Ireland, DI (2015) Deconstructing Incongruence: A Psycho-Semiotic Approach toward Difference in the Film-Music Relationship. Music and the Moving Image, 8 (2). pp. 48-57. ISSN 1940-7610
Abstract
This article summarizes the incongruent perspective, a psycho-semiotic approach towards the study of film-music difference that is contextualized by poststructuralist thought. Examples are cited from empirical research conducted alongside the initial theoretical deconstruction to demonstrate: how the perspective theorizes various levels of film-music difference, and their impact upon perceiver experience and response; and the ways in which empirical studies can facilitate inter- and multidisciplinary conceptual deconstruction.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2015 by the Board of Trustees of the University of Illinois. This is an author produced version of a paper published in Music and the Moving Image. Uploaded in accordance with the publisher's self-archiving policy. |
Keywords: | Film music, Music psychology, Musical scales, Deconstructionism, Music analysis, Musical perception, Multimedia materials, Music semiology, Emotion, Poststructuralism |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 06 Apr 2017 16:02 |
Last Modified: | 24 Nov 2020 11:40 |
Published Version: | https://doi.org/10.5406/musimoviimag.8.2.0048 |
Status: | Published |
Publisher: | University of Illinois |
Identification Number: | 10.5406/musimoviimag.8.2.0048 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:114062 |