Spencer, M (2014) James Dillon: string quartets as a complex causal network. Contemporary Music Review, 33 (3). 244 - 265. ISSN 0749-4467
Abstract
James Dillon's compositions usually invoke extra-musical stimuli from wide-ranging areas such as philosophy, mythology, science and literature. The key 'genre' of music which retains a traditional and prosaic title is the string quartet, which in his output has acted as a reflective and focussed diary often commenting on his other larger works. This article explores the first six quartets and their relation to his other music as well as their own internal logic(s) and structures.
Metadata
Item Type: | Article |
---|---|
Authors/Creators: |
|
Copyright, Publisher and Additional Information: | (c) 2014, Taylor & Francis. This is an Accepted Manuscript of an article published by Taylor & Francis in Contemporary Music Review on 14th November 2014, available online: http://wwww.tandfonline.com/10.1080/07494467.2014.975551 |
Keywords: | 'Journa'l of creative practice; 'play' with tradition; abstract form; Arditti Quartet; James Dillon (1950-); string quartet |
Dates: |
|
Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 05 Feb 2015 12:38 |
Last Modified: | 23 May 2016 01:07 |
Published Version: | http://dx.doi.org/10.1080/07494467.2014.975551 |
Status: | Published |
Publisher: | Routledge |
Identification Number: | 10.1080/07494467.2014.975551 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:82872 |