Koutsourakis, A (2012) Cinema of the Body: The Politics of Performativity in Lars von Trier’s Dogville and Yorgos Lanthimos’ Dogtooth. Cinema: Journal of Philosophy and the Moving Image, 3. pp. 84-108. ISSN 1647-8991
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Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | This is an open access article under the terms of the Creative Commons Attribution License 4.0 https://creativecommons.org/licenses/by/4.0/ |
Keywords: | Deleuze; Lanthimos; Lars von Trier; Cinema of the Body |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Languages Cultures & Societies (Leeds) > German (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 10 Apr 2019 09:02 |
Last Modified: | 10 Apr 2019 09:02 |
Published Version: | http://cjpmi.ifilnova.pt/3-contents |
Status: | Published |
Publisher: | Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, Instituto de Filosofia da NOVA |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:109334 |