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Group by: Creators Name | Item Type
Jump to: B | M | O | P | R | U
Number of items at this level: 28.

B

Bailey, H, Buckingham Shum, S, LeBlanc, A, Popat, S, Rowley, A and Turner, M (2009) Dancing on the Grid: Using e-Science tools to extend choreographic research. Philosophical Transactions of the Royal Society A, 367 (1898). 2793 - 2806. ISSN 1364-503X

Bell, C and Beswick, KA (2014) Authenticity and Representation: The Council Estate at The Royal Court Theatre. NTQ: New Theatre Quarterly. ISSN 0266-464X (Submitted)

Beswick, KA The Council Estate as Hood: Resisting the Crisis SPID Theatre Company and grass-roots discourse as cultural politics. In: Performing for Survival. Palgrave MacMillian . (Submitted)

Beswick, KA (2011) The Council Estate: Representation, space and the potential for performance. Research in Drama Education, 16 (3). 421 - 435 (14). ISSN 1356-9783

Beswick, KA, Parmar, M and Sil, E Towards a Spatial Practice of the Postcolonial City: Introducing the Cultural Producer. Interventions: international journal of postcolonial studies. ISSN 1369-801X (Submitted)

Bryden, J, Hogg, DC, Popat, S and Wallis, M (2008) Building artificial personalities: expressive communication channels based on an interlingua for a human-robot dance. In: Bullock, S, Noble, J, Watson, R and Bedau, MA, (eds.) Artificial Life XI. International Conference on Artificial Life (ALIFE XI). MIT Press , Cambridge, Mass , 80 - 87 . ISBN 978-0-262-75017-2

Bryden, John, Hogg, David, Popat, Sita and Wallis, Mick (2008) Building artificial personalities: expressive communication channels based on an interlingua for a human-robot dance. In: International Conference on Artificial Life (ALIFE XI), 5-8 August, Winchester.

M

McKinney, J, Wallis, M, Popat, S, Bryden, J and Hogg, DC (2008) Embodied conversations: Performance and the design of a robotic dancing partner. In: Durling, D, Rust, C, Chen, LL, Ashton, P and Friedman, K, (eds.) Undisciplined! Proceedings of the Design Research Society Conference 2008. Design Research Society (DRS 2008), Sheffield Hallam University, Sheffield, UK. Sheffield Hallam University . ISBN 978-1-84387-293-1

McKinney, JE (2012) ‘Empathy and exchange: audience experience of scenography’. In: Kinesthetic Empathy in Creative and Cultural Practices. Intellect , 221 - 235. ISBN 9781841504919

McKinney, JE (2005) Projection and Transaction: the spatial operation of scenography. Performance Research, 10 (4). 128 - 137. ISSN 1352-8165

McKinney, JE (2013) Scenography, spectacle and the body of the spectator. Performance Research: a journal of the performing arts, 18 (3). 63 - 74. ISSN 1352-8165

McKinney, JE and Iball, H (2011) Researching Scenography. In: Research Methods in Theatre and Performance. Edinburgh University Press , 111 - 136 (26). ISBN 9780748641581

O

O'Grady, KA and Kill, R (2013) Exploring Festival Performance as a State of Encounter. Arts and Humanities in Higher Education: an international journal of theory, research and practice. ISSN 1474-0222

P

Palmer, SD (2012) The beginning of modern stage lighting design: Edward Gordon Craig and the May 1900 production of Dido and Aeneas. Focus, Februa. ISSN 1364-9299

Palmer, SD and Popat, SH (2008) Dancing in the Streets - a design case study. Interactions (New York), XV (3). 55 - 59 . ISSN 1072-5520

Palmer, SD and Popat, SH (2007) Dancing in the Streets: The sensuous manifold as a concept for designing experience. International Journal of Performance Art and Digital Media, 2 (3). 297 - 314. ISSN 1479-4713

Pitches, JD (2007) Routes or Roots: the Technical Traditions of Contemporary Physical Theatres. In: Physical Theatres: a Reader. Routledge , Abingdon , 46 - 54 (8). ISBN 0-415-36251-2

Pitches, JD (2009) Spinal Snaps: tracing a backstory of European actor training. Performance Research, 14 (2). 85 - 95 . ISSN 1352-8165

Pitches, JD (2007) Tracing/training rebellion - object work in Meyerhold's biomechanics. Performance Research, 12 (4). pp. 97-103. ISSN 1352-8165

Pitches, JD (2013) The technique in Microcosm: Michael Chekhov’s work on the Fishing Scene. Theatre, Dance and Performance Training, 4 (2). 219 - 236 (17). ISSN 1944-3927

Popat, S and Palmer, S (2008) Embodied interfaces: dancing with digital sprites. Digital Creativity, 19 (2). 125 - 137. ISSN 1462-6268

Popat, S. and Smith-Autard, J.M. (2002) Dance-making on the internet: can on-line choreographic projects foster creativity in the user-participant? Leonardo, 35 (1). pp. 31-36. ISSN 1530-9282

Popat, SH (2012) Keeping it Real: Encountering Mixed Reality in igloo’s SwanQuake: House. Convergence: The International Journal of Research into New Media Technologies, 18 (1). 11 - 26. ISSN 1354-8565

Popat, SH and Palmer, SD (2005) Creating common ground: dialogues between performance and digital technologies. International Journal of Performance Art and Digital Media, 1 (1). 47 - 65. ISSN 1479-4713

R

Rodosthenous, G. (2007) Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y. Studies in Musical Theatre , 1 (3). pp. 275-292. ISSN 1750-3167

Rodosthenous, George (2005) The dramatic imagery of "Howl": the [naked] bodies of madness. In: Howl for Now. Route Publishing , Pontefract, UK , pp. 53-72. ISBN 1 901927 25 3

U

Upchurch, AR (2011) Keynes’s Legacy: an intellectual's influence reflected in arts policy. International Journal of Cultural Policy, 17 (1). 69 - 80 (11). ISSN 1028-6632

Upchurch, AR (2012) 'Missing' from policy history: The Dartington Hall Arts Enquiry, 1941-1947. International Journal of Cultural Policy, 19 (5). 610 - 622 (13). ISSN 1028-6632

This list was generated on Sun Apr 20 20:04:00 2014 BST.