Hesmondhalgh, D. orcid.org/0000-0001-5940-9191 (2024) L’indie anglophone et le destin de l’alternative musicale, trente ans plus tard. Volume!, 21 (1-2). pp. 215-219. ISSN 2117-4148
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Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | This item is protected by copyright. This is an open access article under the terms of the Creative Commons Attribution License (CC-BY-NC-ND 4.0). |
Keywords: | DIY / self-production / self-organization, work / profession / career / wage labor, underground / alternative, mainstream / commercialism / commodification, label / music company, reflexivity |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Media & Communication (Leeds) |
Funding Information: | Funder Grant number EU - European Union 101020615 |
Depositing User: | Symplectic Publications |
Date Deposited: | 03 Feb 2025 14:38 |
Last Modified: | 03 Feb 2025 14:38 |
Status: | Published |
Publisher: | Open Edition Journals |
Identification Number: | 10.4000/12vkk |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:222724 |
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