Browse by Academic Unit (A-Z)

B

Bryden, J, Hogg, DC, Popat, S and Wallis, M (2008) Building artificial personalities: expressive communication channels based on an interlingua for a human-robot dance. In: Bullock, S, Noble, J, Watson, R and Bedau, MA, (eds.) Artificial Life XI. International Conference on Artificial Life (ALIFE XI). MIT Press , Cambridge, Mass , 80 - 87 . ISBN 978-0-262-75017-2

Bryden, John, Hogg, David, Popat, Sita and Wallis, Mick (2008) Building artificial personalities: expressive communication channels based on an interlingua for a human-robot dance. In: International Conference on Artificial Life (ALIFE XI), 5-8 August, Winchester.

M

McKinney, J, Wallis, M, Popat, S, Bryden, J and Hogg, DC (2008) Embodied conversations: Performance and the design of a robotic dancing partner. In: Durling, D, Rust, C, Chen, LL, Ashton, P and Friedman, K, (eds.) Undisciplined! Proceedings of the Design Research Society Conference 2008. Design Research Society (DRS 2008), Sheffield Hallam University, Sheffield, UK. Sheffield Hallam University . ISBN 978-1-84387-293-1

O

O'Grady, KA and Kill, R (2013) Exploring Festival Performance as a State of Encounter. Arts and Humanities in Higher Education: an international journal of theory, research and practice. ISSN 1474-0222

P

Palmer, SD (2012) The beginning of modern stage lighting design: Edward Gordon Craig and the May 1900 production of Dido and Aeneas. Focus, Februa. ISSN 1364-9299

Palmer, SD and Popat, SH (2008) Dancing in the Streets - a design case study. Interactions (New York), XV (3). 55 - 59 . ISSN 1072-5520

Pitches, JD (2007) Routes or Roots: the Technical Traditions of Contemporary Physical Theatres. In: Physical Theatres: a Reader. Routledge , Abingdon , 46 - 54 (8). ISBN 0-415-36251-2

Pitches, JD (2009) Spinal Snaps: tracing a backstory of European actor training. Performance Research, 14 (2). 85 - 95 . ISSN 1352-8165

Pitches, JD (2007) Tracing/training rebellion - object work in Meyerhold's biomechanics. Performance Research, 12 (4). pp. 97-103. ISSN 1352-8165

Popat, S. and Smith-Autard, J.M. (2002) Dance-making on the internet: can on-line choreographic projects foster creativity in the user-participant? Leonardo, 35 (1). pp. 31-36. ISSN 1530-9282

R

Rodosthenous, G. (2007) Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y. Studies in Musical Theatre , 1 (3). pp. 275-292. ISSN 1750-3167

Rodosthenous, George (2005) The dramatic imagery of "Howl": the [naked] bodies of madness. In: Howl for Now. Route Publishing , Pontefract, UK , pp. 53-72. ISBN 1 901927 25 3