Mooney, J and Pinch, TJ (2021) Sonic Imaginaries: How Hugh Davies and David Van Koevering Performed Electronic Music’s Future. In: Hennion, A and Levaux, C, (eds.) Rethinking Music Through Science and Technology Studies. Routledge , London ISBN 9780367200541
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Item Type: | Book Section |
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Copyright, Publisher and Additional Information: | © 2021 The contributors. This is an author produced version of a book chapter published in Rethinking Music through Science and Technology Studies. Uploaded in accordance with the publisher's self-archiving policy. |
Keywords: | electroacoustic music studies; electronic music history; experimental musical instruments; history of music technology; musicology; science and technology studies; sociomateriality; sonic imaginaries; sound studies |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Funding Information: | Funder Grant number British Academy SRG19\190060 |
Depositing User: | Symplectic Publications |
Date Deposited: | 22 Sep 2022 11:54 |
Last Modified: | 04 Nov 2022 01:13 |
Published Version: | https://www.routledge.com/Rethinking-Music-through... |
Status: | Published |
Publisher: | Routledge |
Identification Number: | 10.4324/9780429268830 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:190957 |