Pritchard, M (2018) Cultural Autonomy and the Indian Exception: Debating the Aesthetics of Indian Classical Music in Early 20th-Century Calcutta. In: Strohm, R, (ed.) Studies on a global history of music : a Balzan musicology project. SOAS Musicology Series . Routledge , Abingdon, Oxon ISBN 9781138058835
Metadata
| Item Type: | Book Section |
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| Authors/Creators: |
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| Copyright, Publisher and Additional Information: | (c) 2018 selection and editorial matter, Reinhard Strohm; individual chapters, the contributors. This is an Accepted Manuscript of a book chapter published by Routledge in Studies on a Global History of Music on 13 March 2018, available online: https://www.routledge.com/Studies-on-a-Global-History-of-Music-A-Balzan-Musicology-Project/Strohm/p/book/9781138058835 |
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| Institution: | The University of Leeds |
| Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Music (Leeds) |
| Depositing User: | Symplectic Publications |
| Date Deposited: | 22 Feb 2018 11:14 |
| Last Modified: | 13 Sep 2019 00:38 |
| Published Version: | http://routledge.com/9781138058835 |
| Status: | Published |
| Publisher: | Routledge |
| Series Name: | SOAS Musicology Series |
| Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:121328 |
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