Musique concrète, French New Wave cinema, and Jean Cocteau's 'Le Testament d'Orphée' (1960)

This is the latest version of this eprint.

Anderson, L (2015) Musique concrète, French New Wave cinema, and Jean Cocteau's 'Le Testament d'Orphée' (1960). Twentieth-Century Music, 12 (2). 197 - 224. ISSN 1478-5722

Abstract

Metadata

Authors/Creators:
  • Anderson, L
Copyright, Publisher and Additional Information: © 2015, Cambridge University Press. This is an author produced version of a paper accepted for publication in Twentieth-Century Music. Uploaded in accordance with the publisher's self-archiving policy.
Dates:
  • Published: September 2015
  • Accepted: 18 May 2015
Institution: The University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds)
Depositing User: Symplectic Publications
Date Deposited: 28 Aug 2015 14:25
Last Modified: 20 Oct 2015 16:34
Published Version: http://dx.doi.org/10.1017/S1478572215000031
Status: Published
Publisher: Cambridge University Press
Identification Number: https://doi.org/10.1017/S1478572215000031

Available Versions of this Item

Share / Export

Statistics