Louwerse, H. (2025) “A Bigger Story”. The poetics of relation in the art and performance of Hew Locke and Raoul de Jong. Dutch Crossing. ISSN: 0309-6564
Abstract
This contribution argues that a critical re-evaluation of Dutch colonial history requires a fundamental structural change in institutional epistemologies, moving beyond a simple methodological shift. By examining the transnational artistic and literary practices of Guyanese-British artist Hew Locke and Surinamese-Dutch writer Raoul de Jong, this paper demonstrates how their creative work forges a new “poetics of relation” to confront and dismantle imperial ways of thinking. Through a transdisciplinary analysis, the study compares Locke’s use of a “Black Baroque” aesthetic—which employs abundance and excess to recontextualize colonial symbols—with De Jong’s performative writing and resistance to literary categorization. The analysis reveals how both artists actively embody a logic that subverts the traditional separation of past and present, challenging established frameworks and foregrounding the knowledge held within ancestral memories and lived experiences. Locke and De Jong share a mode which is not merely a critique of colonialism but an act of re-creation, offering a path towards a language of human connection that transcends national borders.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2025 The Authors. Except as otherwise noted, this author-accepted version of a journal article published in Dutch Crossing is made available via the University of Sheffield Research Publications and Copyright Policy under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution and reproduction in any medium, provided the original work is properly cited. To view a copy of this licence, visit http://creativecommons.org/licenses/by/4.0/ © 2025 The Author(s). This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. The terms on which this article has been published allow the posting of the Accepted Manuscript in a repository by the author(s) or with their consent. |
Keywords: | Suriname; colonial legacy; Netherlands; literature; Dutch |
Dates: |
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Institution: | The University of Sheffield |
Academic Units: | ?? Sheffield.LAS ?? The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of Languages and Cultures (Sheffield) |
Funding Information: | Funder Grant number ARTS AND HUMANITIES RESEARCH COUNCIL AH/Y006534/1 ARTS AND HUMANITIES RESEARCH COUNCIL / AHRC UNSPECIFIED |
Date Deposited: | 24 Sep 2025 14:35 |
Last Modified: | 29 Sep 2025 08:05 |
Status: | Published online |
Publisher: | Taylor and Francis Group |
Refereed: | Yes |
Identification Number: | 10.1080/03096564.2025.2564032 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:231677 |
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