Perez Diez, JA (2016) Editing on stage: Theatrical research for a critical edition of John Fletcher and Philip Massinger’s Love’s Cure, or The Martial Maid. Shakespeare Bulletin, 34 (1). pp. 69-88. ISSN 0748-2558
Abstract
This essay analyses the results of a performance research project undertaken in 2012 at the Shakespeare Institute. It investigated the staging potential of 'Love's Cure, or The Martial Maid' by John Fletcher and Philip Massinger, employing original performance practices to replicate to some degree the physical conditions under which the play was originally staged in 1615. The article summarises the ways in which the author, as editor of the play, could use the results from a series of workshops to formulate editorial stage directions that are compatible with actual performance practice, as well as to enrich the annotation with appropriate reference to the stageability of the play.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Editors: |
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Copyright, Publisher and Additional Information: | © 2016 The John Hopkins University Press. This is an author produced version of a paper accepted for publication in Shakespeare Bulletin. Uploaded in accordance with the publisher' self-archiving policy. |
Keywords: | performance research; performance; John Fletcher; Editing; Critical edition; Print edition; Acting; Costumes; Directing; Experiment; Original Performance practices |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of English (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 04 Mar 2016 15:45 |
Last Modified: | 23 Jan 2018 05:43 |
Published Version: | https://dx.doi.org/10.1353/shb.2016.0011 |
Status: | Published |
Publisher: | Johns Hopkins University Press |
Identification Number: | 10.1353/shb.2016.0011 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:95626 |