Venn, E orcid.org/0000-0002-5146-9568 (2021) Music, Metaphor and Modernism: Barrie Gavin’s Composer Portraits. Journal of Popular Television, 9 (1). pp. 29-54. ISSN 2046-9861
Abstract
The Royal Philharmonic Society has described the series of composer portraits created by Barrie Gavin as ‘an unprecedented legacy and treasure trove for musicians and curious listeners alike to discover’. These profiles are characterized by their commitment to music of living composers, but also to a repertoire that has become increasingly marginalized in arts coverage in the half century or so since Gavin’s first portrait. This article examines Gavin’s contribution to the filmic presentation of musical modernism of the past 50 years and, in particular, explores his use of creative visual metaphors as a tool for interpretation.
Metadata
Item Type: | Article |
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Authors/Creators: | |
Copyright, Publisher and Additional Information: | © Edward Venn, 2021. The definitive, peer reviewed and edited version of this article is published in The Journal of Popular Television, Volume 9, Number 1, pp. 29-54, 2021, https://doi.org/10.1386/jptv_00040_1. |
Keywords: | Barrie Gavin; interpretation; metaphor; modernism; music; portraiture |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 28 Jan 2021 13:56 |
Last Modified: | 01 Mar 2022 01:38 |
Status: | Published |
Publisher: | Intellect |
Identification Number: | 10.1386/jptv_00040_1 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:170543 |