Frojmovic, E (2015) Feasting at the Lord's Table. Images: a journal of Jewish art and visual culture, 7 (1). pp. 5-21. ISSN 1871-7993
Abstract
The miniature of the eschatological banquet of the Just in paradise pictured at the end of the Ambrosian Bible is read here through the lens of a cultural history or histoire des mentalités. The banquet motif is interpreted as a symbolic representation of transcendent order, by means of a bricolage of preexisting images and iconographies of social order. Ultimately, the eschatological setting of the aristocratic banquet involves a polemical critique of a society that excluded Jews, and a vision of the courtly, exclusionary hierarchies of aristocratic Europe subverted.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © Koninklijke Brill NV, Leiden, 2015. This is an author produced version of a paper published in Images. Uploaded in accordance with the publishers' self-archiving policy. |
Keywords: | Ambrosian Bible |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 28 May 2015 11:57 |
Last Modified: | 11 Dec 2017 01:38 |
Published Version: | http://dx.doi.org/10.1163/18718000-12340038 |
Status: | Published |
Publisher: | Brill |
Identification Number: | 10.1163/18718000-12340038 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:86484 |