Erwin, M orcid.org/0000-0002-3690-6942 (2021) Who Is Buried in Webern’s Tomb? Orientations in the Reception of Serial Music from Messiaen to Stockhausen. Perspectives of New Music, 58 (2). pp. 93-128. ISSN 0031-6016
Metadata
Item Type: | Article |
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Authors/Creators: | |
Copyright, Publisher and Additional Information: | Copyright 2020, Perspectives of New Music. Used by permission. This article first appeared in Perspectives of New Music vol 58 number 2, 2020. |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 19 Dec 2019 12:03 |
Last Modified: | 18 Dec 2024 10:13 |
Status: | Published |
Publisher: | Perspectives of New Music |
Identification Number: | 10.1353/pnm.2020.0013 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:154566 |