECIFIED.

Ma, H (2021) Song of the Female Textile Workers (script 2021). UNSPECIFIED.

McKinney, JE (2000) The role of theatre design : towards a bibliographical and practical accommodation. Scenography International.

Palmer, S.D. orcid.org/0000-0001-9459-6113 (2025) Symbolic and technical principles of scenography in Europe : 'Light and Darkness: Temporality, atmosphere and audience experience'. LIRIS - le Laboratoire International de Recherche sur l’Image et la Scénographie.

Salazar Sutil, N orcid.org/0000-0001-8514-2873 (2011) Binary Coded Performance. Body, Space and Technology.