Stiebert, J (2014) The Eve-ing of Bathsheba in Twentieth Century Film. The Bible and Critical Theory, 10 (2). 22 - 31. ISSN 1832-3391
Abstract
This paper demonstrates that Eve is not the sole biblical female figure subverted for nefarious purposes. Bathsheba, like Eve, is a sexualized and objectified figure in her story: a woman seen, desired and taken for sex by a powerful man. Like Eve in advertising, Bathsheba in film has been reimagined as more active, colluding and liberated than she is in her narrative. But, as with the postfeminist Eve, Bathsheba in three twentieth century films derives her “power” solely from her sexual appeal, which renders a man powerless; like Eve, she exhibits no solidarity with but ousts other women. In the domain of popular culture neither Eve, nor Bathsheba, even where they are granted a higher degree of visibility than in the biblical text, offers new, positive, let alone liberating possibilities.
Metadata
Item Type: | Article |
---|---|
Authors/Creators: |
|
Copyright, Publisher and Additional Information: | (c) 2014, Bible and Critical Theory Seminar. This is an open access article under the terms of the Creative Commons Attribution License CC-BY. |
Keywords: | David; masculinity; film; Katie Edwards; Admen and Eve; Bathsheba |
Dates: |
|
Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Philosophy, Religion and History of Science (Leeds) > Theology and Religious Studies (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 21 Oct 2015 14:58 |
Last Modified: | 29 Mar 2018 01:04 |
Published Version: | http://novaojs.newcastle.edu.au/ojsbct/index.php/b... |
Status: | Published |
Publisher: | Bible and Critical Theory Seminar |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:88331 |