Mc Laughlin, S (2011) Dynamical Systems, Mimesis, and Analogy in Experimental Music. Chaotic Modeling and Simulation, 1. 127 - 137. ISSN 2241-0503
Abstract
Music and dynamical systems share aspects of patterning, repetition, and variation over time, but most music that references dynamical systems as a compositional influence are mimetic representations of the system, the music is a static ’snapshot’ of the system. I propose an approach where the compositional and performative processes are analogous to the dynamical system, and the music develops in realtime through performance, acting as a model of the system in musical form. The dynamical system process is translated from the mathematical to the musical/performative, retaining its mechanisms but in a new medium. This paper will explore two examples of previous mimetic approaches, and a brief exposition on similarities between dynamical systems and musical indeterminacy (in experimental music). I will then present examples from my work There are Neither Wholes Nor Parts (2011), showing how feedback and hysteresis are used to create musical processes that affords non-linear and emergent sound structures.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | (c) 2011, CMSIM. This is an author produced version of a paper published in Chaotic Modeling and Simulation. |
Keywords: | hysteresis, feedback, composition, music, improvisation |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 14 Sep 2015 14:31 |
Last Modified: | 17 Jan 2018 05:54 |
Published Version: | http://www.cmsim.eu/papers_pdf/12CMSIM_2011_ScottM... |
Status: | Published |
Publisher: | CMSIM |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:89345 |