Swiboda, MA (2014) When Beats Meet Critique: Documenting Hip-Hop Sampling as Critical Practice. Critical Studies in Improvisation, 10 (1). ISSN 1712-0624
Metadata
| Item Type: | Article |
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| Authors/Creators: |
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| Dates: |
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| Institution: | The University of Leeds |
| Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds) |
| Depositing User: | Symplectic Publications |
| Date Deposited: | 25 Aug 2015 13:03 |
| Last Modified: | 08 Nov 2016 20:41 |
| Published Version: | http://www.criticalimprov.com/article/view/3027/35... |
| Status: | Published |
| Publisher: | University of Guelph |
| Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:89225 |
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