La historia transnacional de “Oh Lord, Why Lord”: ennegrecimiento y blanqueamiento del pop barroco español

Green, S orcid.org/0000-0003-1908-8201 (2022) La historia transnacional de “Oh Lord, Why Lord”: ennegrecimiento y blanqueamiento del pop barroco español. El Oído Pensante, 10 (2). pp. 4-28. ISSN 2250-7116

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Item Type: Article
Authors/Creators:
Copyright, Publisher and Additional Information:

©The Author(s), 2022. This is an open access article, under the terms of the Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).

Keywords: música popular, canciones viajeras, España, versión, raza
Dates:
  • Published: 7 November 2022
  • Published (online): 22 September 2022
  • Accepted: 20 January 2022
Institution: The University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Languages Cultures & Societies (Leeds) > Spanish & Portuguese (Leeds)
Depositing User: Symplectic Publications
Date Deposited: 27 Jan 2022 15:27
Last Modified: 16 Nov 2022 15:33
Status: Published
Publisher: Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras (Universidad de Buenos Aires)
Identification Number: 10.34096/oidopensante.v10n2.10298
Open Archives Initiative ID (OAI ID):

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