Tantcheva, E, Cheung, TLV and Westland, S (2013) Study of the use of the colour blue in Byzantine and early post-Byzantine church decoration in the context of the presumed contemporary interior lighting. In: MacDonald, L, Westland, S and Wuerger, S, (eds.) Proceedings of AIC Colour 2013: Twelfth Congress of the International Color Association. AIC Colour 2013: Twelfth Congress of the International Color Association, 08-12 Jul 2013, Newcastle-Gateshead, UK. The Colour Group (Great Britain) , 909 - 912. ISBN 9780901623027
Abstract
This paper presents the use of a new method of assessment and comparison of the appearance of colour in an art historical context, using some seventeenth century churches in Bulgaria as a case-study. The method also allows initial identification of the main colour agent of the pigments used. It contains the results of the identification of the colour red. This research provides a possible basis for further investigation into the use of colour in seventeenth century Bulgaria, in a way that overcomes the limitations of colour reproduction in print. In addition, a faithful and unambiguous record of the existing colours will make it possible to create the non-metameric subtractive mixtures that are needed for the restoration of the frescoes.
Metadata
Item Type: | Proceedings Paper |
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Authors/Creators: |
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Editors: |
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Keywords: | Arbanassi; art history; spectrophotometry; colour appearanc e; pigment identification |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Design (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 27 Jan 2015 09:54 |
Last Modified: | 19 Dec 2022 13:30 |
Published Version: | http://www.colour.org.uk/meetingAIC-absracts-etc-2... |
Status: | Published |
Publisher: | The Colour Group (Great Britain) |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:83041 |