Venn, E. orcid.org/0000-0002-5146-9568 (2024) Narrativities of the Self in Thomas Hyde’s "That Man Stephen Ward". In: Everett, Y.U., (ed.) Contemporary Opera in Flux. University of Michigan Press , pp. 221-244. ISBN 9780472076260
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Item Type: | Book Section |
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Copyright, Publisher and Additional Information: | © 2024 by Yayoi U. Everett. This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Note to users: A Creative Commons license is only valid when it is applied by the person or entity that holds rights to the licensed work. Works may contain components (e.g., photographs, illustrations, or quotations) to which the rightsholder in the work cannot apply the license. It is ultimately your responsibility to independently evaluate the copyright status of any work or component part of a work you use, in light of your intended use. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Funding Information: | Funder Grant number AHRC (Arts & Humanities Research Council) AH/T004746/1 |
Depositing User: | Symplectic Publications |
Date Deposited: | 18 Jun 2025 14:15 |
Last Modified: | 18 Jun 2025 14:15 |
Status: | Published |
Publisher: | University of Michigan Press |
Identification Number: | 10.3998/mpub.11925107 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:227478 |