Allen, J (2017) Aimé Césaire and The Divine Comedy: Self-enlightenment and the dialectic of relation in And the Dogs Were Silent. Journal of Postcolonial Writing, 53 (4). pp. 482-494. ISSN 1744-9855
Abstract
This article offers a close reading of the lyrical drama And the Dogs Were Silent, and Aimé Césaire’s unique deployment of a Dantean imaginary. It argues, specifically, that Dante’s “symbolic process” in the Commedia provides a metaphorical structure for the hero’s initiation in this work and for the poet’s articulation of a philosophy of postcolonial relationality. Showing how Dante’s katabasis is used to analogize the creative power of Césaire’s hellish abyss, it offers Édouard Glissant’s theory of Relation as a guiding framework to emphasize fluid connectivity in Césaire’s poetic project.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2017 The Author(s). Published By Informa UK Limited, trading as Taylor & Francis Group. This is an Open Access article distributed under the terms of the Creative Commons Attribution-Non-commercial-No-derivatives License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. |
Keywords: | Aimé Césaire; Édouard Glissant; Dante; Commedia; poetics of Relation; katabasis |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Languages Cultures & Societies (Leeds) > French (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 07 Apr 2017 09:29 |
Last Modified: | 26 Jan 2018 14:35 |
Status: | Published |
Publisher: | Taylor & Francis |
Identification Number: | 10.1080/17449855.2017.1292182 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:114708 |