Chare, N and Pollock, G orcid.org/0000-0002-6752-2554 (2018) To Play Many Parts: Reading Between the Lines of Charlotte Salomon/CS’s Leben? oder Theater? RACAR: Revue d'Art Canadienne / Canadian Art Review, 43 (1). pp. 63-80. ISSN 0315-9906
Abstract
This conversation with Griselda Pollock, Professor of the Social and Critical Histories of Art in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds, UK, focuses on her most recent book, Charlotte Salomon and the Theatre of Memory (New Haven and London : Yale University Press, 2018). The latter provides new readings of Leben ? oder Theater ? (Life ? or Theater ?), the artistic project of the German Jewish artist Charlotte Salomon (1917–1943), who painted as CS — the cipher the artist purposely used to disguise both her gender and her ethnicity — thus challenging previous interpretations that treat this remarkable intermedial work as straightforwardly autobiographical.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2018, AUAC-AAUC (University Art Association of Canada). Reproduced in accordance with the publisher's self-archiving policy. |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 18 Oct 2018 13:45 |
Last Modified: | 25 Jun 2023 21:32 |
Published Version: | https://www.racar-racar.com/2010.html |
Status: | Published |
Publisher: | Art Association of Universities of Canada |
Identification Number: | 10.7202/1050821ar |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:137182 |