Reid, A. orcid.org/0000-0001-5452-0747 (2018) Paul Nash’s Geological Enigma. British Art Studies (10).
Abstract
This essay explores the* *attunement of Nash’s work to pioneering geophysical research in England, connections which have not yet been fully recognized. In a context of the early-to-mid twentieth century, when geophysicists read the startling radioactivity of the land and worked mathematical equations to put a vastly ancient and sensational new age on the rocks of the earth, Nash’s landscape works, fraught with mathematical problems, equations, stones and bones, resonated afresh, beyond the confines of the Modern. Through these interests, I argue, Nash channelled and revitalized a British tradition of engagement with the aesthetics of the geological.
Metadata
Item Type: | Article |
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Authors/Creators: | |
Copyright, Publisher and Additional Information: | © The Author. This is an open access article under the terms of the Creative Commons Attribution License (CC-BY-NC 4.0), which permits unrestricted use, distribution and reproduction in any medium, provided the original work is properly cited. |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 18 Aug 2025 11:03 |
Last Modified: | 18 Aug 2025 11:03 |
Status: | Published |
Publisher: | Paul Mellon Centre |
Identification Number: | 10.17658/issn.2058-5462/issue-10/areid |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:230401 |