Jacobsen, Benjamin orcid.org/0000-0002-6656-8892 and Simpson, Jill (2023) The tensions of deepfakes. Information, Communication and Society. ISSN 1369-118X
Abstract
In recent years, deepfakes have become part and parcel of contemporary algorithmic culture. It is regularly claimed that they have the potential to introduce novel modes of societal disruption, violence, and harm. Yet, over-emphasising the power of deepfakes risks occluding frictions, struggles, and logics that already persist in the digital landscape. Arguing for a conceptualisation of deepfakes as an assemblage of differential tensions in society, we explore how they represent both a rupture and a continuation of the variegated politics of the image in the social world. The paper analyses the tensions of deepfakes through three distinct case studies: bodies, politics, and ideas of objectivity. Ultimately, we argue that the tensions and ethicopolitical implications of deepfakes are not reducible to a problem that can be solved through a logic of algorithmic detection and verification.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2023 The Author(s). |
Dates: |
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Institution: | The University of York |
Academic Units: | The University of York > Faculty of Social Sciences (York) > Sociology (York) |
Depositing User: | Pure (York) |
Date Deposited: | 06 Oct 2023 09:40 |
Last Modified: | 08 Feb 2025 00:51 |
Published Version: | https://doi.org/10.1080/1369118X.2023.2234980 |
Status: | Published online |
Refereed: | Yes |
Identification Number: | 10.1080/1369118X.2023.2234980 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:204025 |