Who Is Buried in Webern’s Tomb? Orientations in the Reception of Serial Music from Messiaen to Stockhausen

Erwin, M orcid.org/0000-0002-3690-6942 (2021) Who Is Buried in Webern’s Tomb? Orientations in the Reception of Serial Music from Messiaen to Stockhausen. Perspectives of New Music, 58 (2). pp. 93-128. ISSN 0031-6016

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Item Type: Article
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Copyright 2020, Perspectives of New Music. Used by permission. This article first appeared in Perspectives of New Music vol 58 number 2, 2020.
Dates:
  • Published: 2 November 2021
  • Published (online): 23 August 2021
  • Accepted: 1 December 2019
Institution: The University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds)
Depositing User: Symplectic Publications
Date Deposited: 19 Dec 2019 12:03
Last Modified: 18 Dec 2024 10:13
Status: Published
Publisher: Perspectives of New Music
Identification Number: 10.1353/pnm.2020.0013
Open Archives Initiative ID (OAI ID):

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