Held, M. orcid.org/0000-0003-0724-2646 and Brown, C. orcid.org/0000-0002-8858-4578 (Cover date: 2022-01-30) Early Music, Notation and Performance: an interview with Clive Brown. Per Musi, 42. pp. 1-10. ISSN 1517-7599
Abstract
In this interview granted to Marcus Held, Clive Brown discourses about his career dedicated to the historical investigations related to the 18th and 19th centuries music, with emphasis on past performance practices. Brown, who witnessed the consolidation of the Early Music in England, recalls the processes of (re)discovery not only of the past repertoire, but also of the musical thought. With particular interest in musical notation and its intellectual processes, the researcher points that the approach to the score has definitely changed throughout the centuries and, from that, many challenges are posed for the activity of contemporary musical editing.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2022 Per Musi. This work is licensed under a Creative Commons Attribution 4.0 International License. |
Keywords: | Clive Brown; Early Music; Musical Notation; Critical Editing; Performance Practice |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 12 Dec 2023 13:16 |
Last Modified: | 12 Dec 2023 13:16 |
Status: | Published |
Publisher: | Universidade Federal de Minas Gerais - Pro-Reitoria de Pesquisa |
Identification Number: | 10.35699/2317-6377.2022.39099 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:206532 |