Cooke, P (2017) Packing the affective moment. Short Film Studies, 7 (2). pp. 211-214. ISSN 2042-7824
Abstract
If much contemporary German-language art-house cinema exploits films potential to use space and time to extend the affective moment, focusing on the gap between action and emotional resolution, The Jacket does the opposite. Instead, it creates a moment of claustrophobic intensity, that nonetheless similarly pivots on the function of affect in film.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2017. This is an author produced version of a paper published in Short Film Studies. Uploaded in accordance with the publisher's self-archiving policy. |
Keywords: | emotion, space, affect, Berlin School, framing, time |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Languages Cultures & Societies (Leeds) > German (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 02 Oct 2017 15:31 |
Last Modified: | 25 Jan 2018 01:38 |
Status: | Published |
Publisher: | Intellect |
Identification Number: | 10.1386/sfs.7.2.211_1 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:121972 |