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Number of items at this level: 39.

A

Allis, MJ (2014) 'Bantock and Southey: musical otherness and fatalism in Thalaba the Destroyer'. Music and Letters, 95 (1). 39 - 69 (31). ISSN 0027-4224

Allis, MJ (2014) The Diva and the Beast: Susan Strong and the Wagnerism of Aleister Crowley. Forum for Modern Language Studies. ISSN 1471-6860

Allis, MJ (2008) Richter's Wagner: a new source for tempi in Das Rheingold. Cambridge Opera Journal, 20 (2). 117 - 147. ISSN 0954-5867

Allis, MJ (2013) Temporaries and Eternals: the music criticism of Aldous Huxley, 1922-23. Cambridge Scholars Publishing . ISBN 1-4438-4217-6

Allis, MJ (2014) 'Wagner and Literature: New Directions' (special issue of Forum for Modern Language Studies volume 50 issue 4). Forum for Modern Language Studies, 50 (4). 371 - 510 (139). ISSN 0015-8518

Allis, MJ (2014) 'Wagner and Literature: New Directions: Introduction'. Forum for Modern Language Studies. ISSN 0015-8518

B

Bailey, N. and Cooper, D. (2000) Perceptually smooth timbral guides by state-space analysis of phase-vocoder parameters. Computer Music Journal, 24 (1). pp. 32-42. ISSN 0148-9267

Burland, K and Windsor, WL (2014) Moving the gong: exploring the contexts of improvisation and composition. In: Burland, K and Pitts, S, (eds.) Coughing and Clapping: Investigating Audience Experience. Ashgate , 101 - 114. ISBN 978-1-4094-6981-0

I

Iddon, M (2014) Brian Hulse and Nick Nesbitt (eds.), Sounding the virtual: Gilles Deleuze and the theory and philosophy of music. Music Analysis, 33 (3). 417 - 428. ISSN 0262-5245

M

Messina, M (2012) I supikkjarìi. University of York Music Press .

Messina, M (2014) Music in the Western Mediterranean: Thoughts on the opening day of the first AVAMUS congress. Síneris. Revista de Musicología, 19 (18). ISSN 2254-3643

Messina, M (2013) U mpastu. M.A.P Editions.

Messina, M and Casale, E (2014) Interview with Emanuele Casale. Síneris. Revista de Musicología (16). ISSN 2254-3643

Mooney, JR (2013) Beyond auditive unpleasantness: an exploration of noise in the work of Filthy Turd. In: Goddard, M, Halligan, B and Spelman, N, (eds.) Resonances: Noise and Contemporary Music. Bloomsbury , 312 - 325 (14). ISBN 9781441159373

Mooney, JR (2010) Frameworks & affordances: understanding the tools of music-making. Journal of Music, Technology and Education, 3 (2-3). 141 - 154 (13). ISSN 1752-7066

Mooney, JR (2014) Hugh Davies's Electronic Music Documentation 1961–8. In: EMS14 - Electroacoustic Music Beyond Concert Performance - Berlin. Electroacoustic Music Studies (EMS) Network conference 2014, 10-14 June 2014, Berlin. Electroacoustic Music Studies Network (EMS) .

Mooney, JR (2015) Hugh Davies’s Electronic Music Documentation 1961–8. Organised Sound: an international journal of music and technology, 20 (1). (In Press)

Mooney, JR (2014) Hugh Davies’s International Electronic Music Catalog: a preliminary exploration of its classification system and subsequent influence. In: The Royal Musical Association 50th Annual Conference. Royal Musical Association 50th Annual Conference, 04 - 06 Sep 2014, Leeds University, UK. . (Unpublished)

Mooney, JR (2013) International Electronic Music Catalog: Hugh Davies and the (ethno)musicology of electronic music. In: The Electronic Music Symposium at Anglia Ruskin (EMSAR). Electronic Music Symposium at Anglia Ruskin (EMSAR), 11 May 2013, Cambridge, UK. . (Unpublished)

Mooney, JR (2013) Internationalisation and historicisation in Hugh Davies’s international electronic music catalog: a position paper -OR- Hugh Davies: international electronic music champion. In: The Eighth Biennial International Conference on Music Since 1900. Eighth Biennial International Conference on Music Since 1900, 12 - 15 Sep 2013, Liverpool, UK. . (Unpublished)

Mooney, JR (2014) Les Musiques Électroacoustiques: construction of a discipline. In: Kučinskas, D and Kennaway, G, (eds.) Music and Technologies 2. 3rd International Conference ‘Music and Technologies’, 15 Nov 2013, Kaunas, Lithuania. Cambridge Scholars Publishing , 1 - 9. ISBN 1-4438-7074-9

Mooney, JR Process in Gentle Fire's group compositions. In: Music and/as Process. Music and/as Process, 8th Dec 2012, Huddersfield, UK. . (Unpublished)

Mooney, JR Stockhausen’s Klavierstücke in Leeds. In: Exploring Theatre and Music ‘Ephemera’ - Centre for the Comparative History of Print (CHOP). Exploring Theatre and Music ‘Ephemera’ - Centre for the Comparative History of Print (CHOP), 17 May 2013, Leeds, UK. . (Unpublished)

Mooney, JR Technology, Process and Musical Personality in the Music of Stockhausen, Hugh Davies and Gentle Fire. In: Misch, I and Grant, M, (eds.) The Musical Legacy of Karlheinz Stockhausen. Pfau-Verlag . (In Press)

Mooney, JR, Moore, A and Moore, D (2004) M2 Diffusion: The Live Diffusion of Sound in Space. In: Proceedings of the International Computer Music Conference 2004. International Computer Music Conference 2004, 01 - 06 Nov 2004, Miami, Florida, USA. International Computer Music Association .

Mooney, JR and Moore, D Resound: a design-led approach to the problem of live multi-loudspeaker sound spatialisation. In: The Royal Musical Association Conference 2008. Royal Musical Association Conference 2008, 15 - 18 July 2008, Aberdeen, UK. . (Unpublished)

Mooney, JR and Moore, D (2008) Resound: open source sound spatialisation. In: International Computer Music Conference 2008, Belfast, UK, 01 Aug 2008.

Mooney, JR and Moore, D (2008) Resound: open-source live sound spatialisation. In: Proceedings of the International Computer Music Conference 2008. International Computer Music Conference 2008, 01 Aug 2008, Belfast, UK. International Computer Music Association .

Mooney, JR and Moore, D A concept-based system for the live diffusion of sound via multiple loudspeakers. In: Proceedings of the Digital Music Research Network. Digital Music Research Network Conference 2008, 07 - 08 Jul 2008, Leeds, UK. . (Unpublished)

Mooney, JR, Parkinson, A and Bell, P (2008) Sound spatialisation, free improvisation and ambiguity. In: Proceedings of the SMC Conference 2008. Sound and Music Computing Conference 2008, 01 Jun 2008, Berlin, Germany. Sound and Music Computing .

Muir, S (2013) From the shtetl to the Gardens and beyond: identity and symbolic geography in Cape Town’s synagogue choirs. In: Kruger, S and Trandafoiu, R, (eds.) The Globalization of Musics in Transit: Musical Migration and Tourism. Routledge Research in Ethnomusicology . Routledge , 209 - 229. ISBN 978-0-415-64007-7 (In Press)

Muir, S (2013) Hasidism and Mitnagdism in the Russian Empire: the (mis)use of Jewish music in Polish-Lithuanian Russia. Journal of Synagogue Music, 38. 193 - 212. ISSN 0449-5128

N

Ng, K. (2002) Sensing and mapping for interactive performance. Organised Sound, 7 (2). pp. 191-200. ISSN 1355-7718

S

Stefani, E and Mooney, J (2009) Spatial composition in the multi-channel domain: aesthetics and techniques. In: Proceedings of the International Computer Music Conference 2009. International Computer Music Conference, 16-19 Aug 2009, Montreal, Canada. International Computer Music Association .

V

Venn, EJ (2010) Music Performance Tuition in Higher Education - Student Expectations. Research Report.

W

White, B (2007) Music for a brave livlylike boy: the Duke of Gloucester, Purcell and The 'Noise of Foreign Wars'. The Musical Times, 148 (1901). 75 - 83. ISSN 0027-4666

White, B (2010) ‘“Studying a little of the French Air”: Louis Grabu’s Albion and Albanius and the dramatic operas of Henry Purcell’. In: Brown, C, Cooper, D and Cowgill, R, (eds.) Art and ideology in European opera: essays in honour of Julian Rushton. Boydell Press , 12 - 39 (28). ISBN 1843835673

Windsor, WL (2011) Gestures in music making: action, information and perception. In: Gritten, A and King, E, (eds.) New Perspectives on Music and Gesture. SEMPRE Studies in The Psychology of Music . Ashgate , Farnham, Surrey , 45 - 66 (21). ISBN 0754664627

Windsor, WL and de Bézenac, C (2012) Music and affordances. Musicae Scientiae, 16 (1). 102 - 120 . ISSN 1029-8649

This list was generated on Sat Dec 20 07:17:39 2014 GMT.