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Group by: Creators Name | Item Type
Jump to: B | M | N | V | W
Number of items at this level: 9.

B

Bailey, N. and Cooper, D. (2000) Perceptually smooth timbral guides by state-space analysis of phase-vocoder parameters. Computer Music Journal, 24 (1). pp. 32-42. ISSN 0148-9267

M

Muir, S (2013) From the shtetl to the Gardens and beyond: identity and symbolic geography in Cape Town’s synagogue choirs. In: The Globalization of Musics in Transit: Musical Migration and Tourism. Routledge Research in Ethnomusicology . Routledge , 209 - 229. ISBN 978-0-415-64007-7 (In Press)

Muir, S (2013) Hasidism and Mitnagdism in the Russian Empire: the (mis)use of Jewish music in Polish-Lithuanian Russia. Journal of Synagogue Music, 38. 193 - 212. ISSN 0449-5128

N

Ng, K. (2002) Sensing and mapping for interactive performance. Organised Sound, 7 (2). pp. 191-200. ISSN 1355-7718

V

Venn, EJ (2010) Music Performance Tuition in Higher Education - Student Expectations. Research Report.

W

White, B (2007) Music for a brave livlylike boy: the Duke of Gloucester, Purcell and The 'Noise of Foreign Wars'. The Musical Times, 148 (1901). 75 - 83. ISSN 0027-4666

White, B (2010) ‘“Studying a little of the French Air”: Louis Grabu’s Albion and Albanius and the dramatic operas of Henry Purcell’. In: Art and ideology in European opera: essays in honour of Julian Rushton. Boydell Press , 12 - 39 (28). ISBN 1843835673

Windsor, WL (2011) Gestures in music making: action, information and perception. In: New Perspectives on Music and Gesture. SEMPRE Studies in The Psychology of Music . Ashgate , Farnham, Surrey , 45 - 66 (21). ISBN 0754664627

Windsor, WL and de Bézenac, C (2012) Music and affordances. Musicae Scientiae, 16 (1). 102 - 120 . ISSN 1029-8649

This list was generated on Thu Apr 17 10:39:06 2014 BST.