Harrison Moore, A (2018) Designing Energy Use in a Rural Setting: A Case Study of Philip Webb at Standen. History of Retailing and Consumption, 4 (1). pp. 28-42. ISSN 2373-518X
Abstract
Standen, built between 1891-4, was intended as the weekend retreat of the newly monied couple James and Margaret Beale. It is known as the first country house to have had electric lighting fully integrated into its interior design plans. Such radical technological innovations in energy supply and use, detailed in the extant building specification, is particularly in need of explanation as Standen was designed by the Arts and Crafts architect, Philip Webb, widely known for his ‘natural’ designs and anti-modern aesthetic. Working closely with his clients, Webb designed not only the electrical system, but specified a range of sustainable processes for energy supply. As we will see, Standen not only incorporated the newest technologies, but its remote rural location meant that the house itself remained necessarily self-sufficient; both new and old sources of energy were therefore tied in some significant ways to both local environments and age-old patterns of energy use. This article will offer a close reading of the building specifications, and Webb’s associated letters and diaries, to explore the energy transformations and consumption choices built into Standen, providing a detailed look at the dynamic intersection of continuity and change embodied in the early stages of energy modernization in one influential rural home.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Editors: |
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Copyright, Publisher and Additional Information: | This is an Accepted Manuscript of an article published by Taylor & Francis in History of Retailing and Consumption on 28 March 2018, available online: https://doi.org/10.1080/2373518X.2018.1436221 |
Keywords: | Standen; Webb; Electricity; Energy; Arts and Crafts |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 26 Apr 2018 14:30 |
Last Modified: | 28 Sep 2019 00:38 |
Status: | Published |
Publisher: | Taylor & Francis |
Identification Number: | 10.1080/2373518X.2018.1436221 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:130122 |