Taylor, C (2020) Books, Scrolls and Ripples: In Search of an Audience through the Printed Works of Helen Douglas. Arts, 9 (1). 35. ISSN 2076-0752
Abstract
In this interview, artist and small press publisher Dr. Helen Douglas appraises the development of the artist’s book from its emergence in the 1950s and 1960s to seeking public recognition as a bone fide art form in the mid-1970s, through to the current global attention that it now attracts. Notions of the mass-produced and the handmade are questioned and examined in light of the freedom, cheapness and accessibility of digital technologies versus the time and labour of the artist in search of the haptic, intimate and conceptually complex experience.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Editors: |
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Copyright, Publisher and Additional Information: | © 2020 by the author. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (http://creativecommons.org/licenses/by/4.0/). |
Keywords: | Helen Douglas; Weproductions; Deuchar Mill; artists' books; book fairs; scrolls |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 03 Mar 2020 12:02 |
Last Modified: | 20 May 2020 14:48 |
Status: | Published |
Publisher: | MDPI |
Identification Number: | 10.3390/arts9010035 |
Related URLs: | |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:157812 |