Pollock, G orcid.org/0000-0002-6752-2554 (2017) ‘How the political world crashes in on my personal everyday’: Lubaina Himid’s Conversations and Voices: Towards an Essay About Cotton.com. Afterall: A Journal of Art, Context and Enquiry, 43. pp. 18-29. ISSN 1465-4253
Abstract
Griselda Pollock traces Lubaina Himid’s creative trajectory as she articulates her presence and singularity as an artist.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | This is an author produced version of a paper published in Afterall: A Journal of Art, Context and Enquiry in March 2017. The published version can be found at https://doi.org/10.1086/692550. Uploaded in accordance with the publisher's self-archiving policy. |
Keywords: | Lubaina Himid, Black women artists, conversation, |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 08 May 2018 10:49 |
Last Modified: | 08 May 2018 11:12 |
Status: | Published |
Publisher: | University of Chicago Press |
Identification Number: | 10.1086/692550 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:130505 |