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Number of items at this level: 112.


Bailey, H, Buckingham Shum, S, LeBlanc, A et al. (3 more authors) (2009) Dancing on the Grid: Using e-Science tools to extend choreographic research. Philosophical Transactions of the Royal Society A, 367 (1898). 2793 - 2806. ISSN 1364-503X

Bannon, F and Kirk, C (2014) Deepening discipline: digital reflection and choreography. Research in Dance Education, 15 (3). 289 - 302. ISSN 1464-7893

Bannon, FC (2015) Mindful motion: engagement with the messy vitality of research. In: Contemporising the Past: Envisaging the future, 06-11 Jul 2014, Angers, France. (Unpublished)

Bannon, FC and Edward, M (2016) Being in Pieces: Integrating Dance, Identity and Mental Health. In: Karkou,, V, Oliver,, S and Lycouris, S, (eds.) The Oxford Handbook of Dance and Wellbeing. Oxford Handbook Series . Oxford University Press , New York .

Bannon, FC and Holt, D (2015) Attending to ethics and aesthetics in dance. In: Whatley, S, Garrett Brown, N and Alexander, K, (eds.) Attending to Movement: Somatic Perspectives on Living in this World. Triarchy Press. , 219 - 228. ISBN 978-1-909470-63-7

Bayliss, A, Palmer, S, Hales, D et al. (1 more author) (2009) (Re)searching through play: play as a framework and methodology for collaborative design processes. International Journal of Arts and Technology, 2 (1-2). 5 - 21. ISSN 1754-8853

Bell, C and Beswick, KA (2014) Authenticity and Representation: The Council Estate at The Royal Court Theatre. NTQ: New Theatre Quarterly, 30 (2). pp. 120-135. ISSN 0266-464X

Beswick, KA (2014) Bola Agbaje’s Off the Endz Authentic Voices, Representing the Council Estate: Politics, Authorship and the Ethics of Representation. Journal of Drama in Contemporary English, 2 (1). 97 - 112. ISSN 2195-0164 (Submitted)

Beswick, KA The Council Estate as Hood: Resisting the Crisis SPID Theatre Company and grass-roots discourse as cultural politics. In: Duggan, P and Peschel, L, (eds.) Performing for Survival. Palgrave MacMillian . (Submitted)

Beswick, KA (2011) The Council Estate: Representation, space and the potential for performance. Research in Drama Education, 16 (3). 421 - 435 (14). ISSN 1356-9783

Beswick, KA, Parmar, M and Sil, E Towards a Spatial Practice of the Postcolonial City: Introducing the Cultural Producer. Interventions: international journal of postcolonial studies. ISSN 1369-801X (Submitted)

Bryden, J, Hogg, DC, Popat, S et al. (1 more author) (2008) Building artificial personalities: expressive communication channels based on an interlingua for a human-robot dance. In: Bullock, S, Noble, J, Watson, R and Bedau, MA, (eds.) Artificial Life XI. International Conference on Artificial Life (ALIFE XI). MIT Press , Cambridge, Mass , 80 - 87 . ISBN 978-0-262-75017-2

Bryden, John, Hogg, David, Popat, Sita et al. (1 more author) (2008) Building artificial personalities: expressive communication channels based on an interlingua for a human-robot dance. In: International Conference on Artificial Life (ALIFE XI), 5-8 August, Winchester.


Hulton, D and Kapsali, M (2017) Yoga and Stanislavski: reflections on the past and applications for the present and future. Stanislavski Studies. ISSN 2056-7790


Jancovich, L (2016) Building local capacity in the arts. Journal of Policy Research in Tourism, Leisure and Events, 8 (3). pp. 289-306. ISSN 1940-7963

Jancovich, L (2017) The participation myth. International Journal of Cultural Policy, 23 (1). pp. 107-121. ISSN 1028-6632


Kapsali, M (2016) Switch On! Using Mobile Phones in Actor Training. In: Proceedings of: Bodies on Stage: Acting Confronted by Technologies. Bodies on Stage: Acting Confronted by Technologies, 03-05 Jun 2015, Sorbonne Nouvelle, Paris. . (In Press)


Lyons, G and Wells, P (2014) Words & Images, The Fifth Screenwriting Research Network Conference Macquarie University and The University of Technology, Sydney, 14–16 September 2012. Journal of Screenwriting, 5 (1). pp. 157-161. ISSN 1759-7137

Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137

Lyons, GF (2013) The generation game: The rise of the large-scale family 'epic' and its role within publicly funded theatre in Britain. Studies in Theatre and Performance, 33 (3). pp. 347-363. ISSN 1468-2761


McKechnie, K (2008) Detached signifiers, dead babies and demon dwarves: Bieito’s Dutchman. Studies in Musical Theatre, 2 (1). 101 - 108 (8). ISSN 1750-3159

McKinney, J and Palmer, S (2017) Introducing ‘Expanded’ Scenography. In: Scenography Expanded: An Introduction to Contemporary Performance Design. Performance + Design . Methuen Bloomsbury , London . ISBN 9781474244398

McKinney, J, Wallis, M, Popat, SH et al. (2 more authors) (2008) Embodied conversations: performance and the design of a robotic dancing partner. In: Durling, D, Rust, C, Chen, LL, Ashton, P and Friedman, K, (eds.) yes. Design Research Society (DRS 2008), Sheffield Hallam University, Sheffield, UK. Sheffield Hallam University , 111/1 - 111/16. ISBN 978-1-84387-293-1

McKinney, JE (2016) Audiencing Scenography. In: Zupanc Lotker, S and Kuburović, B, (eds.) SharedSpace: Music Weather Politics. Theatre Institute , Prague . ISBN 978-80-7008-365-9

McKinney, JE (2012) ‘Empathy and exchange: audience experience of scenography’. In: Reynolds, D and Reason, M, (eds.) Kinesthetic Empathy in Creative and Cultural Practices. Intellect , 221 - 235. ISBN 9781841504919

McKinney, JE (2016) Interview with Liu Xinglin. Theatre and Performance Design, 2 (1-2). pp. 66-72. ISSN 2332-2551

McKinney, JE (2005) The Nature of Scenographic Communication: artist, audience and the operation of scenography. In: International Federation of Theatre Research, Scenography Working Group, University of Amsterdam, 11th-15th May 2005. The Stage and the Visual Arts: Past, Present and Future, International Conference on Scenography, 11-15 May 2005, Amsterdam, The Netherlands. International Federation of Theatre Research, Scenography Working Group, University of Amsterdam, 11th-15th May 2005 . (Submitted)

McKinney, JE (2005) Projection and Transaction: the spatial operation of scenography. Performance Research, 10 (4). 128 - 137. ISSN 1352-8165

McKinney, JE (2015) Scenographic materialism, affordance and extended cognition in Kris Verdonck’s ACTOR #1. Theatre and Performance Design, 1 (1-2). 79 - 93. ISSN 2332-2551

McKinney, JE (2013) Scenography, spectacle and the body of the spectator. Performance Research: a journal of the performing arts, 18 (3). 63 - 74. ISSN 1352-8165

McKinney, JE (2017) Seeing scenography: scopic regimes and the body of the spectator. In: Aronson, A, (ed.) The Routledge Companion to Scenography. Routledge . ISBN 978-1138917804 (In Press)

McKinney, JE (2001) Stage Design as Acting Machine: Constructing theatrical reality. In: Wierzchowska, A, (ed.) Tradition and Innovation in Theatre Design. Jagellonian University, Krakow, Poland , 44 - 49. ISBN 83-916637-0-1

McKinney, JE (2015) Vibrant materials: the agency of things in the context of scenography. In: Bleeker, M, Sherman Foley, J and Nedelkopoulou, E, (eds.) Performance and Phenomenology: Traditions and Transformations. Routledge Advances in Theatre & Performance Studies . Routledge . ISBN 978-1-13-880551-4

McKinney, JE (2000) The role of theatre design : towards a bibliographical and practical accommodation. Scenography International.

McKinney, JE (2009) The scenographic exchange. In: Allegue, L, Jones, S, Kershaw, B and Piccini, A, (eds.) Practice-as-research: in performance and screen. Palgrave . ISBN 978-0230220010

McKinney, JE and Iball, H (2011) Researching Scenography. In: Kershaw, B and Nicholson, H, (eds.) Research Methods in Theatre and Performance. Edinburgh University Press , 111 - 136 (26). ISBN 9780748641581

McKinney, JE and McKechnie, K (2016) Interview with Katrin Brack. Theatre and Performance Design, 2 (1-2). pp. 127-135. ISSN 2332-2551


Nisbett, M and Walmsley, B (2016) The Romanticization of Charismatic Leadership in the Arts. Journal of Arts Management, Law, and Society, 46 (1). pp. 2-12. ISSN 1063-2921


O'Grady, KA (2015) Being there: encounters with space and the affective dimension of arena spectacle. In: Halligan, B, Fairclough-Isaacs, K, Edgar, R and Spelman, N, (eds.) The Arena Concert: music, media and mass entertainment. Bloomsbury , New York . ISBN 9781628925562

O'Grady, KA (2015) Dancing Outdoors: DiY Ethics and Democratised Practices of Well-being on the UK Alternative Festival Circuit. Dancecult: Journal of Electronic Dance Music Culture, 7 (1). 76 - 96 (20). ISSN 1947-5403

O'Grady, KA (2013) Exploring radical openness: a porous model for relational festival performance. Studies in Theatre and Performance, 33 (2). 133 - 151 (19). ISSN 1468-2761

O'Grady, KA (2013) Interrupting flow: researching play, performance and immersion in festival scenes. Dancecult; Journal of Electronic Dance Music Culture, 5 (1). 18 - 38. ISSN 1947-5403

O'Grady, KA (2012) Spaces of play: the spatial dimensions of underground club culture and locating the subjunctive. Dancecult: Journal of Electronic Dance Music Culture, 4 (1). 86 - 106. ISSN 1947-5403

O'Grady, KA and Kill, R (2013) Exploring Festival Performance as a State of Encounter. Arts and Humanities in Higher Education: an international journal of theory, research and practice. ISSN 1474-0222


Palmer, S (2016) Descending into night: Light, darkness and the theatrical experience. In: Presenting the Theatrical Past: Interplays of Artefacts, Discourses and Practices, 13-17 Jun 2016, University of Stockholm, Sweden.

Palmer, S (2016) Immersion through light and darkness: Appia, Wagner and the evolution of modern scenographic practice. In: OPERATIC IMMERSIONS: Inaugural conference of the Northern Opera Research Network, 22-23 Apr 2016, University of Huddersfield & University of Leeds.

Palmer, S (2015) A ‘choréographie’ of light and space: Adolphe Appia and the first scenographic turn. Theatre and Performance Design, 1 (1-2). 31 - 47. ISSN 2332-2551

Palmer, SD (2012) The beginning of modern stage lighting design: Edward Gordon Craig and the May 1900 production of Dido and Aeneas. Focus, Februa. ISSN 1364-9299

Palmer, SD and Popat, SH (2008) Dancing in the Streets - a design case study. Interactions (New York), XV (3). 55 - 59 . ISSN 1072-5520

Palmer, SD and Popat, SH (2007) Dancing in the Streets: The sensuous manifold as a concept for designing experience. International Journal of Performance Art and Digital Media, 2 (3). 297 - 314. ISSN 1479-4713

Pitches, J (2007) Tracing/training rebellion: object work in Meyerhold’s biomechanics. Performance Research, 12 (4). 97 - 103. ISSN 1352-8165

Pitches, JD (2015) Contrasting Modernities: the Rural and the Urban in Michael Chekhov's Psychological Gesture and Meyerhold's Biomechanical Études. In: Meerzon, Y and Authant-Matthieu, M-C, (eds.) The Routledge Companion to Michael Chekhov. Routledge , 219 - 234. ISBN 978-0-415-71018-3

Pitches, JD (2016) Introduction to Meyerhold on Theatre. In: Braun, E, (ed.) Meyerhold on Theatre. Bloomsbury , London , pp. 1-18. ISBN 978-1-4742-3020-9

Pitches, JD (2007) Routes or Roots: the Technical Traditions of Contemporary Physical Theatres. In: Murray, S and Keefe, J, (eds.) Physical Theatres: a Reader. Routledge , Abingdon , 46 - 54 (8). ISBN 0-415-36251-2

Pitches, JD (2009) Spinal Snaps: tracing a backstory of European actor training. Performance Research, 14 (2). 85 - 95 . ISSN 1352-8165

Pitches, JD (2015) Technique: Training the Actor’s Voice and Body. In: Evans, M, (ed.) The Actor Training Reader. Routledge . ISBN 978-0-415-82402-6

Pitches, JD (2007) Tracing/training rebellion - object work in Meyerhold's biomechanics. Performance Research, 12 (4). pp. 97-103. ISSN 1352-8165

Pitches, JD (2013) The technique in Microcosm: Michael Chekhov’s work on the Fishing Scene. Theatre, Dance and Performance Training, 4 (2). 219 - 236 (17). ISSN 1944-3927

Pitches, JD and Li, R (2012) The end of the hour-glass: alternative conceptions of intercultural exchange between European and Chinese operatic forms. Studies in Theatre and Performance, 32 (2). 121 - 137. ISSN 1468-2761

Popat, S (2016) Missing in Action: Embodied Experience in Virtual Reality Art. Theatre Journal, 68 (3). pp. 357-378. ISSN 0192-2882

Popat, S and Preece, KL (2012) Pluralistic Presence: Practising embodiment with my avatar. In: Broadhurst, S and Machon, J, (eds.) Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Performance and Technology. Performance and Technology . Palgrave Macmillan , Basingstoke , 160 - 174 (15). ISBN 0230298885

Popat, S. and Smith-Autard, J.M. (2002) Dance-making on the internet: can on-line choreographic projects foster creativity in the user-participant? Leonardo, 35 (1). pp. 31-36. ISSN 1530-9282

Popat, SH (2017) Gesture and Movement: Indices of Presence. In: Banks, J, (ed.) Avatars Assembled: The Social and Technical Anatomy of Digital Bodies. Digital Formations . Peter Lang , New York, NY, USA . (In Press)

Popat, SH (2012) Keeping it Real: Encountering Mixed Reality in igloo’s SwanQuake: House. Convergence: The International Journal of Research into New Media Technologies, 18 (1). 11 - 26. ISSN 1354-8565

Popat, SH (2015) Placing the body in mixed reality. In: Hunter, V, (ed.) Moving Sites: Investigating Site-Specific Dance Performance. Routledge , 162 - 177. ISBN 978-0415710176

Popat, SH (2016) Transcending dimensions: physical and virtual dancing bodies. In: Rosenberg, D, (ed.) The Oxford Handbook of Screendance Studies. Oxford University Press , pp. 657-676. ISBN 9780199981601

Popat, SH and Palmer, SD (2005) Creating common ground: dialogues between performance and digital technologies. International Journal of Performance Art and Digital Media, 1 (1). 47 - 65. ISSN 1479-4713

Popat, SH and Palmer, SD (2009) Dancing with sprites and robots: new approaches to collaboration between dance and digital technologies. In: Butterworth, J and Wildschut, L, (eds.) Contemporary Choreography: A Critical Reader. Routledge , 416 - 430. ISBN 0415490871

Popat, SH and Palmer, SD (2008) Embodied Interfaces: Dancing wih Digital Sprites. Digital Creativity, 19 (2). 1 - 13. ISSN 1462-6268

Prihodova, B, McKinney, JE and Lotker, S (2016) Editorial for the special issue on The Prague Quadrennial of Performance Design and Space 2015. Theatre and Performance Design, 2 (1-2). pp. 5-16. ISSN 2332-2551


Rodosthenous, G. (2007) Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y. Studies in Musical Theatre , 1 (3). pp. 275-292. ISSN 1750-3167

Rodosthenous, George (2005) The dramatic imagery of "Howl": the [naked] bodies of madness. In: Howl for Now. Route Publishing , Pontefract, UK , pp. 53-72. ISBN 1 901927 25 3


Salazar Sutil, N (2014) 404, the Performativity of Error: with Insights into Cyber-errorism in Internacional Errorista and Electronic Disturbance Theatre. In: Blažević, M and Feldman, LC, (eds.) MISperformance: essays in shifting perspectives. Maska , Ljubljana, Slovenia , pp. 183-199.

Salazar Sutil, N (2012) Laban's Choreosophical Model: Movement Visualisation Analysis and the Use of Graphic Media in Dance Studies. Dance Research, 30 (2). pp. 147-168. ISSN 0264-2875

Salazar Sutil, N (2014) Mathematics in Motion: a Comparative Analysis of the Stage Works of Schlemmer and Kandinsky at the Bauhaus. Dance Research, 32 (1). pp. 23-42. ISSN 0264-2875

Salazar Sutil, N (2015) Motion and Representation: The Language of Human Movement. MIT Press . ISBN 9780262028882

Salazar Sutil, N (2014) Performance/mathematics: a dramatisation of mathematical methods. International Journal of Performance Arts and Digital Media, 10 (2). pp. 143-158. ISSN 1479-4713

Salazar Sutil, N (2013) Rudolf Laban and Topology: a Videographic Analysis. Space and Culture, 16 (2). pp. 173-193. ISSN 1206-3312

Salazar Sutil, N and Melo, S (2013) Digital Dance-theatre as a Multidimensional Romance Notes on the production of C8's Flatland. Performance Research, 18 (5). pp. 38-47. ISSN 1469-9990

Salazar Sutil, N and Melo, S (2016) Exposed to Time: Cross-histories of Human Motion Visualization from Chrono- to Dynamophotography. In: The Oxford Handbook of Screendance Studies. Oxford University Press , Oxford, United Kingdom , pp. 143-167. ISBN 9780199981601

Salazar-Sutil, N (2013) "Set in Poland, that is to say Nowhere": Alfred Jarry and the Politics of Topological Space. In: Fischer-Lichte, E and Wihstutz, B, (eds.) Performance and the Politics of Space: Theatre and Topology. Routledge Advances in Theatre & Performance Studies (24). Routledge , New York , pp. 114-126. ISBN 9780415509688

Shearing, D (2014) Scenographic landscapes. Studies in Theatre and Performance, 34 (1). 38 - 52. ISSN 1468-2761

Sheridan, JG, Bayliss, A and Bryan-Kinns, N (2007) The interior life of iPoi: objects that entice witting transitions in performative behaviour. International Journal of Performance Art and Digital Media, 3 (1). 17 - 36 (20). ISSN 1479-4713


Taylor, CF (2013) Between Culture, Policy and Industry: The Ambiguities of Intermediation in the Creative Economy. Regional Studies. 1 - 12. ISSN 0034-3404

Taylor, CF (2006) Beyond advocacy: developing an evidence base for regional creative industry strategies. Cultural Trends, 15 (1). 3 - 18. ISSN 0954-8963

Taylor, CF (2009) ‘The Creative Industries, Governance and Economic Development: A UK Perspective’. In: Kong, L and O'Connor, J, (eds.) Creative Economies, Creative Cities: Asian-European Perspectives. Springer , 153 - 166. ISBN 1402099487

Taylor, CF (2015) Cultural Value: A Perspective from Cultural Economy. Report. University of Leeds , Leeds.

Taylor, CF (2008) ‘Developing relationships between universities, the creative industries, enterprise and innovation’. In: Henry, C, (ed.) Entrepreneurship in the Creative Industries: International Perspectives. Edward Elgar Publishing Ltd . ISBN 184542610X

Taylor, CF (2014) Performing for affect? immaterial labour and performer training. Theatre, Dance and Performance Training, 5 (2). 181 - 196. ISSN 1944-3927

Taylor, CF (2011) Socialising Creativity: Entrepreneurship and Innovation in the Creative Industries. In: Henry, C and de Bruin, A, (eds.) Entrepreneurship and the Creative Economy: Process, Practice and Policy. Edward Elgar Publishing Limited , 30 - 49 (19). ISBN 1848447698

Taylor, CF, Comunian, R and Smith, DN (2013) The Role of Universities in the Regional Creative Economies of the UK: Hidden Protagonists and the Challenge of Knowledge Transfer. European Planning Studies. ISSN 0965-4313


Upchurch, AR (2011) Keynes’s Legacy: an intellectual's influence reflected in arts policy. International Journal of Cultural Policy, 17 (1). 69 - 80 (11). ISSN 1028-6632

Upchurch, AR (2012) 'Missing' from policy history: The Dartington Hall Arts Enquiry, 1941-1947. International Journal of Cultural Policy, 19 (5). 610 - 622 (13). ISSN 1028-6632

Upchurch, AR (2016) The Origins of the Arts Council Movement: Philanthropy and Policy. New Directions in Cultural Policy Research . Palgrave Macmillan . ISBN 978-1-137-46162-9


Wallis, M and McKinney, JE (2013) On value and necessity: The Green Book and its others. Performance Research: a journal of the performing arts, 18 (2). 67 - 79. ISSN 1352-8165

Wallis, M, Popat, SH, McKinney, J et al. (2 more authors) (2010) Embodied conversations: performance and the design of a robotic dancing partner. Design Studies, 31 (2). 99 - 117. ISSN 1872-6909

Walmsley, B and Franks, A (2011) The audience experience: changing roles and relationships. In: Walmsley, B, (ed.) Key Issues in the Arts and Entertainment Industry. Goodfellow . ISBN 978-1-906884-20-8

Walmsley, B and Oliver, J (2011) Assessing the value of the arts. In: Walmsley, B, (ed.) Key Issues in the Arts and Entertainment Industry. Goodfellow . ISBN 978-1-906884-20-8

Walmsley, BA (2011) The 21st century business model. In: Walmsley, BA, (ed.) Key Issues in the Arts and Entertainment Industry. Goodfellow . ISBN 978-1-906884-20-8

Walmsley, BA (2013) Co-creating theatre: Authentic engagement or inter-legitimation? Cultural Trends, 22 (2). 108 - 118. ISSN 0954-8963

Walmsley, BA (2016) Deep hanging out in the arts: an anthropological approach to capturing cultural value. International Journal of Cultural Policy. ISSN 1028-6632

Walmsley, BA (2016) From arts marketing to audience enrichment: how digital engagement can deepen and democratize artistic exchange with audiences. Poetics, 58. pp. 66-78. ISSN 0304-422X

Walmsley, BA (2010) National Theatre of Scotland and its sense of place. The Marketing Review, 10 (2). 109 - 117. ISSN 1469-347X

Walmsley, BA (2012) Re-defining rural marketing: Insights from touring theatre. International Journal of Rural Management, 8 (1-2). 49 - 62. ISSN 0973-0052

Walmsley, BA (2010) Staged story and variety. In: Moss, S, (ed.) The Entertainment Industry. CABI Publishing , 16 - 37. ISBN 1845935519

Walmsley, BA (2012) Towards a balanced scorecard: A critical analysis of the Culture and Sport Evidence (CASE) programme. Cultural Trends, 21 (4). 325 - 334. ISSN 0954-8963

Walmsley, BA (2013) Whose value is it anyway? A neo-institutionalist approach to articulating and evaluating artistic value. Journal of Arts and Communities, 4 (3). 199 - 215. ISSN 1757-1936

Walmsley, BA (2011) Why people go to the theatre: a qualitative study of audience motivation. Journal of Customer Behaviour, 10 (4). 335 - 351. ISSN 1475-3928

Walmsley, BA (2013) 'A big part of my life': a qualitative study of the impact of theatre. Arts Marketing: An International Journal, 3 (1). 73 - 87. ISSN 2044-2084

Walmsley, BA (2013) A reflective perspective on the challenges facing research-led teaching in the performing and creative arts. Arts and Humanities in Higher Education: an international journal of theory, research and practice, 12 (2-3). 222 - 233. ISSN 1474-0222

Walsh, A (2016) The Paradox of Dis/appearance: Hunger Strike in Athens as a Performance of Survival. In: Duggan, P and Peschel, L, (eds.) Performing (for) Survival: Theatre, Crisis, Extremity. Palgrave Macmillan UK , pp. 203-221. ISBN 978-1-349-56857-4

Wood, P and Taylor, CF (2004) Big ideas for a small town: the Huddersfield Creative Town Initiative. Local Economy, 19 (4). 380 - 395. ISSN 0269-0942

This list was generated on Wed Mar 29 03:29:34 2017 BST.