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Number of items at this level: 68.


Allis, MJ (2014) 'Bantock and Southey: musical otherness and fatalism in Thalaba the Destroyer'. Music and Letters, 95 (1). 39 - 69 (31). ISSN 0027-4224

Allis, MJ (2014) The Diva and the Beast: Susan Strong and the Wagnerism of Aleister Crowley. Forum for Modern Language Studies. ISSN 1471-6860

Allis, MJ (2008) Richter's Wagner: a new source for tempi in Das Rheingold. Cambridge Opera Journal, 20 (2). 117 - 147. ISSN 0954-5867

Allis, MJ (2013) Temporaries and Eternals: the music criticism of Aldous Huxley, 1922-23. Cambridge Scholars Publishing . ISBN 1-4438-4217-6

Allis, MJ (2014) 'Wagner and Literature: New Directions' (special issue of Forum for Modern Language Studies volume 50 issue 4). Forum for Modern Language Studies, 50 (4). 371 - 510 (139). ISSN 0015-8518

Allis, MJ (2014) 'Wagner and Literature: New Directions: Introduction'. Forum for Modern Language Studies. ISSN 0015-8518

Allis, MJ "A canvas of endless extent": Granville Bantock, Robert Southey and the curse of Kehama project. European Romantic Review. ISSN 1050-9585 (In Press)

Anderson, L (2015) Musique concrète, French New Wave cinema, and Jean Cocteau's 'Le Testament d'Orphée' (1960). Twentieth-Century Music, 12 (2). 197 - 224. ISSN 1478-5722


Bailey, N. and Cooper, D. (2000) Perceptually smooth timbral guides by state-space analysis of phase-vocoder parameters. Computer Music Journal, 24 (1). pp. 32-42. ISSN 0148-9267

Burland, K and Windsor, WL (2014) Moving the gong: exploring the contexts of improvisation and composition. In: Burland, K and Pitts, S, (eds.) Coughing and Clapping: Investigating Audience Experience. Ashgate , 101 - 114. ISBN 978-1-4094-6981-0


Greasley, AE and Lamont, A (2015) Musical Preferences. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology (Second Edition). Oxford University Press . ISBN 9780198722946 (In Press)


Iddon, M (2014) Brian Hulse and Nick Nesbitt (eds.), Sounding the virtual: Gilles Deleuze and the theory and philosophy of music. Music Analysis, 33 (3). 417 - 428. ISSN 0262-5245

Iddon, M (2016) Outsourcing Progress: On Conceptual Music. Tempo, 70 (275). ISSN 0040-2982 (In Press)


Jago, MS (2014) Dig-It: The Musical Life of Ted Brown. Journal of Jazz Studies, 10 (2). 95 - 118. ISSN 2158-1401

Jago, MS (2015) Jedi Mind Tricks: : Lennie Tristano & Mental Approaches for the Practice of Jazz Improvisation. Jazz Research Journal, 7 (2). 183 - 202. ISSN 1753-8637


Lamont, A and Greasley, AE (2009) Musical preferences. In: Hallam, S, Cross, I and Thaut, M, (eds.) Oxford Handbook of Music Psychology. Oxford Handbooks . Oxford University Press , 160 - 168. ISBN 9780199298457

Lamont, A, Greasley, AE and Sloboda, JA (2015) Choosing to hear music: motivation, process, and effect. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology. Oxford University Press . (In Press)


Mc Laughlin, S (2011) Dynamical Systems, Mimesis, and Analogy in Experimental Music. Chaotic Modeling and Simulation, 1. 127 - 137. ISSN 2241-0503

Messina, M (2012) I supikkjarìi. University of York Music Press .

Messina, M (2014) Music in the Western Mediterranean: Thoughts on the opening day of the first AVAMUS congress. Síneris. Revista de Musicología, 19 (18). ISSN 2254-3643

Messina, M (2013) U mpastu. M.A.P Editions.

Messina, M and Casale, E (2014) Interview with Emanuele Casale. Síneris. Revista de Musicología (16). ISSN 2254-3643

Mooney, JR (2013) Beyond auditive unpleasantness: an exploration of noise in the work of Filthy Turd. In: Goddard, M, Halligan, B and Spelman, N, (eds.) Resonances: Noise and Contemporary Music. Bloomsbury , 312 - 325 (14). ISBN 9781441159373

Mooney, JR (2010) Frameworks & affordances: understanding the tools of music-making. Journal of Music, Technology and Education, 3 (2-3). 141 - 154 (13). ISSN 1752-7066

Mooney, JR (2014) Hugh Davies's Electronic Music Documentation 1961–8. In: EMS14 - Electroacoustic Music Beyond Concert Performance - Berlin. Electroacoustic Music Studies (EMS) Network conference 2014, 10-14 June 2014, Berlin. Electroacoustic Music Studies Network (EMS) .

Mooney, JR (2015) Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live Coding Practice: Some Historic Precedents and Similarities. In: McLean, A, Magnusson, T, Ng, K, Knotts, S and Armitage, J, (eds.) Proceedings of the First International Conference on Live Coding. International Conference on Live Coding, 13-15 Jul 2015, Leeds, UK. ICSRiM , 53 - 62. ISBN 9780853163404

Mooney, JR (2015) Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live-Coding Practice : Four Suggestions. In: Proceedings of the Electroacoustic Music Studies Network Conference. Electroacoustic Music Studies Network, 23-26 Jun 2015, Sheffield. . (In Press)

Mooney, JR (2015) Hugh Davies’s Electronic Music Documentation 1961–1968. Organised Sound: an international journal of music and technology, 20 (1). 111 - 121 (10).

Mooney, JR (2014) Hugh Davies’s International Electronic Music Catalog: a preliminary exploration of its classification system and subsequent influence. In: The Royal Musical Association 50th Annual Conference. Royal Musical Association 50th Annual Conference, 04 - 06 Sep 2014, Leeds University, UK. . (Unpublished)

Mooney, JR (2015) Hugh Davies’s Self-Built Instruments and their relation to Present-Day Electronic and Digital Instrument-Building Practices: Towards Common Themes. In: UNSPECIFIED International Festival for Innovations in Music Production and Composition (IFIMPAC), 12-13 March 2015, Leeds College of Music. .

Mooney, JR (2013) International Electronic Music Catalog: Hugh Davies and the (ethno)musicology of electronic music. In: Electronic Music Symposium at Anglia Ruskin (EMSAR), 11 May 2013, Cambridge, UK. (Unpublished)

Mooney, JR (2013) Internationalisation and historicisation in Hugh Davies’s international electronic music catalog: a position paper -OR- Hugh Davies: international electronic music champion. In: The Eighth Biennial International Conference on Music Since 1900. Eighth Biennial International Conference on Music Since 1900, 12 - 15 Sep 2013, Liverpool, UK. . (Unpublished)

Mooney, JR (2014) Les Musiques Electroacoustiques: Construction of a Discipline. In: Kucinskas, D and Kennaway, G, (eds.) Music and Technologies 2. Cambridge Scholars Publishing , 1 - 9 (9). ISBN 1-4438-7074-9

Mooney, JR (2014) Les Musiques Électroacoustiques: construction of a discipline. In: Kučinskas, D and Kennaway, G, (eds.) Music and Technologies 2. 3rd International Conference ‘Music and Technologies’, 15 Nov 2013, Kaunas, Lithuania. Cambridge Scholars Publishing , 1 - 9. ISBN 1-4438-7074-9

Mooney, JR Process in Gentle Fire's group compositions. In: Music and/as Process, 8th Dec 2012, Huddersfield, UK. (Unpublished)

Mooney, JR Stockhausen’s Klavierstücke in Leeds. In: Exploring Theatre and Music ‘Ephemera’ - Centre for the Comparative History of Print (CHOP), 17 May 2013, Leeds, UK. (Unpublished)

Mooney, JR Technology, Process and Musical Personality in the Music of Stockhausen, Hugh Davies and Gentle Fire. In: Misch, I and Grant, M, (eds.) The Musical Legacy of Karlheinz Stockhausen. Pfau-Verlag . (In Press)

Mooney, JR, Moore, A and Moore, D (2004) M2 Diffusion: The Live Diffusion of Sound in Space. In: Proceedings of the International Computer Music Conference 2004. International Computer Music Conference 2004, 01 - 06 Nov 2004, Miami, Florida, USA. International Computer Music Association .

Mooney, JR and Moore, D Resound: a design-led approach to the problem of live multi-loudspeaker sound spatialisation. In: The Royal Musical Association Conference 2008. Royal Musical Association Conference 2008, 15 - 18 July 2008, Aberdeen, UK. . (Unpublished)

Mooney, JR and Moore, D (2008) Resound: open source sound spatialisation. In: International Computer Music Conference 2008, Belfast, UK, 01 Aug 2008.

Mooney, JR and Moore, D (2008) Resound: open-source live sound spatialisation. In: Proceedings of the International Computer Music Conference 2008. International Computer Music Conference 2008, 01 Aug 2008, Belfast, UK. International Computer Music Association .

Mooney, JR and Moore, D A concept-based system for the live diffusion of sound via multiple loudspeakers. In: Proceedings of the Digital Music Research Network. Digital Music Research Network Conference 2008, 07 - 08 Jul 2008, Leeds, UK. . (Unpublished)

Mooney, JR, Parkinson, A and Bell, P (2008) Sound spatialisation, free improvisation and ambiguity. In: Proceedings of the SMC Conference 2008. Sound and Music Computing Conference 2008, 01 Jun 2008, Berlin, Germany. Sound and Music Computing .

Muir, S (2013) From the shtetl to the Gardens and beyond: identity and symbolic geography in Cape Town’s synagogue choirs. In: Kruger, S and Trandafoiu, R, (eds.) The Globalization of Musics in Transit: Musical Migration and Tourism. Routledge Research in Ethnomusicology . Routledge , 209 - 229. ISBN 978-0-415-64007-7 (In Press)

Muir, S (2013) Hasidism and Mitnagdism in the Russian Empire: the (mis)use of Jewish music in Polish-Lithuanian Russia. Journal of Synagogue Music, 38. 193 - 212. ISSN 0449-5128

Muir, S (2014) Review of 'Jews, Race and Popular Music' by Jon Stratton. Journal of the Musical Arts in Africa, 11. ISSN 2070-626X (In Press)


Ng, K. (2002) Sensing and mapping for interactive performance. Organised Sound, 7 (2). pp. 191-200. ISSN 1355-7718

Ng, KC, Padilla, V, Marsden, A and McLean, A (2014) Improving OMR for digital music libraries with multiple recognisers and multiple sources. In: Proceedings of DLfM 2014. DLfM 2014: 1st International Workshop on Digital Libraries for Musicology, 12 Sep 2014, London, UK. ACM International Conference Proceedings Series, ACM Press , 49 - 56.


Payne, EL Creative freedom within constraint? Perspectives on musical performance from the rehearsal room. In: Freedom and Creativity Multidisciplinary Symposium, 28 Nov 2015, Royal Academy of Arts, London. (Unpublished)

Payne, EL (2015) Historically informed? The creative consequences of period instruments in contemporary compositions. In: Tracking the Creative Process in Music International Conference, 08-10 Oct 2015, Institut de Recherche et de Coordination Acoustique/Musique (IRCAM). (Unpublished)

Payne, EL (2015) Whose role is it anyway? Reassessing the composer-performer relationship in creative collaboration. In: Royal Musical Association Annual Research Students Conference, 08-10 Jan 2015, University of Bristol. (Unpublished)

Payne, EL and Schuiling, F (2015) Notational intimacies: score annotation as creative practice. In: DOES IT MATTER? Composite Bodies and Posthuman Prototypes in Contemporary Performing Arts International Conference, 17-19 Mar 2015, Ghent University. (Unpublished)


Spencer, M (2014) James Dillon: string quartets as a complex causal network. Contemporary Music Review, 33 (3). 244 - 265. ISSN 0749-4467

Stefani, E and Mooney, J (2009) Spatial composition in the multi-channel domain: aesthetics and techniques. In: Proceedings of the International Computer Music Conference 2009. International Computer Music Conference, 16-19 Aug 2009, Montreal, Canada. International Computer Music Association .


Venn, EJ (2014) BBC Proms 2013: David Matthews and Thomas Adès. Tempo, 68 (267). 59 - 61. ISSN 0040-2982

Venn, EJ (2015) Bedford, David Vickerman (1937-2011). In: Oxford Dictionary of National Biography. Oxford Dictionary of National Biography . Oxford University Press .

Venn, EJ (2014) Book Review: The legacy of Cornelius Cardew. Tempo, 68 (267). 88 - 90. ISSN 0040-2982

Venn, EJ (2010) Music Performance Tuition in Higher Education - Student Expectations. Research Report.

Venn, EJ (2013) Review: 'Harrison Birtwistle's Operas and Music Theatre', by David Beard. Tempo, 67 (266). 93 - 94. ISSN 0040-2982

Venn, EJ (2014) Robert Fokkens. Tempo, 68 (269). 82 - 83. ISSN 0040-2982

Venn, EJ (2015) Thomas Adès and the Spectres of Brahms. Journal of the Royal Musical Association, 140 (1). 163 - 212. ISSN 0269-0403

Venn, EJ (2014) Thomas Adès's 'Freaky, Funky Rave'. Music Analysis, 33 (1). 65 - 98. ISSN 0262-5245


White, B (2007) Music for a brave livlylike boy: the Duke of Gloucester, Purcell and The 'Noise of Foreign Wars'. The Musical Times, 148 (1901). 75 - 83. ISSN 0027-4666

White, B (2010) ‘“Studying a little of the French Air”: Louis Grabu’s Albion and Albanius and the dramatic operas of Henry Purcell’. In: Brown, C, Cooper, D and Cowgill, R, (eds.) Art and ideology in European opera: essays in honour of Julian Rushton. Boydell Press , 12 - 39 (28). ISBN 1843835673

Windsor, WL (2011) Gestures in music making: action, information and perception. In: Gritten, A and King, E, (eds.) New Perspectives on Music and Gesture. SEMPRE Studies in The Psychology of Music . Ashgate , Farnham, Surrey , 45 - 66 (21). ISBN 0754664627

Windsor, WL (2015) Nature and Culture, Noise and Music: Perception and Action. In: Allen, AS, and Dawe, K, (eds.) Current Directions in Ecomusicology: Music, Culture, Nature. Routledge Research in Music . Routledge , 165 - 175. ISBN 1138804584

Windsor, WL and de Bézenac, C (2012) Music and affordances. Musicae Scientiae, 16 (1). 102 - 120 . ISSN 1029-8649

Woodward, S and Greasley, AE (2015) Personal collections as material assemblages: a comparison of wardrobes and music collections. Journal of Consumer Culture. ISSN 1469-5405 (In Press)

This list was generated on Fri Nov 27 15:10:14 2015 GMT.