Venn, E orcid.org/0000-0002-5146-9568 (2021) Thomas Adès at Fifty: Representations on the Stage and on the Page. Tempo, 75 (298). pp. 6-9. ISSN 0040-2982
Abstract
On the evidence of the last year alone, Thomas Adès's international profile, as well as his productivity, remains undiminished as he enters his sixth decade. In a concert on 6 March 2021 to mark his fiftieth birthday, he conducted Kirill Gerstein and the London Symphony Orchestra in a performance of his In Seven Days and Sibelius's Sixth Symphony. Because lockdown restrictions in response to Covid-19 were still in force, the celebratory nature of the concert was necessarily muted – given behind closed doors, the players distanced – and only later uploaded to YouTube.
Metadata
Item Type: | Article |
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Authors/Creators: | |
Copyright, Publisher and Additional Information: | © The Author(s), 2021. Published by Cambridge University Press. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Funding Information: | Funder Grant number AHRC (Arts & Humanities Research Council) AH/T004746/1 |
Depositing User: | Symplectic Publications |
Date Deposited: | 28 Sep 2021 12:40 |
Last Modified: | 07 Nov 2021 10:25 |
Status: | Published |
Publisher: | Cambridge University Press |
Identification Number: | 10.1017/S0040298221000358 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:178442 |
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