Swithinbank, C orcid.org/0000-0002-4481-8977 (2018) Who vibrates? CR: The New Centennial Review, 18 (2). pp. 141-164. ISSN 1532-687X
Abstract
On the music of Carolyn Chen and how New Materialist theories of vibration, vibrancy, and animation intersect with colonial histories of race and subjecthood.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2018 Michigan State University. All rights reserved. Reproduced in accordance with the publisher's self-archiving policy. |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 13 Sep 2021 12:37 |
Last Modified: | 13 Sep 2021 12:37 |
Status: | Published |
Publisher: | Michigan State University Press |
Identification Number: | 10.14321/crnewcentrevi.18.2.0141 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:178082 |