Thoma, A orcid.org/0000-0003-1698-8677 (2011) Moving between Images: The Orchestration of Diverse Time-Space Constructs in Fine Art Practice. The International Journal of the Image, 1 (2). pp. 15-26. ISSN 2154-8560
Abstract
This paper discusses how the image can be thought in the context of contemporary fine art practice. Drawing from the author’s practical and theoretical engagement with image making, it explores how the juxtaposition of diverse fine art media contributes to a differentiated appreciation of the time-space relation and how the dialectic of absence and presence of figuration relates to movement and assists the experience of nomadic dwelling. Emphasis will be put on the temporal qualities of the image and its material presentations in space; this applies to the physicality of painting, but also to the screen presence of video or the spatial organization of photographic images. The orchestration of diverse time-space constructs will be considered in relation to Bergson’s notion of duration as multiplicity, Deleuze’s metaphor of the crystal image, Husserl’s concept of simultaneous time flows and Birnbaum’s appraisal of the phenomenology of multi-screen video installations.
Metadata
Item Type: | Article |
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Authors/Creators: | |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Design (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 12 Mar 2019 09:52 |
Last Modified: | 12 Mar 2019 09:52 |
Published Version: | http://doi.org/10.18848/2154-8560/CGP |
Status: | Published |
Publisher: | Common Ground |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:99868 |