King Sharpe, M. orcid.org/0000-0003-0899-8170 (Accepted: 2026) De-facialization and perpetrator trauma in Alain Resnais’s Muriel or the Time of a Return (1963). Screen. ISSN: 0036-9543 (In Press)
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| Item Type: | Article |
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| Authors/Creators: |
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| Copyright, Publisher and Additional Information: | This is an author produced version of an article accepted for publication in Screen, made available via the University of Leeds Research Outputs Policy under the terms of the Creative Commons Attribution License (CC-BY), which permits unrestricted use, distribution and reproduction in any medium, provided the original work is properly cited. |
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| Institution: | The University of Leeds |
| Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Languages Cultures & Societies (Leeds) |
| Date Deposited: | 27 Apr 2026 13:25 |
| Last Modified: | 27 Apr 2026 13:25 |
| Status: | In Press |
| Publisher: | Oxford University Press |
| Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:240423 |
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