Holmes, D orcid.org/0000-0001-9079-3582 (2017) The Way We Read Now: Middlebrow Fiction in Twenty-First Century Europe. CALL: Irish Journal for Culture, Arts, Literature and Language, 2 (1). 3.
Abstract
The allocation of a novel to the category ‘middlebrow’ is partly a matter of marketing and shifting attitudes to literary value, but this article argues that it also designates certain stylistic and narrative qualities that are little esteemed by ‘serious’ critics, but appeal consistently to a wider reading public. The article focuses on one sub-category of contemporary middlebrow fiction, feminine crime, through a comparative analysis of novels by Fred Vargas (French) and Kate Atkinson (British). The argument addresses the relationship between popular and middlebrow within the genre of crime writing, and the ways in which a female perspective inflects generic conventions in ways that are comparable despite the very individual narrative voices of the two authors. It finds that mimetic, story-telling fictions perform significant social, cognitive and emotional roles for readers, and that their pleasures deserve more serious critical attention than they generally receive, particularly in France.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License. Published by ARROW@TU Dublin, 2017. |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Languages Cultures & Societies (Leeds) > French (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 14 Oct 2016 14:59 |
Last Modified: | 23 Jun 2023 22:15 |
Published Version: | https://arrow.dit.ie/priamls/vol2/iss1/3/ |
Status: | Published |
Publisher: | ARROW@DIT |
Identification Number: | 10.21427/D7NM56 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:101938 |
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