Cole, R orcid.org/0000-0001-6281-3099 (2020) Stravinsky, Modernism, and Mass Culture. In: Griffiths, G, (ed.) Stravinsky in Context. Cambridge University Press , pp. 230-237. ISBN 9781108422192
Abstract
Noting Stravinsky’s recent interest in African American music in the Manchester Guardian, Ernest Newman remarked that Ragtime might have been better received in a cinema or restaurant. As a tribute to vapid entertainment, he averred, the piece was ‘hardly worth the while of a man of original genius’; Stravinsky, Newman claimed, had exhausted his compositional resources and – ‘having nothing urgent or vital of his own to say now’ – was busy ‘larking about boyishly among the more stereotyped musical humours of the day’.2 As a caricature of popular culture, in other words, Ragtime was beneath Stravinsky and, by extension, inappropriate fare for the concert hall. How should we understand this strange act of aesthetic transgression? Isn’t modernism supposed to maintain distinctions between ‘high’ and ‘low’?
Metadata
Item Type: | Book Section |
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Authors/Creators: | |
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Copyright, Publisher and Additional Information: | © 2021 Cambridge University Press. Reproduced in accordance with the publisher's self-archiving policy. |
Keywords: | modernism; America; Tin Pan Alley; Theodor W. Adorno (1903-69); Ragtime |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 16 Aug 2022 11:12 |
Last Modified: | 16 Aug 2022 11:12 |
Published Version: | https://www.cambridge.org/core/books/abs/stravinsk... |
Status: | Published |
Publisher: | Cambridge University Press |
Identification Number: | 10.1017/9781108381086.032 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:190014 |