Kent, M. orcid.org/0000-0002-0756-9860 (2025) Beyond the Red Room: Cold War II, Genre and Feminism in Marvel Studios’ Black Widow. Quarterly Review of Film and Video, 42 (3). pp. 647-674. ISSN: 1050-9208
Metadata
| Item Type: | Article |
|---|---|
| Authors/Creators: | |
| Copyright, Publisher and Additional Information: | © 2024 The Author(s). Published with license by Taylor & Francis Group, LLC. This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial License (http://creativecommons.org/licenses/by-nc/4.0/), which permits unrestricted non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent. |
| Dates: |
|
| Institution: | The University of Leeds |
| Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Media & Communication (Leeds) |
| Date Deposited: | 12 Nov 2025 16:07 |
| Last Modified: | 12 Nov 2025 16:07 |
| Status: | Published |
| Publisher: | Taylor & Francis |
| Identification Number: | 10.1080/10509208.2024.2428870 |
| Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:234036 |
Download
Filename: Beyond the Red Room Cold War II Genre and Feminism in Marvel Studios Black Widow.pdf
Licence: CC-BY-NC 4.0

CORE (COnnecting REpositories)
CORE (COnnecting REpositories)