Stefani, E and Mooney, J (2009) Spatial composition in the multi-channel domain: aesthetics and techniques. In: Proceedings of the International Computer Music Conference 2009. International Computer Music Conference, 16-19 Aug 2009, Montreal, Canada. International Computer Music Association
Abstract
This paper outlines technical and aesthetic approaches to sound spatialisation for electroacoustic music composition. In particular, the paper discusses how spatialisation (sound diffusion) is used to realise specific musical objectives. Technological solutions to problems associated with adapting multichannel compositions for live spatialisation are explored, with particular reference to the open-source Resound system [2, 3]. Examples of Resound applications are provided to illustrate the potential of the system for controlling complex spatial behaviour during live performance.
Metadata
Item Type: | Proceedings Paper |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | (c) 2009, International Computer Music Association. Reproduced with permission from the publisher. |
Keywords: | Computer music; spatialisation; electroacoustic composition |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 22 Oct 2014 09:52 |
Last Modified: | 19 Dec 2022 13:28 |
Published Version: | http://quod.lib.umich.edu/i/icmc/ |
Status: | Published |
Publisher: | International Computer Music Association |
Related URLs: | |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:80581 |