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Number of items at this level: 119.

A

Allis, M (2017) Reading Music through Literary Scholarship: Granville Bantock, Shelley, and The Witch of Atlas. Journal of Musicological Research, 36 (1). pp. 6-28. ISSN 0141-1896

Allis, MJ (2014) 'Bantock and Southey: musical otherness and fatalism in Thalaba the Destroyer'. Music and Letters, 95 (1). 39 - 69 (31). ISSN 0027-4224

Allis, MJ (2014) The Diva and the Beast: Susan Strong and the Wagnerism of Aleister Crowley. Forum for Modern Language Studies. ISSN 1471-6860

Allis, MJ (2017) Reading Music Through Literature: Introduction. Journal of Musicological Research, 36 (1). pp. 1-5. ISSN 0141-1896

Allis, MJ (2008) Richter's Wagner: a new source for tempi in Das Rheingold. Cambridge Opera Journal, 20 (2). 117 - 147. ISSN 0954-5867

Allis, MJ (2013) Temporaries and Eternals: the music criticism of Aldous Huxley, 1922-23. Cambridge Scholars Publishing . ISBN 1-4438-4217-6

Allis, MJ (2014) 'Wagner and Literature: New Directions' (special issue of Forum for Modern Language Studies volume 50 issue 4). Forum for Modern Language Studies, 50 (4). 371 - 510 (139). ISSN 0015-8518

Allis, MJ (2014) 'Wagner and Literature: New Directions: Introduction'. Forum for Modern Language Studies. ISSN 0015-8518

Allis, MJ (2016) "A canvas of endless extent": Granville Bantock, Robert Southey and The Curse of Kehama project. European Romantic Review, 27 (2). pp. 143-174. ISSN 1050-9585

Anderson, L (2015) Musique concrète, French New Wave cinema, and Jean Cocteau's 'Le Testament d'Orphée' (1960). Twentieth-Century Music, 12 (2). 197 - 224. ISSN 1478-5722

B

Bailes, F orcid.org/0000-0003-2723-3579, Dean, RT and Pearce, MT (2013) Music cognition as mental time travel. Scientific Reports, 3. 2690. ISSN 2045-2322

Bailey, N. and Cooper, D. (2000) Perceptually smooth timbral guides by state-space analysis of phase-vocoder parameters. Computer Music Journal, 24 (1). pp. 32-42. ISSN 0148-9267

Bisesi, E and Windsor, WL orcid.org/0000-0001-6291-3057 (2016) Expression and Communication of Structure in Music Performance: Measurements and Models. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology. Oxford University Press , Oxford, UK , pp. 615-631. ISBN 9780198722946

Bishop, L, Bailes, F orcid.org/0000-0003-2723-3579 and Dean, RT (2013) Musical Expertise and the Ability to Imagine Loudness. PLoS ONE, 8 (2). e56052. ISSN 1932-6203

Burland, K and McLean, A (2016) Understanding live coding events. International Journal of Performance Arts and Digital Media, 12 (2). pp. 139-151. ISSN 1479-4713

Burland, K, Spencer, M and Windsor, L orcid.org/0000-0001-6291-3057 (2017) Exploring, enhancing and evaluating musical 'doctorateness': perspectives on performance and composition. In: Nilsson, F, Dunin-Woyseth, H and Janssens, N, (eds.) Perspectives on Research Assessment in Architecture and the Arts: Discussing Doctorateness. Routledge Research in Architecture . Routledge , Abingdon, Oxon, UK , pp. 114-128. ISBN 9781138695573

Burland, K and Windsor, WL (2014) Moving the gong: exploring the contexts of improvisation and composition. In: Burland, K and Pitts, S, (eds.) Coughing and Clapping: Investigating Audience Experience. Ashgate , 101 - 114. ISBN 978-1-4094-6981-0

C

Cooper, D, Sapiro, I orcid.org/0000-0001-9854-8178, Anderson, L et al. (1 more author) (2016) Digitizing, Organizing and Managing an Audio-Visual Archive: The Trevor Jones Archive at the University of Leeds. Journal of Film Music, 6 (2). pp. 101-110. ISSN 1087-7142

Czajkowski, A-ML and Greasley, AE (2015) Mindfulness for singers: The effects of a targeted mindfulness course on learning vocal technique. British Journal of Music Education, 32 (2). 211 - 233. ISSN 0265-0517

D

Dean, RT and Bailes, F orcid.org/0000-0003-2723-3579 (2016) Modeling Perceptions of Valence in Diverse Music: Roles of Acoustic Features, Agency and Individual Variation. Music Perception, 34 (1). pp. 104-117. ISSN 0730-7829

Dean, RT and Bailes, F orcid.org/0000-0003-2723-3579 (2016) Relationships between generated musical structure, performers’ physiological arousal and listener perceptions in solo piano improvisation. Journal of New Music Research, 45 (4). pp. 361-374. ISSN 0929-8215

Dean, RT, Bailes, F orcid.org/0000-0003-2723-3579 and Schubert, E (2011) Acoustic Intensity Causes Perceived Changes in Arousal Levels in Music: An Experimental Investigation. PLoS ONE, 6 (4). e18591.

F

Fulford, RJ, Greasley, AE and Crook, H (2016) Music amplification using hearing aids. Acoustics Bulletin, 41 (1). pp. 49-51. ISSN 0308-437X

G

Greasley, AE and Lamont, A (2016) Musical Preferences. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology (Second Edition). Oxford University Press , Oxford . ISBN 9780198722946

I

Iddon, M (2014) Brian Hulse and Nick Nesbitt (eds.), Sounding the virtual: Gilles Deleuze and the theory and philosophy of music. Music Analysis, 33 (3). 417 - 428. ISSN 0262-5245

Iddon, M (2016) Outsourcing Progress: On Conceptual Music. Tempo, 70 (275). pp. 36-49. ISSN 0040-2982

Ireland, DI (2015) Deconstructing incongruence: A psycho-semiotic approach towards difference in the film-music relationship. Music and the Moving Image, 8 (2). pp. 48-57. ISSN 1940-7610

Ireland, DI (2017) Great Expectations? The Changing Role of Audiovisual Incongruence in Contemporary Multimedia. Music and the Moving Image, 10 (3). ISSN 1940-7610 (In Press)

J

Jago, MS (2014) Dig-It: The Musical Life of Ted Brown. Journal of Jazz Studies, 10 (2). 95 - 118. ISSN 2158-1401

Jago, MS (2015) Jedi Mind Tricks: : Lennie Tristano & Mental Approaches for the Practice of Jazz Improvisation. Jazz Research Journal, 7 (2). 183 - 202. ISSN 1753-8637

Jago, MS (2013) What is a Jazz Record Anyway? Lennie Tristano and the Use of Extended Studio Techniques in Jazz. Journal of the Art of Record Production (8). ISSN 1754-9892

L

Lamont, A and Greasley, AE (2009) Musical preferences. In: Hallam, S, Cross, I and Thaut, M, (eds.) Oxford Handbook of Music Psychology. Oxford Handbooks . Oxford University Press , 160 - 168. ISBN 9780199298457

Lamont, A, Greasley, AE and Sloboda, JA (2016) Choosing to hear music: motivation, process, and effect. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology. Oxford University Press , Oxford . ISBN 9780198722946

Launay, J, Dean, RT and Bailes, F (2016) Rapid learning of associations between sound and action through observed movement: A TMS study. Psychomusicology: Music, Mind, and Brain, 26 (1). pp. 35-42. ISSN 0275-3987

M

MacCuthcheon, D, Greasley, AE and Elliott, MT (2016) Investigating the Value of DJ Performance for Contemporary Music Education and Sensorimotor Synchronisation (SMS) Abilities. Dancecult : Journal of Electronic Dance Music Culture, 8 (1). pp. 46-72. ISSN 1947-5403

Mc Laughlin, S (2011) Dynamical Systems, Mimesis, and Analogy in Experimental Music. Chaotic Modeling and Simulation, 1. 127 - 137. ISSN 2241-0503

Mc Laughlin, SG (2014) Intra-Agencies. CeReNeM Journal (4). pp. 76-88.

Messina, M (2012) I supikkjarìi. University of York Music Press .

Messina, M (2014) Music in the Western Mediterranean: Thoughts on the opening day of the first AVAMUS congress. Síneris. Revista de Musicología, 19 (18). ISSN 2254-3643

Messina, M (2013) U mpastu. M.A.P Editions.

Messina, M and Casale, E (2014) Interview with Emanuele Casale. Síneris. Revista de Musicología (16). ISSN 2254-3643

Mooney, J orcid.org/0000-0002-7925-9634 (2017) The Hugh Davies Collection: live electronic music and self-built electro-acoustic musical instruments, 1967–75. Science Museum Group Journal (7). p. 170705. ISSN 2054-5770

Mooney, JR (2013) Beyond auditive unpleasantness: an exploration of noise in the work of Filthy Turd. In: Goddard, M, Halligan, B and Spelman, N, (eds.) Resonances: Noise and Contemporary Music. Bloomsbury , 312 - 325 (14). ISBN 9781441159373

Mooney, JR (2010) Frameworks & affordances: understanding the tools of music-making. Journal of Music, Technology and Education, 3 (2-3). 141 - 154 (13). ISSN 1752-7066

Mooney, JR (2014) Hugh Davies's Electronic Music Documentation 1961–8. In: EMS14 - Electroacoustic Music Beyond Concert Performance - Berlin. Electroacoustic Music Studies (EMS) Network conference 2014, 10-14 June 2014, Berlin. Electroacoustic Music Studies Network (EMS) .

Mooney, JR (2015) Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live Coding Practice: Some Historic Precedents and Similarities. In: McLean, A, Magnusson, T, Ng, K, Knotts, S and Armitage, J, (eds.) Proceedings of the First International Conference on Live Coding. International Conference on Live Coding, 13-15 Jul 2015, Leeds, UK. ICSRiM , 53 - 62. ISBN 9780853163404

Mooney, JR (2015) Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live-Coding Practice : Four Suggestions. In: Proceedings of the Electroacoustic Music Studies Network Conference. Electroacoustic Music Studies Network, 23-26 Jun 2015, Sheffield. . (In Press)

Mooney, JR (2015) Hugh Davies’s Electronic Music Documentation 1961–1968. Organised Sound: an international journal of music and technology, 20 (1). 111 - 121 (10).

Mooney, JR (2014) Hugh Davies’s International Electronic Music Catalog: a preliminary exploration of its classification system and subsequent influence. In: The Royal Musical Association 50th Annual Conference. Royal Musical Association 50th Annual Conference, 04 - 06 Sep 2014, Leeds University, UK. . (Unpublished)

Mooney, JR (2015) Hugh Davies’s Self-Built Instruments and their relation to Present-Day Electronic and Digital Instrument-Building Practices: Towards Common Themes. In: UNSPECIFIED International Festival for Innovations in Music Production and Composition (IFIMPAC), 12-13 March 2015, Leeds College of Music. .

Mooney, JR (2013) International Electronic Music Catalog: Hugh Davies and the (ethno)musicology of electronic music. In: Electronic Music Symposium at Anglia Ruskin (EMSAR), 11 May 2013, Cambridge, UK. (Unpublished)

Mooney, JR (2013) Internationalisation and historicisation in Hugh Davies’s international electronic music catalog: a position paper -OR- Hugh Davies: international electronic music champion. In: The Eighth Biennial International Conference on Music Since 1900. Eighth Biennial International Conference on Music Since 1900, 12 - 15 Sep 2013, Liverpool, UK. . (Unpublished)

Mooney, JR (2014) Les Musiques Electroacoustiques: Construction of a Discipline. In: Kucinskas, D and Kennaway, G, (eds.) Music and Technologies 2. Cambridge Scholars Publishing , 1 - 9 (9). ISBN 1-4438-7074-9

Mooney, JR (2014) Les Musiques Électroacoustiques: construction of a discipline. In: Kučinskas, D and Kennaway, G, (eds.) Music and Technologies 2. 3rd International Conference ‘Music and Technologies’, 15 Nov 2013, Kaunas, Lithuania. Cambridge Scholars Publishing , 1 - 9. ISBN 1-4438-7074-9

Mooney, JR Process in Gentle Fire's group compositions. In: Music and/as Process, 8th Dec 2012, Huddersfield, UK. (Unpublished)

Mooney, JR Stockhausen’s Klavierstücke in Leeds. In: Exploring Theatre and Music ‘Ephemera’ - Centre for the Comparative History of Print (CHOP), 17 May 2013, Leeds, UK. (Unpublished)

Mooney, JR orcid.org/0000-0002-7925-9634 (2016) Technology, Process and Musical Personality in the Music of Stockhausen, Hugh Davies and Gentle Fire. In: Misch, I and Grant, M, (eds.) The Musical Legacy of Karlheinz Stockhausen. Wolke Verlag , Hofheim, Germany , pp. 102-115. ISBN 978-3955930684

Mooney, JR, Moore, A and Moore, D (2004) M2 Diffusion: The Live Diffusion of Sound in Space. In: Proceedings of the International Computer Music Conference 2004. International Computer Music Conference 2004, 01 - 06 Nov 2004, Miami, Florida, USA. International Computer Music Association .

Mooney, JR and Moore, D Resound: a design-led approach to the problem of live multi-loudspeaker sound spatialisation. In: The Royal Musical Association Conference 2008. Royal Musical Association Conference 2008, 15 - 18 July 2008, Aberdeen, UK. . (Unpublished)

Mooney, JR and Moore, D (2008) Resound: open source sound spatialisation. In: International Computer Music Conference 2008, Belfast, UK, 01 Aug 2008.

Mooney, JR and Moore, D (2008) Resound: open-source live sound spatialisation. In: Proceedings of the International Computer Music Conference 2008. International Computer Music Conference 2008, 01 Aug 2008, Belfast, UK. International Computer Music Association .

Mooney, JR and Moore, D A concept-based system for the live diffusion of sound via multiple loudspeakers. In: Proceedings of the Digital Music Research Network. Digital Music Research Network Conference 2008, 07 - 08 Jul 2008, Leeds, UK. . (Unpublished)

Mooney, JR, Parkinson, A and Bell, P (2008) Sound spatialisation, free improvisation and ambiguity. In: Proceedings of the SMC Conference 2008. Sound and Music Computing Conference 2008, 01 Jun 2008, Berlin, Germany. Sound and Music Computing .

Muir, S (2013) From the shtetl to the Gardens and beyond: identity and symbolic geography in Cape Town’s synagogue choirs. In: Kruger, S and Trandafoiu, R, (eds.) The Globalization of Musics in Transit: Musical Migration and Tourism. Routledge Research in Ethnomusicology . Routledge , pp. 209-229. ISBN 978-0-415-64007-7

Muir, S (2013) Hasidism and Mitnagdism in the Russian Empire: the (mis)use of Jewish music in Polish-Lithuanian Russia. Journal of Synagogue Music, 38. 193 - 212. ISSN 0449-5128

Muir, S (2014) Review of 'Jews, Race and Popular Music' by Jon Stratton. Journal of the Musical Arts in Africa, 11 (1). pp. 136-139. ISSN 2070-626X

N

Ng, K. (2002) Sensing and mapping for interactive performance. Organised Sound, 7 (2). pp. 191-200. ISSN 1355-7718

Ng, KC, Padilla, V, Marsden, A et al. (1 more author) (2014) Improving OMR for digital music libraries with multiple recognisers and multiple sources. In: Proceedings of DLfM 2014. DLfM 2014: 1st International Workshop on Digital Libraries for Musicology, 12 Sep 2014, London, UK. ACM International Conference Proceedings Series, ACM Press , 49 - 56.

P

Payne, E (2014) Creativity and the social in performance: collaboration, interaction and distribution. In: Royal Musical Association Annual Research Students Conference, 06-08 Jan 2014, Birmingham, UK.

Payne, E (2014) Creativity within constraint? Perspectives on notated performance. In: AHRC Centre for Musical Performance as Creative Practice Performance Studies Network 3rd International Conference, 17-20 Jul 2014, University of Cambridge.

Payne, E (2014) Identity and creative ownership in collaboration: reassessing the composer-performer relationship. In: Identities - An Interdisciplinary Approach, International Graduate Student Conference, 23-25 Oct 2014, Istanbul, Turkey.

Payne, E orcid.org/0000-0003-2109-8126 (2017) Repurposing the past? The historical basset clarinet in creative collaboration. Contemporary Music Review, 35 (6). pp. 648-669. ISSN 0749-4467

Payne, E (2014) The craft of musical performance: Creativity as skilled practice. In: Royal Geographical Society Annual International Conference, 26-29 Aug 2014, London, UK.

Payne, E orcid.org/0000-0003-2109-8126 (2017) The craft of musical performance: Skilled practice in collaboration. cultural geographies. ISSN 1474-4740

Payne, EL Creative freedom within constraint? Perspectives on musical performance from the rehearsal room. In: Freedom and Creativity Multidisciplinary Symposium, 28 Nov 2015, Royal Academy of Arts, London. (Unpublished)

Payne, EL orcid.org/0000-0003-2109-8126 (2016) Creativity beyond innovation: Musical performance and craft. Musicae Scientiae, 20 (3). pp. 325-344. ISSN 1029-8649

Payne, EL (2013) 'Engineering' performance: Musicians’ (de)constructions of creativity. In: AHRC Centre for Musical Performance as Creative Practice Performance Studies Network 2nd International Conference, 04-07 Apr 2013, University of Cambridge.

Payne, EL (2015) Historically informed? The creative consequences of period instruments in contemporary compositions. In: Tracking the Creative Process in Music International Conference, 08-10 Oct 2015, Institut de Recherche et de Coordination Acoustique/Musique (IRCAM). (Unpublished)

Payne, EL (2013) Performance as craft: towards a broader understanding of musical creativity. In: Tracking the Creative Process in Music International Conference, 10-13 Oct 2013, Université de Montréal.

Payne, EL (2016) Recording Paraphrase: a 'social occasion'? In: Clarke, EF and Doffman, M, (eds.) Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Oxford University Press , New York . (In Press)

Payne, EL (2013) Uncovering the social in the solo: recording Alexander Goehr’s ‘Paraphrase on “Il Combattimento di Tancredi e Clorinda” by Claudio Monteverdi’ for solo clarinet Op. 28. In: Performance in the Studio online conference, 29 Apr - 05 May 2013, http://artofrecordproduction.com.

Payne, EL (2015) Whose role is it anyway? Reassessing the composer-performer relationship in creative collaboration. In: Royal Musical Association Annual Research Students Conference, 08-10 Jan 2015, University of Bristol. (Unpublished)

Payne, EL and Schuiling, F (2015) Notational intimacies: score annotation as creative practice. In: DOES IT MATTER? Composite Bodies and Posthuman Prototypes in Contemporary Performing Arts International Conference, 17-19 Mar 2015, Ghent University. (Unpublished)

S

Sapiro, IP orcid.org/0000-0001-9854-8178 (2016) Do You Hear the People Sing? (Ab)Using Music and Technology in 'Les Miserables' (2012). In: Music and the Moving Image XI, 27-29 May 2016, New York.

Schuiling, F and Payne, E orcid.org/0000-0003-2109-8126 (2017) The textility of marking: performers’ annotations as indicators of the creative process in performance. Music and Letters. ISSN 0027-4224 (In Press)

Scott, DB orcid.org/0000-0002-5367-6579 (2014) Comic Style and Character Psychology in the Music of Arthur Sullivan. In: Heikkinen, O, Kilpiö, K, Mantere, M, Rantanen, S, Leena, S, Tolvanen, H and Uimonen, H, (eds.) Valistus on viritetty: Esseitä musiikista, huvittelusta ja historiasta. Sibelius-Akatemian julkaisuja . Taideyliopiston Sibelius-Akatemia , Helsinki , pp. 203-217. ISBN 978-952-5959-85-7

Scott, DB orcid.org/0000-0002-5367-6579 (2014) German operetta in the West End and on Broadway. In: Platt, L, Becker, T and Linton, D, (eds.) Popular Musical Theatre in London and Berlin 1890 to 1939. Cambridge University Press , Cambridge , pp. 62-80. ISBN 9781107051003

Scott, DB (2015) 'I changed my Olga for the Britney': Occidentalism, Auto-Orientalism, and Global Fusion in Music. In: Kurkela,, V and Mantere,, M, (eds.) Critical Music Historiography: Probing Canons, Ideologies and Institutions. Ashgate , Farnham , pp. 141-158. ISBN 978-1-4724-1419-9

Scott, DB (2013) Imagining the Balkans, Imagining Europe: Balkan Entries in the Eurovision Song Contest. In: Pennanen, RP, Poulos, PC and Theodosiou, A, (eds.) Ottoman Intimacies, Balkan Musical Realities. Papers and Monographs of the Finnish Institute at Athens . Finnish Institute at Athens , Helsinki , pp. 125-135. ISBN 978-952-67211-5-6

Scott, DB orcid.org/0000-0002-5367-6579 (2013) Irish Nationalism, British Imperialism, and Popular Song. In: Fairclough, P, (ed.) Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds. Routledge , Abingdon, Oxon , pp. 231-248. ISBN 978-1-4094-0026-4

Scott, DB (2014) Musical Theatre(s). In: Greenwald, HM, (ed.) The Oxford Handbook of Opera. Oxford Handbooks in Music . Oxford University Press , New York , pp. 53-72. ISBN 9780195335538

Scott, DB orcid.org/0000-0002-5367-6579 (2016) Policing the Boundaries of Art and Entertainment. In: Hörner, F, (ed.) Kulturkritik und das Populäre in der Musik. Populäre Kultur und Musik, 18 . Waxmann-Verlag , Münster , pp. 53-63. ISBN 9783830933618

Scott, DB orcid.org/0000-0002-5367-6579 (2013) Review of Daniel M. Grimley, ed., Jean Sibelius and His World. Music and Letters, 94 (2). pp. 352-354.

Scott, DB orcid.org/0000-0002-5367-6579 (2013) Review of The Life and Music of Eric Coates, by M. Payne (Ashgate, 2012). NABMSA Newsletter (Spring). pp. 6-7.

Spencer, M (2014) James Dillon: string quartets as a complex causal network. Contemporary Music Review, 33 (3). 244 - 265. ISSN 0749-4467

Stefani, E and Mooney, J (2009) Spatial composition in the multi-channel domain: aesthetics and techniques. In: Proceedings of the International Computer Music Conference 2009. International Computer Music Conference, 16-19 Aug 2009, Montreal, Canada. International Computer Music Association .

T

Thurley, O orcid.org/0000-0001-8510-8800 (2015) Disappearing Sounds: Fragility in the music of Jakob Ullmann. Tempo, 69 (274). pp. 5-21. ISSN 0040-2982

V

Venn, E (2013) Maw, (John) Nicholas (1935–2009). In: Oxford Dictionary of National Biography. Oxford University Press . ISBN 9780198614111

Venn, E (2013) Review: Robert Saxton: Caritas by Wyndham Thomas (Aldershot: Ashgate, 2012). CHOMBEC News, 15. pp. 12-14. ISSN 1751-3308

Venn, E (2013) Thomas Adès and the pianto. In: Panos, N, Lympouridis, V, Athanasopoulos, G and Nelson, P, (eds.) Proceedings. International Conference on Music Semiotics: In Memory of Raymond Monelle, 26-28 Oct 2012, University of Edinburgh. International Project on Music and Dance Semiotics (IPMDS) , pp. 309-317. ISBN 978-0-9576548-0-8

Venn, EJ (2014) BBC Proms 2013: David Matthews and Thomas Adès. Tempo, 68 (267). 59 - 61. ISSN 0040-2982

Venn, EJ (2015) Bedford, David Vickerman (1937-2011). In: Oxford Dictionary of National Biography. Oxford Dictionary of National Biography . Oxford University Press .

Venn, EJ (2014) Book Review: The legacy of Cornelius Cardew. Tempo, 68 (267). 88 - 90. ISSN 0040-2982

Venn, EJ (2010) Music Performance Tuition in Higher Education - Student Expectations. Research Report.

Venn, EJ (2013) Review: 'Harrison Birtwistle's Operas and Music Theatre', by David Beard. Tempo, 67 (266). 93 - 94. ISSN 0040-2982

Venn, EJ (2006) Review: [Adès, ‘Court Studies’ and others] ‘London, Royal College of Music’. Tempo, 60 (235). pp. 80-81. ISSN 0040-2982

Venn, EJ (2006) Review: ‘Maxwell Davies compilation CDs and ‘Naxos’ Quartets’. Tempo, 60 (237). pp. 70-71. ISSN 0040-2982

Venn, EJ (2014) Robert Fokkens. Tempo, 68 (269). 82 - 83. ISSN 0040-2982

Venn, EJ orcid.org/0000-0002-5146-9568 (2017) Thomas Ades's 'The Exterminating Angel'. Tempo, 71 (280). pp. 21-46. ISSN 0040-2982

Venn, EJ (2015) Thomas Adès and the Spectres of Brahms. Journal of the Royal Musical Association, 140 (1). 163 - 212. ISSN 0269-0403

Venn, EJ (2014) Thomas Adès's 'Freaky, Funky Rave'. Music Analysis, 33 (1). 65 - 98. ISSN 0262-5245

Venn, EJ orcid.org/0000-0002-5146-9568 (2017) Thomas Adès, The Exterminating Angel, Haus für Mozart, Salzburg. Tempo, 71 (280). pp. 82-83. ISSN 0040-2982

W

White, B (2007) Music for a brave livlylike boy: the Duke of Gloucester, Purcell and The 'Noise of Foreign Wars'. The Musical Times, 148 (1901). 75 - 83. ISSN 0027-4666

White, B (2010) ‘“Studying a little of the French Air”: Louis Grabu’s Albion and Albanius and the dramatic operas of Henry Purcell’. In: Brown, C, Cooper, D and Cowgill, R, (eds.) Art and ideology in European opera: essays in honour of Julian Rushton. Boydell Press , 12 - 39 (28). ISBN 1843835673

Windsor, WL (2011) Gestures in music making: action, information and perception. In: Gritten, A and King, E, (eds.) New Perspectives on Music and Gesture. SEMPRE Studies in The Psychology of Music . Ashgate , Farnham, Surrey , 45 - 66 (21). ISBN 0754664627

Windsor, WL orcid.org/0000-0001-6291-3057 (2017) Instruments, voices, bodies and spaces: towards an ecology of performance. In: Wöllner, C, (ed.) Body, Sound and Space in Music and Beyond: Multimodal Explorations. SEMPRE Studies in The Psychology of Music . Routledge , Oxford . ISBN 978-1-4724-8540-3

Windsor, WL orcid.org/0000-0001-6291-3057 (2015) Nature and Culture, Noise and Music: Perception and Action. In: Allen, AS and Dawe, K, (eds.) Current Directions in Ecomusicology: Music, Culture, Nature. Routledge Research in Music . Routledge , London , pp. 165-175. ISBN 978-1-138-80458-6

Windsor, WL and de Bézenac, C (2012) Music and affordances. Musicae Scientiae, 16 (1). 102 - 120 . ISSN 1029-8649

Woodward, S and Greasley, A (2015) Personal collections as material assemblages: a comparison of wardrobes and music collections. Journal of Consumer Culture. ISSN 1469-5405

This list was generated on Thu Jun 22 03:46:13 2017 BST.