Instrumental, Hermeneutic, and Ontological Indeterminacy in Hugh Davies’s Live Electronic Music

Mooney, J, Green, O and Williams, S (2022) Instrumental, Hermeneutic, and Ontological Indeterminacy in Hugh Davies’s Live Electronic Music. Contemporary Music Review, 41 (2-3). pp. 193-215. ISSN 0749-4467

Abstract

Metadata

Item Type: Article
Authors/Creators:
  • Mooney, J
  • Green, O
  • Williams, S
Editors:
Copyright, Publisher and Additional Information:

© 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

Keywords: Indeterminacy; Live Electronic Music; Archival Research; Performance Research; 1960s; 1970s
Dates:
  • Published: 4 May 2022
  • Published (online): 4 July 2022
  • Accepted: 16 July 2021
Institution: The University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds)
Funding Information:
Funder
Grant number
AHRC (Arts & Humanities Research Council)
AH/M005216/1
Depositing User: Symplectic Publications
Date Deposited: 21 Sep 2022 13:59
Last Modified: 12 Dec 2024 13:59
Status: Published
Publisher: Taylor & Francis
Identification Number: 10.1080/07494467.2022.2080455
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Open Archives Initiative ID (OAI ID):

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