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Number of items at this level: 302.

A

Ainscough, SL, Windsor, WL orcid.org/0000-0001-6291-3057 and Tahmassebi, JF (2019) A review of the effect of music on dental anxiety in children. European Archives of Paediatric Dentistry, 20 (1). pp. 23-26. ISSN 1818-6300

Allis, M (2019) From Musicology to Novel: Reassessing Robertson Davies’s Literary Representation of Peter Warlock. University of Toronto Quarterly, 88 (1). pp. 64-88. ISSN 0042-0247

Allis, M (2017) Reading Music through Literary Scholarship: Granville Bantock, Shelley, and The Witch of Atlas. Journal of Musicological Research, 36 (1). pp. 6-28. ISSN 0141-1896

Allis, MJ (2014) Bantock and Southey: Musical Otherness and Fatalism in Thalaba the Destroyer. Music and Letters, 95 (1). pp. 39-69. ISSN 0027-4224

Allis, MJ (2015) Contemporary music in Aldous Huxley's music criticisms. Aldous Huxley Annual: A Journal of Twentieth-Century Thought and Beyond, 14. pp. 137-162.

Allis, MJ (2014) The Diva and the Beast: Susan Strong and the Wagnerism of Aleister Crowley. Forum for Modern Language Studies. ISSN 1471-6860

Allis, MJ (2017) Reading Music Through Literature: Introduction. Journal of Musicological Research, 36 (1). pp. 1-5. ISSN 0141-1896

Allis, MJ (2008) Richter's Wagner: a new source for tempi in Das Rheingold. Cambridge Opera Journal, 20 (2). 117 - 147. ISSN 0954-5867

Allis, MJ (2013) Temporaries and Eternals: the music criticism of Aldous Huxley, 1922-23. Cambridge Scholars Publishing . ISBN 1-4438-4217-6

Allis, MJ (2014) 'Wagner and Literature: New Directions' (special issue of Forum for Modern Language Studies volume 50 issue 4). Forum for Modern Language Studies, 50 (4). 371 - 510 (139). ISSN 0015-8518

Allis, MJ (2014) 'Wagner and Literature: New Directions: Introduction'. Forum for Modern Language Studies. ISSN 0015-8518

Allis, MJ (2016) "A canvas of endless extent": Granville Bantock, Robert Southey and The Curse of Kehama project. European Romantic Review, 27 (2). pp. 143-174. ISSN 1050-9585

Allis, M orcid.org/0000-0002-1314-6418 (2022) Reshaping the ballad: William Wallace's musical re-figuring of Rossetti's 'Sister Helen'. Journal of Victorian Culture, 27 (2). pp. 252-275. ISSN 1355-5502

Allis, M orcid.org/0000-0002-1314-6418 (2022) Roundtable: Dante Gabriel Rossetti and Music, Introduction. Journal of Victorian Culture, 27 (2). pp. 183-186. ISSN 1355-5502

Allis, MJ orcid.org/0000-0002-1314-6418 (2022) Refiguring the Poetic Elegy in Music: The Rhetoric of Mourning in Parry’s Elegy For Brahms. Music and Letters, 103 (3). gcab101. pp. 430-463. ISSN 0027-4224

Anderson, L (2015) Musique concrète, French New Wave cinema, and Jean Cocteau's 'Le Testament d'Orphée' (1960). Twentieth-Century Music, 12 (2). 197 - 224. ISSN 1478-5722

Arthurs, Y, Beeston, AV orcid.org/0000-0003-2796-1947 and Timmers, R (2018) Perception of isolated chords: Examining frequency of occurrence, instrumental timbre, acoustic descriptors and musical training. Psychology of Music, 46 (5). pp. 662-681. ISSN 0305-7356

B

Bailes, F orcid.org/0000-0003-2723-3579, Dean, RT and Broughton, MC (2015) How Different Are Our Perceptions of Equal-Tempered and Microtonal Intervals? A Behavioural and EEG Survey. PLoS ONE, 10 (8). e0135082. ISSN 1932-6203

Bailes, F orcid.org/0000-0003-2723-3579, Dean, RT and Pearce, MT (2013) Music cognition as mental time travel. Scientific Reports, 3. 2690. ISSN 2045-2322

Bailey, N. and Cooper, D. (2000) Perceptually smooth timbral guides by state-space analysis of phase-vocoder parameters. Computer Music Journal, 24 (1). pp. 32-42. ISSN 0148-9267

Bisesi, E and Windsor, WL orcid.org/0000-0001-6291-3057 (2016) Expression and Communication of Structure in Music Performance: Measurements and Models. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology. Oxford University Press , Oxford, UK , pp. 615-631. ISBN 9780198722946

Bishop, L, Bailes, F orcid.org/0000-0003-2723-3579 and Dean, RT (2013) Musical Expertise and the Ability to Imagine Loudness. PLoS ONE, 8 (2). e56052. ISSN 1932-6203

Boon, T and Venn, E orcid.org/0000-0002-5146-9568 (2021) Music 625: Music on Television in the ‘Long 1960s’. Journal of Popular Television, 9 (1). pp. 3-13. ISSN 2046-9861

Bretherton, B, Deuchars, J orcid.org/0000-0002-4445-654X and Windsor, WL orcid.org/0000-0001-6291-3057 (2019) The Effects of Controlled Tempo Manipulations on Cardiovascular Autonomic Function. Music and Science. ISSN 2059-2043

Burland, K orcid.org/0000-0003-0066-0132 (2020) Music for all: Identifying, challenging and overcoming barriers. Music & Science, 3. pp. 1-6. ISSN 2059-2043

Burland, K orcid.org/0000-0003-0066-0132 and McLean, A (2016) Understanding live coding events. International Journal of Performance Arts and Digital Media, 12 (2). pp. 139-151. ISSN 1479-4713

Burland, K, Spencer, M and Windsor, L orcid.org/0000-0001-6291-3057 (2017) Exploring, enhancing and evaluating musical 'doctorateness': perspectives on performance and composition. In: Nilsson, F, Dunin-Woyseth, H and Janssens, N, (eds.) Perspectives on Research Assessment in Architecture and the Arts: Discussing Doctorateness. Routledge Research in Architecture . Routledge , Abingdon, Oxon, UK , pp. 114-128. ISBN 9781138695573

Burland, K and Windsor, WL (2014) Moving the gong: exploring the contexts of improvisation and composition. In: Burland, K and Pitts, S, (eds.) Coughing and Clapping: Investigating Audience Experience. Ashgate , 101 - 114. ISBN 978-1-4094-6981-0

Burland Clark, K orcid.org/0000-0003-0066-0132 (2020) Defining ourselves through music. In: Thompson, WF and Olsen, KN, (eds.) The Science and Psychology of Music: From Beethoven at the Office to Beyonce at the Gym. Greenwood Publishing Group Inc . ISBN 978-1440857713 (In Press)

Burland Clark, K orcid.org/0000-0003-0066-0132 and Payne, E orcid.org/0000-0003-2109-8126 Exploring performers’ perceptions of the audience-artist/artist-audience dynamic. In: Audience Research in the Arts Conference, 03-05 Jul 2019, University of Sheffield.

Burland, K orcid.org/0000-0003-0066-0132 and Bennett, D (2022) Creating Sustainable Performance Careers. In: McPherson, GE, (ed.) The Oxford Handbook of Music Performance, Volume 2. Oxford Handbooks, 2 . Oxford University Press , pp. 135-153. ISBN 9780190058869

Burland, K orcid.org/0000-0003-0066-0132, Mellor, L and Bates, C (2022) Employability ecosystems in music: (Re)navigating a life in music (in precarious times). Arts and Humanities in Higher Education. ISSN 1474-0222

Burland, K and Payne, E orcid.org/0000-0003-2109-8126 ‘It could be something as simple as somebody tapping their foot’: Exploring musicians’ perceptions of the audience-artist/artist-audience dynamic. In: Performance Studies Network 6th International Conference, 30 Jun - 03 Jul 2022, University of Surrey.

C

COLE, R orcid.org/0000-0001-6281-3099 (2014) ‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968. Twentieth-Century Music, 11 (2). pp. 217-244. ISSN 1478-5722

Cannon, JW orcid.org/0000-0003-2017-8474 and Greasley, AE orcid.org/0000-0001-6262-2655 (2021) Exploring Relationships Between Electronic Dance Music Event Participation and Well-being. Music & Science, 4. pp. 1-14. ISSN 2059-2043

Castle, CL, Burland, K orcid.org/0000-0003-0066-0132 and Greasley, A orcid.org/0000-0001-6262-2655 (2022) Attending live music events with a visual impairment: experiences, accessibility and recommendations for the future. Arts and the Market, 12 (2). pp. 164-179. ISSN 2056-4945

Castle, CL, Greasley, AE orcid.org/0000-0001-6262-2655 and Burland, K orcid.org/0000-0003-0066-0132 (2022) The Musical Experiences of Adults with Severe Sight Impairment: An Interpretative Phenomenological Analysis. Music & Science, 5. pp. 1-19. ISSN 2059-2043

Cho, H. orcid.org/0000-0002-9378-8276 (2024) Book Review: Collaborative insights: Interdisciplinary perspectives on musical care throughout the life course. Musicae Scientiae. ISSN 1029-8649

Cho, H. orcid.org/0000-0002-9378-8276 (2023) Community voices “comfort like home food”: Gayageum (가야금) in Dunedin. New Zealand Journal of Music Therapy, 21. pp. 53-56. ISSN 1176-3264

Chung, Y-C, Greasley, AE orcid.org/0000-0001-6262-2655 and Hu, L-Y (2019) The relationship between musical preferences and Type D personality. Psychology of Music, 47 (1). pp. 3-17. ISSN 0305-7356

Cole, R orcid.org/0000-0001-6281-3099 (2022) The Cambridge Companion to Video Game Music. Ed. by Melanie Fritsch and Tim Summers. Music and Letters, 103 (2). pp. 389-391. ISSN 0027-4224

Cole, R orcid.org/0000-0001-6281-3099 (2022) Fluxus and the Democratic Mundane. Modernism/Modernity. ISSN 1080-6601 (In Press)

Cole, R orcid.org/0000-0001-6281-3099 (2017) Industrial Balladry, Mass Culture, and the Politics of Realism in Cold War Britain. Journal of Musicology, 34 (3). pp. 354-390. ISSN 0277-9269

Cole, R orcid.org/0000-0001-6281-3099 (2020) Mastery and Masquerade in the Transatlantic Blues Revival. Journal of the Royal Musical Association, 143 (1). pp. 173-210. ISSN 0269-0403

Cole, R orcid.org/0000-0001-6281-3099 (2018) Notes on troubling ‘the popular’. Popular Music, 37 (3). pp. 392-414. ISSN 0261-1430

Cole, R orcid.org/0000-0001-6281-3099 (2019) On the Politics of Folk Song Theory in Edwardian England. Ethnomusicology, 63 (1). pp. 19-42. ISSN 0014-1836

Cole, R orcid.org/0000-0001-6281-3099 (2021) Popular Song and the Poetics of Experience. Journal of the Royal Musical Association, 146 (1). pp. 81-116. ISSN 0269-0403

Cole, R orcid.org/0000-0001-6281-3099 (2020) Rethinking Reich. Ed. by Sumanth Gopinath and Pwyll ap Siôn. Music and Letters, 101 (2). pp. 383-385. ISSN 0027-4224

Cole, R orcid.org/0000-0001-6281-3099 (2020) Stravinsky, Modernism, and Mass Culture. In: Griffiths, G, (ed.) Stravinsky in Context. Cambridge University Press , pp. 230-237. ISBN 9781108422192

Cole, R orcid.org/0000-0001-6281-3099 (2020) Towards an Ecological History of Music. In: Aguilar, A, Cole, R, Pritchard, M and Clarke, E, (eds.) Remixing Music Studies: Essays in Honour of Nicholas Cook. Routledge . ISBN 9781138359925

Cole, R orcid.org/0000-0001-6281-3099 (2020) Vaporwave Aesthetics: Internet Nostalgia and the Utopian Impulse. ASAP/Journal, 5 (2). pp. 297-326. ISSN 2381-4705

Cole, R orcid.org/0000-0001-6281-3099 (2018) Vernacular Song and the Folkloric Imagination at the Fin de Siècle. 19th Century Music, 42 (2). pp. 73-95. ISSN 0148-2076

Cole, R orcid.org/0000-0001-6281-3099 (2020) The problem with AI music: song and cyborg creativity in the digital age. Popular Music, 39 (2). pp. 332-338. ISSN 0261-1430

Cole, R orcid.org/0000-0001-6281-3099 and McKay, G (2021) Living Archives and Creative Engagement Online: An EIRA-funded Report on Digital Interactivity in the Performing Arts. Report. UEA/EIRA

Cooper, D, Sapiro, I orcid.org/0000-0001-9854-8178, Anderson, L et al. (1 more author) (2016) Digitizing, Organizing and Managing an Audio-Visual Archive: The Trevor Jones Archive at the University of Leeds. Journal of Film Music, 6 (2). pp. 101-110. ISSN 1087-7142

Cooper, D orcid.org/0000-0001-7308-6640 (2021) Bartók, Biography, and the Violin. Studia Musicologica, 62 (1-2). pp. 5-23. ISSN 1788-6244

Cooper, E orcid.org/0000-0002-5289-4590 (2023) Bryn Harrison - Bryn Harrison, Three Descriptions of Place and Movement. Quatuor Bozzini. HCR, HCR27CD. Tempo, 77 (303). pp. 103-104. ISSN 0040-2982

Cooper, E orcid.org/0000-0002-5289-4590 (2021) THE STRONG SILENT TYPE: MASCULINITY AND WANDELWEISER MUSIC. Tempo, 75 (296). pp. 21-33. ISSN 0040-2982

Cooper, E. orcid.org/0000-0002-5289-4590 (2024) Jennifer’s Jokes: Contextualising ‘The New Discipline’. Positionen - Texte zur aktuellen Musik, 138.

Czajkowski, A and Greasley, A orcid.org/0000-0001-6262-2655 (2016) Correction to: Mindfulness for Singers: The effects of a targeted mindfulness course on learning vocal techniques. British Journal of Music Education, 33 (3). p. 347. ISSN 0265-0517

Czajkowski, A-ML and Greasley, AE (2015) Mindfulness for singers: The effects of a targeted mindfulness course on learning vocal technique. British Journal of Music Education, 32 (2). 211 - 233. ISSN 0265-0517

Czajkowski, A-ML, Greasley, AE orcid.org/0000-0001-6262-2655 and Allis, M orcid.org/0000-0002-1314-6418 (2021) Mindfulness for Singers: A Mixed Methods Replication Study. Music & Science, 4. pp. 1-12. ISSN 2059-2043

Czajkowski, A-ML, Greasley, AE orcid.org/0000-0001-6262-2655 and Allis, M orcid.org/0000-0002-1314-6418 (2022) Mindfulness for musicians: A mixed methods study investigating the effects of 8-week mindfulness courses on music students at a leading conservatoire. Musicae Scientiae, 26 (2). pp. 259-279. ISSN 1029-8649

D

D Amario, S, Daffern, H and Bailes, F orcid.org/0000-0003-2723-3579 (2019) A new method of onset and offset detection in ensemble singing. Logopedics Phoniatrics Vocology, 44 (4). pp. 143-158. ISSN 1401-5439

D'Amario, S, Daffern, H and Bailes, F orcid.org/0000-0003-2723-3579 (2020) A Longitudinal Study Investigating Synchronization in a Singing Quintet. Journal of Voice, 34 (1). 159.e1-159.e12. ISSN 0892-1997

D'Amario, S, Daffern, H and Bailes, F orcid.org/0000-0003-2723-3579 (2019) Perception of synchronization in singing ensembles. PLOS ONE, 14 (6). e0218162. ISSN 1932-6203

D'Amario, S, Daffern, H and Bailes, F orcid.org/0000-0003-2723-3579 (2018) Synchronization in Singing Duo Performances: The Roles of Visual Contact and Leadership Instruction. Frontiers in Psychology, 9. ARTN 1208. ISSN 1664-1078

Dean, RT and Bailes, F orcid.org/0000-0003-2723-3579 (2016) Modeling Perceptions of Valence in Diverse Music: Roles of Acoustic Features, Agency and Individual Variation. Music Perception, 34 (1). pp. 104-117. ISSN 0730-7829

Dean, RT and Bailes, F orcid.org/0000-0003-2723-3579 (2016) Relationships between generated musical structure, performers’ physiological arousal and listener perceptions in solo piano improvisation. Journal of New Music Research, 45 (4). pp. 361-374. ISSN 0929-8215

Dean, RT, Bailes, F orcid.org/0000-0003-2723-3579 and Schubert, E (2011) Acoustic Intensity Causes Perceived Changes in Arousal Levels in Music: An Experimental Investigation. PLoS ONE, 6 (4). e18591.

Dean, RT, Milne, AJ and Bailes, F orcid.org/0000-0003-2723-3579 (2019) Spectral Pitch Similarity is a Predictor of Perceived Change in Sound- as Well as Note-Based Music. Music & Science, 2. ISSN 2059-2043

E

Erraught, S orcid.org/0000-0003-1569-5063 (2018) On Music, Value and Utopia: Nostalgia for an Age Yet to Come? Rowman & Littlefield , London, United Kingdom . ISBN 9781786606044

Erraught, S orcid.org/0000-0003-1569-5063 (2019) The Value of Popular Music: An Approach from Post-Kantian Aesthetics. Popular Music and Society, 42 (4). pp. 501-503. ISSN 0300-7766

Erraught, S orcid.org/0000-0003-1569-5063 (2021) ‘I was listening … but did not succeed in hearing you’: Flann O’Brien, Ralph Cusack, and the Absurdities of Silent Musical Experience. Irish University Review, 51 (2). pp. 360-374. ISSN 0021-1427

Erraught, S orcid.org/0000-0003-1569-5063 (2023) On the Redundancy of Music. Journal of Comparative Literature and Aesthetics, 46 (1). pp. 28-36. ISSN 0252-8169

Erraught, S orcid.org/0000-0003-1569-5063 (2019) Outsourcing Taste: Are Algorithms Doing All the Work? In: TBC. 5th Global Creative Industries Conference, 25-26 May 2019, Yonsei University, Seoul, South Korea. . (Unpublished)

Erraught, S orcid.org/0000-0003-1569-5063 (2020) Outsourcing Taste: Are Algorithms Doing all the Work? In: Notmazgin, N and Ben-Ali, E, (eds.) Creative Context: Creativity and Innovation in Creative and Cultural Industries. Creative Economy . Springer , pp. 39-49. ISBN 9789811530555

Erraught, S orcid.org/0000-0003-1569-5063 (2020) Sounding Dissent: Rebel Songs, Resistance, and Irish Republicanism. Popular Music and Society, 43 (5). pp. 571-573. ISSN 0300-7766

Erraught, S orcid.org/0000-0003-1569-5063 (2021) The country and Irish problem. Popular Music, 39 (3-4). pp. 568-584. ISSN 0261-1430

Erraught, S. orcid.org/0000-0003-1569-5063 (2023) Dreams of the future in nineteenth century Ireland edited by Richard J. Butler, Liverpool, Liverpool University Press, 2021, 344 pp., £90.00 (Hardback), ISBN 9781800856752. Irish Studies Review. ISSN 0967-0882

Erwin, M orcid.org/0000-0002-3690-6942 (2020) Who Is Buried in Webern’s Tomb? Orientations in the Reception of Serial Music from Messiaen to Stockhausen. Perspectives of New Music, 58 (2). pp. 93-128. ISSN 0031-6016

F

Fulford, RJ, Greasley, AE and Crook, H (2016) Music amplification using hearing aids. Acoustics Bulletin, 41 (1). pp. 49-51. ISSN 0308-437X

Fulford, R, Greasley, A orcid.org/0000-0001-6262-2655 and Burland, K orcid.org/0000-0003-0066-0132 (2021) Responses to music. In: Creech, A, Hodges, DA and Hallam, S, (eds.) Routledge International Handbook of Music Psychology in Education and the Community. Routledge , pp. 101-115. ISBN 9780367271800

G

Greasley, A orcid.org/0000-0001-6262-2655 (2016) Music to our ears. The Psychologist, 29 (11). ISSN 0952-8229

Greasley, A orcid.org/0000-0001-6262-2655, Crook, H and Fulford, R (2020) Music listening and hearing aids: perspectives from audiologists and their patients. International Journal of Audiology, 59 (9). pp. 694-706. ISSN 1499-2027

Greasley, AE orcid.org/0000-0001-6262-2655, Fulford, RJ, Pickard, M et al. (1 more author) (2020) Help Musicians UK hearing survey: Musicians’ hearing and hearing protection. Psychology of Music, 48 (4). pp. 529-546. ISSN 0305-7356

Greasley, AE and Lamont, A (2016) Musical Preferences. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology (Second Edition). Oxford University Press , Oxford . ISBN 9780198722946

H

Harney, C, Havelka, J, Johnson, J et al. (1 more author) (2022) Lockdown music listening: A mixed methods, multinational study exploring social uses of music listening and anxiety during social distancing in the first wave of COVID-19. Journal of Music, Health, and Wellbeing (Summer, 2022). ISSN 2515-981X

Held, M. orcid.org/0000-0003-0724-2646 and Brown, C. orcid.org/0000-0002-8858-4578 (2022) Early Music, Notation and Performance: an interview with Clive Brown. Per Musi, 42. pp. 1-10. ISSN 1517-7599

Hill, AP, Burland, K orcid.org/0000-0003-0066-0132, King, EC et al. (1 more author) (2020) Perfectionistic self-presentation and emotional experiences in music students: A three-wave longitudinal study. Psychology of Music, 48 (6). pp. 766-776. ISSN 0305-7356

Huelin, T (2022) ‘How the Music was Made’: Television, musicology and BBC Four. Critical Studies in Television: The International Journal of Television Studies, 17 (2). pp. 194-200. ISSN 1749-6020

Huelin, T orcid.org/0000-0001-6173-6132 (2022) Sounding Local? The Use of Music in Original Australian Streaming Productions. In: Samuel, M and Mitchell, L, (eds.) Streaming and Screen Culture in Asia-Pacific. Palgrave Macmillan , Cham, Switzerland , pp. 265-283. ISBN 978-3-031-09373-9

Huelin, T orcid.org/0000-0001-6173-6132 (2022) Soundtracking the City Break: Library Music in Travel Television. Music and the Moving Image, 15 (2). pp. 3-24. ISSN 1940-7610

Huelin, T orcid.org/0000-0001-6173-6132 and Durand, J (2022) Sounds like money? Stock music, television and Donald Trump. European Journal of American Culture, 41 (2). pp. 147-162. ISSN 1466-0407

I

Iddon, M (2017) Bartók after Catastrophe: Reading Bartók through Adorno in the post-war era. International Journal of Musicology, New Series, 3. pp. 179-184. ISSN 0941-9535

Iddon, M (2014) Brian Hulse and Nick Nesbitt (eds.), Sounding the virtual: Gilles Deleuze and the theory and philosophy of music. Music Analysis, 33 (3). 417 - 428. ISSN 0262-5245

Iddon, M (2017) The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward. Ed. by M. J. Grant and Imke Misch. Music and Letters, 97 (4). pp. 667-669. ISSN 0027-4224

Iddon, M (2016) Outsourcing Progress: On Conceptual Music. Tempo, 70 (275). pp. 36-49. ISSN 0040-2982

Iddon, M, Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2019) Disruption and Discipline: Approaches to Performing John Cage's Concert for Piano and Orchestra. Music & Practice, 5. ISSN 1893-9562

Iddon, M orcid.org/0000-0003-4282-4334 (2023) Prometeo: tragedia dell'ascolto by Luigi Nono (review). Notes, 79 (3). pp. 442-447. ISSN 0027-4380

Iddon, M (2020) Still Modern. Darmstädter Beiträge zur Neuen Musik, 25. ISSN 0418-3878 (In Press)

Iddon, M orcid.org/0000-0003-4282-4334 (2022) Things to Make and Do. Contemporary Music Review, 41 (2-3). pp. 254-265. ISSN 0749-4467

Iddon, M. orcid.org/0000-0003-4282-4334 (2023) Darmstadt and its Discontents. In: Grüny, C. and Farnsworth, B., (eds.) New Music and Institutional Critique. Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens . Metzler , Berlin , pp. 69-84. ISBN 978-3-662-67130-6

Iddon, M orcid.org/0000-0003-4282-4334 and McLaughlin, S orcid.org/0000-0001-5869-1869 (2022) Teaching Composition in a Flipped Classroom. Tempo, 76 (302). pp. 71-81. ISSN 0040-2982

Iddon, M orcid.org/0000-0003-4282-4334, Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2022) Performing Indeterminacy. Contemporary Music Review, 41. pp. 127-129. ISSN 0749-4467

Ireland, DI (2017) Great Expectations? The Changing Role of Audiovisual Incongruence in Contemporary Multimedia. Music and the Moving Image, 10 (3 (Fall 2017)). pp. 21-35. ISSN 2167-8464

Ireland, D orcid.org/0000-0002-9603-2538 (2021) Book review - 'Danijela Kulezic-Wilson, Sound Design is the New Score: Theory, Aesthetics, and Erotics of the Integrated Soundtrack (New York: Oxford University Press, 2020), ISBN: 9780190855314 (hb), 9780190855321 (pb)'. Twentieth-Century Music, 18 (1). pp. 153-158. ISSN 1478-5722

Ireland, DI (2015) Deconstructing Incongruence: A Psycho-Semiotic Approach toward Difference in the Film-Music Relationship. Music and the Moving Image, 8 (2). pp. 48-57. ISSN 1940-7610

J

Jago, M (2018) Towards a Spatial Reconsideration of “West Coast” and “East Coast” in Jazz: Hip Hop Parallels and Notions of the Local. Jazz Perspectives, 10 (2-3). pp. 123-140. ISSN 1749-4060

Jago, MS (2014) Dig-It: The Musical Life of Ted Brown. Journal of Jazz Studies, 10 (2). 95 - 118. ISSN 2158-1401

Jago, MS (2015) Jedi Mind Tricks: : Lennie Tristano & Mental Approaches for the Practice of Jazz Improvisation. Jazz Research Journal, 7 (2). pp. 183-202. ISSN 1753-8637

Jago, MS (2013) What is a Jazz Record Anyway? Lennie Tristano and the Use of Extended Studio Techniques in Jazz. Journal of the Art of Record Production (8). ISSN 1754-9892

Jones, E orcid.org/0000-0002-2557-9544 (2021) DIY Music and the Politics of Social Media. Bloomsbury Publishing , New York, NY, USA . ISBN 9781501359637

Jones, E orcid.org/0000-0002-2557-9544 (2021) DIY and Popular Music: Mapping an Ambivalent Relationship across Three Historical Case Studies. Popular Music and Society, 44 (1). pp. 60-78. ISSN 0300-7766

Jones, E orcid.org/0000-0002-2557-9544 and Morris, J (2022) Competing sounds? Podcasting and popular music. The Radio Journal: International Studies in Broadcast and Audio Media, 20 (1). pp. 3-15. ISSN 1476-4504

K

Kallasjoki, H, Gemmeke, JF, Palomäki, KJ et al. (2 more authors) (2014) Recognition of Reverberant Speech by Missing Data Imputation and NMF Feature Enhancement. In: Proceedings of the REVERB Workshop 2014. REVERB Workshop, 10 May 2014, Florence, Italy. REVERB Challenge .

Kelly, E, Mantere, M and Scott, DB orcid.org/0000-0002-5367-6579 (2018) Confronting the national in the musical past. Taylor & Francis . ISBN 9781351975582

Kirby, ML orcid.org/0000-0002-1095-1008 and Burland, K orcid.org/0000-0003-0066-0132 (2022) Exploring the functions of music in the lives of young people on the autism spectrum. Psychology of Music, 50 (2). pp. 562-578. ISSN 0305-7356

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Mooney, JR (2013) Beyond auditive unpleasantness: an exploration of noise in the work of Filthy Turd. In: Goddard, M, Halligan, B and Spelman, N, (eds.) Resonances: Noise and Contemporary Music. Bloomsbury , 312 - 325 (14). ISBN 9781441159373

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Mooney, JR (2014) Hugh Davies’s International Electronic Music Catalog: a preliminary exploration of its classification system and subsequent influence. In: The Royal Musical Association 50th Annual Conference. Royal Musical Association 50th Annual Conference, 04-06 Sep 2014, Leeds University, UK. . (Unpublished)

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Mooney, JR (2013) International Electronic Music Catalog: Hugh Davies and the (ethno)musicology of electronic music. In: Electronic Music Symposium at Anglia Ruskin (EMSAR), 11 May 2013, Cambridge, UK. (Unpublished)

Mooney, JR (2013) Internationalisation and historicisation in Hugh Davies’s international electronic music catalog: a position paper -OR- Hugh Davies: international electronic music champion. In: The Eighth Biennial International Conference on Music Since 1900. Eighth Biennial International Conference on Music Since 1900, 12-15 Sep 2013, Liverpool, UK. . (Unpublished)

Mooney, JR (2014) Les Musiques Electroacoustiques: Construction of a Discipline. In: Kucinskas, D and Kennaway, G, (eds.) Music and Technologies 2. Cambridge Scholars Publishing , 1 - 9 (9). ISBN 1-4438-7074-9

Mooney, JR (2014) Les Musiques Électroacoustiques: construction of a discipline. In: Kučinskas, D and Kennaway, G, (eds.) Music and Technologies 2. 3rd International Conference ‘Music and Technologies’, 15 Nov 2013, Kaunas, Lithuania. Cambridge Scholars Publishing , 1 - 9. ISBN 1-4438-7074-9

Mooney, JR Process in Gentle Fire's group compositions. In: Music and/as Process, 8th Dec 2012, Huddersfield, UK. (Unpublished)

Mooney, JR Stockhausen’s Klavierstücke in Leeds. In: Exploring Theatre and Music ‘Ephemera’ - Centre for the Comparative History of Print (CHOP), 17 May 2013, Leeds, UK. (Unpublished)

Mooney, JR orcid.org/0000-0002-7925-9634 (2016) Technology, Process and Musical Personality in the Music of Stockhausen, Hugh Davies and Gentle Fire. In: Misch, I and Grant, M, (eds.) The Musical Legacy of Karlheinz Stockhausen. Wolke Verlag , Hofheim, Germany , pp. 102-115. ISBN 978-3955930684

Mooney, JR, Moore, A and Moore, D (2004) M2 Diffusion: The Live Diffusion of Sound in Space. In: Proceedings of the International Computer Music Conference 2004. International Computer Music Conference 2004, 01-06 Nov 2004, Miami, Florida, USA. International Computer Music Association .

Mooney, JR and Moore, D Resound: a design-led approach to the problem of live multi-loudspeaker sound spatialisation. In: The Royal Musical Association Conference 2008. Royal Musical Association Conference 2008, 15-18 Jul 2008, Aberdeen, UK. . (Unpublished)

Mooney, JR and Moore, D (2008) Resound: open source sound spatialisation. In: International Computer Music Conference 2008, Belfast, UK, 01 Aug 2008.

Mooney, JR and Moore, D (2008) Resound: open-source live sound spatialisation. In: Proceedings of the International Computer Music Conference 2008. International Computer Music Conference 2008, 01 Aug 2008, Belfast, UK. International Computer Music Association .

Mooney, JR and Moore, D A concept-based system for the live diffusion of sound via multiple loudspeakers. In: Proceedings of the Digital Music Research Network. Digital Music Research Network Conference 2008, 07-08 Jul 2008, Leeds, UK. . (Unpublished)

Mooney, JR, Parkinson, A and Bell, P (2008) Sound spatialisation, free improvisation and ambiguity. In: Proceedings of the SMC Conference 2008. Sound and Music Computing Conference 2008, 01 Jun 2008, Berlin, Germany. Sound and Music Computing .

Mooney, J orcid.org/0000-0002-7925-9634 (2023) Jonathan Impett(ed.), Sound Work: Composition as Critical Technical Practice. Leuven: Leuven University Press, 2021. ISBN: 9789462702585. Organised Sound, 27 (2). 264 -266. ISSN 1355-7718

Mooney, J orcid.org/0000-0002-7925-9634 (2021) Mid-Century Electronic Music: Where are the Instrument Collections? American Musical Instrument Society Newsletter, 49 (2). pp. 4-9. ISSN 2374-362X

Mooney, J orcid.org/0000-0002-7925-9634 (2021) Tape Recorder, Digital Computer, Studio: Reimagining Musical Instrumentality in the Mid-Twentieth Century. In: American Musical Instrument Society Conference (AMIS) 2021, 04-06 Jun 2021, Online.

Mooney, J orcid.org/0000-0002-7925-9634 (2022) What constitutes a valid musical instrument? Historic approaches to instruments and instrumentality in studio-based music creation. In: Proceedings of the Electroacoustic Music Studies Network Conference, Leicester, November 2021. EMS21: Future Directions of Electroacoustic Music Studies, 10-13 Nov 2021, Leicester, UK. Electroacoustic Music Studies Network . ISBN 978-2-9572144-2-6

Mooney, J, Green, O and Williams, S (2022) Instrumental, Hermeneutic, and Ontological Indeterminacy in Hugh Davies’s Live Electronic Music. Contemporary Music Review, 41 (2-3). pp. 193-215. ISSN 0749-4467

Mooney, J and Pinch, TJ (2021) Sonic Imaginaries: How Hugh Davies and David Van Koevering Performed Electronic Music’s Future. In: Hennion, A and Levaux, C, (eds.) Rethinking Music Through Science and Technology Studies. Routledge , London . ISBN 9780367200541

Mooney, JR (2015) Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live-Coding Practice : Four Suggestions. In: Proceedings of the Electroacoustic Music Studies Network Conference. Electroacoustic Music Studies Network, 23-26 Jun 2015, Sheffield. . (Unpublished)

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Morgan, F and Mooney, J orcid.org/0000-0002-7925-9634 (2021) ‘The Same Trade as Mozart’: Convincing the sceptics of electronic music’s value. Journal of Popular Television, 9 (1). pp. 55-77. ISSN 2046-9861

Muir, S (2014) Review of 'Jews, Race and Popular Music' by Jon Stratton. Journal of the Musical Arts in Africa, 11 (1). pp. 136-139. ISSN 2070-626X

Muir, S orcid.org/0000-0002-1622-651X (2013) Hasidism and Mitnagdism in the Russian Empire: the (mis)use of Jewish music in Polish-Lithuanian Russia. Journal of Synagogue Music, 38. pp. 193-212. ISSN 0449-5128

Muir, S orcid.org/0000-0002-1622-651X (2020) Journeys in Jewish Choral Music: Performing the South African archives of Synagogue Composers from the Soviet Union. University of Leeds, https://journeys-in-jewish-choral-music.org.

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Payne, E (2014) Creativity and the social in performance: collaboration, interaction and distribution. In: Royal Musical Association Annual Research Students Conference, 06-08 Jan 2014, Birmingham, UK.

Payne, E (2014) Creativity within constraint? Perspectives on notated performance. In: AHRC Centre for Musical Performance as Creative Practice Performance Studies Network 3rd International Conference, 17-20 Jul 2014, University of Cambridge.

Payne, E orcid.org/0000-0003-2109-8126 (2016) Developing (and disrupting?) skilled practice: the historical basset clarinet in creative collaboration. In: N/A. Performance Studies Network 4th International Conference, 14-17 Jul 2016, Bath Spa University. .

Payne, E (2014) Identity and creative ownership in collaboration: reassessing the composer-performer relationship. In: Identities - An Interdisciplinary Approach, International Graduate Student Conference, 23-25 Oct 2014, Istanbul, Turkey.

Payne, E orcid.org/0000-0003-2109-8126 (2019) Musicians in the Making: Pathways to Creative Performance edited by John Rink, Helena Gaunt, and Aaron Williamon, 2017. New York: Oxford University Press. 408 pp, Hbk, £53.00, ISBN: 9780199346677. British Journal of Music Education, 36 (1). pp. 103-105. ISSN 0265-0517

Payne, E orcid.org/0000-0003-2109-8126 (2016) Negotiating the borders of performance practice: An ecological approach to instrumental interaction in creative collaboration. In: N/A. Performing Knowledge Conference, 25 Apr 2016, Emmanuel College, Cambridge. .

Payne, E orcid.org/0000-0003-2109-8126 (2016) Performing Cage’s Concert for Piano and Orchestra: A creative conundrum? In: N/A. Royal Musical Association Annual Conference, 03-05 Sep 2016, Guildhall School of Music and Drama. .

Payne, E orcid.org/0000-0003-2109-8126 (2017) Recording Paraphrase: a 'social occasion'? In: Clarke, EF and Doffman, M, (eds.) Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Studies in Musical Performance as Creative Practice, 2 . Oxford University Press , New York, NY, USA , pp. 181-183. ISBN 9780199355914

Payne, E orcid.org/0000-0003-2109-8126 (2017) Repurposing the past? The historical basset clarinet in creative collaboration. Contemporary Music Review, 35 (6). pp. 648-669. ISSN 0749-4467

Payne, E orcid.org/0000-0003-2109-8126 (2018) ‘Time management’ in indeterminacy: The conductor as ‘chronometer’ in John Cage’s Concert for Piano and Orchestra. In: N/A. Oxford Conducting Institute International Conducting Studies Conference, 22-24 Jun 2018, University of Oxford. .

Payne, E orcid.org/0000-0003-2109-8126 ‘Time management’ in indeterminacy: The conductor as ‘chronometer’ in John Cage’s Concert for Piano and Orchestra [Invited paper]. In: Utrecht University Colloquia in the Musicologies, 09 May 2019, Utrecht University.

Payne, E (2014) The craft of musical performance: Creativity as skilled practice. In: Royal Geographical Society Annual International Conference, 26-29 Aug 2014, London, UK.

Payne, E orcid.org/0000-0003-2109-8126 (2018) The craft of musical performance: Skilled practice in collaboration. cultural geographies, 25 (1). pp. 107-122. ISSN 1474-4740

Payne, E orcid.org/0000-0003-2109-8126, Iddon, M, Thomas, P et al. (1 more author) (2016) Performing at the limits: John Cage’s Solo for Piano. In: N/A. Performance Studies Network 4th International Conference, 14-17 Jul 2016, Bath Spa University. .

Payne, E orcid.org/0000-0003-2109-8126, Iddon, M, Thomas, P et al. (1 more author) (2017) ‘… a solo or a part in an ensemble, symphony, or concerto’: documenting performer perspectives on John Cage’s Concert for Piano and Orchestra (1957–58). In: N/A. Tracking the Creative Process in Music International conference, 4th edition, 14-16 Sep 2017, University of Huddersfield. .

Payne, E orcid.org/0000-0003-2109-8126 and Schuiling, F (2017) The textility of marking: performers’ annotations as indicators of the creative process in performance. Music and Letters, 98 (3). pp. 438-464. ISSN 0027-4224

Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2018) Ensemble interaction and group dynamics in indeterminate music: A case study of Christian Wolff’s Exercises. In: N/A. Together in Music Conference, 12-14 Apr 2018, National Centre for Early Music, York. .

Payne, EL Creative freedom within constraint? Perspectives on musical performance from the rehearsal room. In: Freedom and Creativity Multidisciplinary Symposium, 28 Nov 2015, Royal Academy of Arts, London. (Unpublished)

Payne, EL orcid.org/0000-0003-2109-8126 (2016) Creativity beyond innovation: Musical performance and craft. Musicae Scientiae, 20 (3). pp. 325-344. ISSN 1029-8649

Payne, EL (2013) 'Engineering' performance: Musicians’ (de)constructions of creativity. In: AHRC Centre for Musical Performance as Creative Practice Performance Studies Network 2nd International Conference, 04-07 Apr 2013, University of Cambridge.

Payne, EL (2015) Historically informed? The creative consequences of period instruments in contemporary compositions. In: Tracking the Creative Process in Music International Conference, 08-10 Oct 2015, Institut de Recherche et de Coordination Acoustique/Musique (IRCAM). (Unpublished)

Payne, EL (2013) Performance as craft: towards a broader understanding of musical creativity. In: Tracking the Creative Process in Music International Conference, 10-13 Oct 2013, Université de Montréal.

Payne, EL (2013) Uncovering the social in the solo: recording Alexander Goehr’s ‘Paraphrase on “Il Combattimento di Tancredi e Clorinda” by Claudio Monteverdi’ for solo clarinet Op. 28. In: Performance in the Studio online conference, 29 Apr - 05 May 2013, http://artofrecordproduction.com.

Payne, EL (2015) Whose role is it anyway? Reassessing the composer-performer relationship in creative collaboration. In: Royal Musical Association Annual Research Students Conference, 08-10 Jan 2015, University of Bristol. (Unpublished)

Payne, EL and Schuiling, F (2015) Notational intimacies: score annotation as creative practice. In: DOES IT MATTER? Composite Bodies and Posthuman Prototypes in Contemporary Performing Arts International Conference, 17-19 Mar 2015, Ghent University. (Unpublished)

Payne, E orcid.org/0000-0003-2109-8126 Ensemble dynamics in indeterminate music: A case study of John Cage’s Concert for Piano and Orchestra [invited paper]. In: The Newland Lecture Series, 29 Nov 2022, Hull.

Payne, E orcid.org/0000-0003-2109-8126 (2022) Grounding the Analysis of Cognitive Processes in Music Performance: Distributed Cognition in Musical Activity by Linda T. Kaastra. Music & Science, 5. pp. 1-5. ISSN 2059-2043

Payne, E orcid.org/0000-0003-2109-8126 (2022) Instrumental Interaction and Subversion in John Cage’s Concert for Piano and Orchestra. Contemporary Music Review. pp. 1-21. ISSN 0749-4467

Payne, E orcid.org/0000-0003-2109-8126 (2021) Time and Ensemble Dynamics in Indeterminacy: John Cage’s Concert for Piano and Orchestra. In: Doffman, M, Payne, E and Young, T, (eds.) The Oxford Handbook of Time in Music. Oxford Handbooks . Oxford University Press , pp. 506-526. ISBN 9780190947279

Payne, E orcid.org/0000-0003-2109-8126 and Burland, K Exploring the processes of the performer-audience dynamic. In: SEMPRE 50th Anniversary Conference, 02-03 Sep 2022, London, UK.

Payne, E orcid.org/0000-0003-2109-8126 and Iddon, M Towards a taxonomy of musical inaction. In: Music beyond fixity and fluidity; preservation and performance as instauration, 12-16 Sep 2022, Leiden, Netherlands.

Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2021) Ensemble interaction in indeterminate music: a case study of Christian Wolff's exercises. In: Timmers, R, Bailes, F and Daffern, H, (eds.) Together in Music: Coordination, Expression, Participation. Oxford University Press . ISBN 9780198860761

Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2020) Getting exercised: ensemble relations in Christian Wolff’s Exercises. In: Adlington, R and Buch, E, (eds.) Finding Democracy in Music. Musical Cultures of the Twentieth Century . Routledge . ISBN 9780367486921

Phillips-Hutton, A orcid.org/0000-0001-9501-9529 (2022) Destroying the Imagined City. Twentieth-Century Music, 19 (2). pp. 227-234. ISSN 1478-5722

Phillips-Hutton, A orcid.org/0000-0001-9501-9529 (2020) Repertoires of remembrance: violence, commemoration and the performing arts. Journal of the British Academy, 8 (s3). pp. 51-71. ISSN 2052-7217

Phillips-Hutton, A orcid.org/0000-0001-9501-9529 (2021) Sonic witnesses: music, testimony, and truth. Ethnomusicology Forum, 30 (2). pp. 266-282. ISSN 1741-1912

Phillips-Hutton, A orcid.org/0000-0001-9501-9529 (2022) Transubstantiating Miserere: James MacMillan’s Compositional Theology. Journal of the Royal Musical Association, 147 (1). pp. 51-76. ISSN 0269-0403

Presicce, G and Bailes, F orcid.org/0000-0003-2723-3579 (2019) Engagement and Visual Imagery in Music Listening: An Exploratory Study. Psychomusicology: Music, Mind and Brain, 29 (2-3). pp. 136-155. ISSN 0275-3987

Pritchard, M (2018) Cultural Autonomy and the Indian Exception: Debating the Aesthetics of Indian Classical Music in Early 20th-Century Calcutta. In: Strohm, R, (ed.) Studies on a global history of music : a Balzan musicology project. SOAS Musicology Series . Routledge , Abingdon, Oxon . ISBN 9781138058835

Pritchard, M orcid.org/0000-0003-3534-0956 (2019) Music in Balance: The Aesthetics of Music after Kant, 1790-1810. Journal of Musicology, 36 (1). pp. 39-67. ISSN 0277-9269

Pritchard, M orcid.org/0000-0003-3534-0956 (2020) The Cambridge History of Music Criticism. Ed. by Christopher Dingle. Music and Letters, 101 (4). pp. 785-788. ISSN 0027-4224

Pritchard, M orcid.org/0000-0003-3534-0956 (2020) Re-Reading Hanslick’s Aesthetics: Die Rezeption Eduard Hanslicks im englischen Sprachraum und ihre diskursiven Grundlagen. British Journal of Aesthetics, 60 (4). pp. 495-501. ISSN 0007-0904

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Sapiro, IP orcid.org/0000-0001-9854-8178 (2016) Do You Hear the People Sing? (Ab)Using Music and Technology in 'Les Miserables' (2012). In: Music and the Moving Image XI, 27-29 May 2016, New York.

Schiller, D. orcid.org/0000-0002-0357-7724, Yu, A.N.C., Alia-Klein, N. et al. (173 more authors) (2024) The Human Affectome. Neuroscience & Biobehavioral Reviews, 158. 105450. ISSN 0149-7634

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Scott, DB orcid.org/0000-0002-5367-6579 (2014) Comic Style and Character Psychology in the Music of Arthur Sullivan. In: Heikkinen, O, Kilpiö, K, Mantere, M, Rantanen, S, Leena, S, Tolvanen, H and Uimonen, H, (eds.) Valistus on viritetty: Esseitä musiikista, huvittelusta ja historiasta. Sibelius-Akatemian julkaisuja . Taideyliopiston Sibelius-Akatemia , Helsinki , pp. 203-217. ISBN 978-952-5959-85-7

Scott, DB orcid.org/0000-0002-5367-6579 (2018) Cosmopolitan musicology. In: Kelly, E, Mantere, M and Scott, D, (eds.) Confronting the National in the Musical Past. Taylor & Francis , pp. 17-30. ISBN 978-1-138-28742-6

Scott, DB orcid.org/0000-0002-5367-6579 (2016) Early 20th-Century Operetta from the German Stage: A Cosmopolitan Genre. The Musical Quarterly, 99 (2). pp. 254-279. ISSN 0027-4631

Scott, DB orcid.org/0000-0002-5367-6579 (2019) German Operetta on Broadway and in the West End, 1900–1940. Cambridge University Press . ISBN 9781108614306

Scott, DB orcid.org/0000-0002-5367-6579 (2014) German operetta in the West End and on Broadway. In: Platt, L, Becker, T and Linton, D, (eds.) Popular Musical Theatre in London and Berlin 1890 to 1939. Cambridge University Press , Cambridge , pp. 62-80. ISBN 9781107051003

Scott, DB (2015) 'I changed my Olga for the Britney': Occidentalism, Auto-Orientalism, and Global Fusion in Music. In: Kurkela,, V and Mantere,, M, (eds.) Critical Music Historiography: Probing Canons, Ideologies and Institutions. Ashgate , Farnham , pp. 141-158. ISBN 978-1-4724-1419-9

Scott, DB (2013) Imagining the Balkans, Imagining Europe: Balkan Entries in the Eurovision Song Contest. In: Pennanen, RP, Poulos, PC and Theodosiou, A, (eds.) Ottoman Intimacies, Balkan Musical Realities. Papers and Monographs of the Finnish Institute at Athens . Finnish Institute at Athens , Helsinki , pp. 125-135. ISBN 978-952-67211-5-6

Scott, DB orcid.org/0000-0002-5367-6579 (2013) Irish Nationalism, British Imperialism, and Popular Song. In: Fairclough, P, (ed.) Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Routledge , Abingdon, Oxon , pp. 231-248. ISBN 978-1-4094-0026-4

Scott, DB orcid.org/0000-0002-5367-6579 (2019) Music Hall: Regulations and Behaviour in a British Cultural Institution. Музикологија/Musicology (26). pp. 61-74. ISSN 1450-9814

Scott, DB (2014) Musical Theatre(s). In: Greenwald, HM, (ed.) The Oxford Handbook of Opera. Oxford Handbooks in Music . Oxford University Press , New York , pp. 53-72. ISBN 9780195335538

Scott, DB orcid.org/0000-0002-5367-6579 (2016) Policing the Boundaries of Art and Entertainment. In: Hörner, F, (ed.) Kulturkritik und das Populäre in der Musik. Populäre Kultur und Musik, 18 . Waxmann-Verlag , Münster , pp. 53-63. ISBN 9783830933618

Scott, DB orcid.org/0000-0002-5367-6579 (2013) Review of Daniel M. Grimley, ed., Jean Sibelius and His World. Music and Letters, 94 (2). pp. 352-354.

Scott, DB orcid.org/0000-0002-5367-6579 (2013) Review of The Life and Music of Eric Coates, by M. Payne (Ashgate, 2012). NABMSA Newsletter (Spring). pp. 6-7.

Scott, DB orcid.org/0000-0002-5367-6579 (2017) The US Presidential Campaign Songster, 1840–1900. In: Watt, P, Scott, DB and Spedding, P, (eds.) Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster. Cambridge University Press , Cambridge, UK , pp. 73-90. ISBN 9781107159914

Scott, DB orcid.org/0000-0002-5367-6579, Kelly, E and Mantere, M (2018) Introduction. In: Kelly, E, Mantere, M and Scott, D, (eds.) Confronting the National in the Musical Past. Taylor & Francis , pp. 1-14. ISBN 9781351975582

Scott McLaughlin, Zubin Kanga and Mira Benjamin (2021) Composing Technique, Performing Technique. Journal for Artistic Research (23). ISSN 2235-0225

Scott, DB orcid.org/0000-0002-5367-6579 (2020) The British Dandy on the Popular Musical Stage (1867–1915). In: Hansen, KA, Askerøi, E and Jarmen, F, (eds.) Popular Musicology and Identity: Essays in Honour of Stan Hawkins. Routledge , London, UK . ISBN 9781138322882

Scott, DB orcid.org/0000-0002-5367-6579 (2021) The production, reception and cultural transfer of operetta on early sound film. In: Santi, M and Berner, E, (eds.) Music - Media - History: Re-Thinking Musicology in an Age of Digital Media. Transcript Verlag , pp. 169-182. ISBN 9783837651454

Spencer, M (2014) James Dillon: string quartets as a complex causal network. Contemporary Music Review, 33 (3). 244 - 265. ISSN 0749-4467

Stefani, E and Mooney, J (2009) Spatial composition in the multi-channel domain: aesthetics and techniques. In: Proceedings of the International Computer Music Conference 2009. International Computer Music Conference, 16-19 Aug 2009, Montreal, Canada. International Computer Music Association .

Stefani, EJ orcid.org/0000-0003-0194-5463 (2018) The Court of Miracles. In: Le Ballet de la Nuit - First Watch - The Courst of Miracles (3).

Swithinbank, C orcid.org/0000-0002-4481-8977 (2018) Who vibrates? CR: The New Centennial Review, 18 (2). pp. 141-164. ISSN 1532-687X

T

Thomas, P, Iddon, M, Melen, C et al. (1 more author) Documentary and digital approaches to performing John Cage’s Concert for Piano and Orchestra. In: Performance Studies Network 5th International Conference, 05-08 Jul 2018, Norwegian Academy of Music, Oslo.

Thomas, P and Payne, E orcid.org/0000-0003-2109-8126 (2017) Getting exercised: Ensemble relations in Christian Wolff’s Exercises. In: Finding Democracy in Music Conference, 04-05 Sep 2017, University of Huddersfield.

Thomas, P and Payne, E orcid.org/0000-0003-2109-8126 (2020) “We also like to be surprised”: Disruption, provocation and surprise in the music of Christian Wolff. Circuit: Musiques contemporaines, 30 (2). pp. 27-45. ISSN 1183-1693

Thurley, O orcid.org/0000-0001-8510-8800 (2015) Disappearing Sounds: Fragility in the music of Jakob Ullmann. Tempo, 69 (274). pp. 5-21. ISSN 0040-2982

Thurley, O orcid.org/0000-0001-8510-8800 (2017) Rebuilding Babel: On Fragility and The Palimpsest in Jakob Ullmann’s voice, books and FIRE. Tempo, 71 (282). pp. 54-78. ISSN 0040-2982

Thurley, O orcid.org/0000-0001-8510-8800 (2019) Éliane Radigue - Éliane Radigue, Oeuvres Électroniques. INA-GRM: INA 6060/74. Tempo, 73 (289). pp. 74-77. ISSN 0040-2982

Thurley, OWM orcid.org/0000-0001-8510-8800 (2018) Apartment House: Wolff, Cage, ‘Performing Indeterminacy’, University of Leeds, 1 July 2017. Tempo, 72 (283). pp. 90-92. ISSN 0040-2982

U

Ulor, M, Bailes, F orcid.org/0000-0003-2723-3579 and O'Connor, DB orcid.org/0000-0003-4117-4093 (2022) An investigation into the relationship between musical imagery and anxiety. Imagination, Cognition and Personality, 42 (1). pp. 5-23. ISSN 0276-2366

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Venn, E (2013) Maw, (John) Nicholas (1935–2009). In: Oxford Dictionary of National Biography. Oxford University Press . ISBN 9780198614111

Venn, E (2013) Review: Robert Saxton: Caritas by Wyndham Thomas (Aldershot: Ashgate, 2012). CHOMBEC News, 15. pp. 12-14. ISSN 1751-3308

Venn, E (2013) Thomas Adès and the pianto. In: Panos, N, Lympouridis, V, Athanasopoulos, G and Nelson, P, (eds.) Proceedings. International Conference on Music Semiotics: In Memory of Raymond Monelle, 26-28 Oct 2012, University of Edinburgh. International Project on Music and Dance Semiotics (IPMDS) , pp. 309-317. ISBN 978-0-9576548-0-8

Venn, EJ (2014) BBC Proms 2013: David Matthews and Thomas Adès. Tempo, 68 (267). 59 - 61. ISSN 0040-2982

Venn, EJ (2015) Bedford, David Vickerman (1937-2011). In: Oxford Dictionary of National Biography. Oxford Dictionary of National Biography . Oxford University Press .

Venn, EJ (2014) Book Review: The legacy of Cornelius Cardew. Tempo, 68 (267). 88 - 90. ISSN 0040-2982

Venn, EJ (2010) Music Performance Tuition in Higher Education - Student Expectations. Research Report.

Venn, EJ orcid.org/0000-0002-5146-9568 (2017) Myth and Narrative in '3 for Icarus'. In: Charlton, D, (ed.) The Music of Simon Holt. Boydell Press , Woodbridge , pp. 80-103. ISBN 9781783272235

Venn, EJ (2013) Review: 'Harrison Birtwistle's Operas and Music Theatre', by David Beard. Tempo, 67 (266). 93 - 94. ISSN 0040-2982

Venn, EJ (2006) Review: [Adès, ‘Court Studies’ and others] ‘London, Royal College of Music’. Tempo, 60 (235). pp. 80-81. ISSN 0040-2982

Venn, EJ (2006) Review: ‘Maxwell Davies compilation CDs and ‘Naxos’ Quartets’. Tempo, 60 (237). pp. 70-71. ISSN 0040-2982

Venn, EJ (2014) Robert Fokkens. Tempo, 68 (269). 82 - 83. ISSN 0040-2982

Venn, EJ orcid.org/0000-0002-5146-9568 (2017) Thomas Ades's 'The Exterminating Angel'. Tempo, 71 (280). pp. 21-46. ISSN 0040-2982

Venn, EJ orcid.org/0000-0002-5146-9568 (2015) Thomas Adès and the Spectres of Brahms. Journal of the Royal Musical Association, 140 (1). pp. 163-212. ISSN 0269-0403

Venn, EJ (2014) Thomas Adès's 'Freaky, Funky Rave'. Music Analysis, 33 (1). 65 - 98. ISSN 0262-5245

Venn, EJ orcid.org/0000-0002-5146-9568 (2017) Thomas Adès, The Exterminating Angel, Haus für Mozart, Salzburg. Tempo, 71 (280). pp. 82-83. ISSN 0040-2982

Venn, E orcid.org/0000-0002-5146-9568 (2021) Adès and Sonata Forms. Tempo, 75 (298). pp. 20-40. ISSN 0040-2982

Venn, E orcid.org/0000-0002-5146-9568 (2019) Evaluating Student Engagement with Digital Resources. In: Exploring New Fields through the Scholarship of Teaching and Learning. EuroSoTL 2019, 13-14 Jun 2019, Bibao, Spain. Universidad Del Pais Vasco , pp. 989-993. ISBN 978-84-1319-033-4

Venn, E orcid.org/0000-0002-5146-9568 (2021) Music, Metaphor and Modernism: Barrie Gavin’s Composer Portraits. Journal of Popular Television, 9 (1). pp. 29-54. ISSN 2046-9861

Venn, E orcid.org/0000-0002-5146-9568 (2019) Review of Online Learning in Music: Foundations, Frameworks and Practices by Judith Bowman (OUP). British Journal of Music Education, 36 (2). p. 213. ISSN 0265-0517

Venn, E orcid.org/0000-0002-5146-9568 (2022) Review of The Music of Peter Maxwell Davies by Nicholas Jones and Richard McGregor. Music and Letters, 102 (1). pp. 179-182. ISSN 0027-4224

Venn, E orcid.org/0000-0002-5146-9568 (2022) Review: Thomas Adès in Five Essays by Drew Massey. Music and Letters, 103 (2). pp. 386-389. ISSN 0027-4224

Venn, E orcid.org/0000-0002-5146-9568 (2021) Thomas Adès at Fifty: Representations on the Stage and on the Page. Tempo, 75 (298). pp. 6-9. ISSN 0040-2982

Venn, E orcid.org/0000-0002-5146-9568 and McAuley, A (2022) Narrating the Uncanny: The Music of Les Revenants. Music and the Moving Image, 15 (2). pp. 25-43. ISSN 1940-7610

Venn, E orcid.org/0000-0002-5146-9568, Park, J orcid.org/0000-0002-6957-3208, Andersen, LP et al. (1 more author) (2020) How do learning technologies impact on undergraduates’ emotional and cognitive engagement with their learning? Teaching in Higher Education. pp. 1-18. ISSN 1356-2517

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White, B (2007) Music for a brave livlylike boy: the Duke of Gloucester, Purcell and The 'Noise of Foreign Wars'. The Musical Times, 148 (1901). 75 - 83. ISSN 0027-4666

White, B (2010) ‘“Studying a little of the French Air”: Louis Grabu’s Albion and Albanius and the dramatic operas of Henry Purcell’. In: Brown, C, Cooper, D and Cowgill, R, (eds.) Art and ideology in European opera: essays in honour of Julian Rushton. Boydell Press , 12 - 39 (28). ISBN 1843835673

White, B orcid.org/0000-0002-9011-5578 (2021) Anthems and Politics in the Restoration Chapel Royal. Music and Letters. gcab025. ISSN 0027-4224

White, B orcid.org/0000-0002-9011-5578 (2022) Dr Cooke's Protest: Benjamin Cooke, Samuel Arnold and the Directorship of the Academy of Ancient Music. Journal of the Royal Musical Association. ISSN 0269-0403 (In Press)

White, B orcid.org/0000-0002-9011-5578 (2021) John Blow: Two Anthems from 1688: O Lord, thou art my God and Blessed be the Lord my strength (WLSCM no. 38). UNSPECIFIED. Society for Seventeenth-Century Music

White, B orcid.org/0000-0002-9011-5578 (2023) John Eccles. Incidental Music. Part 2 Plays H–P. Edited by Estelle Murphy. Middleton, WI: A-R Editions. 2021. xxiii + 449 pp. $430 (pb). ISBN 978-1-9872-0626-5. Journal for Eighteenth-Century Studies, 46 (1). pp. 170-171. ISSN 1754-0194

White, B orcid.org/0000-0002-9011-5578 (2021) St Cecilia: More than all the Muses Skill'd. Royal School of Church Music.

Windsor, WL (2011) Gestures in music making: action, information and perception. In: Gritten, A and King, E, (eds.) New Perspectives on Music and Gesture. SEMPRE Studies in The Psychology of Music . Ashgate , Farnham, Surrey , 45 - 66 (21). ISBN 0754664627

Windsor, WL orcid.org/0000-0001-6291-3057 (2017) Instruments, voices, bodies and spaces: towards an ecology of performance. In: Wöllner, C, (ed.) Body, Sound and Space in Music and Beyond: Multimodal Explorations. SEMPRE Studies in The Psychology of Music . Routledge , Oxford . ISBN 978-1-4724-8540-3

Windsor, WL orcid.org/0000-0001-6291-3057 (2015) Nature and Culture, Noise and Music: Perception and Action. In: Allen, AS and Dawe, K, (eds.) Current Directions in Ecomusicology: Music, Culture, Nature. Routledge Research in Music . Routledge , London , pp. 165-175. ISBN 978-1-138-80458-6

Windsor, WL and de Bézenac, C (2012) Music and affordances. Musicae Scientiae, 16 (1). 102 - 120 . ISSN 1029-8649

Windsor, WL orcid.org/0000-0001-6291-3057 (2019) Music in Detention and Interrogation: The Musical Ecology of Fear. In: Grimshaw-Aagaard, M, Walther-Hansen, M and Knakkergaard, M, (eds.) The Oxford Handbook of Sound and Imagination, Volume 2. Oxford handbooks . Oxford University Press , New York, USA , pp. 281-300. ISBN 9780190460242

Woodward, S and Greasley, A (2017) Personal collections as material assemblages: a comparison of wardrobes and music collections. Journal of Consumer Culture, 17 (3). pp. 659-676. ISSN 1469-5405

This list was generated on Tue Mar 19 04:07:49 2024 GMT.