McKechnie, K (2008) Detached signifiers, dead babies and demon dwarves: Bieito’s Dutchman. Studies in Musical Theatre, 2 (1). 101 - 108 (8). ISSN 1750-3159
Abstract
The Catalan director Calixto Bieito is a successful opera director, critically acclaimed for his often violent and confrontational concepts. He has worked mainly on German stages in the last decade, where audiences have often been scandalized by the explicit imagery and radical re-interpretations in Bieito’s work. This ‘reactive’ review critiques his production of The Flying Dutchman for Stuttgart State Opera (2008), applying mainly semiotic and some phenomenological analysis. It also contextualizes Regietheater (director’s theatre) with audience expectation. The context of the production and the impact of using an earlier (1841) version of the opera is examined with reference to direction, scenography and conceptual updating of The Flying Dutchman.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Performance and Cultural Industries (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 17 Feb 2015 12:14 |
Last Modified: | 04 Nov 2016 06:05 |
Published Version: | http://dx.doi.org/10.1386/smt.2.1.101_7 |
Status: | Published |
Publisher: | Intellect |
Identification Number: | 10.1386/smt.2.1.101/7 |
Related URLs: | |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:82878 |