Payne, E orcid.org/0000-0003-2109-8126 (2017) Recording Paraphrase: a 'social occasion'? In: Clarke, EF and Doffman, M, (eds.) Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Studies in Musical Performance as Creative Practice, 2 . Oxford University Press , New York, NY, USA , pp. 181-183. ISBN 9780199355914
Abstract
Collaboration is usually associated with the co-presence of those involved; but in this Intervention Emily Payne discusses a more complex and convoluted process extending over forty years, and involving different performers. Payne’s account of Antony Pay’s 2013 recording of Alexander Goehr’s Paraphrase for solo clarinet, premiered by Alan Hacker in 1969, reveals a ‘back story’ that casts new light on the network of distributed relationships that lies behind this unusual collaborative project.
Metadata
Item Type: | Book Section |
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Authors/Creators: | |
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Keywords: | composer, performer, recording, collaboration, history |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 12 Aug 2016 13:25 |
Last Modified: | 25 Jan 2018 09:19 |
Published Version: | https://global.oup.com/academic/product/distribute... |
Status: | Published |
Publisher: | Oxford University Press |
Series Name: | Studies in Musical Performance as Creative Practice |
Identification Number: | 10.1093/oso/9780199355914.003.0015 |
Related URLs: | |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:91115 |