Towards Inclusive Curating: Who gets to Curate Exhibitions?

Abstract

To many, curating is a closed and mystifying aspect of exhibition-making. Here, artist, curator and author Jade French discusses her latest book, Inclusive Curating in Contemporary Art: A Practical Guide, with Marie-Anne McQuay, Head of Programme, Bluecoat and Artistic Director of Wales in Venice 2019. The book, intended to make curating accessible to people without a traditional arts education background, features a range of practical resources and key debates. These are grounded in a case study, Auto Agents. French and McQuay begin by discussing the case study and book over email during lockdown.

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Item Type:	Other
Authors/Creators:	French, J https://orcid.org/0000-0003-0067-6169 McQuay, M-A
Editors:	Pinnington, M
Copyright, Publisher and Additional Information:	This item is protected by copyright, Reproduced in accordance with the publisher's re-use policy.
Keywords:	curating; visual arts; museums; museum studies; inclusive arts; learning disability
Dates:	Published: 17 August 2020 Accepted: 17 August 2020
Institution:	The University of Leeds
Academic Units:	The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds) The University of Leeds > Faculty of Performance, Visual Arts and Communications (Leeds)
Depositing User:	Symplectic Publications
Date Deposited:	21 Aug 2020 10:38
Last Modified:	21 Aug 2020 10:38
Published Version:	http://www.thedoublenegative.co.uk/2020/08/towards...
Status:	Published
Open Archives Initiative ID (OAI ID):	oai:eprints.whiterose.ac.uk:164539

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Towards Inclusive Curating: Who gets to Curate Exhibitions?

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