Music in Balance: The Aesthetics of Music after Kant, 1790-1810

Pritchard, M orcid.org/0000-0003-3534-0956 (2019) Music in Balance: The Aesthetics of Music after Kant, 1790-1810. Journal of Musicology, 36 (1). pp. 39-67. ISSN 0277-9269

Abstract

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Authors/Creators:
Copyright, Publisher and Additional Information: © 2019 by The Regents of the University of California. Published as Music in Balance: The Aesthetics of Music after Kant, 1790-1810. Copying and permissions notice: Authorization to copy this content beyond fair use (as specified in Sections 107 and 108 of the U. S. Copyright Law) for internal or personal use, or the internal or personal use of specific clients, is granted by [the Regents of the University of California/on behalf of the Sponsoring Society] for libraries and other users, provided that they are registered with and pay the specified fee via Rightslink® or directly with the Copyright Clearance Center.
Keywords: Immanuel Kant; C. F. Michaelis; J. F. Reichardt; music aesthetics; autonomy; formalism; classicism
Dates:
  • Published: January 2019
  • Accepted: 10 October 2017
  • Published (online): 21 December 2018
Institution: The University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds)
Depositing User: Symplectic Publications
Date Deposited: 26 Oct 2018 11:57
Last Modified: 18 Feb 2020 15:32
Status: Published
Publisher: University of California Press
Identification Number: https://doi.org/10.1525/jm.2019.36.1.39

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