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Number of items at this level: 220.


Albrecht, S, Fielitz, M and Thurston, N (2019) Introduction. In: Post-Digital Cultures of the Far Right: Online Actions and Offline Consequences in Europe and the US. Political Science, 71 . transcript Verlag , Bielefeld , pp. 7-22. ISBN 978-3-8376-4670-2


Bashforth, M, Benson, M, Boon, T et al. (20 more authors) (2017) Socialising heritage/socialising legacy. In: Facer, K and Pahl, K, (eds.) Valuing the impact of collaborative research: Theory, methods and tools. Policy Press , Bristol, UK . ISBN 978-1447331629

Betancourt, R, Brookes, S, Cavell, M, Chaganti, S, Clarke, CAM, Davies, J, Frojmovic, E, van Gerven Oei, VWJ and Karkov, CE (2020) Disturbing Times: Medieval Pasts, Reimagined Futures. punctum books . ISBN 978-1-950192-75-5

Bettivia, RS and Stainforth, E (2022) Negotiating digital public spaces: context, purpose and audiences. Journal of Documentation. ISSN 0022-0418

Bowes, S (2023) The Museum Registrar as ‘Assembled Role’: A Productive Conceptualization of Collections Management Practice? Museum and Society, 21 (1). pp. 62-73. ISSN 1479-8360

Bowes, S (2022) On Museums, Conflict, and Forgetting: An Immutable Cultural Heritage? Working Papers in the Humanities, 17. pp. 45-53. ISSN 1994-8662

Brigham, R, Brigham, L, Brown, P et al. (1 more author) (2016) Living with History in York: Increasing participation from where you are. In: Chitty, G, (ed.) Heritage, Conservation and Communities : Engagement, participation and capacity building. Heritage, Culture and Identity . Routledge , Abingdon, UK , pp. 143-162. ISBN 9781472468000

Bristol, KAC (2018) Recovering a ‘lost’ account: Thomas Chippendale at No.11 St James’s Square, London. Furniture History, 54. ISSN 0016-3058

Bristol, KAC (2016) A tale of two sales: Sir Rowland Winn and no. 11 St James's Square, London, 1766–1787. History of Retailing and Consumption, 2 (1). pp. 9-24. ISSN 2373-518X

Bristol, K. (2023) Town and Country. Rethinking Thomas Chippendale’s Accounts at Nostell, West Yorkshire, and No.11 St James’s Square, London. Furniture History. ISSN 0016-3058 (In Press)

Brookfield, K, Callaghan, D, Graham, H et al. (3 more authors) (2019) Do-it-yourself heritage: heritage as a process (designing for the Stoke ‘Ping’). In: Graham, H and Vergunst, J, (eds.) Heritage as Community Research: Legacies of Co-production. Connected Communities . Policy Press , Bristol, UK , pp. 149-170. ISBN 978-1-4473-4529-9

Brownlee-Chapman, C, Chapman, R, Eardley, C et al. (13 more authors) (2018) Between speaking out in public and being person-centred: collaboratively designing an inclusive archive of learning disability history. International Journal of Heritage Studies, 24 (8). pp. 889-903. ISSN 1352-7258

Büchler, P (2017) Somebody's Got To Do It: Selected Writings by Pavel Büchler Since 1987. Ridinghouse , London, UK . ISBN 9781909932319


Cass, N (2020) Provoking numinous experience: contemporary art interventions at the Brontë Parsonage Museum. International Journal of Heritage Studies, 26 (3). pp. 299-316. ISSN 1352-7258

Cass, N, Park, G and Powell, A (2020) Introduction. In: Cass, N, Park, G and Powell, A, (eds.) Contemporary Art in Heritage Spaces. Routledge , Abingdon, UK , pp. 1-12. ISBN 978-0-367-14805-8

Chare, N and Pollock, G (2018) To Play Many Parts: Reading Between the Lines of Charlotte Salomon/CS’s Leben? oder Theater? RACAR: Revue d'Art Canadienne / Canadian Art Review, 43 (1). pp. 63-80. ISSN 0315-9906

Chare, N and Williams, DP (2016) Questions of Filiation: From the Scrolls of Auschwitz to Son of Saul. Mémoires en jeu / Memories at stake, 2. pp. 63-72. ISSN 2497-2711

Checketts, RS (2014) Shaftesbury's Theory of Art: Substance and Virtue. Oxford Art Journal, 37 (1). 83 - 98. ISSN 0142-6540


Day, G and Edwards, S (2019) Differential time and aesthetic form: uneven and combined capitalism in the work of Allan Sekula. In: Christie, J and Degirmencioglu, N, (eds.) Cultures of Uneven and Combined Development: From International Relations to World Literature. Historical Materialism, 180 . Brill , Leiden, the Netherlands , pp. 253-288. ISBN 978-90-04-38473-6

Devji, F, Krämer, S, Pinkrah, NY et al. (1 more author) (2018) The Weaponization of Language. In: Transmediale 2018, Face Value, 01-04 Feb 2018, Berlin, Germany.


Elizabeth Stainforth and Helen Graham (2017) Editors' Introduction: Utopian Currents in Heritage. Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism, 14 (2). iii-iv. ISSN 1549-9715

Evans, D and Stainforth, E (2022) Learning to live: Anarcho-syndicalism and utopia in Spain, 1931–37. International Journal of Iberian Studies. ISSN 1364-971X


Fatehrad, A (2018) Performativity and Image Formation. In: Rouhiainen, L, (ed.) NIVEL — Artistic Research. CARPA 5 – Colloquium on Artistic Research in Performing Arts, 31 Aug - 02 Sep 2017, University of the Arts Helsinki. Theatre Academy Helsinki . ISBN 978-952-7218-25-9

Fatehrad, A (2018) Untitled (Witness '79). Afterall. ISSN 1465-4253

Fell, AS and Sternberg, C (2018) Nurse-Martyr-Heroine: Representations of Edith Cavell in Interwar Britain, France and Belgium. Journal of War & Culture Studies, 11 (4). pp. 273-290. ISSN 1752-6272

Ferguson, CM (2016) ‘Descriptor, Bernice Donszelmann’, Five Years Gallery, London. Journal of Contemporary Painting, 2 (2). pp. 301-334. ISSN 2052-6695

Ferguson, CM (2017) The Facade and the Picture Plane. Journal of Contemporary Painting, 3 (1-2). pp. 101-117. ISSN 2052-6695

French, J (2020) “Arte como Advocacy”. Curadoria Inclusiva como Autodefensoria para Pessoas com Deficiência Intelectual no Reino Unido. In: International Seminar Accessibility in Museums and Cultural Spaces: Challenges and Inspirations. International Seminar Accessibility in Museums and Cultural Spaces: Challenges and Inspirations, 15-18 May 2018, São Paulo. SESC , pp. 13-35.

French, J (2019) Auto agents: Inclusive curatorship and its political potential. In: Janes, RR and Sandell, R, (eds.) Museum Activism. Museum Meanings . Routledge , Abingdon, Oxon, UK , pp. 152-163. ISBN 978-0-815-36996-7

French, J (2020) Inclusive Curating in Contemporary Art : A Practical Guide. Arc Humanities Press . ISBN 9781641892643

French, J and Jones, L (2019) Positive You: a self-advocate’s arts-based approach for building self-esteem. Disability & Society, 34 (2). pp. 189-203. ISSN 0968-7599

French, J, Lunt, N and Pearson, M (2020) The MindLab Project. Local Museums Supporting Community Wellbeing Before and After UK Lockdown. Museum and Society, 18 (3). pp. 314-318. ISSN 1479-8360

French, J and McQuay, M-A (2020) Towards Inclusive Curating: Who gets to Curate Exhibitions? UNSPECIFIED.

French, J and Jones, L (2021) Recipe for a Good Life: A Self-Advocate’s Perspective on Curating the “Good Life” to Explore Happiness and Living Well. Journal of Literary and Cultural Disability Studies, 15 (3). pp. 307-327. ISSN 1757-6458

Frojmovic, E (2015) Feasting at the Lord's Table. Images: a journal of Jewish art and visual culture, 7 (1). pp. 5-21. ISSN 1871-7993

Frojmovic, E (2015) Inscribing Piety in Late-Thirteenth-Century Perpignan. In: del Barco, J, (ed.) The Late Medieval Hebrew Book in the Western Mediterranean: Hebrew Manuscripts and Incunabula in Context. Études sur le judaïsme médiéval, 65 . Brill , Leiden , pp. 107-147. ISBN 9789004250062

Frojmovic, E (2017) Neighbouring and mixta in thirteenth-century Ashkenaz. In: Frojmovic, E and Karkov, C, (eds.) Postcolonising the Medieval Image. Routledge , pp. 241-260. ISBN 978-1-4724-8166-5

Frojmovic, E (2017) Postcolonising the Medieval Image. Routledge , Abingdon, Oxon . ISBN 9781315232164

Frojmovic, E (2018) Christian Illuminators, Jewish Patrons, and the Gender of the Jewish Book. Ars Judaica, 14 (1). ISSN 1565-6721

Fukuoka, M (2020) Beauty in the Age of Empire: Japan, Egypt, and the Global History of Aesthetic Education. The American Historical Review, 125 (5). pp. 1821-1822. ISSN 0002-8762


Gooday, G and Harrison Moore, A (2021) Networks of Power? Rethinking class, gender and entrepreneurship in English electrification, 1880-1924. Journal of Energy History/Revue d’histoire de l’énergie, 6 (Home and Hearth. Gen). ISSN 2649-3055

Graham, H, Mason, R and Nayling, N (2013) The Personal is Still Political: Museums, Participation and Copyright. Museum and Society, 11 (2). 105 - 121. ISSN 1479-8360

Graham, H, Vergunst, J and Curtis, E (2019) Conclusion: Co-producing futures – directions for community heritage as research. In: Graham, H and Vergunst, J, (eds.) Heritage as Community Research: Legacies of Co-production. Connected Communities . Policy Press , Bristol, UK , pp. 209-214. ISBN 978-1-4473-4529-9

Graham, HC (2017) Horizontality: Tactical Politics for Participation and Museums. In: Onciul, B, Stefano, ML and Hawke, S, (eds.) Engaging Heritage: Engaging Communities. Heritage Matters . Boydell and Brewer , Suffolk . ISBN 9781783271658

Graham, HC (2010) How the tea is made; or, The scaling of 'everyday life' in changing services for 'people with learning disabilities'. British Journal of Learning Disabilities, 82 (2). 133 - 143 (10). ISSN 1468-3156

Graham, HC (2015) Legitimate expertise: how decisions are made. Context: The Institute of Historic Building Conservation, 142. pp. 15-17.

Graham, HC (2015) Local Character. RSA Journal, 2015 (3). pp. 40-41. ISSN 0958-0433

Graham, HC (2016) Museums are not representative (and this is a good thing for participation). In: McSweeney, K and Kavanagh, J, (eds.) Museum Participation: New directions for Audience Collaboration. MuseumsEtc , Edinburgh . ISBN 978-1-910144-79-4

Graham, HC (2009) Oral History, "Learning Disability" and Pedagogies of Self. Oral History, 37 (1). 85 - 94 (9). ISSN 0143-0955

Graham, HC (2009) Policy Review: Department of Culture, Media and Sport's Peer Review Pilot. Cultural Trends, 18 (4). 323 - 331 (8). ISSN 0954-8963

Graham, HC (2017) Publics and Commons: The problem of inclusion for participation. ARKEN Bulletin, 7. pp. 150-167. ISSN 1602-9402

Graham, HC (2012) Scaling Governmentality: Museums, Co-production and re-calibrations of the 'logic of culture'. Cultural Studies, 26 (4). 565 - 592 (28). ISSN 0950-2386

Graham, HC (2010) To Label the Label?: 'Learning Disability', and Exhibiting 'Critical Proximity'. In: Sandell, R, Dodd, J and Garland-Thomson, R, (eds.) Re-Presenting Disability. Routledge , 115 - 129 (14). ISBN 9780415494731

Graham, HC (2016) The ‘co’ in co-production: Museums, community participation and Science and Technology Studies. Science Museum Group Journal, 5. ISSN 2054-5770

Graham, HC, Hill, K, Holland, T et al. (1 more author) (2015) When the workshop is working: The role of artists in collaborative research with young people and communities. Qualitative Research Journal, 15 (4). 404 - 415. ISSN 1443-9883

Graham, HC, Mason, R and Nayling, N (2011) Earning Legitimacy: Participation, Intellectual Property and Informed Consent. Research Report.

Graham, H (2019) Breaking out of the museum core: Conservation as participatory ontology and systemic action inquiry. In: O'Neill, M and Hooper, G, (eds.) Connecting Museums. Routledge Research in Museum Studies . Routledge , Abingdon, Oxon, UK , pp. 80-94. ISBN 978-1-138-49002-4

Graham, H (2019) How the exhibition became co-produced: Attunement and participatory ontologies for museums. In: Bjerregaard, P, (ed.) Exhibitions as Research: Experimental Methods in Museums. Routledge , Oxford, UK , pp. 181-194. ISBN 978-1-138-64606-3

Graham, H (2023) Scaling Heritage: Situated policy in an expanded ontology. In: Durrer, V, Gilmore, A, Jancovich, L and Stevenson, D, (eds.) Cultural Policy is Local: Understanding Cultural Policy as Situated Practice. New Directions in Cultural Policy Research . Palgrave Macmillan . ISBN 978-3-031-32311-9 (In Press)

Graham, H, Wray, L and Ankenbrand, J (2021) Bradford's National Museum. Report.

Grant, C and Price, D (2020) Decolonizing Art History. Art History, 43 (1). pp. 8-66. ISSN 0141-6790

Graziano, V, Mars, M and Thurston, N (2022) Public co-learning tools: a meta-politics of the simple for postdigital infrastructure. UNSPECIFIED.


Harrison Moore, A (2018) Designing Energy Use in a Rural Setting: A Case Study of Philip Webb at Standen. History of Retailing and Consumption, 4 (1). pp. 28-42. ISSN 2373-518X

Harrison Moore, A (2020) Electric Lighting; The Housewife’s Moral Challenge. Technology's Stories. ISSN 2572-3413

Harrison Moore, A (2020) Switching from the Master to the Mistress: A Women’s Guide to Powering Up the Home. RCC Perspectives: Transformations in Environment and Society, 2020 (1). pp. 24-29. ISSN 2190-5088

Harrison Moore, A and Gooday, G (2016) True Ornament? The Art and Industry of Electric Lighting in the Home, 1889-1902. In: Wade, R, Williams, G and Nichols, K, (eds.) Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Manchester University Press , Manchester , pp. 158-178. ISBN 978-0-7190-9646-4

Harrison Moore, A and Sandwell, R (2020) Editors’ Introduction. RCC Perspectives: Transformations in Environment and Society, 2020 (1). p. 7. ISSN 2190-5088


Jackson, D (2018) Приходи и смотри: русское искусство за рубежом. In: Приходи и смотри: русское искусство за рубежом. Jewish Museum and Tolerance Center, Moscow, 16 Dec 2018, Jewish Museum and Tolerance Center. Jewish Museum and Tolerance Center .

Jackson, D (2019) The Danish Golden Age. Burlington Magazine, 161 (1394). pp. 422-424. ISSN 0007-6287

Jackson, D (2019) Danish for Beginners. The Outsider Eye on Art. In: To be confirmed. Dansk Kunst – Set Udefra, 23 Feb 2019, Nationalmuseet, København. . (In Press)

Jackson, D (2017) Katharina Alsen and Annika Landmann: Nordic Painting: The Rise of Modernity. Kunst og Kultur, 100 (4). pp. 236-238. ISSN 1504-3029

Jaillant, L and Rees, A (2022) Applying AI to digital archives: trust, collaboration and shared professional ethics. Digital Scholarship in the Humanities. fqac073. ISSN 2055-7671


Kaestle, T, Roberts, B, Vickery, J et al. (5 more authors) (2017) Reviews. Art & the Public Sphere, 6 (1-2). pp. 129-173. ISSN 2042-793X

Karkov, C (2015) The Scribe Looks Back: Anglo-Saxon England and the Eadwine Psalter. In: Brett, M and Woodman, DA, (eds.) The Long Twelfth-Century View of the Anglo-Saxon Past. Studies in Early Medieval Britain and Ireland . Routledge , London, UK , pp. 289-306. ISBN 9781317025153

Karkov, CE (2014) The Anglo-Saxon World (Review). Journal of Anthropological Research, 70 (4). 635 - 635. ISSN 2153-3806

Karkov, CE (2017) The Franks Casket speaks back: The bones of the past, the becoming of England. In: Frojmovic, E and Karkov, CE, (eds.) Postcolonising the Medieval Image. Routledge , Abingdon, Oxon UK , pp. 37-61. ISBN 9781472481665

Karkov, CE (2016) Hagar and Ishmael: the Uncanny and the Exile. In: Zacher, S, (ed.) Imagining the Jew in Anglo-Saxon Literature and Culture. University of Toronto Press , Toronto , pp. 197-218. ISBN 9781442646674

Karkov, CE (2016) Hoards, hoarders, and other broken things. postmedieval: a journal of medieval cultural studies, 7 (3). pp. 456-468. ISSN 2040-5960

Karkov, CE (2019) The Lindisfarne Gospels: New Perspectives. Speculum: a journal of Medieval studies, 94 (4). pp. 1154-1156. ISSN 0038-7134

Karkov, CE (2016) Reading the Trinity in the Harley Psalter. In: Cambridge, E and Hawkes, J, (eds.) Crossing Boundaries: Interdisciplinary Approaches to the Art, Material Culture, Language and Literature of the Early Medieval World. Oxbow Books , Oxford . ISBN 9781785703072

Karkov, CE (2014) Reviews: Lilla Kopar, Gods and Settlers: The Iconography of Norse Mythology in Anglo-Scandinavian Sculpture (Turnhout: Brepols, 2012). Northern History, 51 (1). 193 - 194. ISSN 0078-172X

Kay, M, Harrison Moore, A and Gooday, G (2019) Electrifying the country house: taking stories of innovation to new audiences. Museum and Society, 17 (1). pp. 1-18. ISSN 1479-8360

Knifton, R (2018) Art, Town and Gown: Siting Public Artworks in Kingston Upon Thames. In: Vasilikou, C and Castoro, M, (eds.) Urban Artscapes: Essays on Political and Cultural Contexts. McFarland , pp. 56-67. ISBN 9781476665405

Knifton, R and Lloyd, F (2017) Multisensorial Dynamics: Encountering and Capturing the Intangible Heritage of the Art School in Britain. Studies in Material Thinking, 17. 6. ISSN 1177-6234

Knifton, RH (2018) Local and global intersections of popular music history and heritage. In: Baker, S, Strong, C, Istvandity, L and Cantillon, Z, (eds.) The Routledge Companion to Popular Music History and Heritage. Routledge Media and Cultural Studies Companions . Routledge . ISBN 9781138237636

Knifton, RH and Leonard, M (2017) Introduction: Special Issue on Popular Music and Heritage. Popular Music History, 10 (2). pp. 107-112. ISSN 1740-7133

Koch, A (2020) “But there is always hope in the human heart”: Italian Jews’ Search for the Deported in the Immediate Aftermath of the Holocaust. Holocaust and Genocide Studies: an international journal, 34 (2). pp. 295-314. ISSN 8756-6583

Koch, A (2020) Exile Dreams: Antifascist Jews, Antisemitism and the 'Other Germany'. Fascism, 9 (1-2). ISSN 2211-6249


Leonard, M and Knifton, R (2017) A critical survey of museum collections of popular music in the United Kingdom. Popular Music History, 10 (2). pp. 171-191. ISSN 1740-7133

Lewandowski, S and Belinfante, S (2012) The Reversing Machine: A Theatre of Kairos and Chronos. UNSPECIFIED.


Mainz, V (2016) The Inequalities of Infamy. Oxford Art Journal, 39 (2). pp. 217-227. ISSN 0142-6540

Mainz, VS (2017) Nationalizing France's Army: Foreign, Black, and Jewish Troops in the French Military, 1715-1831. By Christopher J. Tozzi. French Studies, 71 (4). pp. 574-575. ISSN 0016-1128

Mainz, VS (2017) Satire, prints and theatricality in the French Revolution. By Claire Trévien. French Studies, 71 (4). pp. 579-580. ISSN 0016-1128

Mainz, VS (2014) The politics of the provisional: art and ephemera in revolutionary France. French Studies, 68 (4). 550 - 551. ISSN 0016-1128

Micklethwaite, P and Knifton, R (2017) Climate Change. Design Teaching for a New Reality. In: Di Lucchio, L, Imbesi, L and Atkinson, P, (eds.) The Design Journal. Design for Next - 12th European Academy of Design Conference, 12-14 Apr 2017, Sapienza University of Rome. Taylor & Francis , S1636-S1650. ISBN 9781138090231

Mitchell, E (2017) The Girl and Simone de Beauvoir’s The Second Sex: Feminine Becomings. Australian Feminist Studies, 32 (93). pp. 259-275. ISSN 0816-4649

Mitchell, E (2022) Chantal Akerman and the cinéfille. Camera Obscura: Feminism, Culture, and Media Studies. ISSN 0270-5346 (In Press)

Mitchell, E and Vráblíková, L (2022) Out of office: mycorrhizal encounters and the art of feminist un/learning. Antennae (58). pp. 96-107. ISSN 1756-9575

Morgan, D (2007) Cosmopolitics and the emergence of the future. Palgrave Macmillan . ISBN 9780230001527

Morgan, D (2019) “L’animalité, un analogon de l’humanité” to be published by Vrin/SEKLF 2019, special issue on Kant's Anthropologie. Actes de la Societe d'Etudes Kantiennes en langue Francaise. (In Press)

Morgan, D (2009) Trading hospitality: Kant, cosmopolitics and commercium. Paragraph: a journal of modern critical theory, 32 (1). 105 - 122. ISSN 0264-8334

Morgan, DL (2016) Anarchism, Utopianism and Hospitality: The Work of René Schérer. Modern and Contemporary France, 24 (2). pp. 161-177. ISSN 0963-9489

Morgan, DL (2017) Bunker Conversion and the Overcoming of Siege Mentality. Textual Practice, 31 (7). pp. 1333-1360. ISSN 0950-236X

Morgan, DL (2013) "The Camel (the Ship of the Desert)”: “Fluid Geography”, Globality and Cosmopolitics in the Work of Immanuel Kant. In: Bastos da Silva, J, (ed.) The Epistemology of Utopia: Rhetoric, Theory and Imagination. Utopian Studies Society Conference, 01 Jul 2009, Porto, Portugal. Cambridge Scholars Publishing , pp. 120-139. ISBN 9781443846257

Morgan, DL (2014) The "Floating Asylum," the Armée du salut, and Le Corbusier: A Modernist Heterotopian/Utopian Project. Utopian Studies, 25 (1). pp. 87-124. ISSN 1045-991X

Morgan, DL (2014) Globus terraqueus: Cosmopolitan Right, "Fluid Geography" and Commercium in the Utopian Thinking of Immanuel Kant and Pierre-Joseph Proudhon. In: Sarat, A, Douglas, L and Umphrey, MM, (eds.) Law and the Utopian Imagination. The Amherst Series in Law, Jurisprudence, and Social Thought . Stanford University Press , Stanford, California , pp. 126-154. ISBN 9780804790819

Morgan, DL (2014) Globus terraqueus: cosmopolitan right, "fluid geography" and commercium in the utopian thinking of Immanual Kant and Pierre-Joseph Proudhom. In: Sarat, A, Douglas, L and Umphrey, M, (eds.) Law and the utopian imagination. Amherst Series in Law, Jurisprudence and Social Thought . Stanford University Press , 126 - 154. ISBN 0804790817

Morgan, DL (2014) “Je monte, je valide”: les machines nous parlent et parlent à notre place. Faut-il s’orienter autrement? Ici et ailleurs: Association pour une Philosophie Nomade.

Morgan, DL (2015) La nature morte ouvre bien l'appétit: la gastrosophie et le jugement esthétique. In: Irodotou, C, (ed.) Mélanges offerts à René Schérer. Editions L'Harmattan , France . ISBN 978-2-343-07527-3

Morgan, DL (2015) La transmission dans le temps de l’Idée : « ce météore [lancé] sur les masses électrisées ». Revue d’études proudhoniennes, 1. pp. 64-71. ISSN 2491-0074

Morgan, DL (2011) Saint-Simon, Fourier, and Proudhon: "Utopian" French socialism. In: Schrift, AD, (ed.) The history of continental philosophy. University of Chicago Press , 265 - 304. ISBN 0226740463

Morgan, DL (2014) The flat management of “crises” on our spherical planet: anarchist order for a sustainable future. In: Gallardo, P and Russell, E, (eds.) Yesterday's Tomorrows: On Utopia and Dystopia. Cambridge Scholars Publishing , Newcastle upon Tyne , pp. 59-71. ISBN 1-4438-5588-X

Morgan, DL and Ansell-Pearson, K (2000) Nihilism now!: “Monsters of energy”. Palgrave Macmillan . ISBN 0312232098

Morgan, D (2018) Kant for Architects. Thinkers for Architects . Routledge , Abingdon . ISBN 9780415698689

Morgan, D (2021) Utopia and Architecture. In: Shrank, C, (ed.) Oxford Companion to Architecture. Oxford University Press . (In Press)

Morgan, D (2022) Yellow Jackets and Green Issues. The History of Animals: A Philosophy by Oxana Timofeeva. Cultural Critique, 114. pp. 155-177. ISSN 0882-4371

Mowitt, J (2017) Auteur da Fé - The Geopolitics of the Author. Écrans, 2016/2 (6). pp. 117-132. ISSN 2267-4357

Mowitt, J (2020) The Color of Noise. SubStance, 49 (2). pp. 133-149. ISSN 0049-2426

Mowitt, J (2019) Offering (Up) Theory. symplokē, 27 (1-2). ISSN 1069-0697

Mowitt, J (2016) On Trying: André Hodeir and the Music Essay. Amodern, 6.

Mowitt, J (2016) Re(a)d Work. Parallax, 22 (2). pp. 139-152. ISSN 1353-4645

Mowitt, J (2017) The Searing of the University. Kronos (Bellville), 43 (1). pp. 99-113. ISSN 0259-0190

Mowitt, J (2015) Was of the Worlds. In: Küchler, U, Maehl, S and Stout, G, (eds.) Alien Imaginations: Science Fiction and Tales of Transnationalism. Bloomsbury Academic , London, UK . ISBN 9781628921151

Mowitt, JW (2015) Radio Silence; or, On the Fritz. Cultural Critique, 91. pp. 150-163. ISSN 0882-4371


Park, G (2020) Feministing Photography:The Pavilion Women's Photography Centre – Looking Back to Act Forwards. In: Deepwell, K, (ed.) Feminist Art Activisms And Artivisms. Plural . Valiz , Amsterdam, the Netherlands . ISBN 9789492095725

Park, G (2022) Synaptic visualisations: reading ‘the global’ in and through the work of Sutapa Biswas. Art History, 45 (3). pp. 674-691. ISSN 0141-6790

Pollock, G (2018) ‘Action, Activism, and Art and/as Thought: A Dialogue with the Artworking of Sonia Khurana and Sutapa Biswas and the Political Theory of Hannah Arendt’. e-flux, 92. ISSN 2164-1625

Pollock, G (2019) ‘Akerman’ on screen: Chantal Akerman behind and before the camera, and after cinema. Moving Image Review and Art Journal, 8 (1-2). pp. 8-26. ISSN 2045-6298

Pollock, G (2013) Auto-history: Frida Kahlo's political imagining. In: Frida Kahlo: A Life in Art. Hatje Cantz , 26 - 42 (16). ISBN 9788778750990

Pollock, G (2014) Crimes, confession and the everyday: challenges in reading Charlotte Salomon's Leben? oder theater? 1941-1942. Journal of Visual Culture, 13 (2). 200 - 235. ISSN 1470-4129

Pollock, G (2013) From horrorism to compassion: re-facing medusan otherness in dialogue with Adriana Caverero and Bracha Ettinger. In: Pollock, GFS, (ed.) Visual Politics and Psychoanalysis: Art & the Image in Post-Traumatic Cultures. I.B.Tauris & Co Ltd , 159 - 189 (30). ISBN 9781780763163

Pollock, G (2017) ‘How the political world crashes in on my personal everyday’: Lubaina Himid’s Conversations and Voices: Towards an Essay About Afterall: A Journal of Art, Context and Enquiry, 43. pp. 18-29. ISSN 1465-4253

Pollock, G (2016) Is Feminism a Trauma, a Bad Memory, or a Virtual Future? differences, 27 (2). pp. 27-61. ISSN 1040-7391

Pollock, G (2020) Liquid culture, the art of life and dancing with Tracey Emin: A feminist art historian/cultural analyst’s perspective on Bauman’s missing cultural hermeneutics. Thesis Eleven, 156 (1). pp. 10-26. ISSN 0725-5136

Pollock, G (2016) Looking Jewish: Visual Culture and Modern Diaspora, Carol Zemel. Jewish Historical Studies, 48 (1). pp. 229-234. ISSN 0962-9696

Pollock, G (2017) Staging Subjectivity: Love and Loneliness in the Scene of Painting with Charlotte Salomon and Edvard Munch. Text Matters, 7 (7). pp. 114-144. ISSN 2083-2931

Pollock, G (2014) Whither art history? Art Bulletin, 96 (1). 9 - 23. ISSN 0004-3079

Pollock, G (2017) The missing wit(h)ness: Monroe, fascinance and the unguarded intimacy of being dead. Journal of Visual Art Practice, 16 (3). pp. 265-296. ISSN 1470-2029

Pollock, G and Davis, M (2020) Thinking in dark times: Assessing the transdisciplinary legacies of Zygmunt Bauman. Thesis Eleven, 156 (1). pp. 3-9. ISSN 0725-5136

Pollock, GFS (2010) Aesthetic Wit(h)nessing in the Era of Trauma. EurAmerica: A Journal of European and American Studies, 40 (4). 829 - 886. ISSN 1021-3058

Pollock, GFS (2013) Editor's introduction. In: Pollock, G, (ed.) Visual Politics and Psychoanalysis: Art & the Image in Post-traumatic Cultures. I.B.Tauris & Co Ltd , 1 - 22 (21). ISBN 9781780763163

Pollock, GFS (2016) Monroe’s Molly: Three Reflections on Eve Arnold’s Photograph of Marilyn Monroe Reading Ulysses. Journal of Visual Culture, 15 (2). pp. 203-232. ISSN 1470-4129

Pollock, GFS (2009) Mother trouble: the maternal-feminine in phallic and feminist theory in relation to Bratta Ettinger's Elaboration of Matrixial Ethics. Studies in the Maternal, 1 (1). 1 - 31. ISSN 1759-0434

Pollock, GFS (2012) Trauma, time and painting: Bracha L. Ettinger and the matrixial aesthetic. In: Zarzycka, M and Papenburg, B, (eds.) Carnal Aesthetics. I.B.Tauris & Co Ltd , 21 - 41. ISBN 1780760132

Pollock, GFS (2013) Writing from the heart. In: Writing Otherwise: Experiments in Cultural Criticism. Manchester University Press , 19 - 34 (15). ISBN 9780719089428

Pollock, GFS (2010) The long journey: maternal trauma, tears and kisses in a work by Chantal Akerman. Studies in the Maternal, 2 (1). 1 - 32. ISSN 1759-0434

Pollock, GFS (2010) The missing future: MOMA and modern women. In: Butler, C and Schwartz, A, (eds.) Modern Women: Women Artists at The Museum of Modern Art. The Museum of Modern Art . ISBN 087070771X

Pollock, G (2017) Life? Or Theatre? TLS - The Times Literary Supplement (5981). pp. 25-26. ISSN 0307-661X

Popple, S, Lacedelli, SZ, Rees, AJ et al. (2 more authors) (2023) Collaborative conversation as a method for exploring multiple perspectives on 'community' and forms of knowledge in the Congruence Engine. Science Museum Group Journal, 18. 221809. ISSN 2054-5770

Prenowitz, E (2019) Fleurir. In: Segarra, M, (ed.) Hélène Cixous: Corollaires d'une écriture. L'imaginaire du texte . Presses Universitaires de Vincennes , France . ISBN 978-2-37924-008-9


Rajner, M, Rodov, I, Amishai-Maisels, Z et al. (14 more authors) (2017) Round Table Discussion. Ars Judaica, 13. pp. 7-26. ISSN 1565-6721

Raw, A and Mantecón, AR (2013) Evidence of a transnational arts and health practice methodology? A contextual framing for comparative community-based participatory arts practice in the UK and Mexico. Arts & Health, 5 (3). pp. 216-229. ISSN 1753-3015

Rea, W (2019) The Ẹpa Masquerades of Èkìtì: A Structural Approach. African Arts, 52 (3). pp. 16-27. ISSN 0001-9933

Rea, WR (2017) Amòdu and the Material Manifestation of Eégún. In: Basu, P, (ed.) The Inbetweenness of Things: Materializing Mediation and Movement between Worlds. Bloomsbury , London . ISBN 9781474264778

Rea, W (2020) From Ekiti to Ebutte Metta. In: Bridger, NJ and Picton, J, (eds.) Christian Art and African Modernity. Galda Verlag , Glienicke, Germany , pp. 227-250. ISBN 978-3-96203-135-0

Rea, W (2022) The King’s Horseman: Portraits of Authority in Southwestern Nigeria. The Art Bulletin, 104 (1). pp. 118-145. ISSN 0004-3079

Rea, W (2022) Street to Mbari: Jacob Lawrence and the Influence of the “International” on a Local Modernism. Nka Journal of Contemporary African Art, 2022 (50). pp. 64-75. ISSN 1075-7163

Rea, W (2022) 'The road to Mbari' : Jacob Lawrence and the influence of the 'international' on a local modernism. Nka: Journal of Contemporary African Art, 50. pp. 64-75. ISSN 1075-7163

Rees, A (2020) Image Recognition as a Tool in Cataloguing Born-Digital Photography. In: Connect to Collect Approaches to Collecting Social Digital Photography in Museums and Archives. Nordiska museets förlag . ISBN 978-91-7108-616-7

Rees, A (2020) O que isto significa em memes? Colecionando e curando memes em museus [What does that meme? Collecting and curating memes in museums]. In: A cultura dos memes: aspectos sociológicos e dimensões políticas de um fenômeno do mundo digital. EDUFBA . ISBN 9788523219796

Rees, AJ (2021) Collecting Online Memetic Cultures: how tho. Museum and Society, 19 (2). pp. 199-219. ISSN 1479-8360

Rees, AJ and Graham, H (2023) Congruence Engine in action – an emergent editorial. Science Museum Group Journal, 18. 221803. ISSN 2054-5770

Rees, AJ, Sichani, A-M and Lacedelli, SZ (2023) Surfacing multiple perspectives on keywords for the Congruence Engine; embracing multiplicity, interdisciplinarity and mutual learning. Science Museum Group Journal, 18. 221810. ISSN 2054-5770

Richardson, T (2011) 'A Schizocartography of a Redbrick'. Spaces and Flows: An International Journal of Urban and Extraurban Studies, 1 (1). ISSN 2154-8676

Roy, D (2020) Apocalyptic Allegories: Resisting Strategic Nuclear Imaginaries through Critical Literacy. Rivista di Studi Americani, 31. pp. 59-84. ISSN 1592-4467

Roy, D. and Deshbandhu, A. (2023) Digital Humanities. The Year's Work in Critical and Cultural Theory, 31 (1). pp. 45-60. ISSN 1077-4254


Sandwell, RW and Harrison Moore, A (2018) Off-Grid Empire: Rural Energy Consumption in Britain and the British Empire, 1850-1960. History of Retailing and Consumption, 4 (1). pp. 1-9. ISSN 2373-518X

Stainforth, E (2016) From museum to memory institution: the politics of European culture online. Museum and Society, 14 (2). pp. 323-337. ISSN 1479-8360

Stainforth, E (2017) Mixing Memory and Desire: Exploring Utopian Currents in Heritage. Future Anterior, 14 (2). pp. 1-10. ISSN 1549-9715

Stainforth, E and Baeza Ruiz, A (2019) Technologies of public culture: Heritage encounters with photography, television and the web. International Journal of Cultural Studies, 22 (4). pp. 595-611. ISSN 1367-8779

Stainforth, E and Walton, JL (2019) Computing Utopia: The Horizons of Computational Economies in History and Science Fiction. Science Fiction Studies, 46 (3). pp. 471-489. ISSN 0091-7729

Stainforth, EMC and Borchi, A (2015) The nature and value of cultural policy research for early career researchers. Cultural Trends, 24 (2). 1031476. 109 - 111 (3). ISSN 0954-8963

Stainforth (2021) Excavating the Future: Utopia as a Method of Historical Analysis. Utopian Studies, 32 (3). pp. 598-612. ISSN 1045-991X

Stainforth, E (2022) Collective memory or the right to be forgotten? Cultures of digital memory and forgetting in the European Union. Memory Studies, 15 (2). pp. 257-270. ISSN 1750-6980

Stainforth, E (2019) Disruptive forms, persistent values: negotiating digital heritage and ‘The Memory of the World’. In: Carter, T, Harvey, DC, Jones, R and Robertson, I, (eds.) Creating Heritage: Unrecognised Pasts and Rejected Futures. Routledge Cultural Heritage and Tourism Series . Routledge , Abingdon . ISBN 9780815347927

Sternberg, C (2008) Framed (by) memory: The popular mnemonics of the First World War in "The Unknown Soldier" (Carlton TV, UK 1998) and "Distant Bridges" (UK/USA 1999). In: Meyer, J, (ed.) British popular culture and the First World War. Brill , 305 - 324. ISBN 9004166580

Sternberg, C (2016) From Pig Farmer to Infidel: Hidden Identities, Diasporic Infertility, and Transethnic Kinship in Contemporary British Jewish Cinema. In: Abrams, N and Lassner, P, (eds.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television, and Popular Culture. Cultural Expressions of World War II: Interwar Preludes, Responses, Memory . Northwestern University Press , Evanston, Illinois , pp. 181-204. ISBN 978-0-8101-3282-5

Sternberg, CR (2016) Book Review: Mark Connelly. The Great War, Memory and Ritual: Commemoration in the City and East London, 1916-1939. Woodbridge; Rochester, NY: The Royal Historical Society/Boydell Press, 2015. The London Journal, 41 (1). pp. 107-109. ISSN 0305-8034

Sternberg, C (2021) The First World War in British Narrative Film and Television: From Visual Archive to Filmic Imagination. In: Schneider, R and Potter, J, (eds.) Handbook of British Literature and Culture of the First World War. Handbooks of English and American Studies, 8 . De Gruyter . ISBN 9783110426670

Sternberg, C (2020) Momentary Rupture? 'Dawn' (1928) and the Transgressive Potential of the Edith Cavell Case. In: Purse, L and Wolfel, U, (eds.) Mediating War and Identity: Figures of Transgression in 20th and 21st Century War Representation. Edinburgh University Press . ISBN 9781474446266

Swiboda, MA (2014) When Beats Meet Critique: Documenting Hip-Hop Sampling as Critical Practice. Critical Studies in Improvisation, 10 (1). ISSN 1712-0624


Taylor, C (2018) The Artists' Book as Collaborative Art Practice. In: Boyer, J, (ed.) Theorem 2017: Doctoral research in the UK visual arts and design. Ruskin Arts Publications , Cambridge, UK , pp. 132-157. ISBN 978-0-9931461-5-2

Taylor, C (2020) Books, Scrolls and Ripples: In Search of an Audience through the Printed Works of Helen Douglas. Arts, 9 (1). 35. ISSN 2076-0752

Thoburn, N. and Thurston, N. (2023) Papercuts: The Horizons of Minor Publishing. In: Sjöberg, S., Keskinen, M. and Karhumaa, A., (eds.) The Experimental Book Object: Materiality, Media, Design. Routledge Digital Literary Studies . Routledge . ISBN 9781032368818 (In Press)

Thurston, N (2019) Back to Front Truths. Hate Library. In: Post-Digital Cultures of the Far Right: Online Actions and Offline Consequences in Europe and the US. Political Science, 71 . transcript Verlag , Bielefeld , pp. 193-204. ISBN 978-3-8376-4670-2

Thurston, N (2017) Cast in Ink: The Poetics of Letterpress in Contemporary Art. In: Using Letterpress Workshop, 17 Nov 2017, Dublin, Ireland.

Thurston, N (2019) De la Subcontratar, O principios del derecho poetico. hedra . NO_LIBROS , Barcelona . ISBN 978-85-53109-09-8

Thurston, N (2017) Doing the Splits. Frieze, 191 (191).

Thurston, N (2018) From Secular Temples to Information Warehouses. Modernism/Modernity, 25 (1). pp. 185-191. ISSN 1071-6068

Thurston, N (2017) Literatura konceptualna zawsze wystepuje w liczbie mnogiej. Ha!Art (59). pp. 68-79. ISSN 1641-7453

Thurston, N (2014) The Mediatisation of Contemporary Writing. The White Review.

Thurston, N (2016) The Mediatisation of Contemporary Writing. In: Gilbert, A, (ed.) Publishing As Artistic Pratice. Sternberg Press , Berlin , pp. 90-99. ISBN 978-3-95679-177-2

Thurston, N (2019) Nicholas Thoburn, Anti-Book: On the Art and Politics of Radical Publishing (Minneapolis and London: University of Minnesota Press, 2016). 379 pp., ISBN 9780816621965, $30. Comparative Critical Studies, 16 (1). pp. 125-128. ISSN 1744-1854

Thurston, N (2016) The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing. Parallax, 22 (2). pp. 263-266. ISSN 1353-4645

Thurston, N (2013) Publishing as a praxis of conceptualist reading performances. Journal of Writing in Creative Practice, 6 (3). 421 - 429. ISSN 1753-5190

Thurston, N (2017) Reading the Illegible. Amodern, 6.

Thurston, N (2018) Speculative Libraries. In: TBC. The Leeds Library, 1768-2018: 250th Anniversary Conference, 20-22 Sep 2018, Leeds, UK. .

Thurston, N (2015) Status_Anxieties. Convolutions: The Journal of Conceptual Criticism, 1 (3).

Thurston, N (2018) What Was Conceptual Writing? In: Andersson, A, (ed.) Postscript: Writing After Conceptual Art. University of Toronto Press , Toronto, Canada . ISBN 9781442649842

Thurston, N (2014) Who is taking responsibility for that text? In: Proceedings. 102nd College Arts Association (CAA) Annual Conference, 12-15 Feb 2014, Chicago, IL, USA. .

Thurston, NPM (2016) All as Nothing in the Key of Black. EROS, 1:5 . pp. 70-79. ISSN 2048-8532

Thurston, NPM and Dupeyrat, J (2018) Interview with Nick Thurston. In: Dupeyrat, J, (ed.) Entretiens. Perspectives contemporaines sur les publications d'artistes. Éditions Incertain Sens , Rennes , pp. 279-293. ISBN 978-2-914291-78-1

Thurston, N (2022) The Editor Function: Literary Publishing in Postwar America. Abram Foley. Minneapolis: University of Minnesota Press, 2021. Pp. 224. Modern Philology, 119 (3). E131-E133. ISSN 0026-8232

Thurston, N (2023) Inmediate Writing: Pavel Büchler and the Logic of Letterpress. In: Archer- Parré, C and Mussell, J, (eds.) Letterpress Printing: Past, Present, Future. Printing History and Culture, 4 . Peter Lang , pp. 151-178. ISBN 9781800794214

Thurston, N (2020) Luis Camnitzer interviewed by Nick Thurston. Art Monthly -London-, 438. pp. 1-5. ISSN 0142-6702

Thurston, N (2020) Profile: Pirate Care Syllabus. Art Monthly -London-. pp. 16-17. ISSN 0142-6702

Thurston, N (2021) The Publishing Self: The Praxis of Self-Publishing in a Mediatised Era. In: Colby, G, Marczewska, K and Wilson, L, (eds.) The Contemporary Small Press. Palgrave Macmillan , pp. 135-152. ISBN 978-3-030-48783-6

Thurston, N (2021) So far, so clear. In: Bell-Jones, G and Thorp, D, (eds.) Ants and Grasshoppers: Reflections on the Anxious Object. Flat Time House .

Thurston, N (2020) A Tear, After Mayakovsky. Convolution No.5—7. ISSN 2158-2637

Thurston, N (2019) che cosa mi aspetto dalla critica. Il Verri, no.69. ISSN 0506-7715


Vergunst, J and Graham, H (2019) Introduction: Heritage as community research. In: Graham, H and Vergunst, J, (eds.) Heritage as Community Research: Legacies of Co-production. Connected Communities . Policy Press , Bristol, UK , pp. 1-24. ISBN 978-1-4473-4529-9


Watkins, EI (2010) Colour Consciousness and Design in Blanche Fury as Technicolor Melodrama. Journal of British Cinema and Television, 7. 53 - 68 . ISSN 1743-4521

Westgarth, M (2019) Figuring the Antique Dealer: dealers in fact and fiction. In: LAPADA Fair Catalogue 2019. LAPADA , pp. 22-24.

Westgarth, M (2018) Foreword to Light and Shadow at Tennants. In: Light and Shadow at Tennants. Tennants Auctioneers .

Westgarth, M (2017) Learning to Look: Benedict Read as a Teacher. In: Benedict Read's life in sculpture: His father never told him about things like that. Essays on Sculpture (77). Henry Moore Institute , Leeds, UK , pp. 5-7. ISBN 978-1-905462-57-5

Westgarth, M (2019) The untold story of museums and the art market. Apollo (February 2019). p. 21. ISSN 0003-6536

Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society , Glasgow .

Williams, D (2019) Figuring the Grey Zone: The Auschwitz Sonderkommando in Contemporary Culture. Holocaust Studies, 25 (1-2). pp. 141-157. ISSN 1750-4902

Williams, D (2018) Political Collage, Poetic Coexistence: Rachel Zolf’s Neighbour Procedure. In: Majer, K, Fruzińska, J, Kwaterko, J and Ravvin, N, (eds.) Kanade, di Goldene Medine?: Perspectives on Canadian-Jewish Literature and Culture / Perspectives sur la littérature et la culture juives canadiennes. Francopolyphonies, 25 . Brill , Leiden, The Netherlands , pp. 153-169. ISBN 978-90-04-37940-4

Williams, DP (2017) Punch and the Pogroms: Eastern Atrocities in John Tenniel’s Political Cartoons, 1876–1896. RACAR, 42 (1). pp. 32-47. ISSN 0315-9906

This list was generated on Fri Sep 29 03:59:22 2023 BST.