Lamont, A, Greasley, AE and Sloboda, JA (2016) Choosing to hear music: motivation, process, and effect. In: Hallam, S, Cross, I and Thaut, M, (eds.) The Oxford Handbook of Music Psychology. Oxford University Press , Oxford ISBN 9780198722946
Abstract
This chapter provides an overview of research on self-chosen music listening experiences, both recorded and live. The material is organized into the functional niches that music is chosen to be part of travel, brain work, body work, emotional work, and attendance at live events as an audience member. Four different recurring functions of self-chosen music use are identified: distraction, energizing, entrainment, and meaning enhancement. The chapter highlights the diversity of research being undertaken in areas such as travel, housework, pain relief, study, exercise, mood management, reminiscence, and music in autobiographical narrative. Music is shown to interact and intertwine with the contexts in which it is chosen and is not always listened to reverently, and the importance of agency is highlighted throughout.
Metadata
Item Type: | Book Section |
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Authors/Creators: |
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Editors: |
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Keywords: | everyday life, choice, music listening, live events, technology, context, agency, live music, recorded music |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 06 Nov 2015 16:50 |
Last Modified: | 23 May 2016 09:37 |
Published Version: | http://dx.doi.org/10.1093/oxfordhb/9780198722946.0... |
Status: | Published |
Publisher: | Oxford University Press |
Identification Number: | 10.1093/oxfordhb/9780198722946.013.42 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:89552 |