Platten, D (2022) Damaged Goods? The Edginess of True Crime. Crime Fiction Studies, 3 (2). pp. 140-158. ISSN 2517-7982
Abstract
This essay explores the ontological and aesthetic qualities of true crime. With reference to stories set in different regions of the world, produced by writers with hybridised cultural identities, it draws on concepts of ‘truthiness’ (Colbert), ‘depthiness’ (Vermeulen) and ‘eeriness’(Fisher) to show how true crime encodes a neo-modernist aesthetic, marked by attention to place, non-standard verbal forms, and narrative polyphony. However, its ontological dimension also encourages an intense form of participation on the part of the reader-consumer, who, when listening to podcasts or watching television dramas, is fully integrated into the hermeneutic process and might even help solve the crime. My argument is supported by analyses of Truman Capote’s In Cold Blood (1966), David Peace’s 1980 (2001), Haruki Murakami’s Underground (2013), Marlon James’s A Brief History of Seven Killings (2014), Sarah Koenig’s Serial podcast (2014) and the HBO television drama, The Case against Adnan Syed (2019).
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © Edinburgh University Press. This is an author produced version of an article published in Crime Fiction Studies. Uploaded in accordance with the publisher's self-archiving policy. |
Keywords: | true crime, aesthetics, ontology, neo-modernist, novels, podcasts, drama documentaries |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Languages Cultures & Societies (Leeds) > French (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 03 Mar 2022 13:25 |
Last Modified: | 17 May 2023 14:36 |
Status: | Published |
Publisher: | Edinburgh University Press |
Identification Number: | 10.3366/cfs.2022.0071 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:184281 |