Knox, J. orcid.org/0000-0001-8662-2393 (2024) ‘Real’ reel poetry: examining co-digital motherhood communities through reel Instapoetry. New Review of Hypermedia and Multimedia, 30 (1-2). pp. 59-93. ISSN: 1361-4568
Abstract
The original wave of Instapoetry, typically recognised by its typewritten font and generic axioms, was instantly divisive, with some decrying its linguistic simplicity as banal and others praising this same trait for its universal accessibility. Regardless of their controversial reception, however, the incessant production of today’s digital economy has required Instapoets to continuously adapt to their shifting environment. While a few Instapoet-influencers may have achieved true celebrity status, removing their original online posts and transcending to solely print publications, most Instapoets have continued to evolve with the platform in their practices for creating, managing, and presenting content. Surprisingly, however, such entrepreneurial adaptation does not necessarily contribute to disassociated intimate publics, where users are only vaguely connected by a loose exchange of likes. As evidenced by this case study on motherhood Instapoets, marginalised voices may sometimes build niche counterpublics where individuals mutually support each other for the good of the entire gift economy. Certain new hypertextual features, such as reels, not only contribute to increasing interpersonal user connections but even encourage more fluid co-digital collaborations. This survey particularly notes how content creators and consumers tag, share, and adapt reels to mutually strengthen the overarching motherhood Instapoetry community.
Metadata
| Item Type: | Article |
|---|---|
| Authors/Creators: | |
| Copyright, Publisher and Additional Information: | © 2024 The Author(s). This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivativesLicense (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent. |
| Keywords: | Instapoetry; Instagram; microcelebrity; counterpublic; motherhood; digital community; reels; gift economy |
| Dates: |
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| Institution: | The University of Sheffield |
| Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of History, Philosophy and Digital Humanities |
| Date Deposited: | 23 Oct 2025 11:15 |
| Last Modified: | 23 Oct 2025 11:15 |
| Status: | Published |
| Publisher: | Taylor and Francis Group |
| Refereed: | Yes |
| Identification Number: | 10.1080/13614568.2024.2369516 |
| Related URLs: | |
| Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:233460 |
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Filename: Real Reel Poetry Examining Co-Digital Motherhood Communities Through Reel Instapoetry.pdf
Licence: CC-BY-NC-ND 4.0

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